Volume 2, page 48. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two women standing either side of a gate, looking over to a soldier seated on a hummock and holding a rifle at left, a church tower in the distance; oval design, after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Four lines of verse below title, from Lord Lyttelton's translation of parts of an elegy of Tibullus: With thee my love to pass my tranquil days, how would I slight ambitions painfull praise, by beauty held in strong, but gentle chains, far from tumultuous war, & dusty plains. Lyttelton., Companion print to: Love and jealousy., and Mounted on page 48 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Decr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Name):
Lyttelton, George Lyttelton, Baron, 1709-1773 and Tibullus
Leaf 50. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A rectangular plot enclosed by palings and gate and surrounded by trees outside an old-fashioned country house (left). The plot has four rectangles of turf set in gravel which a fat man in a dressing-gown with a cloth tied over his head is rolling, a dog running in front. A fatter man in night-cap, shirt-sleeves, and waistcoat (split up the back) holds a pair of dumb-bells, turning to a young woman (left) who is sawing a log of wood supported on trestles. Beside the paling is a dove-cote on a pole."--British Museum online catalogue
Alternative Title:
Passing the worst part of a rainy winter in a country ...
Description:
Title etched below image., Text below title: Passing the worst part of a rainy winter in a country so inveterately miry as to imprison you within your own premises so that by way of exercise ..., Restrike. For original issue of the plate, see no. 10823 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Illustration to James Beresford's Miseries of human life, 1806; see no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 123., and On leaf 50 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 12, 1807, by T. Rowlandson, No. 1 James Street, Adelphi and Field & Tuer
Subject (Name):
Beresford, James, 1764-1840.
Subject (Topic):
Country life, Fences, Gates, Trees, Dwellings, Dumbbells, Obesity, Dogs, Woodcutting, Saws, and Axes
"Wellington gallops from a well-dressed crowd who pelt him with mud and stones. He rides from a street towards a park gate, where in the distance tiny soldiers march with fixed bayonets. P. 14: N, for the nonsense oft found in the head, Of him, who is not so well tutored as fed-- ..."--British Museum online catalogue
Alternative Title:
N, for the nonsense oft found in the head of him, who is not so well tutored as fed ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 11 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Rosco.
A mournful Fox and Burke stand arm in arm outside the gates of Paradise holding their handkerchiefs. Above the gate a stone arch is decorated with satyrs' heads and those of Barré, Shelburne, and Dunning. A reference to the resignation of Fox and Burke after Shelburne's appointment as First Lord of the Treasury in July 1782
Description:
Title etched below image., Signed with the monogram of James Sayers., Nine lines from John Milton's Paradise lost etched in two columns below image, on either side of title: ... to the eastern side of Paradise so late their happy seat ..., DeGrey's note below plate mark., and Matted to 49 x 62 cm.
Publisher:
Published 17th July 1782 by Charles Bretherton, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Barré, Isaac, 1726-1802, Dunning, John, Baron Ashburton, 1731-1783, and Milton, John, 1608-1674.
Subject (Topic):
Politics and government, Pensions, Stone walls, and Gates
A mournful Fox and Burke stand arm in arm outside the gates of Paradise holding their handkerchiefs. Above the gate a stone arch is decorated with satyrs' heads and those of Barré, Shelburne, and Dunning. A reference to the resignation of Fox and Burke after Shelburne's appointment as First Lord of the Treasury in July 1782
Description:
Title etched below image., Signed with the monogram of James Sayers., Nine lines from John Milton's Paradise lost etched in two columns below image, on either side of title: ... to the eastern side of Paradise so late their happy seat ..., and Mounted on page 19.
Publisher:
Published 17th July 1782 by Charles Bretherton, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Barré, Isaac, 1726-1802, Dunning, John, Baron Ashburton, 1731-1783, and Milton, John, 1608-1674.
Subject (Topic):
Politics and government, Pensions, Stone walls, and Gates
A mournful Fox and Burke stand arm in arm outside the gates of Paradise holding their handkerchiefs. Above the gate a stone arch is decorated with satyrs' heads and those of Barré, Shelburne, and Dunning. A reference to the resignation of Fox and Burke after Shelburne's appointment as First Lord of the Treasury in July 1782
Description:
Title etched below image., Signed with the monogram of James Sayers., Nine lines from John Milton's Paradise lost etched in two columns below image, on either side of title: ... to the eastern side of Paradise so late their happy seat ..., 1 print : etching and drypoint on wove paper ; plate mark 27.2 x 22.6 cm, on sheet 29.6 x 24.8 cm., Mounted on leaf 12 of James Sayers's Folio album of 144 caricatures., and Watermark: E & P 1801.
Publisher:
Published 17th July 1782 by Charles Bretherton, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Barré, Isaac, 1726-1802, Dunning, John, Baron Ashburton, 1731-1783, and Milton, John, 1608-1674.
Subject (Topic):
Politics and government, Pensions, Stone walls, and Gates
Leaf 73. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two scenes printed on one sheet, the subjects relate to Bunbury's days as a student at Cambridge. "Pot Fair Cambridge": pots are laid out on tables for sale. A fat divine stumbles backward as dogs fight in the foreground. A seller at right is alarmed as he threatens to fall onto her table. "The College Gate": Three men ride off in different directions after coming through a gate with square brick pillars surmounted by stone vases. Behind the left rider walks a fat divine wearing an academic cap. Through the gateway we are shown a short fat man in a clerical wig standing on a mounting block as a groom approaches with his horse."--Metropolitan Museum of Art online catalog
Alternative Title:
Pot fair Cambridge ; The college gate
Description:
Titles etched below images., Two images on one plate, each with its own title and statement of responsibility., Restrike. For an earlier issue of the plate, published ca. 1790, see Metropolitan Museum of Art online catalog, accession no.: 59.533.1861., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Top image is a reduced copy of no. 4729 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Bottom image is a reduced copy of no. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 73 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
University of Cambridge, and King's College (University of Cambridge). Chapel,
Subject (Topic):
Pottery, Dogs, Students, Teachers, Gates, Horses, and Clergy
Title from item., Publisher and date supplied by curator., View is of an almshouse and a chapel consecrated to St. Mark (no longer extant), and Pfarre St. Augustine, outside the gates of Vienna., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, Austria; St. Mark's Hospital (Vienna).
Publisher:
Johann Andreas Pfeffel
Subject (Geographic):
Austria and Vienna.
Subject (Name):
Pfarre St. Augustin (Vienna, Austria).
Subject (Topic):
Almshouses, Architecture, Croplands, Churches, Gates, and Farming
Title from text above and below image., Publication date from unverified data in local card catalog record., and Caption below image continues: ... Ven here's a riglar gate to ride through.
Publisher:
Tregear & Lewis, 96 Cheapside
Subject (Topic):
Donkeys, Horseback riding, Gates, Hedges (Plants), and Accidents
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
