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1.
[Lord Ferrers shooting his servant] [art original].

Creator:
Wale, Samuel, -1786, artist
Published / Created:
[1768]
Call Number:
Drawings W169 no. 1 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing depicting Laurence Shirley, Earl of Ferrers in the act of shooting his steward Mr. Johnson. The Earl is standing in profile facing the right aiming a pistol at his kneeling steward who has his hands clasped in front begging for mercy
Description:
Title devised by cataloger., Artist from local card catalog record., Date based on print engraved from the drawing., and Design for an engraving published in The Tyburn chronicle, or Villainy display'd in all its brances ... [1868]. Print titled: Laurence Earl Ferrers, in the act of shooting Mr. Johnson his steward.
Subject (Name):
Ferrers, Laurence Shirley, Earl, 1720-1760,
Subject (Topic):
Firearms, Homicides, and Servants
Found in:
Lewis Walpole Library > [Lord Ferrers shooting his servant] [art original].

2.
[Groups from Hogarth's "Marriage à la mode". Plate V. E] [graphic].

Creator:
Riepenhausen, Ernst Ludwig, 1765-1840
Published / Created:
[not before 1786]
Call Number:
Hogarth 786.00.00.85 Box 112
Image Count:
1
Abstract:
Plate lettered in the top center 'E': Reverse copies of the upper bodies of six figures in the fifth plate of Hogarth's Marriage a la Mode. Each of the figures is numbered: 1. The dying earl; 2. The countess; 3. Silvertongue, escaping through the window; 4. and 5. The watchmen; 6. The head of Solomon, from the tapestry
Description:
Title and from British Museum catalogue., Illustrations to: Lichtenberg's Göttinger Taschen Kalender., and Numbered '5' in upper left corner above border.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Adultery, Couples, Death, Escapes, Homicides, Singers, Marriage, and Watchmen
Found in:
Lewis Walpole Library > [Groups from Hogarth's "Marriage à la mode". Plate V. E] [graphic].

3.
Marriage a-la-mode. [graphic] / Plate V.

Creator:
Ravenet, Simon François, 1706-1774, printmaker
Published / Created:
according to act of Parliament April 1st 1745.
Call Number:
Kinnaird 17K Box 300
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, Rake's progress, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V.

4.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

5.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 20. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

6.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 20. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

7.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

8.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Sotheby 20++ Box 300
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

9.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

10.
A true & lamentable ballad call'd Billy Taylor shewing the fatal effects of inconstancy / [graphic]

Creator:
Nixon, John, -1818, printmaker
Published / Created:
[24 September 1804]
Call Number:
804.09.24.01
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to a song engraved in three columns below the title: A scene on the shore, with a frigate in the offing. A grotesque naval officer, with wooden leg and black patch over one eye, takes the wrist of a young sailor of feminine appearance who holds a pistol. In the background (right) a dead sailor lies across the body of a woman. The song relates that Billy Taylor was taken by a press-gang; his sweetheart dressed as a sailor to follow him, but discovered his inconstancy with 'a lady gay', and shot him With his fair one in his hand. The last verse:'When the Captain com'd for to hear on't He werry much applauded her for what she'd done, And quickly he made her the first Lieutenant, Of the Gallant - Thunder Bomb.'"--British Museum online catalogue
Alternative Title:
True and lamentable ballad call'd Billy Taylor
Description:
Title below image, at head of verses., Plate numbered '367' in the lower left corner., From the Laurie & Whittle series of Drolls., One line of text above design: (Sung by Mr. Bannister, of Drury Lane Theathre, Mr. Fawcett, and Mr. Emery, of Covent Garden. &c &c &c.), and Ten numbered stanzas of verse below title: Billy Taylor was a gay young fellow, full of mirth and full of glee, and his heart he did diskiver, to a lady gay and free ...
Publisher:
Publish'd Sepr. 24, 1804 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Couples, Eye patches, Homicides, Military officers, British, Peg legs, Sailors, Sailing ships, Signs (Notices), and Taverns (Inns)
Found in:
Lewis Walpole Library > A true & lamentable ballad call'd Billy Taylor shewing the fatal effects of inconstancy / [graphic]

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