Title from item., Imperfect; sheet trimmed within plate mark., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published as the act directs 1st Jany. 1780 by Robert Wilkinson, at No.58 in Cornhill
Subject (Geographic):
England
Subject (Topic):
John Bull (Symbolic character), Cooks, French, Blacks, Kitchens, and Cooking utensils
Trial proof of the portrait of French sculptor Edme Bouchardon, half-length, sitting in armchair, head turned to right; in oval frame, on pedestal, with sculptor's tools; state with face only lightly sketched in, before any lettering
Description:
Title from finished state., Title and date from British Museum online catalogue, registration numbers: 10,0610.66., and Ownership stamp on verso in diamond shape frame: E.L.
"Portrait of French sculptor Edme Bouchardon, half-length, sitting in armchair, head turned to right; in oval frame, on pedestal, with sculptor's tools"--British Museum online catalogue
Description:
Title in image., Date of publication from British Museum online catalogue, registration no.: 10,0610.66., and Ownership stamp on verso, in diamond shape frame: E.L.
"Portrait of French playwright Molière, after Bourdon; three-quarter length, sitting at desk, directed to left, hands folded on table, wearing long curled wig and loose-fitting gown; in rectangular frame, with spread wings and ivy in upper part, and attributes of comedy in lower part. ... Ribbon at bottom with verses [in Latin] by Horat."--British Museum online catalogue, description of a variant state
Alternative Title:
Jean Baptiste Poquelin de Molière
Description:
Title from from text within cartouche at top of image., Variant state, lacking imprint statement and with verses from Chenier engraved below image instead of a dedication. For a different state with the imprint "A Paris chez le Sr De Mailly, Quay de l'Ecole près le Louvre Avec Privilége du Roy", see British Museum online catalogue, registration no.: R,6.236., Place and date of publication from the Philadelphia Museum of Art online collection database, accession no.: 1943-50-23., Sheet trimmed within plate mark and multilated in lower left corner, resulting in partial loss of artist's name., Window mounted to 51 x 36 cm., and Mounted opposite page 187 (leaf numbered '228' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Bonvallet, L. (Louis), approximately 1748-1818, printmaker
Published / Created:
[1785]
Call Number:
785.01.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
A scene in rural France: A farmer holding onto a plow drawn by a team of oxen, shepherds with their sheep, and a man fishing in a stream, all look up in astonishment at the air balloon overhead. This print references the third flight of Jean-Pierre Blanchard, his second with American John Jeffries and the first flight over the English Channel
Alternative Title:
Premier passager aerien de la mer and Dedié à Mr. Blanchard, pensioné du roi, citoyen de Calais
Description:
Title etched below image., Dedication etched above title: Dedié à Mr. Blanchard, Pensioné de Roi, Citoyen de Calais., "Avec Privilege du Roi"--Following imprint., Sheet trimmed within plate mark on three sides., and Six lines of verse, signed "Basset" at the end, in two columns below title: Le Pécheur qui sur l'eau tenait son bras tendu ...
Publisher:
Chez Basset rue St. Jacques au coin de celle des Mathurins
Subject (Geographic):
France.
Subject (Name):
Blanchard, Jean-Pierre, 1753-1809. and Jeffries, John, 1745-1819.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st Jany. 1778.
Call Number:
Bunbury 778.01.01.03++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue
Description:
Title from text below image., Probably an earlier state of a print in the British Museum with the imprint "Publish'd 11th March 1778." Cf. no. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark., Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark, mostly trimmed.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.05++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print previously published 11 March 1778. Cf. No. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 January 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 49. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A full-length view of a young, French macaroni in profile facing left, stands beside a donkey whose reins he holds in his right hand. On the left, a dog jumps at the pair
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Mounted on page 49 of: Bunbury album., and 1 print : etching and drypoint on laid paper ; plate mark 22.4 x 20.7 cm, on sheet 30.8 x 28.7 cm.
Publisher:
Publish'd as the act directs, Jany. 1, 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 January 1773]
Call Number:
Bunbury 773.01.01.01 Impression 1
Collection Title:
Page 49. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A full-length view of a young, French macaroni in profile facing left, stands beside a donkey whose reins he holds in his right hand. On the left, a dog jumps at the pair
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., 1 print : etching and drypoint on laid paper, hand-colored ; sheet 22.5 x 20.8 cm., and Sheet trimmed to plate mark leaving thread margins.
Publisher:
Publish'd as the act directs, Jany. 1, 1773, by J. Bretherton, No. 134 New Bond Street
Title from text above image., Date of publication from British Museum catalogue., 1 print on laid paper : etching ; sheet 26.6 x 18.6 cm., Imperfect; sheet trimmed within plate mark., and Watermark, partially trimmed: G.R.
A French postillion, wearing huge boots, gestures with his arms outspread to the right
Description:
Title and date of publication from description of an earlier state in the British Museum catalogue., Printmaker from signature on later state: H.B. f., Early state, before background elements, printmaker's signature, and figure's sleeve decoration added in drypoint. For a later state with these additions, see no. 4746 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 115 of: Bunbury album.
"Satire: a postillion with huge boots holding his whip; a progress proof in pure etching before the addition in drypoint of the horse behind to the right."--British Museum online catalogue, registration no.: 1867,0309.1663
Description:
Title, printmaker, and date of publication from description of a later state in the British Museum catalogue., Early (proof?) state, before figure's queue added in drypoint and before the addition of background and foreground elements. For a later state with these changes to the plate, see no. 4743 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 115 of: Bunbury album.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Coach drivers, and Whips
A French postillion, whip in hand and wearing huge boots, is seen from behind looking forward, away from the viewer; a church is visible in the distance
Description:
Title, printmaker, and date of publication from description of earlier state in the British Museum catalogue., Early state, before position of the figure's head altered and before additional shading added to the foreground. For a later state with these changes to the plate, see no. 4745 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 115 of: Bunbury album.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Whips, and Coach drivers
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, whip in hand and wearing huge boots, is seen from behind looking over his right shoulder towards the viewer; a church is visible in the distance
Description:
Title, printmaker, and date of publication from the British Museum catalogue., Later state, with position of the figure's head altered and with additional shading added to the foreground. For an earlier state before these changes to the plate, see Lewis Walpole Library call no.: 75 B87 770., Sheet trimmed to plate mark on three sides., Mounted on page 115 of: Bunbury album., and 1 print : etching with drypoint on laid paper ; plate mark 14.5 x 10.1 cm, on sheet 15.1 x 10.7 cm.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Whips, and Coach drivers
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, whip in hand and wearing huge boots, is seen from behind looking over his right shoulder towards the viewer; a church is visible in the distance
Description:
Title, printmaker, and date of publication from the British Museum catalogue., Later state, with position of the figure's head altered and with additional shading added to the foreground. For an earlier state before these changes to the plate, see Lewis Walpole Library call no.: 75 B87 770., Sheet trimmed to plate mark on three sides., Mounted on page 9 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink below plate mark: Etched by Mr. Bunbury.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Whips, and Coach drivers
A single-horse carriage is stopped in front of a rustic inn or roadhouse, with two caricatured Frenchmen (one a postillion wearing enormous boots) engaged in changing out the horse. An occupant of the carriage hands money out the window to a peasant woman holding an infant and accompanied by a young boy; two other shabbily dressed figures are nearby next to a tree, one of them playing a makeshift drum. In the doorway of the building stands a young woman, and to the left a man under an archway stands with arms crossed; both watch the scene unfold. In the background a postillion rides away on horseback, whip extended into the air
Alternative Title:
Changing horses on the road to Paris
Description:
Title from dealer's description., Signed by the artist in lower left., and One of five views by the artist F.G. Byron that record his visit to France in 1790; they were exhibited at the Society of Artists the following year. This drawing was exhibited under the title "Changing horses on the road to Paris" (Society of Artists, 1791, no. 39).
Subject (Geographic):
Clermont (France) and France.
Subject (Topic):
Carriages & coaches, Horses, Taverns (Inns), Postillions, French, Peasants, Country life, Ethnic stereotypes, and Drums (Musical instruments)
Scene of men chopping, hewing, and carrying wood, with two figures embracing at center. In the lower right corner, a woman feeds a baby whose foot a seated man kisses; another young child leans on the woman. The scene is set among trees with fronds and a shoreline in the distant background
Description:
BEIN WA Prints +116: Imperfect: bled at foot, with loss of fourth line of text and publisher's statement. Watercolor hand-coloring., BEIN WA Prints +122: Not colored., Title and statements of responsibility engraved below image., and Publication statement engraved below main text.
Publisher:
Chez Bulla, rue St. Jacques No. 38 et chez Ladvocat, Libraire, palais Royal, galerie de bois, Nos. 197 et 198
Scene of men chopping, hewing, and carrying wood, with two figures embracing at center. In the lower right corner, a woman feeds a baby whose foot a seated man kisses; another young child leans on the woman. The scene is set among trees with fronds and a shoreline in the distant background
Description:
BEIN WA Prints +116: Imperfect: bled at foot, with loss of fourth line of text and publisher's statement. Watercolor hand-coloring., BEIN WA Prints +122: Not colored., Title and statements of responsibility engraved below image., and Publication statement engraved below main text.
Publisher:
Chez Bulla, rue St. Jacques No. 38 et chez Ladvocat, Libraire, palais Royal, galerie de bois, Nos. 197 et 198
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Z,&). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 3 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 2 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Z). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 5 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 6 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Z, &). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "Avec privilege du roy.", Number 1 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Z,&). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 4 in a series of six plates, identified by an "D" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six Berlines à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 4 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 3 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-W). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., Date of publication from dealer's description., "A.P.D.R.", Number 6 in a series of six plates, identified by an "A" in the upper right corner of the plate: Cahier de six diligences à̀ la francoise., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chéreau
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, French, and German
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 5 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 2 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-Y). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Date of publication from the record in the Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "Avec privilége du Roy.", Number 1 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image. Series numbered etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-W). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., Date of publication from the Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 3 in a series of six plates, identified by an "A" in the upper right corner of the plate: Cahier de six diligences à̀ la francoise., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chéreau
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-X). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., Imprint from first plate in this series. Date of publication from Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 6 in a series of six plates, identified by an "B" in the upper right corner of the plate. Series title etched above image no.1 in this series: Cahier de six diligences à l'Angloise. Series number etched in lower right corner., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chez Chéreau, rue des Mathurins
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
"A sequel to British Museum Satires No. 10518, Gillray's 'Tiddy-Doll'. Napoleon, haggard and desperate, wearing tattered uniform without the former apron and sword, walks in profile to the left, carrying on his head a large tray. On this stand three gingerbread kings, burlesqued and mutilated, with two queens, a detached head (crowned), and (right) a pile of imperial emblems: crowns, mitre, sceptre, eagle, flag, &c. On the left a bonnet rouge hangs from a staff. In the middle stands an imperial eagle with a tricolour flag to which is tied a broom showing that the contents of the tray are for sale. Napoleon says (with grimly closed mouth): "Buy my Image! Here's my nice little Gingerbread Emperor & Kings Retail and for Exportation!" Behind him is a tumbledown thatched hovel; over an aperture where more gingerbread figures are displayed is a board: 'Tiddy-Doll Gingerbread Baker. NB Removed from Paris.' Above fly three of the (carrion) birds associated in these prints with Elba. Napoleon walks towards the sea; across the water (in France) tiny figures dance holding hands round a white flag inscribed 'Vivent les Bourbons' and topped by a fleur-de-lis. Behind them is the gable-end of a rustic inn: 'The Kings Head New Revived'. A fiddler capers on the edge of the cliff, watching Napoleon."--British Museum online catalogue and "One of many satires on Napoleon's banishment, see British Museum Satires No. 12229, &c., and on the fall of the Bonaparte kings, the 'Corsican Kinglings' of British Museum Satires No. 10518. The Kings must be Joseph, Louis, and Jérôme, see British Museum Satires No. 12225, the Queens either their wives or Napoleon's sisters; they symbolize the fall of the dynasty and no precise identification is necessary. The other kings of British Museum Satires No. 10518, those who owed their crowns to Napoleon, are absent; they are now his enemies."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., Sheet trimmed within plate mark., and On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis.
Publisher:
Pubd. April 21st, 1814, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Louis Bonaparte, King of Holland, 1778-1846, and Jérôme Bonaparte, King of Westphalia, 1784-1860
Subject (Topic):
Elba and the Hundred Days, 1814-1815, Military uniforms, French, Baked products, Trays, Kings, Queens, Crowns, Scepters, Miters, Liberty cap, Flags, Brooms & brushes, Birds of prey, Bodies of water, and Cliffs
"A boarding party on the deck of a French ship engaged in a furious mêlée. Mr. B. lunges forward, piercing an officer through the heart with his sword. A burly sailor stretches over his head to strike aside a spear which a Frenchman is about to plunge into the boy. Men are partly hidden by smoke; cannon-balls are in the air, dead or dying men on the ground. Frenchmen use muskets, English sailors axes and swords. Below: '"the pulse's maddening play That thrills the wanderer of the trackless way That for it self can woo the approaching fight And turn what some deem danger to delight No dread of death, if with us die our foes Save that it seems e'en duller than repose," Byron."--British Museum online catalogue
Description:
Title from text above image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified in the British Museum catalogue., Two columns of verse below image: "the pulse's maddening play that thrills the wanderer of the trackless way ... Byron., Plate numbered in upper right corner: P. 5., and Earlier state. For 1835 reissue by Thomas McClean cf. no. 14094 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Topic):
Naval warfare, Ships, French, Sailors, and British
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
"Dumouriez, followed by a tall and ragged sansculotte, marches aggressively towards a low barricade (left), behind which are frog-soldiers presenting their bayonets at the invaders. Dumouriez, foppishly dressed in regimentals, but with bare legs, his shirt confined by a sash, holds against his shoulder an enormous seal. He says, holding out his right hand, "Monsr Orange, I will seal up your Papers, & take care of your Cash". From his pocket hangs a scroll: 'New Laws for Holland Prepar'd by the Convention'. His 'aid du Camp' holds against his shoulder a gigantic piece of sealing-wax inscribed 'Fyn Se gelak wel brand en vart. houd', in his right hand is a large lighted candle or taper. He says, "Aha. Monr Grenouille I wou'd rather eat you than fight." He is perhaps Miranda, Dumouriez' second in command."--British Museum online catalogue
Alternative Title:
Dumourer and his aid du camp on full march and Dumourer and his aide du camp on full march
Description:
Title from item., Printmaker from British Museum catalogue., and Publisher's advertisement following imprint: ... where may be seen a complete model of the quillotine admitance [sic] one shilling.
Publisher:
Pub. March 13, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Netherlands
Subject (Name):
William V, Prince of Orange, 1748-1806., Dumouriez, Charles François Du Périer, 1739-1823, Miranda, Francisco de, 1750-1816, and France. Convention nationale.
Subject (Topic):
Neerwinden, Battle of, Neerwinden, Belgium, 1793, History, Campaigns, Foreign public opinion, British, Foreign relations, Sansculottes, Candles, Dandies, French, Frogs, Military uniforms, and Seals (Insignia)
"General Theobald Dillon (three-quarter length) is being murdered by French soldiers, ruffianly fellows, most of whom wear cocked hats with a tricolour cockade. He is pierced with many bayonets, and his throat is cut; his head is dragged backwards by a man who grasps his hair in hands and teeth. He puts up an arm crying, "oh le Pauvre Dillon". A man with sabre raised to slash again, says, "Encore Encore." Two of the men say "Ca-ira". One who is using his bayonet says, "oh by Gar dis will be de brave news for de new association in England."--British Museum online catalogue
Alternative Title:
National troops' attachment to their general after their defeat at Tournay
Description:
Title from item., Printmaker from British Museum catalogue., and Watermark: Strassbourg lily on crowned armorial shield with initials G R below.
Publisher:
Pub. May 12, 1792, by S.W. Fores, 3 Piccadilly
Subject (Name):
Dillon, Theobald, 1745-1792. and Society of the Friends of the People (Great Britain)
Subject (Topic):
Assassinations, Tournai, Belgium, Battle of, 1745, Black people, Soldiers, French, and War casualties
"Six groups of three persons (wife, husband, and lover) arranged in two rows, their words (not transcribed) etched above their heads. [1] A pretty young woman walking with an ugly and elderly husband makes an assignation with a military officer. [2] A shoemaker with a strap interrupts a French barber making love to his wife. [3] A young woman points to her fat old husband asleep in a chair, saying to a barrister, "Take care or you'll wake him". He says: "Remember my dear Madam how well I pleaded your last cause". [4] A fashionably dressed doctor holds the pulse of a young woman who sits beside him on a sofa. The husband watches with suspicion. [5] A handsome young clergyman sits on a sofa with a young woman, their arms round each other's shoulders, eyes closed, while a fat elderly parson gapes at them with horror, saying, "Here's a pretty scandal to the Cloth!!" [6] Two fat country people embrace under the eyes of the husband who says: "Come come this is carrying the joke a little too far."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Publisher's advertisement following imprint: Foli's [sic] of caracatures [sic] lent out for the evening., Design consists of six groups of figures in two rows, with lines of dialogue etched above each group., Sheet trimmed to plate mark., Plate numbered in upper right corner: Vol. 1, pl. 14., and Restrike. Watermark: Fellows & Sons 1821.
Publisher:
Publishd. Jany. 1st, 1796, S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Barbers, French, Clergy, Military uniforms, Physicians, and Shoemakers
"Five British sailors make a furious attack on six French soldiers, grotesque and terrified creatures, whom the sailors humiliate and insult. Their officer (left), who holds a British flag, is threatened by a sailor with clenched fists, and excretes, terrified. A sailor with a scourge slashes the bared posteriors of a Frenchman who grovels on the ground, saying, "oh le pauvre Commandant"; he says, "Now foutre you'l take 2 Merchants Ships for a fleet of Men of War again". A Frenchman, nearly throttled by an angry sailor, cries "Ca-ira Ca-ira". A sailor pulls the queue of the drummer, to whom he offers a piece of tobacco, saying, "here you B--g--r heres a stale Quid for you Instead of Hartshorn". A sailor on the extreme right pulls the queue of a Frenchman and raises his club to strike; the latter says, "oh Diable we was Make de Dam Mistake Parblue". The sailor answers, "aye aye D------n Your Eyes Ill make you Blue and Black too". In the background (left) are buildings inscribed 'Nantes'."--British Museum online catalogue
Alternative Title:
Vision interpreted
Description:
Title etched below image., A satire about an incident at Nantes, 29 June 1791., Sheet trimmed within plate mark., and Watermark.
Publisher:
Pub. July 15, 1791, by S. Fores, N. 3 Piccadilly
Subject (Geographic):
Nantes (France), France, Great Britain., Great Britain, and France.
Subject (Topic):
History, Relations, Arms & armament, Defecation, Drums (Musical instruments), Fighting, Flags, British, National emblems, Rifles, Sailors, French, and Whips
"Custine stands on the scaffold beside the guillotine (left). Four ragged ruffians are about to bind him to the plank on which he is to lie; one says, "By Gar so we will serve all de Generals who do not conquer de whole World, and give them de Libertè". Custine says, "Pardon me Heaven for having been leagued with such a set of Blood hounds". A stout soldier pushes a weeping priest, who says "Let us Pray", down the steps (right) which lead up to the scaffold, saying, "Go to de diable & Your Prayers both". Below (right) stand republican soldiers with fixed bayonets much caricatured. On the extreme left a man kneels at the guillotine holding his hat in place of the usual basket; he says, "Begar I will have a Drink of de blood.""--British Museum online catalogue
Alternative Title:
French gratitude and Republican rewards for past services
Description:
Title etched above image., Printmaker from British Museum catalogue., 'N' in 'Custine' reversed., and Watermark: Strasburg bend.
Publisher:
Pub. Sepr. 16, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France.
Subject (Name):
Custine, Adam Philippe, comte de, 1740-1793
Subject (Topic):
Executions, Guillotines (Punishment), Priests, Soldiers, French, and Sansculottes
"In the foreground (left) is the quarter-deck of a small vessel, on which six French soldiers with ferocious gestures are taking down the British flag; a hump-backed soldier has climbed the flagstaff, and crouches with drawn sword, saying, "oh by Gar I was on de Pinnicle of my Glory". Through his ragged breeches issues the word 'Commandant'. In the lower left corner of the design is the head of an English sailor, saying, "that sweet little Cherub that sits up aloft (cf. BMSat 7677) he will shortly come wap on his Back". Two men bite the flag. Another, very emaciated, says, "aha Monr Angloise we was Men Enough (40.000) to take de whole fleet". Two other soldiers peer over the edge of the vessel. The ship is in harbour, behind her is another (English) vessel whose flag is being removed and sails furled. A British sailor stands in a boat on the extreme right, shouting, "avast Bougres well teach you to take 2 Merchant ships for a fleet of Men of War again". On the horizon are buildings inscribed 'Nantes'. Across the sky is etched 'Rehearsal'."
Alternative Title:
Patriotick attack of the troops national and Patriotic attack of the troops national
Description:
Title from item. and Temporary local subject terms: Reference to an incident at Nantes, 29 June 1791 -- Weapons: muskets -- Flags: Union Jack -- Ships: merchant ships -- Views: allusion to Nantes -- Emblems: French tricolor cockade.
Publisher:
Pub. July 20, 1791, by S. Fores, No. 3 Piccadilly
Subject (Topic):
Daggers & swords, Military uniforms, French, Sailors, and British
A French man stands in profile to the right in front of his upturned chair, his hand on his protruding belly as if in pain, as an older woman sits at the table refilling his tea cup. A young woman stands behind the woman at the table, smiling behind a fan as she looks at the visitor. An older man sits at the table amused at the French man's distress. A dog drinks from a saucer under the table. The party is in evening dress, the curtains drawn, and a chandelier of four gas lamps hangs over the square tea-table laid with the tea service and tray
Alternative Title:
English manners and French politeness
Description:
Title etched above image. and Below image, five lines of text: A Frenchman not aware of the custom, constantly returned his cup without the spoon in it, which being immediately replenished by thelady of the house, he thought it a point of politeness to drink the contents which he continued to do, to the great surprise of the company until he perceived the lady pouring out the 14th cup, when he rose in great agony and cried, Ah! Madame excuse me I can take no more.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England.
Subject (Topic):
Eating & drinking, Etiquette, Foreign visitors, French, Manners and customs, and Tea parties
Page 181. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
French officer and English alehouse man and Officer francois / by Miss Conway
Description:
Title and statement of responsibility from note in ink on a five of clubs playing card (60 x 86 mm) mounted below drawing; alternative title and statement of responsibility written in pencil at top of image: Officer francois, by Miss Conway., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 181 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Subject (Topic):
Military officers, French, Ethnic stereotypes, Drinking vessels, and Obesity
A French officer, wearing blue, towers above a British officer, wearing scarlet. The French officer extends his arm above the head of the British officer
Description:
Title from item., In ink below image: "Jany 13. 1822. Pub. by G. Thanphrey St. James Street"., Richard Dighton, English painter and caricaturist, 1795-1880., and For further information, consult library staff.
Portrait of Isaac de Benserade, bust-length, looking to right, with long wig, in oval; illustration from Perrault's 'Les Hommes illustres' (Paris, Dezallier, 1696-1700), volume II.--British Museum online catalogue
Leaf 11. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added below image in lower left. For original issue of the plate, see no. 5790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 11 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand [i.e. Field & Tuer]
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
"A mounted officer with drawn sabre heads a procession of 'Volunteers' linked by a chain to his horse and to each other. The horse is a well-bred animal with handsome trappings, but the rider is lean and has torn breeches. He is followed by a file of three whose necks are attached to the horse and whose hands or arms are pinioned. All are miserable wretches, barelegged and ragged; the last, less abject, has sabots and takes snuff. He is chained to the neck of a donkey on whose back is a pannier containing three despairing conscripts. To the animal's tail is tied a low truck on which a moribund shackled man lies on his back, his knees drawn up. To the truck is chained, in a stooping position, a man whose hands are tied behind his back, his nails being long talons. Birds, scenting carrion, fly towards the procession. Below the design: 'Dedicated (by an Eye Witness) to the Volunteers of Great Britain'."--British Museum online catalogue
Description:
Title etched in top part of image., Printmaker identified as Gillray and the artist questionably identified as Charles Loraine Smith in the British Museum catalogue., Sheet trimmed within plate mark on three edges., 1 print : etching on wove paper, hand-colored ; sheet 21.8 x 60.4 cm., and Sheet trimmed within plate mark; mounted to 28 x 66 cm.
Publisher:
Pubd. Octr. 25th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Geographic):
France.
Subject (Topic):
Napoleonic Wars, 1800-1815, Soldiers, French, and Starvation
"A newly invented French telegraph (semaphore) stands on the coast, with the head of Fox, in back view but looking to the right with a fiercely determined expression. The crossbeam represents his arms and the arms of the semaphore; the raised right hand holds a lantern which lights up the French fleet (in full sail for England) and a fort on the French coast flying a large tricolour flag inscribed 'République'. The left hand points downwards and to the left to a dark cluster of roofs and spires dominated by St. Paul's. The base of the telegraph is circular and of brick. An arched opening shows the interior, in it is a pile of daggers. In the sky is a waning moon."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Jany. 26th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Flags, French, Forts & fortifications, Lanterns, Ships, and Telegraph
"A British and a French sailor addressing one another. The British sailor stands full-face, a club in his right hand, his left hand on his hip. He wears a crowned hat, a handkerchief knotted round his neck, and wide, knee-length trousers. He scowls threateningly. The Frenchman, very thin, stands facing him, in profile to the left; he grins, saying "Ha! Ha! we beata You": the Englishman answers "you Lie". The Frenchman wears a feathered hat, ruffled shirt, long trousers, and a cutlass. His hair is in a very long pigtail queue, tied with a bow of ribbon. In the background a naval battle is indicated by ships and clouds of smoke slightly sketched. Cf. BMSat 5674."--British Museum online catalogue
Description:
Title from item. and Possibly by Gillray. See British Museum catalogue.
Publisher:
Publish'd Augt. 9th, 1780, by W. Humphrey, No. 227 Strand
Leaf 8. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A British and a French sailor addressing one another. The British sailor stands full-face, a club in his right hand, his left hand on his hip. He wears a crowned hat, a handkerchief knotted round his neck, and wide, knee-length trousers. He scowls threateningly. The Frenchman, very thin, stands facing him, in profile to the left; he grins, saying "Ha! Ha! we beata You": the Englishman answers "you Lie". The Frenchman wears a feathered hat, ruffled shirt, long trousers, and a cutlass. His hair is in a very long pigtail queue, tied with a bow of ribbon. In the background a naval battle is indicated by ships and clouds of smoke slightly sketched. Cf. British Museum Satires No. 5674."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5695 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 8 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd Augt. 9th, 1780, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Sailors, French, and Clothing & dress
Leaf 5. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Admiral Rodney is depicted receiving the submission of the defeated De Grasse after the Battle of the Saints, as English sailors bring ashore the spoils of war, and chagrined politicians Fox, Keppel, and the Duke of Richmond look on from the left, with Sandwich and North behind them. Contrasts the new ministry's hostility to the popular Rodney with the rewarding of the incompetent Keppel (Admiral "Lee-shore.").
Alternative Title:
Admiral lee-shore in the dumps
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5992 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], "Political characters & caracatures of 1782. No. 3"--On left above design., Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 36., and On leaf 5 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 31st, 1782, by E. D'Achery, St. James's Street, London [i.e. Field & Tuer] and Field & Tuer
Subject (Geographic):
England
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Rodney, George Brydges Rodney, Baron, 1719-1792, Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Admirals, French, British, Sailors, and Clothing & dress
Admiral Rodney is depicted receiving the submission of the defeated De Grasse after the Battle of the Saints, as English sailors bring ashore the spoils of war, and chagrined politicians Fox, Keppel, and the Duke of Richmond look on from the left, with Sandwich and North behind them. Contrasts the new ministry's hostility to the popular Rodney with the rewarding of the incompetent Keppel (Admiral "Lee-shore.").
Alternative Title:
Admiral lee-shore in the dumps
Description:
Title etched below image., Printmaker from British Museum catalogue., and On left above design: Political characters & caracatures of 1782. No. 3.
Publisher:
Pubd. May 31st, 1782, by E. D'Achery, St. James's Street, London
Subject (Geographic):
Great Britain and England
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Rodney, George Brydges Rodney, Baron, 1719-1792, Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Politics and government, History, Naval, Admirals, French, British, Sailors, and Clothing & dress
Admirals Rodney, De Grasse, Vaudreuil and Bougainville, numbered 1-4 respectively, shown with Rodney standing on the right taking snuff, as Vaudreuil holds a chamber pot being used by De Grasse. Bougainville runs off to the left taking snuff. Names of the subjects are given in a key below design
Description:
Title from item., Printmaker from British Museum catalogue., and Mounted to 30 x 40 cm.
Publisher:
Pubd. Sepr. 3d, 1782, by E. D'Achery, St. James's Street
Subject (Name):
Rodney, George Brydges Rodney, Baron, 1719-1792, Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Vaudreuil, Louis Philippe de Rigaud, marquis de, 1724-1802, and Bougainville, Louis-Antoine de, comte, 1729-1811
Subject (Topic):
Admirals, French, British, Military uniforms, Chamber pots, Snuff, and Defecation
"George III, half length, stands in profile to the left, a holding a tiny Napoleon on the palm of his right hand, and inspecting him through a spy-glass. He says: "My little friend Grildrig, you have made a most admirable \ "panegyric upon Yourself and Country, but from what I can \ "gather from your own relation & the answers I have with \ "much pains wringed & extorted from you, I cannot but con- \ "-clude you to be one of the most pernicious, little - odious \ "-reptiles, that nature ever suffer'd to crawl upon the surface of the Earth." He wears military uniform with a bag-wig. The only background is a dark cloud-like shadow across the lower part of the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Artist identified as Lt-Col Thomas Braddyll, a young amateur who supplied designs for satirical prints to James Gillray. See British Museum catalogue., Text following title: Vide Swift's Gulliver: Voyage to Brobdingnag., Sheet trimmed within plate mark on lower edge., and Watermark: J. Ruse 1802.
Publisher:
Pubd. June 26th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, George III, King of Great Britain, 1738-1820, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Adaptations, parodies, etc, Telescopes, Military uniforms, British, and French