"A young woman plays the piano (right) with painful intentness, and sings, as does the man who holds open her music-book, inscribed 'On Rosy Bed by Tinckling Billy'. A middle-aged military officer stands full face playing the flute. A fat elderly 'cit' sleeps in an arm-chair (left); his wig has fallen off and his legs rest on another chair. Behind him a very obese man and an ugly and over-dressed woman with a grotesquely thin neck sing from the same piece of music: 'On Rosy Bed'. He warms his back at a blazing fire; the feathers in her hair are alight in one of the candles on the chimney-piece. A small boy blows a toy trumpet, a dog howls and a cat miaows, standing on an open music-book inscribed 'Water Part ....' Chinese figures on the chimney-piece and the lintel of the door represent comic musicians playing different instruments."--British Museum online catalogue, description of state with imprint
Alternative Title:
Delights of harmony
Description:
Title etched below image., Variant state, lacking publication line, of a print originally published with the imprint: London: Published May 20, 1810, by H. Humphrey, 27 St. James's Street." Cf. No. 11611 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Publication information based on that of state with imprint., Sheet trimmed within plate mark on two edges., and Mounted on leaf 80 of volume 11 of 12.
Publisher:
H. Humphrey
Subject (Geographic):
England.
Subject (Topic):
Cats, Dogs, Figurines, Music rooms, Musicians, and Sleeping
A young girl holds a bouquet of flowers in her right hand with a basket of more flowers over her right arm. She clutches her apron with her left hand. She stands facing the viewer wtih a little dog at her feet looknig up at her
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Published Novr. 1, 1812 S. & J. Fuller at the Temple of Fancy, Rathbone Place
A young girl carries a ladder back chair over her right shoulder and in her left hand she carrries basket with a bundle of reeds and scissors as she walks along a country road. A young dog sits on the ground looking up at her
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Published Novr. 1, 1812 S. & J. Fuller at the Temple of Fancy, Rathbone Place
Subject (Geographic):
London (England)
Subject (Topic):
Baskets, Chairs, City & town life, Dogs, Girls, and Reeds (Plants)
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: Turn away thine eyes from me, Timothy, for they overcome me thy hair is as a flock of goats that appear from Gilead!", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: 1830 -- Male costume: 1830 -- Lighting -- Shells: conch --Reference to Gilead., and Print numbered in ms. near top edge of sheet: 44.
Publisher:
publisher not identified
Subject (Topic):
Candlesticks, Chairs, Dogs, Fireplaces, Mirrors, and Vases
"A toilet scene. The Regent stands in profile to the right at his dressing-table, rouging his cheek with a small brush. An attendant, resembling McMahon, laces the stays which in front resemble a waistcoat; he tugs at the lace, standing on a low stool, using one foot as a fulcrum against his master's posterior (cf. British Museum Satires No. 8287), a small buffer ornamented with goats' heads being attached to this foot. On the oval mirror which reflects the Prince's face sits a monkey, holding on its head a wig with a pyramid of curls above the forehead with large side-whiskers attached. The Prince's hair is similarly arranged. The Prince's tail-coat, in back view, is spreadeagled on a stand. On an ornate wall-bracket inscribed 'Bills' and 'Recetts' are two ornamental files, one filled with bills: 'hatters Bill', 'Poulterers Bill', 'Fishmongers B', 'Hair Dresser', 'Taylors Bill', 'Butchers Bill', 'Docters Bill', 'Silve smiths Bill'; the other empty. A bracket-clock, surmounted by a figure of Time shearing a triple ostrich plume, points to two o'clock (reversed). A round wall-mirror and candle-sconce is surmounted by a figure of Bacchus bestriding a cask. On the dressing-table are pots and jars of 'Tooth Powder', 'Rouge', 'Otto of Roses', and 'Secilian Wash for the Skin'. On the floor is a book, 'The Stripes Poem', which a small dog shaved like a poodle is befouling."--British Museum online catalogue
Alternative Title:
Regency a la mode
Description:
Title etched below image., Imprint statement burnished from plate and mostly illegible; it appears to begin "Pub. Feb. 1st [...?]"., Sheet trimmed within plate mark., and Laid down on modern laid blue-grey THS Kent paper. Mounted to 49 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, and Dionysus (Greek deity),
Six members of the society sit in a row, each singing a different song. All are ugly and elderly except one lady who turns to her neighbour singing, "In sweetest harmony we live." The latter, almost bald, sits on the extreme left, singing, "Time has not thinn'd my flowing hair." A fat, ugly lady bawls towards her left hand neighbour: "Encompass'd in [an] angels frame." He sings to her: "Together let us ran[ge] the fields." A man with closed eyes from which tears fall, sings: "Said a smile to a tear what cause have you hear." A gouty, old naval officer on the extreme right sings: "Oh exquisite harmony!! Music has charms to soften rocks and bend the knotted oak." A dishevelled footman with a bottle in his coat-pocket walks from the right, tilting his salver of glasses so that they fall on a squalling cat. He sings tipsily: "From night till morn I take my glass I hopes to forget my Chloe!!" A dog on the left howls
Alternative Title:
Catalanian picnic society at private rehearsal
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Cats, Crying, Dogs, Organizations, Rehearsals, Servants, Singing, and Sleeping
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching on wove paper, black and white ; sheet 36 x 45.4 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 23 of volume 2 of 14 volumes.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
"Social satire; a tall thin man with a tasselled tricorn hat in one hand and wearing a sword, wig, buckled shoes and rings on both hands steps forward towards a large lady with a wreath in her hair, beauty spots, several rings, a cupid's bow and arrow on a ribbon round her neck, a large muff, and a very low decolletage; behind them their two dogs mimic their actions; the man asks "Beauty need note de foraine aid of ornamen but ees ven unadorn adorn de mos.", to which the woman replies "I really cannot resist the pleasing truth of the bewitching Markeee. - - ah! Sweet Sir I yield, ah!""--British Museum online catalogue
Description:
Title etched below image., Attributed to Cruikshank on unverified card catalog record., Imprint burnished from plate. Originally published in 1798., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Song is an allusion to the Roast beef of Old England., and Watermark: John Hall 1825.
Title from item., Decade obliterated in date; surmised from publisher's address., and Date of publication surmised from printer'ss address. See I. Maxted's British book trade.
Publisher:
Pub. by T. Colley Novr. 28 17[8]1 high Holborn London
Subject (Geographic):
France
Subject (Topic):
Soldiers, French, Military uniforms, Piers & wharves, Clothing & dress, and Dogs
"An exciseman stands in profile to the left, his lower lip protruding grotesquely; his chest is much thrown out, right hand thrust under his coat, left arm behind his back. From his pocket protrudes an 'Excise Book'. His ink-bottle is attached to his coat; in it is a pen; another pen projects from his cocked hat. A dog (right) befouls his leg."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Excisemen -- Excise books -- Ink bottles., and Watermark: 1814.
"An exciseman stands in profile to the left, his lower lip protruding grotesquely; his chest is much thrown out, right hand thrust under his coat, left arm behind his back. From his pocket protrudes an 'Excise Book'. His ink-bottle is attached to his coat; in it is a pen; another pen projects from his cocked hat. A dog (right) befouls his leg."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Excisemen -- Excise books -- Ink bottles., Leaf 59 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 19.8 x 14.9 cm, on sheet 31.1 x 25.5 cm., and Watermark, trimmed: [Ed]meads 1808.
George IV, wearing a coat and top hat, punches a plainly dressed Caroline in the face on a dirt street in front of buildings; blood gushes from her nose as she falls backwards from the blow. Lady Conyngham, elegantly dressed, stands behind the King and converses with a soldier on the left edge of the design. Another man, dressed as royalty in a fur-lined cape, stands in a doorway on the right, angrily pointing and yelling at a woman; a sign posted next to the doorway advertises "The Life of King Henry VIII." A dog runs in the foreground on the right, its collar reading "John Bull."
Alternative Title:
A Royal example!, or, A Westminster blackguard illusing his wife, Westminster blackguard illusing his wife, and Westminster blackguard ill-using his wife
Description:
Title etched below image., Print signed twice; "Marks fect." is etched within bottom center portion of image, and "Marks" is etched beneath lower right corner of image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark (mostly trimmed)., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 62 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "George IV," and "Caroline" identified in pencil at bottom of sheet; a mostly illegible note, with the date "1820" at the end, is written in pencil in lower right.
Publisher:
Pubd. by Benbow, St. Clemends [sic] Church Yard, Starnd [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Fighting, Family violence, Mistresses, Soldiers, Doors & doorways, and Dogs
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title etched at top of image., Date based on other work by Van der Gucht., Quotation from book I, line 203 of Virgil's Aeneid etched below image: Forsan et haec olim meminisse juvabit. Virg., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Scots opera / 171., and On page 52 in volume 1.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 7th December 1772.
Call Number:
Bunbury 772.12.07.03+ Impression 1
Collection Title:
Page 79. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A family scene of barren discomfort. An elderly man (left) in profile to the right sits in a high-backed wooden arm-chair asleep. Next him his wife sits asleep, her hands clasped, her left elbow supported on a table. At the table sits a boy asleep over a book. On the right, very upright on the edge of her chair, sits a middle-aged woman, wearing a low bodice, her hair dressed high. In the foreground a dog and cat are fighting. The room is lit by one guttering candle which stands on the table. A window and a door are indicated."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching with drypoint on laid paper ; sheet 239 x 295 mm., and Imperfect; sheet trimmed within plate mark with partial loss of image from top edge.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 7th December 1772.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 79. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A family scene of barren discomfort. An elderly man (left) in profile to the right sits in a high-backed wooden arm-chair asleep. Next him his wife sits asleep, her hands clasped, her left elbow supported on a table. At the table sits a boy asleep over a book. On the right, very upright on the edge of her chair, sits a middle-aged woman, wearing a low bodice, her hair dressed high. In the foreground a dog and cat are fighting. The room is lit by one guttering candle which stands on the table. A window and a door are indicated."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 79 of: Bunbury album.
Leaf 68. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Full-face portrait of a man walking to right and looking to his right. His right hand is in his coat pocket, his left thrust in his waistcoat. He wears a looped hat, his hair or wig is in a long queue bound with black ribbon. He wears a sword, laced coat, ruffled shirt and cravat, low buckled shoes. A dog of greyhound type walks in front. He resembles portraits of Richard Grenville-Temple, 1st Earl Temple (1711-79)."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "11" in upper right corner., Temporary local subject terms: Macaronies -- The Temple -- ?Greyhound -- Queue wig bound with ribbon -- Little cocked hat., and Second of three plates on leaf 68.
"Full-face portrait of a man walking to right. and looking to his right. His right hand is in his coat pocket, his left thrust in his waistcoat. He wears a looped hat, his hair or wig is in a long queue bound with black ribbon. He wears a sword, laced coat, ruffled shirt and cravat, low buckled shoes. A dog of greyhound type walks in front. He resembles portraits of Richard Grenville-Temple, 1st Earl Temple (1711-79)."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., For a later state, see no. 4994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Plate numbered "11" in upper right corner.
Publisher:
Pub. by MDarly accorg. to act
Subject (Geographic):
England and Great Britain.
Subject (Name):
Temple, Richard Grenville-Temple, Earl, 1711-1779
Subject (Topic):
Clothing & dress, Dandies, British, Dogs, and Nobility
Volume 2, page 35. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"An organ grinder turning angrily to left at the sight of a soldier placing his hand on the arm of a beautiful girl from his troupe playing the mechanical organ at left, his dog at his ankles reflecting his sentiment by growling at another at the soldiers feet, behind at left a woman beating a drum and on the right a young girl plays a triangle, two friars stand behind, ogling the organ player, buildings and a church on the street behind; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 35 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Sepr. 20th, 1785, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Street musicians, Organ grinders, Drums (Musical instruments), Soldiers, Monks, and Dogs
A view of a barber's shop with images of customers receiving various stages of services: shaving, hair cuts, care of wigs. Two dogs fight over a wig in the foreground
Description:
Title etched below image., Publication date from no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., No. 1 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
"The interior of a barber's shop. A very old and completely bald man reclines in an arm-chair (left), a cloth over his shoulders; a fat barber is about to place on his head a tie-wig. On the ground at his side lies a wig with a long pigtail queue which is being befouled by a dog. Behind, on a tall stand, is a barber's block fitted with a small wig. The barber's assistant, a lean man wearing spectacles and an apron, fits a small wig on the head of a stout man, who stands in profile to the right, his hand in his coat-pocket. On the right is a lattice window in three divisions; a man sits in a chair facing the window. Wigs are hung up in the window. On a high shelf (left) are round wig-boxes. Next the shelf is nailed up a print of Absalom hanging from a tree, while his horse gallops away. ... The ceiling is raftered."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., First two letters of "TRowlandson" in imprint form a monogram., Sheet trimmed within plate mark., and Formerly mounted on leaf 11 of volume 1 of 14 volumes.
Publisher:
Pubd. accd. to act, Dec. 13th, 1780, by TRowlandson & J. Jones, No. 103 Wardour Street, Soho
Volume 2, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a barber's shop during the Westminster Election of 1784. The centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. From the pocket of the boy protrudes a label inscribed 'Hood'; from that of the other, '[Wr]ay'. On the ground projecting from the sheet is '[F]ox'. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper; behind his head is a notice, 'State of the Poll'. Two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. On the extreme right a barber shaves a man whose face is lathered; the barber's apron is inscribed 'Success to the Poll'. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig; one (left) wears a 'Hood & Wray' favour, the other a Fox favour. A large hat on the ground has a 'Hood and Wray' favour. A barber's block has been overturned (left). On another (left) is a wig. Wigs and wig-boxes decorate the back wall."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Publish'd as the act directs, May 12, 1785, by J. Jones, Great Portland Street, & W. Dickenson [sic], No. 158 Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806., Wray, Cecil, Sir, 1734-1805., Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Volume 2, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a barber's shop during the Westminster Election of 1784. The centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. From the pocket of the boy protrudes a label inscribed 'Hood'; from that of the other, '[Wr]ay'. On the ground projecting from the sheet is '[F]ox'. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper; behind his head is a notice, 'State of the Poll'. Two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. On the extreme right a barber shaves a man whose face is lathered; the barber's apron is inscribed 'Success to the Poll'. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig; one (left) wears a 'Hood & Wray' favour, the other a Fox favour. A large hat on the ground has a 'Hood and Wray' favour. A barber's block has been overturned (left). On another (left) is a wig. Wigs and wig-boxes decorate the back wall."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 31 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving and etching with rocker on laid paper ; sheet 50.7 x 66.7 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs, May 12, 1785, by J. Jones, Great Portland Street, & W. Dickenson [sic], No. 158 Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806., Wray, Cecil, Sir, 1734-1805., Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., 1 print : aquatint and etching on wove paper, touches of color ; sheet 35.4 x 23.2 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., and Mounted on leaf 12 of volume 12 of 14 volumes.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
A man stands on the sidewalk, both hands on his walking stick, as a woman greets him at the open door of her residence on a elegant city street. A dog stands at her feet. The door has a knocker with a beast's head and is numbered '50'.
Alternative Title:
All out
Description:
Title engraved above image., Plate numbered '274' in lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Three lines of caption below design: Pray young woman is your master at home. No Sir he is gone out along with my Mistress..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Octr. 12, 1802 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Date and place of publication from item., Below title: 240; Halloo! Young Glewpot -- de ye see Jack Junk has Shivered his Timbers -- and wee want a Splice here., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published 24th Feby. 1800 by Laurie & Whittle, 53 Fleet Street London
Subject (Topic):
Prosthesis, Carpentry, Amputees, Falling, Dogs, Peg legs, Carpenters, and Sailors
A sailor sits on the ground outside a house from which a man (doctor) emerges to offer assistance. He has an amused look on his face as he holds his broken peg leg. One of his two companions puts up his hand to hold off the assistance of the doctor as his other companion beckons to a carpenter who carries a plank of wood and a saw in addition to his lunch pail. A woman stands at the window looking out on the scene, her finger to her nose and a slight smile on her face. A small dog walks along the road beside the approaching carpenter
Alternative Title:
Carpenter the best surgeon
Description:
Title engraved below image., Plate numbered '240' in lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 24th Feby. 1800, by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England.
Subject (Topic):
Accidents, Carpenters, Dogs, Peg legs, Physicians, British, and Sailors
A group of gentlemen seated at an oval table, with glasses full of wine, laugh uproariously at a joke as they look down at the dog at the foot of the table
Description:
Title from text at bottom of image., Companion print to: No effect., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A grotesquely ugly old maid, wearing pattens, walks preceded by a small poodle, clipped in an exaggeration of the French manner, and followed by a black foot-boy in livery, who holds on a skewer a lump of 'Cat's Meat'. He carries an umbrella under his arm. Her dress is blown back against her skinny form; her hands are in a large muff, and she wears a fur tippet over a tight bodice defining shoulders, round to deformity. Her profile is hideously sub-human. She walks with a fixed stare, not looking at a half-naked beggar (right) with a patch over one eye and supported on a crutch who holds out his hat for alms. Behind is a blank wall, above which are a church spire and old-fashioned gabled houses."--British Museum online catalogue
Description:
Title below image., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., For a later state see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, no. 11973., A 1811 edition described in: Grego, J. Rowlandson the caricaturist, v. ii, p. 237., and Mounted to 49 x 32 cm.
Publisher:
publisher not identified
Subject (Topic):
Black people, Beggars, Dogs, Servants, and Single women
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1780?]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 5. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image on second plate., A single design on three plates., Sheets trimmed within plate mark., Dedication below image on first plate: To His Royal Highness George Prince of Wales., Dedication below image on third plate: This plate is dedicated to His Royal Highness by his most obedient humble servant, James Bretherton., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Tipped in at page 5 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
publisher not identified
Subject (Topic):
Accidents, Carriages & coaches, Dogs, Hunting, and Hunting accidents
In an outdoor setting, Lord North and Charles Fox are shown embracing. Fox, taller of the two, his face expressing satisfaction, nearly lifts the perplexed-looking North off the ground in an attempt to kiss him on the mouth saying, "I perfectly agree with your Lord Ship." To their right, under a tree, a fox and a clumsy-looking dog with a collar inscribed "North" sniff at each other. In the background on the left stands a small figure of Lord Shelburne saying "Risum teneatis Amici."
Alternative Title:
Coalition betwixt the fox and the badger and Honey moon of their happy union
Description:
Title etched below image., 1 print : etching with engraving & stipple engraving on laid paper, hand-colored ; sheet 24.3 x 34.3 cm., Sheet trimmed within plate mark., and Mounted on leaf 51 of volume 1 of 12.
Publisher:
Pubd. according to act by W. Humphry [sic], No. 227 Strand
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Kissing, Dogs, Foxes, Clothing & dress, and Politics and government
In an outdoor setting, Lord North and Charles Fox are shown embracing. Fox, taller of the two, his face expressing satisfaction, nearly lifts the perplexed-looking North off the ground in an attempt to kiss him on the mouth saying, "I perfectly agree with your Lord Ship." To their right, under a tree, a fox and a clumsy-looking dog with a collar inscribed "North" sniff at each other. In the background on the left stands a small figure of Lord Shelburne saying "Risum teneatis Amici."
Alternative Title:
Coalition betwixt the fox and the badger and Honey moon of their happy union
Description:
Title etched below image.
Publisher:
Pubd. according to act by W. Humphry [sic], No. 227 Strand
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Kissing, Dogs, Foxes, Clothing & dress, and Politics and government
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
Feb 8, 1801.
Call Number:
801.02.08.01+
Image Count:
1
Resource Type:
still image
Abstract:
An obese man in a floral waistcoat and large lace collar rides his horse down a lane, his dog following behind
Description:
Title from item., Printmaker and artist from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A domestic scene; a grotesque elderly woman sits at her toilette, pointing to a mirror on which a mobcap hangs, and looking upwards as a wig decorated with ribbons and a feather is about to be placed on her head by a young maid standing at right, who is momentarily distracted by the embraces of a footman; at left, an elderly man standing and looking inside a cupboard full of shelves of pottery; a cat and dog in front of a fire at left, a dog on a chair opposite the old woman."--British Museum online catalogue
Alternative Title:
My aunt and my uncle and Couple of antiques
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 70 of volume 8 of 14 volumes.
Publisher:
Pubd. Novr. 20, 1807, by R. Ackermann, No. 101 Strand
Subject (Topic):
Cats, Dogs, Mirrors, Older people, Servants, Spouses, and Wigs
"A fat 'cit', wearing a short brown wig, sits almost full-face between fire (left) and round table (right) on which are decanter, steaming glass, and smoking pipe. His face is contorted by a violent sneeze; in his left hand is his snuff-box, his right holds a pinch of snuff near his face. On his knee is a paper headed Parliamentary Debates. His dog looks up from between his feet, startled and annoyed. On the chimneypiece, the right part of which is visible, are a bust of Morpheus, a large shell, a squatting and obese Chinese nudity. An oval bust portrait is on the wall."--British Museum online catalogue
Alternative Title:
Pinch of cephalic
Description:
Title from text above and below image., Sheet trimmed within plate mark., and Mounted to 36 x 27 cm.
Publisher:
Pubd. Jany. 25th, 1822, by G. Humphrey, 27 St. James's St., London
Subject (Topic):
Tobacco, Sneezing, Snuff, Smoking, Pipes (Smoking), Fireplaces, and Dogs
"A fat 'cit', wearing a short brown wig, sits almost full-face between fire (left) and round table (right) on which are decanter, steaming glass, and smoking pipe. His face is contorted by a violent sneeze; in his left hand is his snuff-box, his right holds a pinch of snuff near his face. On his knee is a paper headed Parliamentary Debates. His dog looks up from between his feet, startled and annoyed. On the chimneypiece, the right part of which is visible, are a bust of Morpheus, a large shell, a squatting and obese Chinese nudity. An oval bust portrait is on the wall."--British Museum online catalogue
Alternative Title:
Pinch of cephalic
Description:
Title from text above and below image., Sheet trimmed within plate mark., and 1 print : etching with stipple, hand-colored ; plate mark 26.7 x 20.3 cm.
Publisher:
Pubd. Jany. 25th, 1822, by G. Humphrey, 27 St. James's St., London
Subject (Topic):
Tobacco, Sneezing, Snuff, Smoking, Pipes (Smoking), Fireplaces, and Dogs
A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut
Description:
Title etched below image., Series title and number etched above image., Earlier state, with date in publication line. Cf. No. 9627 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 16., 1 print : etching on laid paper, hand-colored ; plate mark 21.7 x 19.5 cm, on sheet 24.4 x 20.8 cm., and Mounted on leaf 8 of volume 7 of 14 volumes.
Publisher:
Pubd. October 1st, 1799, by R. Akerman, 101 Strand
"A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut."--British Museum online catalogue
Description:
Title etched below image. and Series title and number etched above image.
A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut
Description:
Title etched below image., Series title and number etched above image., Earlier state, with date in publication line. Cf. No. 9627 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 16.
Publisher:
Pubd. October 1st, 1799, by R. Akerman, 101 Strand
Title from caption below image., Printmaker and publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Street scenes: Spectators of performance by French? family with dancing bear -- Animals: Performing bears -- Costume, ca. 1780 -- French costume: Street performers., Note in an unidentified later hand below image: Engraved by Rowlandson., and Matted to 47 x 62 cm.
Publisher:
Published by Wm. Allen, No. 32 Dame Street
Subject (Topic):
Dogs, Monkeys, Sailors, British, Signs (Notices), and Spectators
Fresh supply (from France) of living and Fresh supply (from France) of liveing
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Sheridan (l.) sits in an arm-chair at his writing-table, pen in hand. He slouches forward, peering at a large playbill in his left hand. 'Tom Hickathrift \ and the \ Giants \ a new Growlo Drama \ with \ Wittington \ and his \ Cat \ a Pur-letta \ in which a real \ Cat and Mice \ will be Introduced \ - Due Notice will be given \ of Mr Carlo's next \ Performance.' He says: "Now I have got my head down Water I am determined to go on Swimmingly." The Newfoundland dog 'Carlo' (his massive padlocked collar so inscribed) who played in 'The Caravan', faces Sheridan holding in his mouth a basket labelled 'Raw Materials for New Subjects'; these are rolled MSS. inscribed: 'Dog-Matical Essays', 'Bark-shire Poems', 'Bones to Pick'. Fox (r.), immensely fat stands beside Carlo, in profile to the left., r. hand on the dog's head, l. in his coat-pocket. He says: "You are a very good Dog Namesake - a very good Dog indeed - I wish you would Spin me a little Money thes hard times - it would be very acceptable." Behind Sheridan are book-shelves; from a shelf inscribed 'Glass Slippers as good as New' two slippers dangle. The titles of the (bulky) books are: 'Jack the Giant Killer', 'Goody Two Shoes', 'little Red Riding Hood', 'Tom Thumb', 'Seven Champions [of Christendom]'; actually these tales were best known in penny chap-books"--British Museum online catalogue
Alternative Title:
Preparations for next season
Description:
Title from item., Sheet trimmed to plate mark on two sides., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Mounted to 29 x 40 cm.
Publisher:
Pubd. Feby. 6th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
A group of dogs of various breeds sit around a table playing cards or rouletttes. A cat playing with a box in the lower left is frightened by one dog who leaps at it from its chair. Another dog on a cushion (right) looks at the hand of one dog at the table
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1827.
Publisher:
Printed and published by J. Didsbury, 22 Southampton Street, Strand
Subject (Topic):
Animals in human situations, Card games, Cats, and Dogs
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1780]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 17. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two women playing chess, seated at opposite sides of a square table, a young man standing behind watching as the player at left makes her move, all three dressed in turbans, three dogs in the foreground, pillars with drapes behind; oval design after Bunbury, published state with wall at left and large dog added."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 17 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching and drypoint in brown ink on laid paper ; oval image 29.6 x 34.9 cm, on sheet 34.3 x 37.4 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd 1st March 1780 by J. Bretherton, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1780]
Call Number:
Bunbury 780.03.01.01+ Impression 1
Collection Title:
Volume 1, page 17. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two women playing chess, seated at opposite sides of a square table, a young man standing behind watching as the player at left makes her move, all three dressed in turbans, three dogs in the foreground, pillars with drapes behind; oval design after Bunbury, published state with wall at left and large dog added."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Publish'd 1st March 1780 by J. Bretherton, New Bond Street
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., and Mounted on leaf 32 of volume 6 of 14 volumes.
Publisher:
Pubd. Augt. 10, 1799, by R. Akerman, No. 101 Strand
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., 1 print on wove paper : etching, hand-colored ; sheet 27 x 34 cm., and Printmaker's name erased from this impression.
Publisher:
Pubd. Augt. 10, 1799, by R. Akerman, No. 101 Strand
"A companion print to British Museum Satires No. 6912; a similar group of men in a similar room stand or sit at a rectangular table singing from a large music-book held open on the table. Punch-bowl, wine-bottle, glasses, pipes, a tumbler are on the table which is covered by a heavy cloth. Their expressions are more serious than those of the catch-singers. Two men in the background are smoking, one of whom is lighting his pipe. A dog sits in the foreground looking up at the singers. The words of the glee are engraved beneath the print, beginning: 'Which is the properest Day to drink, Saturday, Sunday, Monday,'; republished state."--British Museum online catalogue
Alternative Title:
Allegresse
Description:
Title from item., Artist from description in Sotheby's catalog., Publication date assigned by the repository based on the series number., Twelve lines of verse below image., Numbered '567' in series., and Temporary local subject terms: Glee Club -- Punch bowls -- Wine bottles -- Glass: wine glasses -- Tablecloths -- Interiors: Robert Smith's house in St. Paul's Church Yard -- Carpets.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Singing, Smoking, Pipes (Smoking), Wine, Drinking vessels, and Dogs
Leaf 47. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike. For a brief mention of the original issue of the plate, see British Museum online catalogue, registration no.: 1865,1209.76-111., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Two lines of dialogue below title: John, I'm going to raise your rent. Sir, I'm very much obliged to you, for I can't raise it myself!, and On leaf 47 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket and Field & Tuer
Subject (Topic):
Landlord & tenant relations, Dandies, British, Horseback riding, and Dogs
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grotesque old doctor, with carbuncled nose, approaches a lady, bowing low and holding out a clumsy petticoat. He says: "Mrs Jenny said your Ladyship complain'd of being cold about the loins - so I have Just stept in with a warm flannel petticoat." She is seated beside a tea-table, and throws up her arms, flinching back in horror; she says: "I have no loins fellow! do you want to make a monster of me?!!" She wears a high-waisted, short-sleeved dress, under which her legs are defined. Her little dog barks at the doctor. A large urn and a small cup (overturned) and saucer, are the only objects on the table."--British Museum online catalogue
Alternative Title:
Visit from Dr. Flannel
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "295" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Female costume: Flannel petticoat -- China dishes -- China cup & saucer -- Parquet floors., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 34.7 cm, on sheet 25.6 x 41.8 cm., and Leaf 70 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grotesque old doctor, with carbuncled nose, approaches a lady, bowing low and holding out a clumsy petticoat. He says: "Mrs Jenny said your Ladyship complain'd of being cold about the loins - so I have Just stept in with a warm flannel petticoat." She is seated beside a tea-table, and throws up her arms, flinching back in horror; she says: "I have no loins fellow! do you want to make a monster of me?!!" She wears a high-waisted, short-sleeved dress, under which her legs are defined. Her little dog barks at the doctor. A large urn and a small cup (overturned) and saucer, are the only objects on the table."--British Museum online catalogue
Alternative Title:
Visit from Dr. Flannel
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "295" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Female costume: Flannel petticoat -- China dishes -- China cup & saucer -- Parquet floors., and Watermark: Charles Wise.
Leaf 37. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A hunting scene in which the obese huntsman, riding a horse that is shaped like a bottle, follows in full gallop a pack of hounds shaped like wine glasses as they race over the fence. The party pursues their quarry, a fox with a body shaped like a corkscrew, through a rolling landscape, over a stile and up a hill
Alternative Title:
Cork screw chace and Corkscrew chase
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '12' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hunting -- Hounds -- Fences., Second of two plates on leaf 37., and 1 print : etching on laid paper ; plate mark 17.8 x 25.1 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pub. accorg. to act May 19th, 1772, by MDarly, 39 Strand
Leaf 37. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A hunting scene in which the obese huntsman, riding a horse that is shaped like a bottle, follows in full gallop a pack of hounds shaped like wine glasses as they race over the fence. The party pursues their quarry, a fox with a body shaped like a corkscrew, through a rolling landscape, over a stile and up a hill
Alternative Title:
Cork screw chace and Corkscrew chase
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '12' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Hunting -- Hounds -- Fences.
Publisher:
Pub. accorg. to act May 19th, 1772, by MDarly, 39 Strand
"A young woman plays the piano (right) with painful intentness, and sings, as does the man who holds open her music-book, inscribed 'On Rosy Bed by Tinckling Billy'. A middle-aged military officer stands full face playing the flute. A fat elderly 'cit' sleeps in an arm-chair (left); his wig has fallen off and his legs rest on another chair. Behind him a very obese man and an ugly and over-dressed woman with a grotesquely thin neck sing from the same piece of music: 'On Rosy Bed'. He warms his back at a blazing fire; the feathers in her hair are alight in one of the candles on the chimney-piece. A small boy blows a toy trumpet, a dog howls and a cat miaows, standing on an open music-book inscribed 'Water Part ....' Chinese figures on the chimney-piece and the lintel of the door represent comic musicians playing different instruments."--British Museum online catalogue
Alternative Title:
Delights of harmony
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., and Sheet trimmed within plate mark.
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
July 16, 1777.
Call Number:
777.07.16.01.2+
Image Count:
1
Resource Type:
still image
Abstract:
An etching of a young lady in an elegant dress, wearing a gigantic hat with by two large plumes. She holds a lapdog under her right arm and in her left hand, a book
Description:
Title etched below image., Signed in plate at lower left "MD", i.e. Matthias Darly., Second state, numbered in plate at top: 2, V.2. Cf. LC copy, unnumbered first state., and The initials 'MD' of publisher's name form a monogram.
Publisher:
Pub. by MDarly 39 Strand
Subject (Geographic):
Bath (England) and England
Subject (Topic):
Social life and customs, Hats, Dogs, and Clothing & dress
Leaf 74. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A number of men seated round a circular table over the wine manifesting sleepiness or exhaustion in different ways, while an officer in regimentals harangues them on some campaign. He sits over the table, in profile on the right, gesticulating with outstretched arms. Two overturned wine-glasses lie in front of him, two empty bottles stand on the table. On the farther side of the table a man stands up, stretching and yawning violently; the man on his left supports his head on his hands, scowling. Next to him (right) a man in profile to the left holding a wine-glass yawns widely. Two others in profile to the right are asleep in attitudes of extreme weariness, one turned away from the table, with outstretched legs in top-boots, yawns violently. From the left enters a servant with tousled hair; he is bringing in a boot-jack and pair of slippers, he too is yawning violently. In the foreground are two dogs, one of whom is toppling over with sleepiness
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally published ca. 1800?, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A copy in reverse of no. 6144 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 74 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Boredom, Dogs, Eating & drinking, Sleeping, Storytelling, and Yawning
"A number of men seated round a circular table over the wine manifesting sleepiness or exhaustion in different ways, while an officer in regimentals harangues them on some campaign. He sits over the table, in profile to the right, gesticulating with outstretched arms over a plan drawn on the table-cloth. Two overturned wine-glasses lie in front of him, two empty bottles stand on the table. On the farther side of the table a man stands up, stretching and yawning violently. His neighbour on his right also yawns; the man on his left supports his head on his hands, scowling at the speaker through half-closed eyes. Next him (right) a man in profile to the left holding a wine-glass yawns widely. Two others in profile to the right are asleep in attitudes of extreme weariness. A very fat man, sitting on the left. I turned away from the table, with outstretched legs in top-boots, yawns violently. From the right enters a servant with tousled hair, wearing a striped jersey; he is bringing in a boot-jack and pair of slippers, he too is yawning violently. In the foreground are two dogs."--British Museum online catalogue
Description:
Title from caption below image., Reissue, with altered imprint statement, of a print originally published 25 Apr. 1782 by J.R. Smith. Cf. no. 6144 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Sheet with loss of upper right corner, outside plate line.
Publisher:
publisher not identified
Subject (Topic):
Boredom, Dogs, Eating & drinking, Sleeping, Storytelling, and Yawning
Volume 1, page 36. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A number of men seated round a circular table over the wine manifesting sleepiness or exhaustion in different ways, while an officer in regimentals harangues them on some campaign. He sits over the table, in profile to the right, gesticulating with outstretched arms over a plan drawn on the table-cloth. Two overturned wine-glasses lie in front of him, two empty bottles stand on the table. On the farther side of the table a man stands up, stretching and yawning violently. His neighbour on his right also yawns; the man on his left supports his head on his hands, scowling at the speaker through half-closed eyes. Next him (right) a man in profile to the left holding a wine-glass yawns widely. Two others in profile to the right are asleep in attitudes of extreme weariness. A very fat man, sitting on the left. I turned away from the table, with outstretched legs in top-boots, yawns violently. From the right enters a servant with tousled hair, wearing a striped jersey; he is bringing in a boot-jack and pair of slippers, he too is yawning violently. In the foreground are two dogs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 36 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. April 25, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Subject (Topic):
Boredom, Dogs, Eating & drinking, Sleeping, Storytelling, and Yawning
"A number of men seated round a circular table over the wine manifesting sleepiness or exhaustion in different ways, while an officer in regimentals harangues them on some campaign. He sits over the table, in profile to the right, gesticulating with outstretched arms over a plan drawn on the table-cloth. Two overturned wine-glasses lie in front of him, two empty bottles stand on the table. On the farther side of the table a man stands up, stretching and yawning violently. His neighbour on his right also yawns; the man on his left supports his head on his hands, scowling at the speaker through half-closed eyes. Next him (right) a man in profile to the left holding a wine-glass yawns widely. Two others in profile to the right are asleep in attitudes of extreme weariness. A very fat man, sitting on the left. I turned away from the table, with outstretched legs in top-boots, yawns violently. From the right enters a servant with tousled hair, wearing a striped jersey; he is bringing in a boot-jack and pair of slippers, he too is yawning violently. In the foreground are two dogs."--British Museum online catalogue
Description:
Title from caption below image., Reissue, with altered imprint statement, of a print originally published 25 April 1782 by J.R. Smith. Cf. No. 6144 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Description based on imperfect impression; sheet trimmed within plate mark on lower edge with loss of bottom half of imprint statement., and Watermark.
Publisher:
Publish'd April 25, 1802, by John Harris, No. 3 Sweetings Alley, Cornhill, & 8 Old Broad Street
Subject (Topic):
Boredom, Dogs, Eating & drinking, Sleeping, Storytelling, and Yawning
A number of men seated round a circular table over the wine manifesting sleepiness or exhaustion in different ways, while an officer in regimentals harangues them on some campaign. He sits over the table, in profile on the right, gesticulating with outstretched arms over a plan drawn on the table-cloth. Two overturned wine-glasses lie in front of him, two empty bottles stand on the table. On the farther side of the table a man stands up, stretching and yawning violently. His neighbour on his right also yawns; the man on his left supports his head on his hands, scowling at the speaker through half-closed eyes. Next to him (right) a man in profile to the left holding a wine-glass yawns widely. Two others in profile to the right are asleep in attitudes of extreme weariness, one turned away from the table, with outstretched legs in top-boots, yawns violently. From the left enters a servant with tousled hair, wearing a striped jersey; he is bringing in a boot-jack and pair of slippers, he too is yawning violently. In the foreground are two dogs, one of whom is toppling over with sleepiness
Description:
Title from caption below image., Statement of responsibility from impression in the British Museum. See British Museum online catalogue, registration no.: 1935,0522.8.169., Date of publication based on watermark., A copy in reverse of no. 6144 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., The Lewis Walpole Library impression: statement of responsibility has been erased from lower left corner of sheet., and Watermark partially trimmed: 1809.
Publisher:
publisher not identified
Subject (Topic):
Boredom, Dogs, Eating & drinking, Sleeping, Storytelling, and Yawning
Leaf 57. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A full length portrait of a macaroni carrying a cane and looking down to greet his spaniel who jumps towards him
Description:
Title etched below image., State with plate number added. Cf. No. 4671 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Initial letters of publisher's name in imprint form a monogram., Two lines of verse below title: A fribbling, idle, prating type ye are, fit only for yourselves! - herd then together., and Plate numbered "V. 1" in upper left corner and "3" in upper right corner.
Publisher:
Pubd. as the act directs, May 4th 1771, by MDarly, 39 Strand
Leaf 57. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A full length portrait of a macaroni carrying a cane and looking down to greet his spaniel who jumps towards him
Description:
Title etched below image., State with plate number added. Cf. No. 4671 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Initial letters of publisher's name in imprint form a monogram., Two lines of verse below title: A fribbling, idle, prating type ye are, fit only for yourselves! - herd then together., Plate numbered "V. 1" in upper left corner and "3" in upper right corner., Third of three plates on leaf 57., and 1 print : etching on laid paper ; plate mark 15.1 x 10.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. as the act directs, May 4th 1771, by MDarly, 39 Strand
A group of people are shown walkiing down a city street as they return from a church service. Two carry bibles, one a snuff-box. One man carries a large muff, and the woman wears a skirt with an enormous hoop. The church is shown in the background on the right
Description:
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Companion print: The old political macaroni with his wise family at breakfast. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4821., and Plate from: The macaroni and theatrical magazine, or, Monthly register of the fashions and diversions of the times. London : John Williams, June 1773, p. 403.
Publisher:
publisher not identified
Subject (Topic):
Chimney sweeps, Churches, City & town life, Dandies, Dogs, Servants, and Wigs
Leaf 78. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Restrike, with artist's signature mostly worn from plate. For original issue, see: Grego, J. Rowlandson the caricaturist, v. 2, pages 131-2, 134., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 78 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London and Field & Tuer
Subject (Topic):
Eating & drinking facilities, Coffeehouses, Interiors, Crowds, Dogs, and Fear
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., 1 print : etching with stipple on wove paper, hand-colored ; sheet 27.3 x 38 cm., Sheet trimmed within plate mark., and Mounted on leaf 8 of volume 10 of 14 volumes.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., and Mounted to 49 x 62 cm.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., 1 print : etching with stipple, hand-colored ; 273 x 381 mm., and Sheet trimmed within plate mark on three sides (top, right and left).
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Date of publication inferred from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. Cf. Plomer., Numbered '348' in lower left corner., and Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original print was published by Carington Bowles in 1760 and 1785.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., and Mounted.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., No. 34 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and 1 print : mezzotint on laid paper ; plate mark 35.2 x 25 cm, on sheet 38.5 x 37.2 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A scene in an artist's studio lit from an attic window (left). Four connoisseurs are grouped round a large canvas on an easel: an Apollo with a sheaf of arrows, head turned in profile to the left. The model is a tall black man in the pose of the Apollo but with very different features, the left hand holding the stick of a broom which supports the pose. A fifth connoisseur reaches up to alter the position of the model's head. The artist stands beside his canvas facing the invaders, the left hand, holding palette and brushes, rests on the canvas; he sucks his mahl-stick with a gloomy scowl. On the extreme right a cat sits in a cradle, behind which an alarmed little boy hides. The artist's wife, with an infant in her arms, faces the fire with her back to the visitors whose unwelcome intrusion is apparent. Behind is a bed with drawn curtains. Three casts from the antique decorate the bare room. The model's coat and hat lie on the ground (right). On the far left in the foreground a dog urinates against two canvases leaning against the wall
Alternative Title:
Assemblée des connisseurs
Description:
Titles in English and French etched below image. and Imperfect; sheet trimmed within plate mark with loss of all text from bottom edge. Missing text supplied from impression in the British Museum.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[2 January 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 61. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A satire showing three men all with caricatured faces stand in front of two men, one of whom is obese and points to them, sit at a table. Behind them pinned to the wall are a map and portrait. Two dogs, one large and black and the other small and white, raise their paws at each other
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Early state, before additional drypoint shading added. For a later state, see Lewis Walpole Library call no.: Bunbury 773.01.02.02.2+., Sheet trimmed within plate mark., Temporary local subject terms: Military: Militia., and Mounted on page 61 of: Bunbury album.
Publisher:
Publish'd as the act directs, 2d Jany. 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[2 January 1773]
Call Number:
Bunbury 773.01.02.02.2+
Image Count:
1
Resource Type:
still image
Abstract:
A satire showing three men all with caricatured faces stand in front of two men, one of whom is obese and points to them, sit at a table. Behind them pinned to the wall are a map and portrait. Two dogs, one large and black and the other small and white, raise their paws at each other
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Later state, with slight alterations to the design. For an earlier state with less drypoint shading, see Lewis Walpole Library call no.: Bunbury 773.01.02.02.1+., Temporary local subject terms: Pictures amplifying subject., and Watermark: L.V.G.
Publisher:
Publish'd as the act directs, 2d Jany. 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 May 1799]
Call Number:
Bunbury 799.05.23.06+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on volunteers: an officer and another man sit at a table while a soldier presents two potential - but unprepossessing - recruits, the second man shabbily dressed; behind them a large dog menaces a smaller one; on the wall a map and a portrait of a general."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 2 January 1773 by J. Bretherton. Cf. No. 4759 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark on bottom edge leaving thread margin., Watermark: Edmeads & Pine 1795., and Embossed stamp of publisher in lower right corner of sheet: S.W.F.
Publisher:
Publish'd as the act directs, May 23 1799, by S.W. Fores, No. 50 Piccadilly
"A countrywoman (right), wearing a cloak apron, and pattens and holding out a volume of 'Wesleys Hymns', addresses a jockey standing before the door of 'The Ram Inn' (left): "Pray Young Man--- are there any Meetings in this Town?" He answers: "Yes Ma'am two a Year Spring and October." The dog at his feet wears a collar "Snap". Three persons standing on the doorstep watch with amused interest: a typical betting man in top-boots arm-in-arm with a young woman, and a stout rubicund man. Behind is the race-course; three horses (right) are almost neck and neck. Spectators on horse-back watch from 'Devils Ditch', and on the horizon (right) is the winning-post with a flag."--British Museum online catalogue
Alternative Title:
Sport and piety, Mistake at New Market, or, sport and piety, and Mistake at Newmarket, or sport and piety
Description:
Title etched below image., Plate numbered '28' in upper right corner., Printseller's announcement following imprint statement: Price one shilling col[ore]d., Later reissued without publication date. Cf. no. 10920. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., 1 print : etching on wove paper, hand-colored ; sheet 24.9 x 33.7 cm., Sheet trimmed within plate mark., Watermark: George Taylor., and Mounted on leaf 63 of volume 8 of 14 volumes.
Publisher:
Pubd. October 5, 1807 by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Dogs, Gambling, Horses, Racing, and Taverns (Inns)
"A countrywoman (right), wearing a cloak apron, and pattens and holding out a volume of 'Wesleys Hymns', addresses a jockey standing before the door of 'The Ram Inn' (left): "Pray Young Man--- are there any Meetings in this Town?" He answers: "Yes Ma'am two a Year Spring and October." The dog at his feet wears a collar "Snap". Three persons standing on the doorstep watch with amused interest: a typical betting man in top-boots arm-in-arm with a young woman, and a stout rubicund man. Behind is the race-course; three horses (right) are almost neck and neck. Spectators on horse-back watch from 'Devils Ditch', and on the horizon (right) is the winning-post with a flag."--British Museum online catalogue
Alternative Title:
Sport and piety, Mistake at New Market, or, sport and piety, and Mistake at Newmarket, or sport and piety
Description:
Title etched below image., Plate numbered '28' in upper right corner., Printseller's announcement following imprint statement: Price one shilling col[ore]d., and Later reissued without publication date. Cf. no. 10920. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Publisher:
Pubd. October 5, 1807 by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Dogs, Gambling, Horses, Racing, and Taverns (Inns)
A fashionably dressed man holding an egg cup in his left hand, knocks over his breakfast table as he turns away in disgust, upsetting his tea urn and tea set. His dog looks on with concern. The floor is covered in an elaborately decorated rug
Description:
Title from caption below image., Sheet trimmed within plate mark on three edges., and Watermark: J. Whatman Turkey Mill 1825.
"The instrumentalists are closely grouped round the armchair of the father of the family, a stout man in old-fashioned dress, who sits full face singing loudly, an open music book on his knees, his feet supported on the bar of his chair. His very fat wife sits beside him (right) blowing a trumpet to the grotesque inflation of cheek and neck. The eldest daughter (left) plays the double-bass; behind her stands a girl beating a tambourine. The younger children flank the design: a fat little girl (left) plays the triangle, looking up at her sister's tambourine. On the right a little boy sits at his mother's feet beating a large kettle-drum and shouting; he sits on two large volumes: 'Doctor Burneys Musical Travels [i.e., The Present State of Music in France and Italy ... 1771', and 'The Present State of Music in Germany . . . [etc.]', 2 v. 1773]. Mother and daughters are fashionably dressed; the daughters are comely. A howling dog seated on the extreme left adds to the impression of violent noise."--British Museum online catalogue
Description:
Title etched below image., Caption in design: Musick has charms to sooth the savage breast, to soften rocks, and bend the knotted oak., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 35 cm., Sheet trimmed within plate mark., and Mounted on leaf 7 of volume 8 of 14 volumes.
Publisher:
Pub'd Augst. 30th, 1802, by R. Ackermann, No. 101 Strand
"The instrumentalists are closely grouped round the armchair of the father of the family, a stout man in old-fashioned dress, who sits full face singing loudly, an open music book on his knees, his feet supported on the bar of his chair. His very fat wife sits beside him (right) blowing a trumpet to the grotesque inflation of cheek and neck. The eldest daughter (left) plays the double-bass; behind her stands a girl beating a tambourine. The younger children flank the design: a fat little girl (left) plays the triangle, looking up at her sister's tambourine. On the right a little boy sits at his mother's feet beating a large kettle-drum and shouting; he sits on two large volumes: 'Doctor Burneys Musical Travels [i.e., The Present State of Music in France and Italy ... 1771', and 'The Present State of Music in Germany . . . [etc.]', 2 v. 1773]. Mother and daughters are fashionably dressed; the daughters are comely. A howling dog seated on the extreme left adds to the impression of violent noise."--British Museum online catalogue
Description:
Title etched below image. and Caption in design: Musick has charms to sooth the savage breast, to soften rocks, and bend the knotted oak.
Publisher:
Pub'd Augst. 30th, 1802, by R. Ackermann, No. 101 Strand
A man in fashionable clothes stands awkwardly on a city street outside the shop of McSight Hatter; he has a distressed look on his face as he holds his hat on. A dog at his feet has an umbrella on its back and turns and looks at the man with alarm
Description:
Title from caption below image., Text below title: Zounds! it pinches me like the very devil!!, Portion of imprint statement illegible due to paper damage; sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. [March], 1826 by T. Gillard, 40 Strand
Subject (Geographic):
England
Subject (Topic):
City & town life, Clothing & dress, Dogs, Hats, Hat industry, Umbrellas, and Men's clothing
Plate 11 of Wheatley's Cries of London. This plate shows a ballad seller with strip ballads, selling her wares to two men on the sidewalk beside a building with two large columns; around them are two women, one holding a child, and a small boy feeding a dog
Alternative Title:
Chanson nouvelles deux sols le livret
Description:
Title from item., With the imprint statement: London Pubd, as the Act directs 1st. March 1796 by Colnaghi & Co. (late Torres) No. 127 Pall Mall., and Engraved after Francis Wheatley, who first exhibited his series of oil paintings depicting London street-sellers at the Royal Academy between 1792 and 1795.
Subject (Topic):
Copperplates, Ballads, Dogs, Infants, Mothers, and Street vendors
Title and date from item., In upper right margin: 112., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Printed for Bowles & Carver, No. 69 in St. Pauls Church Yard, London. Publishd as the Act directs
Subject (Topic):
Obesity, Indigestion, Dogs, Seesaws, Children, and Eating & drinking
A sleeping clergyman sits in an armchair, oblivious to a maid tickling his nose with the tail of a sucking pig, just delivered by a man standing in the open doorway. On a table is an inkstand and quill, a wine bottle, glass and candle with a book entitled "Tythe laws fully consider'd". At cat pulls from the table a paper labelled "Bans of marriage", while on the floor near a small dog a large book lies open to "Poem on good living". The clergyman's portrait and that of a woman hang on the wall behind him beside a map entitled "A Plan of the doctor's parish."
Alternative Title:
Tythe pig no bad sight and Pleasing method of rousing the doctor
Description:
Title from item. and Numbered in plate: 328.
Publisher:
Printed for Carington Bowles ... No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England. and England
Subject (Name):
Church of England
Subject (Topic):
Clergy, Tithes, Church of England, Clothing & dress, Practical jokes, Dogs, and Swine
Two fashionably dressed women with large feathers in their hats. One lady carries a parasol; the other's arm is held by an equally fashionable gentleman. A dog jumps excitedly at their feet. They stand in the lane in a park (presumably St. James's) before a bench; an allée in the background on the right
Alternative Title:
Fashions of the day
Description:
Title etched below image., Plate numbered '329' on left below image., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 1st Augt. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
Saint James's Park (London, England), and England
Subject (Topic):
Clothing & dress, Benches, Dogs, Hats, Parks, Umbrellas, and Walking
"A tall thin man pushing a one-wheeled cart with puddings on the top, with a flag and dog."--British Museum online catalogue
Alternative Title:
Grande machine d'Italie qui cuit des gateaux en marchant
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Seventh plate from: Twelve London cries done from the life by P. Sandby. London, 1760., Plate numbered "7" beneath lower right corner of image., and Temporary local subject terms: Pudding vendors.
Publisher:
F. Vivarez and by P. Sandby
Subject (Topic):
Street vendors, Food vendors, Baked products, Carts & wagons, Flags, and Dogs
"Sir James Erskine dressed as a little girl but wearing a man's wig, bends forward in profile to the left to thrash a mastiff (Hastings) who lies (left) surrounded by a wreath of thorns, his collar inscribed 'Keeper of Ind[ia]'. He holds in his left hand a paper inscribed 'Speec[h] for Thur[sday] Monopoly of Opium'. On the lash of Erskine's whip is a judge's wig inscribed 'Defence of Lord Clive'; its handle is decorated with bells. Burke's head and right arm project into the upper right corner of the design; he holds leading-strings attached to Erskine's shoulders. Below him and immediately behind Erskine are the head and shoulders of Francis, who leans forward, clapping his hands. Above Hastings a rectangular block inscribed 'Impeachment' hangs by a thread. Beside him are three stones, which have been thrown at him, inscribed respectively 'Malice', 'Eloquence', and 'Calumny'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Lewis Walpole Library: Horace Walpole refers to subject., and Mounted on page 58 with one other print.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Hastings, Warren, 1732-1818, Francis, Philip, 1740-1818, and East India Company.
"Sir James Erskine dressed as a little girl but wearing a man's wig, bends forward in profile to the left to thrash a mastiff (Hastings) who lies (left) surrounded by a wreath of thorns, his collar inscribed 'Keeper of Ind[ia]'. He holds in his left hand a paper inscribed 'Speec[h] for Thur[sday] Monopoly of Opium'. On the lash of Erskine's whip is a judge's wig inscribed 'Defence of Lord Clive'; its handle is decorated with bells. Burke's head and right arm project into the upper right corner of the design; he holds leading-strings attached to Erskine's shoulders. Below him and immediately behind Erskine are the head and shoulders of Francis, who leans forward, clapping his hands. Above Hastings a rectangular block inscribed 'Impeachment' hangs by a thread. Beside him are three stones, which have been thrown at him, inscribed respectively 'Malice', 'Eloquence', and 'Calumny'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Lewis Walpole Library: Horace Walpole refers to subject.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Hastings, Warren, 1732-1818, Francis, Philip, 1740-1818, and East India Company.
"Sir James Erskine dressed as a little girl but wearing a man's wig, bends forward in profile to the left to thrash a mastiff (Hastings) who lies (left) surrounded by a wreath of thorns, his collar inscribed 'Keeper of Ind[ia]'. He holds in his left hand a paper inscribed 'Speec[h] for Thur[sday] Monopoly of Opium'. On the lash of Erskine's whip is a judge's wig inscribed 'Defence of Lord Clive'; its handle is decorated with bells. Burke's head and right arm project into the upper right corner of the design; he holds leading-strings attached to Erskine's shoulders. Below him and immediately behind Erskine are the head and shoulders of Francis, who leans forward, clapping his hands. Above Hastings a rectangular block inscribed 'Impeachment' hangs by a thread. Beside him are three stones, which have been thrown at him, inscribed respectively 'Malice', 'Eloquence', and 'Calumny'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Lewis Walpole Library: Horace Walpole refers to subject., 1 print : etching and aquatint with stipple on wove paper ; plate mark 27 x 22 cm, on sheet 29.1 x 23.7 cm., and Mounted on leaf 40 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Hastings, Warren, 1732-1818, Francis, Philip, 1740-1818, and East India Company.
Volume 2, page 70. Etchings by Henry William Bunbury, Esq. and after his designs. Page 17. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A man, accompanied by two dogs, carries a cage of live rats in his right hand and in his left hand, a sharp, wooden stick on which dead rats are impaled
Description:
Title engraved below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey., Sheet trimmed to plate mark., and Mounted on page 70 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Janry. 26th, 1789, by W. Dickinson, New Bond Street
Volume 2, page 70. Etchings by Henry William Bunbury, Esq. and after his designs. Page 17. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A man, accompanied by two dogs, carries a cage of live rats in his right hand and in his left hand, a sharp, wooden stick on which dead rats are impaled
Description:
Title engraved below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey., Sheet trimmed to plate mark., Mounted on page 17 of: Bunbury album., and 1 print : stipple engraving, etching, and engraving on wove paper ; sheet 38.0 x 29.0 cm.
Publisher:
Publish'd Janry. 26th, 1789, by W. Dickinson, New Bond Street
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"In an arena, bull with the King's features being devoured by dogs with politicians' features; other politicians outside the arena encouraging the dogs."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "90" in brown ink in top center portion of design., and No. 90.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politicians, Bulls, Dogs, Rats, Animal fighting, and Spectators
"A halt for refreshment in the Egyptian desert. The Princess sits on Bergami's knee, her arm round his shoulder, while he caresses her lasciviously. They sit with their back to an ass which brays: "Oh Tempora!!" She is very décolletée and wears trousers, and a feathered cap. A large miniature of Bergami, see British Museum Satires No. 13858, dangles from her neck. Beside them on the ground is a basket of bottles, and overturned spirit-bottle and glass. A small boy, Willy Austin, stands staring at the pair, and blowing soap-bubbles. On the left, but disregarded, is Mahomet (see British Museum Satires No. 14119) performing a dance with flexed knees; he holds up a crescent and a piece of drapery, looking towards the pair to say: "in his signis Vincetes!!," parodying the words of Constantine's vision of the Cross. In the middle distance, beside a second ass, also braying, Louise Demont sits on the knee of 'the Jewish harper', see British Museum Satires No. 13856, the harp beside them."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Two lines of text below title: Saint Caroline, with the young Saint Austin. Saint Bartholomew. Saint Colombiere, and suite, in their return from Egypt, are converted to Mahometanism! Sir Balaam (absolute Wisdom in Cog) and his ass deplore their recreancy., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 56 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami" and "Caroline" identified in ink below image; date "Feb. 1821" written in lower right corner. Typed extract of twelve lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. Feby. 1821 by R. Fores, 71 Leadenhall
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Demont, Louisa, active 1814-1820
Heading to a printed broadside in support of Queen Caroline, with a depiction of the Queen in the upper left, riding in a chariot pulled by a lion under a banner reading "Innocence and Triumph." The Italian witnesses against her are being led in chains to the gallows, the man at the back of the line remaking "This is past a joke O! Majocc"; a hangman smoking a pipe awaits them at the top of a ladder, noose in hand. Three figures with bags over their heads are already hanging, with a fourth hanged figure being fed by a devil with a pitchfork into the flaming mouth of a demon on the right, a "Green Bag" falling into the flames next to him. Another victim is skewered by a second devil standing inside the demon's mouth; the words "Milan Commission Receiving Office" are written amid the flames. A John Bull figure with a walking stick watches the scene from the right, remarking: "Well now if this h'ant a sight that pleases John Bull - Go & be hang'd to ye you Italian scoundels - come to swear an innocent womans life away." In the center foreground, a dog tears at a second "Green Bag" with its mouth
Alternative Title:
Exaltation of my jockey & his brave confederates and Exaltation of my jockey and his brave confederates
Description:
Title printed in letterpress below image., Remnants of etched title are visible beneath image, suggesting that the plate was originally larger and cut down at some point., Date of publication from manuscript note "Aug. 1820" in ink beneath lower right corner of image., Sheet trimmed within plate mark., Song printed in letterpress in two columns below title, beginning with the line "Oh, there never was such times!" and ending "Here's the triumph of brave Caroline our Queen O.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., and Mounted on leaf 58 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Majocchi, Theodore, active 1820.
Subject (Topic):
John Bull (Symbolic character), Witnesses, Shackles, Chariots, Lions, Gallows, Hangings (Executions), Ladders, Devil, Demons, Fire, Bags, and Dogs
Leaf 67. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally published ca. 1800?, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 5802 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 67 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
780.02.15.03++
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image., Mounted on page 19 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching in brown ink on laid paper, with brown and blue-gray wash ; sheet 41.9 x 57.5 cm., and Sheet trimmed to plate mark.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image., Mounted on page 117 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 41.2 x 56.7 cm., and Sheet trimmed within plate mark.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
"Scene in a neat parlour or music room, with open square piano and lyre-back chairs. A middle-aged termagant, coquettishly dressed, has overturned her chair and stands with raised fist, shrieking at a very young man in riding-dress. He sits (left) with hat and riding-switch beside him, bewildered and passive; his dog takes cover under his chair, looking sideways at an aggressive cat which arches its back against its mistress. A cockatoo screams from its perch. On the piano, which is inscribed Row Maker, is an open music-book: Blow High. Blow Low; on the floor is a book open at Wake to Ecstacy the living Lyre. Behind the woman's head is a convex wall-mirror, topped by a carved eagle which looks fiercely down. This is flanked by two sea-scapes: Calm (left), ships becalmed, and Storm (right), a ship struck by lightning and about to be submerged in towering waves."--British Museum catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Pictures in image amplify subject of the print., and Sheet trimmed within plate mark.
