Title derived by curator from caption., Date of publication and subject's full name taken from copy in Metropolitan Museum of Art., Place of publication derived from language of text., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Liebschern, Johanna Sophia.
Subject (Topic):
Anomalies, Human curiosities, Handguns, Writing materials, and Hats
The twelfth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this twelfth drawing, Charles is in a coffin in his parlor. His wife cries into her handkerchief as two men with looks of pity point to the long sheet of paper with his list of debts. Her two children cling to her with fear and sadness. Two other men go about the room putting tags on the urns and other furnishings in preparation for their sale. The pistol on the sofa suggests Charles's suicide
Description:
Title from pencil notation below title., Signed "Dodd" in lower left and numbered '12' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
"A representation (not caricatured) of the duel between the Duke of York and Lennox on Wimbledon Common on 26 May. Lennox (left) fires at the Duke, who fires in the air. Above the Duke's head is written (in ink) 'Fire again Sir'. The two seconds stand beside their principals: Lord Winchilsea (left) and Lord Rawdon (right). In the distance is a man on horseback. Trees and grass form a background."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Pub. May 27, 1789 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Richmond and Lennox, Charles Lennox, Duke of, 1764-1819., Winchilsea, George Finch, Earl of, 1752-1826., Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., and Wimbledon Common (Wimbledon, London, England),
Mansergh, R. St. George, active 1772-1778, printmaker
Published / Created:
[15 January 1772]
Call Number:
Folio 724 776D
Collection Title:
Leaf 20. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
On the left, a duelist has walked away from his opponent to take his place. He stops, his pistol pointed away from the scene, and looks behind in surprise as the other duelist, leaning heavily on his tasselled cane, appears to be ready to faint. On the extreme right, his second rushes towards him with a jar of smelling salts. In the foreground, the second of the first duelist, an obese macaroni in a long overcoat, points angrily with his cane to the ground
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On leaf 20.
Publisher:
Pubd. according to act by MDarly, Jany. 15th, 1772, (39) Strand
Subject (Topic):
Dandies, British, Dueling, Handguns, Loss of consciousness, Medicines, Obesity, and Staffs (Sticks)
"The patient sits in an armchair in profile to the left, in the centre of a well-furnished room. He wears dressing-gown and nightcap, his arms are folded and he stares fixedly, assailed by ghostly visions which float before his eyes, emerging from smoke-like shadows: a skeleton, Death, poised just above him, raises his arrow to smite. A corpse-like half length figure offers him a pistol and a halter. A spectre with webbed wings holds out a cup. Two staring and decapitated heads glare from the shadows which fill the room. A hand raises a sword; a man with a knife is about to be stung by a serpent. A naked body (half length) falls head downwards. Above these spectres is a man (left) driving a hearse (right to left) at full gallop and looking round at the Hypochondriac. Behind the patient a good-looking woman speaks confidentially to a doctor who meditatively sucks his cane. He is dressed in an old-fashioned manner, wearing a tie-wig. A table covered with medicines stands behind the patient, who seems unconscious of the other two. A money-chest beside him suggests that he is miserly. Two landscapes hang on the wall."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with new imprint statement, of a print published in 1788 by T. Rowlandson. Cf. No. 7449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed within plate mark., Companion print to: Ague & fever., Nine lines of verse etched below image, on either side of title: The mind distemper'd - say, what potent charm, Can Fancy's spectre - brooding rage disarm? ..., Temporary local Medical Library subject terms: Demons & Devils -- Skeleton as death., and 1 print : etching and aquatint, hand-colored ; sheet 41.2 x 56.9 cm.
Publisher:
Pubd. Novr. 5, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Death (Personification), Hypochondria, Depression, Mental, Suicide, Skeletons, Hearses, Demons, Daggers & swords, Handguns, Physicians, Staffs (Sticks), and Medicines
A scene in a coffee-house. Two men, one in a queue wig and with a pistol, another in club wig and with a sword, are fighting a duel while three frightened customers are trying to leave and another one cowers behind a settee next to a low table with coffee service on it. Behind another settee, a barmaid holds up her hands in horror. The gentleman with the pistol uses it to parry the sword thrusts of his opponent whose forehead is bleeding. A cat with an arched back and a dog barks look at the scene from the left. The room is decorated with a large mirro and shelves with wine glases, china bowls, and pitchers
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A melancholy man wearing night-cap and slippers sits facing an empty grate (right), his feet on the fender, supporting his head on his hand. He is beset by demons, figments of the mind, who are mostly miniature human beings. One stands on the back of his neck holding up a noose which is attached to a projection from the solitary candle on the chimneypiece, which is burnt to the socket. Another, swinging himself from the chimneypiece, offers an open razor. One standing beside the grate commits suicide, a pistol to each ear, glaring at his victim. A little gnome crouches behind the bars of the grate, to which is attached a begging-box with the notice Pray Remember the Poor Debtors [cf. British Museums Satires No. 13287]. In the fireplace is a placard: Mr--Dr to T Coke Coal Mert To 5 Chalds Wallsend . . To Do Chalds Wallsend To 3 Ch . . . £73. On the arm of the chair stands a top-booted bailiff tapping his victim's shoulder and proffering a writ. On the floor a procession walks (left to right) towards the victim, headed by a fat and pompous parish beadle with a tall staff. He is followed by three pregnant women, cloaked and bonneted (cf. British Museums Satires No. 14613, 15495). A lean old-fashioned doctor with a skull-like face hurries up behind them. Last runs a ghoulish creature with a coffin strapped to his back, holding a hammer. A monster with fanged mouth (gout) extends claws towards the victim's feet. On the floor at his side is an open book: Ennui. On a table (left) a mannikin sits on the foot of a reversed wine-glass, gleefully holding up an empty bottle and his hat. Beside him are papers: Bill for Payment Lies due at no . . . Two books on a wall-bracket form a platform for a similar creature who is gleefully painting at one of two pictures on the wall. His brush is a firebrand, a conflagration is depicted. The other picture is of a shipwreck. The books are: Miseries of Human Life [cf. British Museums Satires No. 10815, &c] (Folio) Vol. 2222 and Bucanns [Buchan's] Domestic Medicine. A third picture above the victim's head is of himself assaulted by a screaming virago with a pair of bellows."--British Museum online catalogue
Description:
Title etched below image., Reissue, with new imprint statement. For an earlier state published 10 January 1823 by G. Humphrey, see no. 14598 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., Temporary local subject terms: Miseries of human life -- Artists -- Pictures amplify subject -- Misery -- Hanging rope., Temporary local Medical Library subject terms: Depression -- Devils & Demons., 1 print : etching, hand-colored ; sheet 22.0 x 26.5 cm., and Sheet trimmed within plate mark.
"A melancholy man wearing night-cap and slippers sits facing an empty grate (right), his feet on the fender, supporting his head on his hand. He is beset by demons, figments of the mind, who are mostly miniature human beings. One stands on the back of his neck holding up a noose which is attached to a projection from the solitary candle on the chimneypiece, which is burnt to the socket. Another, swinging himself from the chimneypiece, offers an open razor. One standing beside the grate commits suicide, a pistol to each ear, glaring at his victim. A little gnome crouches behind the bars of the grate, to which is attached a begging-box with the notice Pray Remember the Poor Debtors [cf. British Museums Satires No. 13287]. In the fireplace is a placard: Mr--Dr to T Coke Coal Mert To 5 Chalds Wallsend . . To Do Chalds Wallsend To 3 Ch . . . £73. On the arm of the chair stands a top-booted bailiff tapping his victim's shoulder and proffering a writ. On the floor a procession walks (left to right) towards the victim, headed by a fat and pompous parish beadle with a tall staff. He is followed by three pregnant women, cloaked and bonneted (cf. British Museums Satires No. 14613, 15495). A lean old-fashioned doctor with a skull-like face hurries up behind them. Last runs a ghoulish creature with a coffin strapped to his back, holding a hammer. A monster with fanged mouth (gout) extends claws towards the victim's feet. On the floor at his side is an open book: Ennui. On a table (left) a mannikin sits on the foot of a reversed wine-glass, gleefully holding up an empty bottle and his hat. Beside him are papers: Bill for Payment Lies due at no . . . Two books on a wall-bracket form a platform for a similar creature who is gleefully painting at one of two pictures on the wall. His brush is a firebrand, a conflagration is depicted. The other picture is of a shipwreck. The books are: Miseries of Human Life [cf. British Museums Satires No. 10815, &c] (Folio) Vol. 2222 and Bucanns [Buchan's] Domestic Medicine. A third picture above the victim's head is of himself assaulted by a screaming virago with a pair of bellows."--British Museum online catalogue
Description:
Title etched below image., Reissue, with new imprint statement. For an earlier state published 10 January 1823 by G. Humphrey, see no. 14598 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., Temporary local subject terms: Miseries of human life -- Artists -- Pictures amplify subject -- Misery -- Hanging rope., and Temporary local Medical Library subject terms: Depression -- Devils & Demons.
"Lady Charlotte Gordon and Col. Lennox leap over a broom which lies on the floor; she holds him by the left wrist and points towards a nuptial bed decorated with a coat of arms (that of the Duke of Gordon, freely sketched) and ducal coronet. The Duchess of Gordon (right) sits in profile to the left playing bagpipes and looking at the couple with a satisfied smile. Behind her chair is a bottle, inscribed 'Scotch Pint', and a wine-glass. Lennox wears regimentals and a hat, his right arm is held up as if dancing a Scots reel; a pair of pistols (an allusion to his duel with the Duke of York, see BMSat 7531, &c.) protrudes from his pocket. Lady Charlotte wears a large feathered hat. It is clear from her attitude and the expression of the Duchess that the bridegroom, though willing, has not taken the initiative."--British Museum online catalogue
Description:
Title etched below image., Attributed to either Henry Wigstead or William Holland in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement below title: "In Holland's exhibition rooms may be seen the largest collection in Europe of humourous prints. Admitance [sic] One Shilling.", and Watermark: armorial shield with fleur-de-lis above and initials CS below.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Richmond and Lennox, Charlotte, Duchess of, 1768-1842, and Gordon, Jane Maxwell Gordon, Duchess of, d. 1812
Subject (Topic):
Dueling, Bagpipes, Bed, Bedrooms, Brooms, Glassware, Handguns, Military uniforms, British, and Musical instruments