Boyvin, René, approximately 1525-approximately 1598, printmaker
Published / Created:
[1563]
Call Number:
Print01435
Image Count:
1
Resource Type:
still image
Description:
Title, creator, date, and place of creation supplied by curator., From: The History of Jason and the Conquest of the Golden Fleece., Above image: 25. In image at bottom: B., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Marriage and Married Life; Children and Childcare.
Publisher:
publisher not identified
Subject (Name):
Medea, consort of Aegeus, King of Athens (Mythological character). and Jason (Mythological character).
A later print designed and etched to look like the woodcut that appeared on the title-page of a pamphlet of the same title. The image shows "Iohn and Mary Champian" described within image as "Presbyterian" and "Anabaptist", respectively, at the moment when Mary, holding the severed head of their baby in her right hand, points at the rest of the body with the left. John (on the left) raises his hands at the horror. At Mary's feet is the knife lying in foreground. The mother allegedly killed the child rather than have it christened
Alternative Title:
Bloody news from Dover
Description:
Title and publication date based on the and Original woodcut appeared on the title-page of the anonymous pamphlet: Bloody newes from Dover : being a true relation of the great and bloudy murder, committed by Mary Champion (an Anabaptist) who cut off her childs head, being 7 weekes old, and held it to her husband to baptize ... [London?] : [publisher not identified], printed in the yeare of discovery, Feb. 13. 1647.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Baptism, Anabaptists, Children, Couples, and Homicides
In five columns with the title and woodcut above the first two; imprint below the last three; the columns are not separated by rules., Date range conjectural; other ballads with similar imprints are also undated; printer’s name conjectured from other imprints recorded by Wing., Verse begins: "In Rome a nobleman did wed"., In this setting line 24 begins with "straight"., Not in Wing., Mounted on leaf 52. Copy trimmed., Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1., and Sheet in two pieces repaired and mounted as one piece.
Publisher:
Printed by and for C.B. [Brown?] and sold by J. Walter, at the Hand and Pen in High Holborn
Subject (Geographic):
Rome (Italy)
Subject (Topic):
Household employees, Murder, Master and servant, Abused children, Pleading (Begging), Homicides, and Criminals
Caption title above woodcut., Date range conjectural., Verse begins: "In Rome a nobleman did wed"., In five columns with the title and woodcut above the first three; the columns are not separated by rules., In this setting line 24 begins with "and"., Mounted on leaf 51. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
publisher not identified
Subject (Geographic):
Rome (Italy)
Subject (Topic):
Household employees, Murder, Master and servant, Abused children, Pleading (Begging), Homicides, and Criminals
Verse -- "When as the King of England dy'd,"., In five columns with the title, prose introduction and woodcut above the first three; the columns are not separated by rules., Title continues: in respect that many children never would have learn'd read had not they took delight in poring over Jane Shore or Robin Hood & c. which has insensibly stole into them a curiosity and desire of reading other like stories ..., Date from ESTC., Mounted on leaf 34. Copy trimmed into two pieces with last two columns mounted below main portion., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
printed by William Dicey
Subject (Geographic):
England
Subject (Name):
Edward, IV, King of England, 1442-1483
Subject (Topic):
Regicide, Kings and rulers, Succession, Prisons, Homicides, Torches, and Daggers & swords
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
