Leaf 11. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added below image in lower left. For original issue of the plate, see no. 5790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 11 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand [i.e. Field & Tuer]
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
"Social satire; a tall thin man with a tasselled tricorn hat in one hand and wearing a sword, wig, buckled shoes and rings on both hands steps forward towards a large lady with a wreath in her hair, beauty spots, several rings, a cupid's bow and arrow on a ribbon round her neck, a large muff, and a very low decolletage; behind them their two dogs mimic their actions; the man asks "Beauty need note de foraine aid of ornamen but ees ven unadorn adorn de mos.", to which the woman replies "I really cannot resist the pleasing truth of the bewitching Markeee. - - ah! Sweet Sir I yield, ah!""--British Museum online catalogue
Description:
Title etched below image., Attributed to Cruikshank on unverified card catalog record., Imprint burnished from plate. Originally published in 1798., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Song is an allusion to the Roast beef of Old England., and Watermark: John Hall 1825.
Title from item., Decade obliterated in date; surmised from publisher's address., and Date of publication surmised from printer'ss address. See I. Maxted's British book trade.
Publisher:
Pub. by T. Colley Novr. 28 17[8]1 high Holborn London
Subject (Geographic):
France
Subject (Topic):
Soldiers, French, Military uniforms, Piers & wharves, Clothing & dress, and Dogs
Title etched below image., First state, without artist's name on plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. as the act directs May 10, 1779 by W. Richardson No. 68 High Holborn
Leaf 105. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Date of publication from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- French corncutters., and First of three plates on leaf 105.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Geographic):
France
Subject (Topic):
Clothing & dress, Dandies, French, and Occupations
"Bonaparte (left) and Cornwallis play chess. Bonaparte, not caricatured, alert and military, wearing his large plumed cocked hat, leans forward, pointing to his move; his left arm lies on the table and in his left hand is his sheathed sabre. He says: "Check to your King, remember it is not the first time, and I think a very few Manoeuvres more will completely convince you that I am better acquainted with the Game I am playing than you are aware of." Cornwallis, plump and civilian despite his regimentals and profession, sits without a hat, scratching his head apprehensively. He says: "Curse it I shall lose this Game; You are too much for me." He wears his ribbon and star, 'Honi soit' on his garter. The chairs are symbolical: that of Bonaparte has ormolu laurel wreaths, the legs are formed of fasces and axes; that of Cornwallis, with plain oval back, suggests an English drawing-room."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement below imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Budgen 1799., and Early gilt paper strips pasted to margins as a mount.
Publisher:
Pubd. Jany. 9th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, and Cornwallis, Charles Cornwallis, Marquis, 1738-1805
Subject (Topic):
Generals, French, English, Chess, Daggers & swords, and Hats
"A wild affray round a circular gaming-table seen at close range, only the heads and shoulders of those on the nearer side of the table being visible. An angry military officer wearing a cocked hat, with an empty wallet on the table before him, leans forward aiming his pistol at a lean and elderly man whose 'chapeau bras' and long pigtail indicate that he is French. The latter covers a pile of guineas with his hand and aims a pistol at his assailant. Some of the players are falling over in their eagerness to escape. Between the combatants, and on the further side of the table, one man holds a chair above his head, about to smite the officer; a fellow-officer raises a bottle and a candle-stick to strike the Frenchman. All the persons (sixteen) are in violent action, with which their expressions correspond. Some are in flight, others about to intervene. On the table are a triple candle-stick, a dice-box and dice, a sword, a hat containing coins, and a purse."--British Museum online catalogue
Description:
Title from caption below image., Printmaker's signature from impression in British Museum., Description based on imperfect impression; sheet trimmed within plate mark and printmaker's signature has been mostly erased., and Watermark: J. Whatman.
Publisher:
Publish'd March 1790 by Wm. Holland, Oxford Street
Subject (Topic):
Candlesticks, Fighting, Gambling, Handguns, Men, French, Military uniforms, and British
Political satire: With billows of smole behind it, a skeleton holding a noose and pointing to his eye dances to the left of Napoleon who stands pointing at it. In the right background is a gallows with a group of soliders standing in the distance below
Alternative Title:
Pair of specticals easely seen through and Pair of spectacles easily seen through
Description:
Title etched below image., "355"--Upper left corner above image., Sheet trimmed within plate mark on right and left sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on a former album leaf; newspaper clippings dating from 1817 and 1818 are pasted on verso of mount covering a range of topics including: small pox, post horse duties, poor rate, three cases of debtors, two work related accidents, and a short humorous piece on the streets of Paris and the price of wine.
Publisher:
Pub. 17 June 1813 by T. Tegg, Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Skeletons, Nooses, Gallows, Soldiers, French, and Smoke
Political satire: With billows of smole behind it, a skeleton holding a noose and pointing to his eye dances to the left of Napoleon who stands pointing at it. In the right background is a gallows with a group of soliders standing in the distance below
Alternative Title:
Pair of specticals easely seen through and Pair of spectacles easily seen through
Description:
Title etched below image., "355"--Upper left corner above image., Sheet trimmed within plate mark on right and left sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on a former album leaf; newspaper clippings dating from 1817 and 1818 are pasted on verso of mount covering a range of topics including: small pox, post horse duties, poor rate, three cases of debtors, two work related accidents, and a short humorous piece on the streets of Paris and the price of wine.
Publisher:
Pub. 17 June 1813 by T. Tegg, Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Skeletons, Nooses, Gallows, Soldiers, French, and Smoke
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
Title from item., Imperfect; sheet trimmed within plate mark., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published as the act directs 1st Jany. 1780 by Robert Wilkinson, at No.58 in Cornhill
Subject (Geographic):
England
Subject (Topic):
John Bull (Symbolic character), Cooks, French, Blacks, Kitchens, and Cooking utensils
"Turkish soldiers, scattered over a wide parade-ground, are being instructed in squads, groups, and as individuals, by French officers. In the foreground a Turkish potentate, the Sultan or perhaps the Grand Vizier, leans against the stump of a tree, turning his head in profile to the left to watch the soldiers. At his feet (left) kneels a Black enslaved person who is filling a long pipe; beside him a fire burns on a tiny tripod. On the right a Frenchman pulls the long moustache of a Turk, striking him with his cane. Next, three awkward Turks are being taught musket drill. On the left a Turk threatens an officer, drawing his sabre. In the middle distance a Frenchman puts his hand on the projecting stomach of an obese Turk, to make his attitude more soldierly. In the background are a marching squad (left) and a firing squad (right) and, beyond, an officer is attacked by three Turks with sabres raised to strike. Behind (left) is a Turkish fort. The officers are not caricatured nor is their dress exaggerated. The Turks wear baggy trousers with either a fez or a turban; all have long moustaches."--British Museum online catague
Description:
Title engraved below image, in two lines., Sheet trimmed within plate mark., Richard Bull (1725-1806) attritbutes the print to Isaac Landmann of Woolwich on his undated copy in an album held in the British Museum. See Museum number: 1931,0413.185., This image was first published in Vienna by Hieronymus Löschenkohl and then engraved once again by Johann Martin Will Augsburg in 1783., Watermark: fleur-de-lis on crowned shield with monogram CP at the bottom and countermark Patoh., and Ms. annotation in contemporary hand, numbered '64'.
Publisher:
Published April 3rd, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Selim III, Sultan of the Turks, 1761-1808
Subject (Topic):
Austro-Turkish War, 1788-1790, Russo-Turkish War, 1787-1792, Black people, Clothing & dress, Turkish, Daggers & swords, Hats, Forts & fortifications, Military inspections, Military officers, French, Military training, Military uniforms, Pipes (Smoking), Tableware, Rifles, Soldiers, and Enslaved people
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, scarcely caricatured, stands in the centre of the design, pointing with left forefinger to a pile of cannon-balls in the right foreground inscribed 'Forse, meat Balls for the Lads of Paris'. Just behind him, and emerging from clouds, stand the Devil (left) and Death (right), directing his actions. Napoleon is flanked by two much taller supporters: an Italian brigand holding up a pole inscribed 'Plunder' to which a limp purse is tied, and with a pistol in his left hand. On the right is a savage dishevelled butcher, holding up a knife, with a noose in the right hand. Both wear belted tunics. These three are identified by an inscription below the design: 'Capt of Starved Banditty from the Alps, Ad Camp,, The Aghast Emperor & his two Friends & Pillars of the State,, Butcher from Elba. Generalissimo'. All are dominated by a larger figure, emerging from clouds above Napoleon's head, which has a scaly body and streaming hair, styled 'Deamon of War Presideing over the Tyrant'. His extended right hand points to the words 'Boundless Ambition' in large letters on a background of fire and lightning of which he is the centre. In his left hand is the shaft of a pennant inscribed: 'We, Come, to Redres:s Grievances'. Dark clouds and lightning extend left and right over ranks of soldiers in the middle distance who watch Napoleon. Those on the right are a ragged, dilapidated, and motley crew, some with pitchforks; they shout "Vive la Empre . . . [sic]" and "Vive la Boun. . . ." Those on the left are perhaps intended for National Guards (cf. British Museum Satires No. 12531)."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Plate numbered "351" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 64 in volume 5.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joachim Murat, King of Naples, 1767-1815
Subject (Topic):
Butchers, Devil, Skeletons ., Death, Soldiers, Italian, and French
A French man stands in profile to the right in front of his upturned chair, his hand on his protruding belly as if in pain, as an older woman sits at the table refilling his tea cup. A young woman stands behind the woman at the table, smiling behind a fan as she looks at the visitor. An older man sits at the table amused at the French man's distress. A dog drinks from a saucer under the table. The party is in evening dress, the curtains drawn, and a chandelier of four gas lamps hangs over the square tea-table laid with the tea service and tray
Alternative Title:
English manners and French politeness
Description:
Title etched above image. and Below image, five lines of text: A Frenchman not aware of the custom, constantly returned his cup without the spoon in it, which being immediately replenished by thelady of the house, he thought it a point of politeness to drink the contents which he continued to do, to the great surprise of the company until he perceived the lady pouring out the 14th cup, when he rose in great agony and cried, Ah! Madame excuse me I can take no more.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England.
Subject (Topic):
Eating & drinking, Etiquette, Foreign visitors, French, Manners and customs, and Tea parties
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st Jany. 1778.
Call Number:
Bunbury 778.01.01.03++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue
Description:
Title from text below image., Probably an earlier state of a print in the British Museum with the imprint "Publish'd 11th March 1778." Cf. no. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark., Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark, mostly trimmed.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.05++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print previously published 11 March 1778. Cf. No. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Eleven views in three rows, arranged around a larger central image of "A view of the island of St. Helena"; the ten smaller views, four in the top row, two in the middle row, and four in the third row, show images of various boats, ships and other sailing vessels on the sea
Alternative Title:
View of the island of Saint Helena
Description:
Titles etched below images., Publication date based on date assigned by Isaac to other Davison prints., Plate numbered "45" in upper right corner., and Not in: Isaac, P. Some Alnwick caricatures.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Geographic):
Saint Helena
Subject (Topic):
Boats, Sailing ships, Warships, British, and French
"Three men stand in the doorway of the coach-house of a posting inn, through which is seen the courtyard with a post-chaise. The elderly French postilion (left) drinks from a large tankard, holding bones and meat in his left hand. He is caricatured; he wears a cocked hat with tricolour cockade, laced waistcoat, and large boots. His hair is in a long queue. The young English postilion, wearing neat riding-dress with well-fitting boots, and fashionable double-breasted waistcoat, points at him, turning with a smile to a stable-hand (right) who leans grinning against the door-post. Both postilions have short whips with thick plaited lashes, but the lash of the Frenchman is much the longer. On the wall is a bill headed 'Dover \ Post Coach'."--British Museum online catalogue
Alternative Title:
A wet on the road and English and French postillions
Description:
Title from caption below image., Tentatively attributed to Dighton. See British Museum catalogue., Numbered "615" in lower left corner., No. 46 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not before 1791]
Call Number:
Drawings H263 no. 4 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
A portrait of the French Protestant Minister, Andre Lortie, shown half-length. He is wearing the clothing of a clergyman and holds open a book. The background includes a curtain and the outline of a landscape view. Unfinished portrait with only the face finished; t he body is only outlined
Description:
Inscription in ink on verso: A facsimile from the most rare original messotinto in the collection of the Honble Horatio Walpole at Strawberry Hill Nov. 3rd 1791 by Mr Harding and J:B?, Inscription in graphite pencil on verso: The head by G.P. Harding., Inscription in graphite pencil on verso: French Protestant Minister in England D. 1700., and George Perfect Harding, English miniature painter, 1779/80-1853.
Bonvallet, L. (Louis), approximately 1748-1818, printmaker
Published / Created:
[1785]
Call Number:
785.01.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
A scene in rural France: A farmer holding onto a plow drawn by a team of oxen, shepherds with their sheep, and a man fishing in a stream, all look up in astonishment at the air balloon overhead. This print references the third flight of Jean-Pierre Blanchard, his second with American John Jeffries and the first flight over the English Channel
Alternative Title:
Premier passager aerien de la mer and Dedié à Mr. Blanchard, pensioné du roi, citoyen de Calais
Description:
Title etched below image., Dedication etched above title: Dedié à Mr. Blanchard, Pensioné de Roi, Citoyen de Calais., "Avec Privilege du Roi"--Following imprint., Sheet trimmed within plate mark on three sides., and Six lines of verse, signed "Basset" at the end, in two columns below title: Le Pécheur qui sur l'eau tenait son bras tendu ...
Publisher:
Chez Basset rue St. Jacques au coin de celle des Mathurins
Subject (Geographic):
France.
Subject (Name):
Blanchard, Jean-Pierre, 1753-1809. and Jeffries, John, 1745-1819.
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Z,&). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 3 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 2 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Z). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 5 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 6 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Z, &). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "Avec privilege du roy.", Number 1 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Z,&). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 4 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A Spaniard using his sword as a walking stick and capering with satisfaction, leads a procession along a country road to a building inscribed "Inquisition." He is followed by a happy looking Frenchman who pulls George III on a rope tied around the King's neck and through a gate made from two vertical spears with a third one tied horizontally on top. A lion is falling down from it while the unicorn tries to balance itself and the crown. The King is followed by Lord Shelburne (William Petty), mimicking both the royal posture and dress, and holding a rolled document signed 'Preliminaries." Their orderly progress is watched by a lean, simply dressed man holding in his right hand a scourge with many lashes and the word "America" between them. With his left, he pulls the rope tied around the neck of a boorish Dutchman, his hands stuck in his pockets, smoking a pipe
Alternative Title:
Blessed are the peacemakers
Description:
Title from item.
Publisher:
Pub. by E. Dashery [sic], Feby. 24 1783 St. James's Street
Subject (Geographic):
England and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820. and Lansdowne, William Petty, Marquis of, 1737-1805.
Title etched below image., Sheet trimmed within plate mark., Publication date from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Swords -- Female Costume: 1805 -- Guns.
Publisher:
Pubd. by Roberts, 28 Middle Row, Holborn
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
John Bull (Symbolic character), Military uniforms, British, Soldiers, and French
"Britannia, tall and powerful, holds Napoleon across her knee, and raises a birch rod to thrash his bleeding posterior. She wears Roman draperies, with corslet and plumed helmet. The rod is tied with a ribbon inscribed: 'United Kingdoms'. She says: "There take that and that and that, and be carefull not to provoke my Anger more." He exclaims: "oh forgive me this time and I never will do so again, oh dear! oh dear! you'll entirely spoil the Honors of the Sitting." Beside Britannia (left) are her spear and sword; beside Napoleon (right) his huge cocked hat and sabre. The scene is by the sea (left), with a fleet of retreating vessels flying the tricolour flag. On the right is a cliff on which a small British lion lies on a scroll inscribed: 'Qui uti scit ei bona' [good things to him who knows how to use them]."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., With watermark: A. Stace., and Matted to 49 x 38 cm.
Publisher:
Pubd. June 13th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Napoleonic Wars, 1800-1815, Britannia (Symbolic character), Spanking, Warships, and French
Britanias pocket pickd by mercenaries, Britanias pocket picked by mercenaries, and Britannia's pocket picked by mercenaries
Description:
Titles etched below each image., Three playing card size designs on one plate, arranged vertically., and None of designs recorded in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Elizabeth, Empress of Russia, 1709-1762, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Byng, John, 1704-1757, and Mingotti, Regina, 1722-1808.
Subject (Topic):
Britannia (Symbolic character), Seven Years' War, 1756-1763, Ammunition, Barrels, Cannons, Crowns, Eagles, Eclipses, Flags, British, Mercenaries (Soldiers), Musical instruments, National emblems, French, German, and Scepters
"A sequel to British Museum Satires No. 10518, Gillray's 'Tiddy-Doll'. Napoleon, haggard and desperate, wearing tattered uniform without the former apron and sword, walks in profile to the left, carrying on his head a large tray. On this stand three gingerbread kings, burlesqued and mutilated, with two queens, a detached head (crowned), and (right) a pile of imperial emblems: crowns, mitre, sceptre, eagle, flag, &c. On the left a bonnet rouge hangs from a staff. In the middle stands an imperial eagle with a tricolour flag to which is tied a broom showing that the contents of the tray are for sale. Napoleon says (with grimly closed mouth): "Buy my Image! Here's my nice little Gingerbread Emperor & Kings Retail and for Exportation!" Behind him is a tumbledown thatched hovel; over an aperture where more gingerbread figures are displayed is a board: 'Tiddy-Doll Gingerbread Baker. NB Removed from Paris.' Above fly three of the (carrion) birds associated in these prints with Elba. Napoleon walks towards the sea; across the water (in France) tiny figures dance holding hands round a white flag inscribed 'Vivent les Bourbons' and topped by a fleur-de-lis. Behind them is the gable-end of a rustic inn: 'The Kings Head New Revived'. A fiddler capers on the edge of the cliff, watching Napoleon."--British Museum online catalogue and "One of many satires on Napoleon's banishment, see British Museum Satires No. 12229, &c., and on the fall of the Bonaparte kings, the 'Corsican Kinglings' of British Museum Satires No. 10518. The Kings must be Joseph, Louis, and Jérôme, see British Museum Satires No. 12225, the Queens either their wives or Napoleon's sisters; they symbolize the fall of the dynasty and no precise identification is necessary. The other kings of British Museum Satires No. 10518, those who owed their crowns to Napoleon, are absent; they are now his enemies."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., Sheet trimmed within plate mark., and On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis.
Publisher:
Pubd. April 21st, 1814, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Louis Bonaparte, King of Holland, 1778-1846, and Jérôme Bonaparte, King of Westphalia, 1784-1860
Subject (Topic):
Elba and the Hundred Days, 1814-1815, Military uniforms, French, Baked products, Trays, Kings, Queens, Crowns, Scepters, Miters, Liberty cap, Flags, Brooms & brushes, Birds of prey, Bodies of water, and Cliffs
Title from caption below image. and With text from an unidentified source mounted at bottom edge: Cent Suisse. Of several Swiss regiments in the French service, those styled, from their number, Cent Suisse, form part of the immediate guard of the King at the Tuileries .... on the right is a carriage containing some of the Royal family, and on the left are seen-- costumes, à la mode in 1820.
Scene of men chopping, hewing, and carrying wood, with two figures embracing at center. In the lower right corner, a woman feeds a baby whose foot a seated man kisses; another young child leans on the woman. The scene is set among trees with fronds and a shoreline in the distant background
Description:
BEIN WA Prints +116: Imperfect: bled at foot, with loss of fourth line of text and publisher's statement. Watercolor hand-coloring., BEIN WA Prints +122: Not colored., Title and statements of responsibility engraved below image., and Publication statement engraved below main text.
Publisher:
Chez Bulla, rue St. Jacques No. 38 et chez Ladvocat, Libraire, palais Royal, galerie de bois, Nos. 197 et 198
Scene of men chopping, hewing, and carrying wood, with two figures embracing at center. In the lower right corner, a woman feeds a baby whose foot a seated man kisses; another young child leans on the woman. The scene is set among trees with fronds and a shoreline in the distant background
Description:
BEIN WA Prints +116: Imperfect: bled at foot, with loss of fourth line of text and publisher's statement. Watercolor hand-coloring., BEIN WA Prints +122: Not colored., Title and statements of responsibility engraved below image., and Publication statement engraved below main text.
Publisher:
Chez Bulla, rue St. Jacques No. 38 et chez Ladvocat, Libraire, palais Royal, galerie de bois, Nos. 197 et 198
"Two tiers of single English figures expressing appropriate opinions about the coronation of Napoleon."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in dealer's description. Questionably attributed to Isaac Cruikshank in the British Museum online catalogue, registration no.: 1985,0119.188., Sheet trimmed to plate mark leaving thread margins., "Folios of caracatures [sic] lent out for the evening"--Below image in lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. July 16th, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
France and Great Britain.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Foreign public opinion, British, Public opinion, Soldiers, French, Sailors, and British
Three Cossacks on horseback pretend to flee from French soldiers. See British Museum online catalogue
Description:
Title etched below image., Another version, likely a copy, of a print with the same title that was published 1 January 1813 by S. Knight. See British Museum online catalogue, registration no.: 1985,0119.228., and Not in the Catalogue of prints and drawings in the British Museum.
Admiral de Grasse stands up to his waist in a large barrel, saying "I shall never more love the Englishmen's sugar and gunpowder." On the left stands an English naval officer with cutlass in hand, and on the right an English sailor. Refers to De Grasse's defeat by Rodney when the French attempted to raid Jamaica in 1782
Description:
Title from item.
Publisher:
Sold by E. Rich, at the little Print Shop opposite Anderton's Coffee House, Fleet Street and Pubd. by J. Barrow
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788
Subject (Topic):
Barrels, Admirals, French, Military officers, British, Sailors, and Military uniforms
A political cartoon with 42 bust caricatures of members of a conspiracy discovered by no. 1 "La Vigilance du Gouvernement Français", a rooster or the Gallic cock, depicted at top center, holding "Correspondance de Mr. Draque - Ambassadeur de la Cour Britannique &c. &c." Those accused of participating in the conspiracy are: no. 2 "Le Prince de Galles" (possibly the Prince of Wales), no. 3 "Parti de l'Opposition", no. 4 "Le Comte d'Artois" (Charles X), no. 5 "Lord Windham", no. 6 "Lord Moira", no. 7 "Lord King", no. 8 "Mr. Vic-Kam", no. 9 "Lord With Wurth", no. 10 "Mr. Pitt", no. 11 "Mr. Drake", no. 12 "Mr. Adington", no. 13 "Le Général Limcol", no. 14 "Mr. Francis", no. 15 "Milord Cathcart", no. 16 "Monsieur, Frère du Roi de France" (Louis XVIII), no. 17 "Spencer Smith", no. 18 "Lord How Kersbury", no. 19 "Le Duc de Cambridge", no. 20 "Charlotte Reine d'Angleterre", no. 21 "Géorges III Roi d'Angleterre", no. 22 "Le Duc d'York" (Prince Frederick Augustus), no. 23 "Lord Windham", no. 24 "Le Comte de Darmouth", no. 25 "Le Duc de Portland", no. 26 "Sidney Smith", no. 27 "Sir Lucas Pepys", no. 28 "Mr. Canning", no. 29 "Fitz Williams", no. 30 "Lord Walsingham", no. 31 "Lord Nelson Admiral", no. 32 "L'amiral Duc Woeth", no. 33 "Mr. Tierney", no. 34 "Le Prince de Conde", no. 35 "Lord Malmesbury", no. 36 "Milord Harrowby", no. 37 "Mr. F. Millman", no. 38 "Heberden", no. 39 "Lord Grandville", no. 40 "Mr. Carnawon", no. 41 "Mr. Carlole", and no. 42 "Sir Robert Taulay."
Description:
Title from item. and Includes key with corresponding numbers identifying the persons depicted.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Charles X, King of France, 1757-1836., Pitt, William, 1759-1806., Louis XVIII, King of France, 1755-1824., Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818., George III, King of Great Britain, 1738-1820., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and Nelson, Horatio Nelson, Viscount, 1758-1805.
Subject (Topic):
History, National emblems, French, Roosters, Conspiracy, Enemies, and Faces
Added t.p.: Mongolʹsko-russko-frant︠s︡uzskiĭ slovarʹ. and Vols. 2-3: Couronné par l'Académie des sciences et publié par m. le professeur J. E. Kowalewski.
Added t.p.: Mongolʹsko-russko-frant︠s︡uzskiĭ slovarʹ. and Vols. 2-3: Couronné par l'Académie des sciences et publié par m. le professeur J. E. Kowalewski.
Added t.p.: Mongolʹsko-russko-frant︠s︡uzskiĭ slovarʹ. and Vols. 2-3: Couronné par l'Académie des sciences et publié par m. le professeur J. E. Kowalewski.
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 4 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 3 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-W). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., Date of publication from dealer's description., "A.P.D.R.", Number 6 in a series of six plates, identified by an "A" in the upper right corner of the plate: Cahier de six diligences à̀ la francoise., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chéreau
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 5 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 2 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Date of publication from the record in the Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "Avec privilége du Roy.", Number 1 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image. Series numbered etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-W). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., Date of publication from the Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 3 in a series of six plates, identified by an "A" in the upper right corner of the plate: Cahier de six diligences à̀ la francoise., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chéreau
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-X). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 6 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
"The interior of a tent. Duroc, in his shirt, lies supported by a soldier on a wooden bed, while Napoleon (right) holds his right hand, turning away (to the right) and covering his face with his left hand. An officer stands solicitously beside the Emperor, supporting his left elbow. Another officer stands (left) behind the head of the low bed. On the extreme left a soldier bends over a table compounding medicaments. Duroc's coat and sword lie on a camp-stool, beside his hat and boots. A glimpse of the distant camp is seen on the extreme right, where a Mameluke stands by the tent holding Napoleon's horse. Duroc is addressing the Emperor, with his left arm extended. Their words are etched below the title: "Duroc, "My whole life has been consecrated to your service, nor do I regret its loss, but for the use it still might have been of to your Buonaparte, "Duroc!" there is a life to come; it is there you are going to wait for me, and where we shall one day meet again!" Duroc, "Yes Sire! but that will not be these thirty years, when you will have triumphed over your enimies [sic], and realised all the hopes of your country, I have lived an honest man: I have nothing to reproach myself with, ah! Sire! go away this sight gives you pain--Be, "Farewell then my friend"."--British Museum online catalogue
Alternative Title:
Dramatic effect, or, The death of General Duroc, Death of Genl. Duroc, and Death of General Duroc
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on bottom edge., and Watermark: 1809.
Publisher:
Pubd. June 9th, 1813, by Wm. Holland, No. 11 Cockspur Street
Subject (Name):
Duroc, Géraud Christophe Michel, duc de Frioul, 1772-1813 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Death and burial, Generals, French, Military officers, Soldiers, Military camps, Deathbeds, War casualties, Wounds & injuries, and Medicines
"Dumouriez, followed by a tall and ragged sansculotte, marches aggressively towards a low barricade (left), behind which are frog-soldiers presenting their bayonets at the invaders. Dumouriez, foppishly dressed in regimentals, but with bare legs, his shirt confined by a sash, holds against his shoulder an enormous seal. He says, holding out his right hand, "Monsr Orange, I will seal up your Papers, & take care of your Cash". From his pocket hangs a scroll: 'New Laws for Holland Prepar'd by the Convention'. His 'aid du Camp' holds against his shoulder a gigantic piece of sealing-wax inscribed 'Fyn Se gelak wel brand en vart. houd', in his right hand is a large lighted candle or taper. He says, "Aha. Monr Grenouille I wou'd rather eat you than fight." He is perhaps Miranda, Dumouriez' second in command."--British Museum online catalogue
Alternative Title:
Dumourer and his aid du camp on full march and Dumourer and his aide du camp on full march
Description:
Title from item., Printmaker from British Museum catalogue., and Publisher's advertisement following imprint: ... where may be seen a complete model of the quillotine admitance [sic] one shilling.
Publisher:
Pub. March 13, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Netherlands
Subject (Name):
William V, Prince of Orange, 1748-1806., Dumouriez, Charles François Du Périer, 1739-1823, Miranda, Francisco de, 1750-1816, and France. Convention nationale.
Subject (Topic):
Neerwinden, Battle of, Neerwinden, Belgium, 1793, History, Campaigns, Foreign public opinion, British, Foreign relations, Sansculottes, Candles, Dandies, French, Frogs, Military uniforms, and Seals (Insignia)
"design in two groups, one (left) representing the past, the other (right) the present. A Dutchman personifying the Dutch Republic, threatened by Spain (left) kneels, hat in hand, before a military officer representing England, imploring help. He says, "the poor distracted States of Holland". The Englishman answers, "I am your Friend Mynheer I'll help you up & beat your foes". A Spaniard stands (left) behind the Dutchman's back, his sword raised to strike, his left fist clenched, saying, "I am determined Mynheer you shall never rise more". On the right is another group of figures representing Holland, England, America, France, and Spain: A Dutchman on the extreme right, smoking a pipe, his hands in his breeches pocket, scowls at an English officer, saying, "I am now ye high & Mighty." (The States General of the United Provinces were addressed as Hogen Mogen, 'High Mightinesses'.) The Englishman, a drawn sword in his hand, says to him "Now is ye time to pay ye debt of Gratitude". America, an Indian holding a tomahawk, says to France, pointing to England, It shall never have my Colonies again. France, a French military officer with a drawn sword, wearing spurred jack-boots, points to England, saying, "begar me will have half his Possessions". Spain, in cloak and feathered hat, also with a drawn sword, stands behind France saying "Don Diego has vow'd the downfall of England." Beneath the design verses are engraved: "See Holland oppress'd by his old Spanish Foe, To England with cap in hand kneels very low, The Free-hearted Britton, dispels all its care, And raises it up from the brink of Dispair. But when three spitefull foes old England beset, The Dutchman refuses to pay a Just debt; With his hands in his pockets he says he'll stand Neuter, And England his Friend may be D------d for the Future.""--British Museum catalogue
Description:
Title from item.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
Foreign relations, Dutch, Caricatures and cartoons, French, Spaniards, Caricatures and cartons, Americans, Indians of North America, and Clothing & dress
Trial proof of the portrait of French sculptor Edme Bouchardon, half-length, sitting in armchair, head turned to right; in oval frame, on pedestal, with sculptor's tools; state with face only lightly sketched in, before any lettering
Description:
Title from finished state., Title and date from British Museum online catalogue, registration numbers: 10,0610.66., and Ownership stamp on verso in diamond shape frame: E.L.
"Portrait of French sculptor Edme Bouchardon, half-length, sitting in armchair, head turned to right; in oval frame, on pedestal, with sculptor's tools"--British Museum online catalogue
Description:
Title in image., Date of publication from British Museum online catalogue, registration no.: 10,0610.66., and Ownership stamp on verso, in diamond shape frame: E.L.
On the left under the title "England" a bear sits at a table enjoying a hearty meal of roast beef and plum pudding while across from him sits a frog in a French uniform with a sword at his waist, a plate of only sauce before him and two turnips to the side. The fox toasts his companion with a glass while the bear holds up a large frothing mug of beer. A wine cooler in the foreground holds four bottles of wine. On the wall behind each figure is a round framed image: two birds above the bear and a woman holding a cross (a saint?) above the frog
Description:
Title from caption above image., Picture caption: England with roast beef & plumb pudding supplies, ... France with her frogs has very fine sauce., Publication date from unverified data from local card catalog record., Description based on imperfect impression; sheet trimmed within plate mark with loss of text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Sold by [...]
Subject (Topic):
Animals in human situations, Bears, Eating & drinking, Frogs, National emblems, British, and French
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
First panel: Fieschi, an obese man holding a small glass and a cigar, is slumped down in a chair in front of a table on which a bowl of "infernal soup" sits; an officer and a monk stand over him; second panel: Beresford kneels and prays to a tall demon figure materializing from a cloud of smoke; the demon stands within a ring created by bags of money while wearing a crown of skulls and holding a staff with a skull and crossbones at the end
Description:
Titles from item., Initials of printmaker Charles Jameson Grant in lower left corner of first panel of design., Probably a print from the series The political drama, which was published ca. 1833 by G. Drake; see British Museum online catalogue., Design consists of two panels side by side, each individually titled., Wood engraving with letterpress text., Sheet trimmed with probable loss of imprint and series statement. Conjectured to be no. 125 in the series based on the number "125" written in brown ink in lower left corner of first panel of the design., Mounted on green paper backing., and No. 125.
Publisher:
G. Drake
Subject (Geographic):
England.
Subject (Name):
Fieschi, Joseph, 1790-1836 and Beresford, James, 1764-1840
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: English barracks., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France
Subject (Name):
France. Armée
Subject (Topic):
Barracks and quarters, Foreign opinion, British, Arms & armament, Armor, Barbers, Barracks, French, Breast feeding, Canopy beds, Cats, Children, Dogs, Grooming, Hairdressing, Mirrors, Servants, Soldiers, Women, and Yawning
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day.", and Mounted on page 89 with one other print.
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., and Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day."
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day.", 1 print : aquatint and etching on wove paper ; plate mark 30 x 23.6 cm, on sheet 32.7 x 25.8 cm., and Mounted on leaf 71 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
Page 181. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
French officer and English alehouse man and Officer francois / by Miss Conway
Description:
Title and statement of responsibility from note in ink on a five of clubs playing card (60 x 86 mm) mounted below drawing; alternative title and statement of responsibility written in pencil at top of image: Officer francois, by Miss Conway., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 181 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Subject (Topic):
Military officers, French, Ethnic stereotypes, Drinking vessels, and Obesity
"Six French émigrés are grouped at the roadside beside a signpost (right) pointing (left) to 'London' and (right) to 'Dover'. A lean and elderly woman holding a clipped poodle stands with her left hand in the arm of a man wearing a cocked hat with a tricolour cockade, and a long coat reaching almost to his ankles; he holds a tasselled cane. Next him is a stout man wearing a long cloak, and a boy or dwarfish man. On the right are two women holding large muffs. A second clipped poodle runs beside them. In the background a coach (right) inscribed 'London Dover Canterbury' is driving towards London with outside passengers; one, a sailor, waves his hat. The gable end of a cottage (left) and trees complete the background."--British Museum online catalogue
Description:
Title engraved below image., After Robert Dighton; see British Museum online catalogue., and Plate numbered "617" in lower left corner.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
"A mounted officer with drawn sabre heads a procession of 'Volunteers' linked by a chain to his horse and to each other. The horse is a well-bred animal with handsome trappings, but the rider is lean and has torn breeches. He is followed by a file of three whose necks are attached to the horse and whose hands or arms are pinioned. All are miserable wretches, barelegged and ragged; the last, less abject, has sabots and takes snuff. He is chained to the neck of a donkey on whose back is a pannier containing three despairing conscripts. To the animal's tail is tied a low truck on which a moribund shackled man lies on his back, his knees drawn up. To the truck is chained, in a stooping position, a man whose hands are tied behind his back, his nails being long talons. Birds, scenting carrion, fly towards the procession. Below the design: 'Dedicated (by an Eye Witness) to the Volunteers of Great Britain'."--British Museum online catalogue
Description:
Title etched in top part of image., Printmaker identified as Gillray and the artist questionably identified as Charles Loraine Smith in the British Museum catalogue., Sheet trimmed within plate mark on three edges., 1 print : etching on wove paper, hand-colored ; sheet 21.8 x 60.4 cm., and Sheet trimmed within plate mark; mounted to 28 x 66 cm.
Publisher:
Pubd. Octr. 25th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Geographic):
France.
Subject (Topic):
Napoleonic Wars, 1800-1815, Soldiers, French, and Starvation
"A newly invented French telegraph (semaphore) stands on the coast, with the head of Fox, in back view but looking to the right with a fiercely determined expression. The crossbeam represents his arms and the arms of the semaphore; the raised right hand holds a lantern which lights up the French fleet (in full sail for England) and a fort on the French coast flying a large tricolour flag inscribed 'République'. The left hand points downwards and to the left to a dark cluster of roofs and spires dominated by St. Paul's. The base of the telegraph is circular and of brick. An arched opening shows the interior, in it is a pile of daggers. In the sky is a waning moon."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Jany. 26th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Flags, French, Forts & fortifications, Lanterns, Ships, and Telegraph
"General Theobald Dillon (three-quarter length) is being murdered by French soldiers, ruffianly fellows, most of whom wear cocked hats with a tricolour cockade. He is pierced with many bayonets, and his throat is cut; his head is dragged backwards by a man who grasps his hair in hands and teeth. He puts up an arm crying, "oh le Pauvre Dillon". A man with sabre raised to slash again, says, "Encore Encore." Two of the men say "Ca-ira". One who is using his bayonet says, "oh by Gar dis will be de brave news for de new association in England."--British Museum online catalogue
Alternative Title:
National troops' attachment to their general after their defeat at Tournay
Description:
Title from item., Printmaker from British Museum catalogue., and Watermark: Strassbourg lily on crowned armorial shield with initials G R below.
Publisher:
Pub. May 12, 1792, by S.W. Fores, 3 Piccadilly
Subject (Name):
Dillon, Theobald, 1745-1792. and Society of the Friends of the People (Great Britain)
Subject (Topic):
Assassinations, Tournai, Belgium, Battle of, 1745, Black people, Soldiers, French, and War casualties
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
A line of seven figures all caricatured with animalistic features, marching right to left, shown full-length. The first character blows a horn, carries a violin and bow in his hands and on a string around his waist another horn with smoke coming out hangs over his behind; he is wearing spectacles and a scarf aroung his head as well as a Roman-style pink dress; he has wings and appears to have a breast. In the text above his head: En avant la renommeé? Sur l'air: j'ai du bon tabac, dans Misantropie et repentir. The second figure is wearing Roman armour and carries a long-handled pan; he has claws for hands, a bird's face and tail feathers. On top of his helmet sits a rat. The text above his head reads: Tais toi! Geulard, vilain menteur de Constitutionel; j' t'ai dis que l'premier qui tomeroit sous ma griffe, il aura beau crier ... la mort ... aura.." The third figure with a large belly has a highly caricatured face with large, exaggerated features and fangs; he wears a bonnet. He is armed with a knife hanging in his belt as well as a long sword on a chain. Above his head are the words: Mais, mon Capitaine t'as dis qu't' allois les prendre en flanc j' l'aime bien, moi, l'flanc, tu m'en donneras? .. ain!" The fourth and fifth figures both have wolf-like faces. The one also has a tail and carries a hoe and a basket with a second wicker basket on his back. The writing above his head, " Qu' est-ce qu' en veut? Des lettres de falaise, en voulez vous d' la Chicorée?" The other's clothes are tattered and short, with a sash around his waist; he wears a straw hat and smokes a pipe. Above his head is written, "J' vons avertir not' Capitaine, qu' j'ons vu' à la Rapée des Goujons ... ultras. The final two, both with large snouts and fangs, surround a cannon, the one is pulling it and the other standing crossed-armed looking angrily at his companion in conversation with the figure ahead of him. Above their heads, first, "On dit qu' i' z'ont l'vent su' nous mais c'est qu' j' disque p'tite pluis abat grand vents" and last "On! si j' pouvois attraper l'beau local (l' bocal) aux Conichons ... Oh! c'est sure."
Description:
Title etched below image. and Description based on trimmed impression.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Topic):
Royalists, History, Animals in human situations, Baskets, Cannons, Hand tools, Musical instruments, Soldiers, and French
A fat English military officer resembling George III marches behind a thin French officer also resembling Louis XVI pulling the latter's queue and kicking him in the rear. Possibly a reference to Rodney's 1782 naval victory over the French
Description:
Title from item., Possibly after Thomas Colley., Date conjectured from the print's possible allusion to Rodney's victory over DeGrasse, 12 April 1782., Sheet trimmed., and Mounted to 30 x 38 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain, France., France, and Great Britain.
Subject (Topic):
Foreign relations, Kicking, Military uniforms, British, and French
Portrait of Isaac de Benserade, bust-length, looking to right, with long wig, in oval; illustration from Perrault's 'Les Hommes illustres' (Paris, Dezallier, 1696-1700), volume II.--British Museum online catalogue
"Portrait of French playwright Molière, after Bourdon; three-quarter length, sitting at desk, directed to left, hands folded on table, wearing long curled wig and loose-fitting gown; in rectangular frame, with spread wings and ivy in upper part, and attributes of comedy in lower part. ... Ribbon at bottom with verses [in Latin] by Horat."--British Museum online catalogue, description of a variant state
Alternative Title:
Jean Baptiste Poquelin de Molière
Description:
Title from from text within cartouche at top of image., Variant state, lacking imprint statement and with verses from Chenier engraved below image instead of a dedication. For a different state with the imprint "A Paris chez le Sr De Mailly, Quay de l'Ecole près le Louvre Avec Privilége du Roy", see British Museum online catalogue, registration no.: R,6.236., Place and date of publication from the Philadelphia Museum of Art online collection database, accession no.: 1943-50-23., Sheet trimmed within plate mark and multilated in lower left corner, resulting in partial loss of artist's name., Window mounted to 51 x 36 cm., and Mounted opposite page 187 (leaf numbered '228' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
As the result of the Convention of Cintra, French general Junot is shown vomiting, with great effort, a large booty of gold coins, candlesticks, church plate, watches, and other valuables while a Portuguese kneeling in front of him attempts to catch as many items as possible into an already-disgorged silver basin. To Junot's right stands John Bull in sailor's clothes and ill-fitting wig. He is holding the general's head in order to help him rid himself of his plunder. Three French officers on the left watch the above scene with dismay and anger
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Mounted to 28 x 39 cm.
Publisher:
Pubd. October 17, 1808 by R. Ackermann, N 101 Strand
Subject (Name):
Junot, Jean Andoche, duc d'Abrantès, 1771-1813.
Subject (Topic):
John Bull (Symbolic character), Convention of Cintra, Military officers, French, Military uniforms, Vomiting, and War destruction & pillage
A very thin, fobbish man with a walking stick tucked under his arm, walks down a staircase, smelling the tip of his finger (one of a sub-series of the Five Senses)"--British Museum online catalogue
Description:
Title etched below image., Lettered in the image 'G de Cari' twice and 'Maleuvre sculp' once., Series title and number from caption above image., Description based on imperfect impression. Series title and numbering and dimensions from impression in the British Museum., This plate was entered in the 'Bibliographie de France' for 29 March 1817. See British Museum online catalogue, Registration number: 1990,0303.23., and "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue.
Publisher:
Chez Martinet, Libre., rue du Coq, no. 15
Subject (Topic):
Dandies, French, Odors, Staffs (Sticks), and Stairways
"French soldiers are being cooked or drowned in a big round vat built of stone, under which a fire is burning. Blücher (left) and Wellington (right) stand over the vat, holding long-handled perforated ladles with which they skim the surface of the water, fishing out the soldiers. Blücher (left), saying "Mon cher Welington je commence a écumer j'espere que vous me Seconderez," holds on his level ladle a hussar in large busby, braided tunic, and boots. Wellington holds up on his (tilted) ladle a man hanging head downwards. Beside the vat (right) is a rocky cone from a fissure in which the flames of Hell emerge; Cerberus, a monster with three serpentine necks and webbed wings, reaches from the opening towards Wellington's captive, and devours his legs with two of his great jaws. Wellington answers: "mon ami Blucher je sais pret a vous suivre mais surtout travaille fort cette nuit." Other soldiers struggle to get out or sink back hopelessly. An eagle (standard) projects from the water, on which float many tricolour cockades. Wellington's victim, who has a moustache, is not Napoleon, who is a subordinate figure, struggling to get out, and extending his arms towards Wellington."--British Museum online catalogue
Description:
Title etched below image., Possibly a copy of a print by George Cruikshank entitled "The last tub-full"; see British Museum online catalogue, registration no.: 1868,0808.8222., After the Battle of Waterloo, so after June 1815., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Blücher, Gebhard Leberecht von, 1742-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Cerberus (Greek mythology), Cooking utensils, Generals, French, Military officers, Prussian, Soldiers, and Vats
Drawing of Rolland LeFebvre (1608-1677), French born painter ; moved to England about 1676 and died in London 1677
Alternative Title:
LeFebvre
Description:
Title from item., Drawing that was later used in an engraving of Le Fevre: Anecdotes of painting in England / by Horace Walpole. Strawbery-Hill : Printed in the year MDCCLXIII, 1783, v. 3, opp. p. 29., and George Vertue, English artist, 1684-1756.
"Satire on the French and on fashion ...: a postillion with a long queue drives a cabriolet to the right in which is a macaroni and footman, both with elaborate hairstyle; the macaroni bows to another, behind, who carries a parasol; a dog runs beside the horses."--British Museum online catalogue
Description:
Title from text below image., Later state, with publisher's name and address burnished from plate. For an earlier state with "MDarly No. 39 Strand" present after publication date, see British Museum online catalogue, registration no.: 1861,1012.341., Attribution to Bunbury from the British Museum catalogue., Sheet trimmed within plate mark on top and bottom., Four lines of verse in French below title: Barbares Anglois! qui du memê couteau ..., Mounted on page 81 of: Bunbury album., 1 print : etching with engraving on laid paper ; sheet 17.6 x 20.6 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Topic):
Dandies, French, Vehicles, Coach drivers, Servants, Umbrellas, and Dogs
"Satire on the French and on fashion ...: a postillion with a long queue drives a cabriolet to the right in which is a macaroni and footman, both with elaborate hairstyle; the macaroni bows to another, behind, who carries a parasol; a dog runs beside the horses."--British Museum online catalogue
Description:
Title from text below image., Later state, with publisher's name and address burnished from plate. For an earlier state with "MDarly No. 39 Strand" present after publication date, see British Museum online catalogue, registration no.: 1861,1012.341., Attribution to Bunbury from the British Museum catalogue., Sheet trimmed within plate mark on top and bottom., Four lines of verse in French below title: Barbares Anglois! qui du memê couteau ..., and Watermark, partially trimmed.
Publisher:
publisher not identified
Subject (Topic):
Dandies, French, Vehicles, Coach drivers, Servants, Umbrellas, and Dogs
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 January 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 49. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A full-length view of a young, French macaroni in profile facing left, stands beside a donkey whose reins he holds in his right hand. On the left, a dog jumps at the pair
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Mounted on page 49 of: Bunbury album., and 1 print : etching and drypoint on laid paper ; plate mark 22.4 x 20.7 cm, on sheet 30.8 x 28.7 cm.
Publisher:
Publish'd as the act directs, Jany. 1, 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 January 1773]
Call Number:
Bunbury 773.01.01.01 Impression 1
Collection Title:
Page 49. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A full-length view of a young, French macaroni in profile facing left, stands beside a donkey whose reins he holds in his right hand. On the left, a dog jumps at the pair
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., 1 print : etching and drypoint on laid paper, hand-colored ; sheet 22.5 x 20.8 cm., and Sheet trimmed to plate mark leaving thread margins.
Publisher:
Publish'd as the act directs, Jany. 1, 1773, by J. Bretherton, No. 134 New Bond Street
"Napoleon (left) and Joseph sit side by side on low seats or stools, both with a hand on each knee. They have large, elongated heads broadly caricatured (as in British Museum Satires No. 10604, &c.) and look sideways at each other with drawn-down mouths and wrinkled foreheads. Napoleon is in uniform, wearing a feathered bicorne; Joseph wears a crown with Spanish dress, ermine-trimmed robe, and the order of the Golden Fleece. His seat is, very inconspicuously, a commode. At his feet is a sceptre with a scroll inscribed 'Servata Fides Cineri'. Napoleon says: "A pretty piece of Business we have made of it Brother Joe." Joseph: "I always told you Nap, what would come of makeing too free with the Spaniards.""--British Museum online catalogue
Alternative Title:
King Nap and King Joe in the dumps
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Tentative artist attribution to Woodward from the British Museum catalogue., Sheet trimmed., and Watermark: J. Whatman.
Publisher:
Pubd. Augt. 1808 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
Subject (Topic):
Military uniforms, French, Hats, Stools, Robes, Crowns, and Scepters
"Satire: two French soldiers with drawn sword threaten two kneeling English women while an old lady stands behind."--British Museum online catalogue
Description:
Title etched below image., Previous imprint statement in lower left corner of image has been completely etched over. Beneath that is the Tegg imprint, in which the year "1807" has been struck through with etched lines., Plate numbered '282' in the upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Opposite page 104. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed within plate mark on left side., Not in the Catalogue of prints and drawings in the British Museum., Folded to 31.5 x 25.5 cm., and Bound in opposite page 104 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. March 18th, 1774, by H. Bryer, London
Subject (Geographic):
France
Subject (Topic):
Dandies, French, Clothing & dress, Hairstyles, and Snuff
Leaf 58. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A French hairdresser with fine coat and small-sword."--British Museum online catalogue, description of an earlier state
Alternative Title:
Monsieur le Frizuer
Description:
Title etched below image., Questionable attribution to Bunbury from the British Museum catalogue., Reissue, with additional numbering; see page 38 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "5" in upper right corner., and For an earlier state, see no. 4673 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pubd. accordg. to act of Parllt. May 21th [sic], 1771, by MDarly 39 Strand
Subject (Geographic):
France
Subject (Topic):
Dandies, French, Clothing & dress, Hairdressing, and Daggers & swords
Leaf 58. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A French hairdresser with fine coat and small-sword."--British Museum online catalogue, description of an earlier state
Alternative Title:
Monsieur le Frizuer
Description:
Title etched below image., Questionable attribution to Bunbury from the British Museum catalogue., Reissue, with additional numbering; see page 38 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "5" in upper right corner., For an earlier state, see no. 4673 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Second of three plates on leaf 58., and 1 print : etching and engraving on laid paper ; plate mark 15.4 x 10.8 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act of Parllt. May 21th [sic], 1771, by MDarly 39 Strand
Subject (Geographic):
France
Subject (Topic):
Dandies, French, Clothing & dress, Hairdressing, and Daggers & swords
"A boarding party on the deck of a French ship engaged in a furious mêlée. Mr. B. lunges forward, piercing an officer through the heart with his sword. A burly sailor stretches over his head to strike aside a spear which a Frenchman is about to plunge into the boy. Men are partly hidden by smoke; cannon-balls are in the air, dead or dying men on the ground. Frenchmen use muskets, English sailors axes and swords. Below: '"the pulse's maddening play That thrills the wanderer of the trackless way That for it self can woo the approaching fight And turn what some deem danger to delight No dread of death, if with us die our foes Save that it seems e'en duller than repose," Byron."--British Museum online catalogue
Description:
Title from text above image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified in the British Museum catalogue., Two columns of verse below image: "the pulse's maddening play that thrills the wanderer of the trackless way ... Byron., Plate numbered in upper right corner: P. 5., and Earlier state. For 1835 reissue by Thomas McClean cf. no. 14094 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Topic):
Naval warfare, Ships, French, Sailors, and British
"A British and a French sailor addressing one another. The British sailor stands full-face, a club in his right hand, his left hand on his hip. He wears a crowned hat, a handkerchief knotted round his neck, and wide, knee-length trousers. He scowls threateningly. The Frenchman, very thin, stands facing him, in profile to the left; he grins, saying "Ha! Ha! we beata You": the Englishman answers "you Lie". The Frenchman wears a feathered hat, ruffled shirt, long trousers, and a cutlass. His hair is in a very long pigtail queue, tied with a bow of ribbon. In the background a naval battle is indicated by ships and clouds of smoke slightly sketched. Cf. BMSat 5674."--British Museum online catalogue
Description:
Title from item. and Possibly by Gillray. See British Museum catalogue.
Publisher:
Publish'd Augt. 9th, 1780, by W. Humphrey, No. 227 Strand
Leaf 8. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A British and a French sailor addressing one another. The British sailor stands full-face, a club in his right hand, his left hand on his hip. He wears a crowned hat, a handkerchief knotted round his neck, and wide, knee-length trousers. He scowls threateningly. The Frenchman, very thin, stands facing him, in profile to the left; he grins, saying "Ha! Ha! we beata You": the Englishman answers "you Lie". The Frenchman wears a feathered hat, ruffled shirt, long trousers, and a cutlass. His hair is in a very long pigtail queue, tied with a bow of ribbon. In the background a naval battle is indicated by ships and clouds of smoke slightly sketched. Cf. British Museum Satires No. 5674."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5695 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 8 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd Augt. 9th, 1780, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Sailors, French, and Clothing & dress
Title engraved below image., Date of publication from unverified data in local card catalog record., Possibly from: Paris and Dover, or, to and fro, a picturesque excursion : being a bird's-eye notion of a few 'Men and things' / by Roger Book'em., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Second sheet with letterpress text attached to print: National guard. A corps many thousand strong, -composed of citizens, -mostly shopkeepers and bound therefore in interest as well as duty to protect property and preserve the peace ..., and Second sheet attached to print 8 x 17 cm.
Publisher:
publisher not identified
Subject (Name):
Palais-Royal (Paris, France), and Paris (France). Garde nationale.
"A Portuguese soldier and a British soldier, facing each other, co-operatively seize Ferdinand VII, who is putting his left foot across a line dividing Spain (right) from Portugal. Each holds a musket without bayonet. The Englishman's right hand is on Ferdinand's shoulder; the Portuguese clutches one of the King's ass's ears. Ferdinand wears a crown, a long cloak, and a spiky ruff. A French officer on the extreme right makes off to the right, shocked and alarmed; he looks over his shoulder, exclaiming, Sacré dieu! le pauvre bete est attrappée."--British Museum online catalogue
Description:
Title etched below image., From British Museum online catalogue Curator's comments: The Frenchman is evidently the Marquis de Moustier, French Ambassador at Madrid, who appeared covertly to countenance Ferdinand's support of the Portuguese refugees, and was recalled in disgrace., and Original price "2/-" written in ink in lower right corner of sheet.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Spain
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Moustier, Clément Edouard, Marquis de, 1779-1830.
Subject (Topic):
History, Soldiers, British, Portuguese, Military officers, French, and Firearms
"Satire: scene in a ball-room with four couples dancing to the music supplied by a French violinist."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Tovil Mill.
Publisher:
Pub. April 2nd, 1817 by J. Sidebotham
Subject (Topic):
Interiors, Ballroom dancing, Couples, Musicians, French, and Violins
Title from text above image., Date of publication from British Museum catalogue., 1 print on laid paper : etching ; sheet 26.6 x 18.6 cm., Imperfect; sheet trimmed within plate mark., and Watermark, partially trimmed: G.R.
"Satire on fashion: a French hairdresser mounts a ladder to arrange with tongs the curls of a lady with an enormous coiffure, while another man with a long queue, evidently her husband, holds a sextant to measure the height."--British Museum online catalogue
Alternative Title:
Ladies absurdity
Description:
Title engraved below image., Initial letters of publisher's name in imprint form a monogram., Temporary local subject terms: Macaronies -- Headdresses -- Naval officers -- Military uniforms -- Naval officer's uniform -- Trades: hairdressers -- Furnishings -- Carpet -- Pictures amplifying subject -- Hairdressing implements: curling tongs -- Step ladders -- Naval instruments: quadrant., and Watermark: countermark W.
Publisher:
Pubd. accordg. to act of Parllt., July 15th 1771, by MDarly, No. 39 Strand, & R. Sayer at the Golden Buck, Fleet Street
Subject (Topic):
Dandies, French, Hairstyles, Hairdressing, Mirrors, Floor coverings, Ladders, and Sextants
Leaf 5. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Admiral Rodney is depicted receiving the submission of the defeated De Grasse after the Battle of the Saints, as English sailors bring ashore the spoils of war, and chagrined politicians Fox, Keppel, and the Duke of Richmond look on from the left, with Sandwich and North behind them. Contrasts the new ministry's hostility to the popular Rodney with the rewarding of the incompetent Keppel (Admiral "Lee-shore.").
Alternative Title:
Admiral lee-shore in the dumps
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5992 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], "Political characters & caracatures of 1782. No. 3"--On left above design., Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 36., and On leaf 5 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 31st, 1782, by E. D'Achery, St. James's Street, London [i.e. Field & Tuer] and Field & Tuer
Subject (Geographic):
England
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Rodney, George Brydges Rodney, Baron, 1719-1792, Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Admirals, French, British, Sailors, and Clothing & dress
