Postcard depicting a girl bribing a boy posed as a judge and Legally themed postcard depicting a girl bribing a boy posed as a judge
Description:
Verso of postcard: National series number 100., "Made in Great Britain."--Verso postcard. , Name of the photographer "BASSANO" on front lower right corner of postcard. , Also available in original print http://morris.law.yale.edu/record=b1281655, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM Z Postcards v.1 no.7 tall, Online resource; description based on print version record. , and Bassano opened his first studio in London in 1850. He became the leading royal and high society portrait photographer in Victorian London.
"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
Title etched below image., Place of publication and date from item., Below title: In Holland's Exhibition Rooms may be seen the largest collection of caricatures in Europe, Admittance one Shilling., From the British Museum catalogue: Richard Perry, a surgeon and apothecary of Bristol, eloped (to Gretna Green) with Clementina Clarke, an heiress of fifteen. On 4 April the Bow Street magistrates advertised £1,000 reward for securing Miss Clarke and returning her to Bow Street or to Miss Selina Mills, the governess at Bristol, Perry (who was passing as Captain Inglefield) and his confederates (his apprentice Salmon and Elizabeth Baker) to be apprehended for felony. 'Lond. Chronicle', 24 March, 8 April, &c., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Marriage & Married life; Apothecaries; Surgeons; Anecdotes.
Publisher:
Pubd: April 17. 1791. by W. Holland No. 50. Oxford St.
Subject (Topic):
Elopement, Abduction, Physicians, Couples, Firearms, Crimes, and Judges
A courtroom scene with solicitors and jury snickering and laughing in response to a witty pun the judge offered following the defendent's plea for mercy. The criminal on trial in the far right is dishevled and dressed in the style of a sailor. The judge, on the far left, wears a black and gold-trimmed robe and leans intensely over the bench glaring at the accused
Description:
Title from pen and ink caption inscribed below image., Date from unverified local card catalog record., and Possibly the work of Isaac Cruikshank.
Subject (Geographic):
England.
Subject (Topic):
Courtrooms, Criminals, Judges, Judicial proceedings, and Lawyers
A copy in reverse of William Hogarth's Plate 3 of A harlot's progress: In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are two portrait prints of the hero and heroines of "The Beggar's Opera", Captain Mackheath and Polly Peacham, (Polly replaces Dr. Sacheverell in Hogarth's print), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Alternative Title:
Harlot's progress. Plate 3, Compleat trull at her lodgings in Drury Lane, and Elle est reduite à la misère dans son logement de Drury Lane
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.5 x 36 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2062., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 123., and Border piece on the left slight overprinting into the design.
"A court scene. The judge, Bayley (right), addresses the apprehensive prisoner at the bar, Wellington (left): '"If a party, wilfully & intentionally does an act likely in its results to produce death, & death actually ensues, the act so done by him is done with what the Law calls "malice afore thought" & the party is guilty of murder!"' The jury, in a raised box, Counsel seated in the well of the court, and a shorthand-writer standing on the extreme left, stare at judge or prisoner. The heads of spectators fill the space under the jury-box."--British Museum online catalogue
Description:
Title from text below image., Print signed using John Doyle's "HB" monogram., Imperfect; sheet trimmed with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum., Text below title: A supposed case, founded on facts., A commentary on a recent trial of R.W. Lambrecht who was tried for manslaughter as a result of a duel, with Wellington appearing in the dock, alluding to an event in which Wellington himself went through the motions of a duel the previous year., and Matted to 41 x 53 cm.
Publisher:
Pubd. by Thomas McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Bayley, John, 1763-1841
Subject (Topic):
Dueling, Courtrooms, Judges, Juries, and Spectators
Title etched below image., Date of publication from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Leaf 46. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike. For original issue of the plate, published ca. 1819, see Lewis Walpole Library call no.: 819.00.00.44., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 46 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
"A fight between Lyndhurst and Peel with Ellenborough and Wellington as bottle-holders. Lyndhurst (left), in Chancellor's wig and gown, staggers back, arms flung out, at a punch on the nose from Peel who lunges forward, ruthlessly pugnacious. Ellenborough, dressed and behaving as a dandy (in tight-waisted blue coat and white bell-shaped trousers), holding a tubular eau-de-cologne bottle, emblem of the dandy, cf. BM Satires No. 13031, registers alarm, exclaiming, 'Oh! Oh! my dear Lud, take care--he's a terrible hitter--or he'll have your Ludship's dear head in Chancery.' Wellington (right), in uniform with sword, gauntlets, and heavily spurred cavalry boots, says: 'That's it Bob; serve him out--He won't ride rusty after this I know.'"--British Museum online catalogue
Description:
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed to plate mark., Watermark: J. Whatman 1928., and Numbered in ms. at top of sheet: 178.
Publisher:
Pub. by J. Field, 65 Regents Quadrant
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Ellenborough, Edward Law, Baron, 1750-1818, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Daggers & swords, Dandies, British, Judges, Military uniforms, and Wigs
A single head in oval, shown full-face that when viewed one way depicts an old woman, and when viewed upside down, is the head a judge, with the woman's cap forming the judge's wig. The closed eyelids of one form the eyebrows of the other
Alternative Title:
Judge
Description:
Title below each image. and Sheet trimmed within plate mark.
Publisher:
Pub'd March 30, 1787, by S.W. Fores, No. 3 Piccadilly
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Approximately 65 manuscript letters, signed, relating to Simeon Baldwin or sons Ebenezer Baldwin and Roger S. Baldwin, 1788-1867. Circa 50 letters are addressed to Simeon Baldwin and pertain to his time as a city clerk, congressman, and judge in New Haven, Connecticut (and occasionally Washington, D.C.). Letters to Ebenezer Baldwin and Roger S. Baldwin primarily concern political or financial matters and Included is an oath of office taken by Simeon E. Baldwin, son of Roger S. Baldwin, in 1867
Description:
Simeon Baldwin (1761-1851) (Yale 1781) was born in Norwich in the Connecticut Colony and practiced law in New Haven. In 1790, he was elected New Haven city clerk--he served this position until his election as a Federalist to the United States Eighth Congress, which he held from 1803 March 4 to 1805 March 3. Baldwin was associate judge of the Superior Court from 1806 to 1808 and the Connecticut Supreme Court of Errors from 1808 to 1818. In 1826, he served as the Mayor of New Haven., Baldwin was married to Rebecca Sherman Baldwin (1764-1795), with whom he had seven children--among them were Ebenezer Baldwin (1790-1837) and Roger S. Baldwin (1793-1863) (Yale 1811)., and Source unknown.
Subject (Geographic):
Connecticut., United States., Connecticut, New Haven (Conn.), and Washington (D.C.)
Subject (Name):
Baldwin, Ebenezer, 1790-1837., Baldwin, Roger S. 1793-1863. (Roger Sherman),, Baldwin, Simeon, 1761-1851., Baldwin, Simeon E. 1840-1927. (Simeon Eben),, and Baldwin family.
Subject (Topic):
Clerks, Judges, Legislators, and Politics and government
An interior of a courtroom with a group of men in the foreground, with constables, judge shown with the scales of Justice, men looking through quizzing glasses
Alternative Title:
Bond Street loungers attending the examination ...
Description:
Title etched below image., Printmaker from an unverified card catalog record., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd March the 20th, 1800, by S.W. Fores, Piccadilly
Title from cover., Description based on print version record., Also available in original print http://morris.law.yale.edu/record=b147208, and Digital reproduction. New Haven, Connecticut : Yale Law Library, 2018. YL 05 L61 no.16 tall
Photographic postcard of the French Judge Paul Magnaud posed in legal attire, with medals on his chest.
Alternative Title:
Président Magnaud, Photographic postcard of Judge Paul Magnaud, and Legally themed postcard picturing Judge Paul Magnaud
Description:
Date from postmark., Postcard addressed to "Mademoiselle Marthe Petit."--Verso postcard., In French., Also available in original print http://morris.law.yale.edu/record=b1281726, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM ZA Postcards v.1 no.10 tall., Online resource; description based on print version record. , Includes manuscript notation., and Paul Magnaud (born May 20, 1848 and died July 27, 1926) was a French magistrate and politician. He entered the judiciary in 1880 and became a judge in 1910 and then an adviser to the Paris Court of Appeal. He earned the nickname "good judge" by releasing Louise Ménard, a young single mother, who had stolen bread from a baker because she had not eaten for days. Judge Magnaud reimbursed the baker for the cost of the stolen bread.
Postcard depicting a cat as judge and Legally themed postcard depicting cat as judge
Description:
Date from postmark., Card addressed: Master J. Lodie ... Cathays, Cardiff., In upper left corner: 10 645., Also available in original print http://morris.law.yale.edu/record=b1281843, Digital reproduction. New Haven, Connecticut : Yale Law Library, 2019 LM Z Postcards v.1 no.1 tall., and Online resource; description based on print version record.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1799 or 1800]
Call Number:
Drawings W87 no. 2 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
A trio of servants with hats removed meekly approach a magistrate to register their complaint: '... Mr. Sparemalt and Mr. Doublechalk charge us four pence a pot for porter'. The seated, bespectacled magistrate haughtily challenges their grumbling and proclaims, 'that great men may combine and charge you poor wretches what they please ...'
Description:
Title from heading inscribed in ink above image, in artist's hand., Date based on events depicted. See St. James's Chronicle or the British Evening Post (London, England, January 2, 1800 - January 4, 1800)., Attributed to Woodward., and For further information, consult library staff.
Subject (Topic):
Complaints (Rhetoric), Complaining, Judges, Coach drivers, and Servants
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull sitting in the Supreme Judge's place and judging four well-known politicians begging for a second trial."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "76" in brown ink in lower left corner of design., and No. 76.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Topic):
Politicians, Pleading (Begging), Judicial proceedings, and Judges
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in court, with the Chief Justice (Ellenborough) seated between two other judges. In front and below are three counsel and two clients. A barrister stands to examine a witness, a stout man, well dressed but countrified (right): "Well Sir, you are a witness in this Cause, eh? You look like a very knowing fellow to be sure! pray now do you know the difference between the Mortgager and the Mortgagee?" The man answers: "To be sure I do, for example now! I nod at you, then I am the Noder and you are the Nodee." All except the questioner smile; a distressed usher (right) exclaims "Silence there!"."--British Museum online catalogue
Alternative Title:
Brow-beater badger'd and Brow-beater badgered
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "176" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling cold.", Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 25.1 x 35.3 cm, on sheet 25.6 x 41.8 cm., and Leaf 28 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in court, with the Chief Justice (Ellenborough) seated between two other judges. In front and below are three counsel and two clients. A barrister stands to examine a witness, a stout man, well dressed but countrified (right): "Well Sir, you are a witness in this Cause, eh? You look like a very knowing fellow to be sure! pray now do you know the difference between the Mortgager and the Mortgagee?" The man answers: "To be sure I do, for example now! I nod at you, then I am the Noder and you are the Nodee." All except the questioner smile; a distressed usher (right) exclaims "Silence there!"."--British Museum online catalogue
Alternative Title:
Brow-beater badger'd and Brow-beater badgered
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "176" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling cold.", Sheet trimmed within plate mark., and Manuscript "92" in upper center.
"Brougham, seated in profile to the right in a chair inscribed Place, makes a bonfire on the floor of documents and his Old Stuff gown. This he holds over the flames on a levelled broomstick, the broom being inscribed Treasury Broom. Under one foot is a paper inscribed Opposition. He says: I think I shall cut a dash with my new gown; so here goes for the old one--Silk against Stuff for any money. But this worn out concern stinks most damnably: tis true, a great deal of dirty work has been done in it and it was only stuff at first:--it now emits more smoke than flame; yet I can distinguish a magic picture through this volume of vapour. O, glorious precedence! "Tam venerabile erat praecedere" Juvl. The burning papers are: March of Intellect [see British Museum Satires No. 15178], Liberty [of the] Pres[s], Blacks, Catholic Emancipation, Mulatoes, Reform. The smoke from the fire is inscribed Independence, Patriotism, Public Charities, Vapour, Retrenchment. Behind him (left) his new gown hangs on a stand made of an upright which supports his new wig, and a cross-bar inscribed Treasury. The gown is Patent New Silk. Partly concealed by the smoke is the 'magic picture': Anticipation; the Purse of the Great Seal suspended above mace and sword. Below the picture is a big bag stuffed with Briefs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pubd. by E. King, Chancery-Lane
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A procession of characters riding fantastic velocipedes (see British Museum Satires No. 13399), in profile to the right, each an isolated figure, arranged in two rows divided by a horizontal line. Each machine is an appropriate object mounted on two wheels. [1] 'The Princes Hobby'. The Regent, with elegantly pointed toe, rides a cask inscribed 'Punch Princes Mixture'. [2] 'The Dukes Hobby'. The Duke of York, dressed as a field-marshal, bestrides a large green bag, inscribed '£10.000 for Visiting the Sick' [see British Museum Satires No. 13214, &c.]. [3] 'The Judges Hobby'. A judge in wig and gown rides a gibbet, the upright placed horizontally, the cross-bar connected with the steering gear, and inscribed 'Invented by the Bank'; a noose hangs behind [see British Museum Satires No. 13198, &c.]. [4] 'Wellingtons Hobby', he rides a cannon, cf. British Museum Satires No. 13385. [5] 'The Lawyers Hobby'. A barrister in wig and gown rides a long cylinder inscribed 'Brief'. [6] 'The Tailors Hobby'. A tailor, wearing a flowered dressing-gown, cap, ungartered stockings, and slippers, rides a goose. [7] 'The Parsons Hobby'. A fat parson rides a 'Bible', resting vertically on tiny wheels. [8] 'The Fishmongers Hobby'. He rides a fish."--British Museum online catalogue
Alternative Title:
Everyone his hobby
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Plate numbered "345" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 56 in volume 5.
Publisher:
Pub. April 24, 1819, by T. Tegg, 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Folding plate (also issued separately) to 'Anti-Jacobin Review', i. 285, illustrating extracts from a pamphlet published by Wright: Considerable allowance to those who purchase Thousands and Tens of Thousands for distribution. A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), ... 'I confess, that I became an United Irishman in 1796 & a Member of the National Executive, from 1796, to 1798. I knew the offer of French assistance was accepted at a meeting of the Executive in Summer 1796: I accompanied the Agent of the Executive (the late Lord Edward Fitzgerald) ...had an interview with General Hoche (who afterwards had the command of the expedition against Ireland) on which occasion every thing was settled between the parties with a view to the descent. ... "--British Museum online catalogue
Description:
Title etched below image., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827], opposite page 17., and Mounted to 30 x 37 cm.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Geographic):
Ireland
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Emblems, Judges, Justice, Nooses, Scales, Traitors, Trials, litigation, etc, Witnesses, History, and Politics and government
Title from item., Date from artist's website, viewed 7/18/2023: https://robbieconal.myshopify.com/products/freedom-from-choice-1, Place of publication derived from artist's place of residence., Created for Planned Parenthood of Southern California., Signed in ink: Robbie Conal., Poster text: It's your choice not theirs - call Planned Parenthood., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
United States.
Subject (Name):
Rehnquist, William H., 1924-2005,, Scalia, Antonin, 1936-2016,, Souter, David H., 1939-,, Thomas, Clarence, 1948-,, and United States. Supreme Court.
Subject (Topic):
Pro-choice movement, Reproductive rights, Abortion, Law and legislation, Women's rights, Public health laws, and Judges
Title from item., Date supplied by curator., Place of publication derived from artist's place of residence., Signed in ink: Robbie Conal., Poster text: Chief Justice William Rehnquist., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
United States.
Subject (Name):
Rehnquist, William H., 1924-2005,
Subject (Topic):
Pro-choice movement, Reproductive rights, Abortion, Law and legislation, Women's rights, Public health laws, and Judges
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 31 of: George Humphrey shop album.
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
Postcard depicting a man sitting as judge with caption habeas corpus and Legally themed postcard with caption habeas corpus
Description:
Also available in original print http://morris.law.yale.edu/record=b1281851, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM Z Postcards v.1 no.2 tall., and Online resource; description based on print version record.
Publisher:
Ullman Mfg Co.
Subject (Geographic):
United States
Subject (Topic):
Law, Judges, Conduct of court proceedings, and Husband and wife
Title from text below image., Publication place and date inferred from those of the periodical for which the edition of this plate including the statement of responsibility was engraved., Later state. Orginally published in: The Oxford magazine or, Universal museum ... London : Printed for the authors ... 1768-[1776], v. 2, page 90., Cf. No. 4268 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Middlesex elections, 1768 -- Animals.
Publisher:
publisher not identified
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Glynn, John, 1722-1779, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Tooke, John Horne, 1736-1812, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, and Wilkes, John, 1725-1797
Subject (Topic):
Political elections, Bloodhounds, Clergy, and Judges
Title from item., Date from item., Place of publication derived from publisher's street address., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Soiled. Tape residue verso. 2x2.
Publisher:
Published Decr. 11th 1787, by W. Richarson, at his Antient and Modern Print Warehouse No.174 Strand
Subject (Name):
Bigg, John, 1629-1696.
Subject (Topic):
Hermits, Recluses, Melancholy, Judges, Pitchforks, and Leather garments
Title etched above image., Publication date inferred from the date of Wilkes's trial., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Literature: reference to the North Briton, No. 45 -- Personifications: Liberty -- Emblems: scales of justice -- Reference to pensions.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764. and Wilkes, John, 1725-1797
Subject (Topic):
Britannia (Symbolic character), Judges, and Liberty
Judge Buller of King's Bench, is shown walking towards the right in his judicial robes, carrying two bundles of sticks, each terminating in the shape of a thumb. To the rear and on a smaller scale is a man beating his wife with one of the judge's implements. Buller was reputed to have ruled that a wife could legitimately be beaten provided the stick used by her husband was no thicker than his thumb
Alternative Title:
Patent sticks for family correction, warranted lawful
Description:
Title from item.
Publisher:
Pubd. Novr. 27th, 1782, by E. D'Achery, St. James's Street
Judge Buller of King's Bench, is shown walking towards the right in his judicial robes, carrying two bundles of sticks, each terminating in the shape of a thumb. To the rear and on a smaller scale is a man beating his wife with one of the judge's implements. Buller was reputed to have ruled that a wife could legitimately be beaten provided the stick used by her husband was no thicker than his thumb
Alternative Title:
Patent sticks for family correction, warranted lawful!
Description:
Title etched below image., Printmaker from British Museum catalogue., Originally published with the imprint: Pubd. Novr. 27th, 1782, by E. D'Achery, St. James's Street., Sheet trimmed within plate mark., Temporary local subject terms: Sticks: fascines -- Laws: wife-beating ruled lawful., 1 print on wove paper : etching ; sheet 34 x 25 cm., and Sheet trimmed within plate mark; mounted to 56 x 37 cm.
Publisher:
Pubd. Novr. 27th, 1782, by W. Humphry [sic], No. 227 Strand
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Patent sticks for family correction, warranted lawfull!
Description:
Title etched below image., Date assigned by cataloger., A reduced copy of a print with the same title that was etched by Gillray and published 27 November 1782. Cf. No. 6123 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered "133" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 94 in volume 2.
Portrait after a painted sketch by Hogarth; head and shoulders to right, glancing towards the viewer, wearing a gown with a plain cravat and full-bodied jaw-length wig
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Publish'd May 1st 1788 by Molton & Co. 132, Pall Mall
Title etched at bottom of image., Sheet trimmed within plate mark., Numbered 'Plate 16' in upper left corner., Placement instructions 'Page 37' in upper right corner., Plate from: Woodwad, G.M. Eccentric excursions, 1796., and Temporary local subject terms: Sergeants at law -- Legal wigs.
Publisher:
Pubd. Septr. 10, 1796, by Allen & West, 15 Paternoster Row
Six caricatures of a lawyer arguing a case in various manners: 1) Influencing the judge, 2) A knock me down argument, 3) A funny case, 4) A forcible argument, 5) A maiden case, and 6) An honest pleader. In the last four vignettes the lawyer holds a scroll with text alluding to: Crim con., a "scondrel of a Jew", and "Black Harry alias Diving Dan ..."
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pub. Sep. 20, 1791, by S.W. Fores, N. 3 Piccadilly
Copy in reverse of William Hogarth's "Woman swearing a child to a grave citizen. A pregnant young woman standing to left, swearing on a book before a magistrate who sits at a bench to right, that the child is by an old man wearing a dark wig with a ruff hanging at his waist, while he raises his hands and eyes to heaven, protesting innocence, his wife, wearing a coif and bonnet shakes her fist, upbraiding him, and the true father, a young man, crouches behind the woman, whispering counsel; beside the magistrate to right, a little girl sits teaching a dog to walk on its hind legs
Description:
Title engraved below image., Sheet trimmed with loss of companion prints: Le baptême domestique and Convoi funèbre des Anglois., A reverse copy after J.V. Schley's print made for: Picart, B. Ceremonies et coutumes religieuses de tous les peuples du monde. Amsterdam : Chez J. F. Bernard, 1723, between pages 90 and 91?, After William Hogarth., Sheet trimmed to plate mark., See reference to Schely print in: Paulson, R. Hogarth's graphic works (1st ed.), p. 309., and On page 11 in volume 1.
Publisher:
publisher not identified
Subject (Topic):
Paternity, Courtrooms, Couples, Judges, Law & legal affairs, Pregnancy, and Pregnant women
"Portrait after Reynolds (Mannings 1475); whole-length, standing turned to right, eyes to front, wearing robes, with his right arm leaning on back of the chair to left, and his left hand upon a book resting on table to right with tapestry cover and inkstand; column, drapery and clouds behind; state without publisher's address."--British Museum online catalogue
Description:
Title from caption below image., Publisher's name and date of publication from the British Museum online catalogue, registration no.: 1902,1011.2444., Sheet trimmed to plate mark., and Note in ms. at lower right corner: 63. Mounted on sheet: 44.3 x 31.7 cm.
Description based on print version record., "Celebration of the 100th anniversary of his birth.", Also available in original print http://morris.law.yale.edu/record=b373041, and Digital reproduction. New Haven, Connecticut : Yale Law Library, 2018. YL 05 L61 no.15 Faculty Collection B547 1958 Faculty Collection B473 1958 KF8745.B67 M4
Publisher:
Published for the Yale Law Library by the Yale Law School
"The Green Bag, see British Museum Satires No. 13735, &c., is transformed into a hillock covered with grass and foliage, but keeping the contour of a sack; it is inscribed in large letters: 'Commons Green Bag'. On the left it is watched by a group of Ministers, on the right by the Queen and her supporters. The foremost of the latter is Brougham, in wig and gown, who points a rod inscribed 'Queens Attorney General' towards the bag; a mouse crouches in a little hollow at its base. Under his arm is a large document inscribed 'Resolution ..... [Ma]jesty'. The Queen, her hands extended towards him, turns to a second barrister who stands in back-view, saying, "I should make a brave Queen to be frightened at a Mouse." The barrister, Denman, the Queen's Solicitor-General, answers: "A good Conscience is a Wall of Brass, your Majesty will not shrink at a Royal Tiger." On the extreme right, Wood, in an alderman's gown, is speaking to a lady, evidently Lady Ann Hamilton. On the extreme left is a curtain from behind which the King, his head and most of his person being hidden, speaks to Lord Eldon (who like his colleagues is gaping at the bag-mountain): "Why Bags! what's all this!" Eldon, in wig and gown, holding a large document and the Purse of the Great Seal, answers: "The Cat's out of the Bag Sire thats all." Canning exclaims: "Pro-di-gi-ous! as my Friend Domine Sampson [in Scott's 'Guy Mannering', 1815] says!" Castlereagh, very scared, says to Sidmouth: "Doctor could you not prevented [sic] this untimely Birth!" Sidmouth stoops forward, squirting a clyster-pipe at the mouse; in his right hand, like a doctor's gold-headed cane, is a constable's staff. He exclaims: "A Delivery without Nurse or Doctor by Heaven." From his pocket hangs a paper: 'Foreign Circular' [cf. British Museum Satires No. 13282]. After the title: 'When mountains cry out, people may well be excused the apprehension of some prodigious Birth, this was the case the Public were all at their wits end, to consider what would be the Issue, and instead of the dreadfull Monster that they expected, out comes at last a contemptible Mouse--The Moral. Much ado about Nothing.-- Reflection. What are all the extravagant attempts and enterprises of weak Men, but morals more or less of this Fable what are mighty pretences without consideration or effect, but the vapours of a distemper, that like sickly Dreams have neither issue nor conection. and the dissapointment is not all neither, for men make themselves ridiculous instead of Terrible, when this Tympany shall come to end in a Blast, and a Mountain to bring forth a Mouse, vide L'Estrange's Esop.--'."--British Museum online catalogue
Alternative Title:
Mountain in labour
Description:
Title etched below image. and Sheet trimmed within plate mark at top edge.
Publisher:
Pubd. June 28th, 1820, by Richd. Fores, 74 Leadenhall St., Aldgate
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Eldon, John Scott, Earl of, 1751-1838, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Bags, Draperies, Wigs, Judges, Robes, Medical equipment & supplies, and Staffs (Sticks)
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
March 26th, 1831.
Call Number:
831.03.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the electoral Reform Bill of 1831, which was passed soon after this print was issued. Grant shows the figure of blind Justice leaning out from a mass of billowing clouds and holding her scales labelled "Reform 1813". The load on the left side labeled "People', though containing fewer documents -- Magna Carta, Economy & Retrenchment, Peace of Plenty, Extension of the Electi[c] Franchise, Cheap Government -- is heavier than the other plate "Oligarchy" which is weighted down by: Bribes, Corruption, Six Acts, Corn Law, Church, Rotten Boroughs, Corporation Charters, Law & Iniquity, Taxes, Imposts, Holy Alliance, [F?]onal Debt. A group of four men in the left foreground include a judge; the one man says "Behold! a mere feather turns the ballance in our favour and saves us from revolution & disgrace." Just beyond them in the middle distance the King stands firmly and says "The triumph of this great & vital cause will fix my crown more firm upon my head." On the right a group of over six men including a clergyman who wipes his brow and cries "The draft is in their favor. Our cause is lost. Oh dictatorium, dictatorium, dic-". Another gentleman behind him cries "They may vainly recken on a paltry unit, we have yet power to rent it peicemeal [sic]." In the distance a crowd cheers, and some hold signs for "Reform" and "Support the King & his ministers", etc
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Cabinet officers, Clergy, Crowds, Demonstrations, Judges, Justice, and Scales
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., After the painting "The Bagnio" in the National Gallery, London., Sheet trimmed to plate mark., No. 5 in a series of 6 images. Series title engraved below image., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2748., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 162., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 232.
Publisher:
Pub. Aug. 1, 1800, by J. & J. Boydell, No. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., Sheet trimmed: 26 x 37 cm., Watermark: J. Whatman Turkey Mill 1827., and Numbered in manuscript at top of sheet: 71.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
"The interior of the House of Commons; the Speaker's chair and the table are in the foreground on the extreme left; only the Opposition benches are visible and are crowded with English sansculottes wearing bonnets-rouges who eagerly watch the denunciation of Pitt. Fox sits in the Speaker's chair, as the presiding judge, a bonnet-rouge pulled over the crown of his hat. Opposite (right), on a low platform surrounded by a rail, stands Pitt; a rope round his neck is held by Lauderdale who stands behind him on the extreme right with a headsman's axe in his left hand. In front of Pitt, leaning eagerly forward over the rail is Stanhope, gesticulating violently and holding out a large scroll: 'Charges. - Ist For opposing the Right of Subjects to dethrone their King. - 2d For opposing the Right of Sans-Culottes to Equalize Property, & to annihilate Nobility. 3d For opposing the Right of Free Men to extirpate the farce of Religion, & to divide the Estates of the Church.' Pitt, anxious and bewildered, his hands manacled, wearing only his shirt which has been torn from his shoulder, stands in profile to the left. Fox sits inscrutable, his clenched fists on the desk before him, a bell at his right hand, looking sideways at Pitt. Below him at the table are Erskine and Sheridan. Erskine, in wig and gown, as the accusing counsel, stands with outstretched hand pointing to Pitt and addressing the rabble on the benches. In his left hand is a paper headed 'Guillotine' and from his pocket protrudes a brief: 'Defence of Hardy' [see BMSat 8502]. Sheridan writes busily: 'Value of the Garde Meuble'. The books on the table are: 'Rights of Man' [see BMSat 7867, &c], 'Dr Price' [see BMSat 7629, &c], 'Dr Priestley' [see BMSat 7632, &c], 'Voltaire', 'Rosseau' [sic]. A large scroll hangs from the table: 'Decrees of the British Convention (ci devant Parliament) Man is, & shall be Free, therefore Man is, & shall be Equal. Man therefore has nor shall have Superior in Heaven or upon Earth.' On the ground the head of the mace projects from under the tablecloth. Beside the table (left) are five large money-bags inscribed: 'Treasury Cash to be issued in Assignats' and 'D° Cash for D°'. On the Speaker's chair, in place of the royal arms, is a tricolour shield with the motto 'Vive la République'. In the foreground, immediately in front of Pitt and Lauderdale, is an iron stove with an open door showing Magna Charta and Holy Bible burning. Holding their hands to the flames are Grafton (left) and Norfolk (right) facing each other; each sits on an inverted ducal coronet. Beside and behind Grafton sits Lord Derby. Slightly to the left and behind this group Lansdowne kneels, weighing in a pair of scales a weight, resembling a cap of liberty and inscribed 'Libertas', against a royal crown. The crown rests on the ground, Lansdowne tries to pull down the other scale. Beside the crown two large sacks stand on the floor inscribed 'For Duke's Place' and 'For D°' (the Jews of Duke's place were supposed to dispose of stolen plate, cf. BMSat 5468). From one protrudes the Prince of Wales's coronet and feathers, an earl's coronet and a Garter ribbon; from the other, a mitre and chalice. In the foreground lie a bundle of papers inscribed 'Forfeited Estates of Loyalists. Chatham, Mansfield, Grenville.' On the crowded benches a fat butcher is conspicuous, sitting arms akimbo. Near him are a hairdresser and a tailor in delighted conversation. A chimney-sweeper holds up brush and shovel, grinning delightedly. The faces register ferocity, anger, surprise, amusement, brutishness. In the back row, under the gallery, stand dissenting ministers wearing clerical bands."--British Museum online catalogue
Alternative Title:
Parliament reformed
Description:
Title etched below image., Text following title: Vide Carmagnol Expectations., Sheet partially trimmed within plate mark., and Temporary local subject terms: Conventions: decrees of the British Convention -- Interiors: House of Commons -- English sansculottes -- Bonnets rouges -- Shields: tricolor shield -- Bags of money -- Magna Charta -- Holy Bible -- Opposition -- Coronets -- Ministers -- Maces -- Iron stoves.
Publisher:
Pubd. March 2d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Smith-Stanley, Edward, 1752-1834, and Lauderdale, James Maitland, Earl of, 1759-1839
Title etched below image., Sheet trimmed to plate mark., Local note no catalog card from R. Paulson: Not Hogarth. Possibly Highmore., Ms. note in ink in Steevens's hand above group of four prints: Sketches taken by Hogarth at Lord Lovat's trial., and On page 230 in volume 3.
Publisher:
Published Augt. 1, 1791, by W. Birch, Hampstead Heath
Title etched below image., Sheet trimmed to plate mark., Local note no catalog card from R. Paulson: Not Hogarth. Possibly Highmore., Ms. note in ink in Steevens's hand above group of four prints: Sketches taken by Hogarth at Lord Lovat's trial., and On page 230 in volume 3.
Publisher:
Published Augt. 1, 1791, by W. Birch, Hampstead Heath
Title etched below image., Sheet trimmed to plate mark., Local note no catalog card from R. Paulson: Not Hogarth. Possibly Highmore., and Ms. note in ink in Steevens's hand above group of four prints: Sketches taken by Hogarth at Lord Lovat's trial.
Publisher:
Published Augt. 1, 1791, by W. Birch, Hampstead Heath
Title etched below image., Text following title: The scale of the drawing is that of plates the 1st, 2nd & 3rd., Sheet trimmed to plate mark., Local note no catalog card from R. Paulson: Not Hogarth. Possibly Highmore., Ms. note in ink in Steevens's hand in image, lower edge, centered: Sketches of Lord Lovat's trial, by Hogarth., and Ms. note in ink in Steevens's hand above group of four prints: Sketches taken by Hogarth at Lord Lovat's trial.
Publisher:
Published Augt. 1, 1791, by W. Birch, Hampstead Heath
Dog (Springer Spaniel) delivering a verdict in the courtroom
Alternative Title:
Postcard depicting dog posed as judge and Legally themed postcard depicting dog posed as judge
Description:
"Rotograph series" B1626., The Rotograph Co., a major printer and publisher of postcards, was active in New York City, 1904-1911., Also available in original print http://morris.law.yale.edu/record=b1281871, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019. LM Z Postcards v.1 no.4 tall, and Online resource; description based on print version record.
Publisher:
Rotograph Co.
Subject (Geographic):
United States
Subject (Topic):
Law, Judges, Conduct of court proceedings, and English springer spaniels
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[1 April 1772]
Call Number:
Folio 72 771 D37 v.2 plate 24
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, whole length, of a stout man facing three-quarter to right., looking to left over his right. shoulder. His left hand is thrust under his buttoned coat; his right (gloved) rests on a cane. He wears a looped hat, a tightly curled wig and is plainly dressed."--British Museum online catalogue
Alternative Title:
Bully Bramble Esqr. Justice of Peace in Wasp Town and Roast beef and port
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram. M. Darly for Mary Darly or Matthew (or Matthias) Darly the printmaker? See British Museum catalogue., and Plate numbered "24" in upper right corner.
Publisher:
Pub. by MDarly accor. to act, April 1st, 1772, Strand
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
Subject (Topic):
Threats, Judges, Gambling, Interiors, and Clothing & dress
Portrait of British magistrate Sir John Fielding, the blind brother of Henry Fielding; a bust in oval frame, with Fielding facing left and below the frame, a child holding emblems of justice -- a book, scales, and a sword
Description:
Title etched in image., Probably a book illustration, but not the engraving in Leslie-Melville's Life and work or the portrait in The malefactor's register (1779)., and Sheet trimmed to plate mark.
"A gouty old magistrate sits at a table in a parlour in an armchair with its back to the fire (right); his clerk writes. A parish beadle with his staff stands just inside the door, behind a ragged dustman or labourer, who scratches his head while a pregnant woman (who is swearing a child to the latter) holds her apron to her eye."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Henry Heath in the British Museum catalogue.
Publisher:
Published Jany. 4, 1825, by S.W. Fores, Piccadilly, London
Subject (Topic):
Gout, Judges, Pregnant women, Fireplaces, Cats, and Dogs
"A young woman stands upon a high stool, her skirts raised to show her posteriors to three men (half length) behind her. She bends forward, pointing to Charles Fox who stands with his hands handcuffed in a booth or box behind a bar. Fox has an enormous head and an expression of terrified dismay at the denunciation. Behind him is a man in profile holding a constable's staff. The three men are evidently Bow Street Justices (Sir Sampson Wright, Addington, and Bond); the principal magistrate (Wright) wears a hat and spectacles and is much caricatured (cf. British Museum Satires Nos. 6119-21). Above their heads are the evenly balanced scales of Justice. In front of the woman stands a clerk (half length) meditatively biting his pen."--British Museum online catalogue
Alternative Title:
Scene in Bow Street
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Temporary local Medical Library subject terms: Bond -- Crime., and 1 print : etching, hand-colored ; plate mark 247 x 351 mm.
Publisher:
Pubd. May 20th, 1790, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Addington, William, Sir, -1811, Wright, Sampson, Sir, -1793, and Williams, Renwick.
A watercolor drawing of a scene in Westminster Hall with three judges presiding over a crowded courtroom
Alternative Title:
Lawyers all alive in Westminster Hall and Peep into the Court of Kings Bench
Description:
Title "A peep into the Court of Kings Bench" written in lower margin but scored through; a new title "Term time or The lawyers all alive in Westminster Hall" is written below in the same hand., Signed by the artist in lower right corner of image., Date from: Padbury, D. View of Dightons., and Numbered "557" beneath lower left corner of image.
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Courtrooms, Judicial proceedings, Lawyers, Judges, and Juries
"Erskine, dressed as an officer of the Inns of Court Volunteers, kneels on one knee to receive spurs from Sir James Mansfield, in legal wig and gown, who stands over him, his sword held vertically. Erskine's knee rests on a bulky brief: 'The King v. Hardy Brief for Def[ence]'; he says: "Henceforth I will be faithful and bear true Allegiance [? and abjure] traiterous . . . (the words obscured by his plumed helmet)". In the foreground two couples of privates or N.C.O.s (left and right) walk off scowling suspiciously over their shoulders at the investiture. The design is framed by two arches of the cloister of the Temple Church. Through one (left) is seen the body of the church: three (sculptured) recumbent Knights Templars raise themselves from their tombs to gaze in horror at the scene. All five volunteers wear plumed helmets and epaulets. The two on the left carry, one a pike, the other a bayoneted musket, both directed towards the new knight. Under the foot of one is a torn paper: 'Mr Sheridan Speech & Vote of thanks to the Volunteer[s]'."--British Museum online catalogue
Description:
Title from text in top part of image., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Two columns of verse below image: Templars of old were valiant knights, defenders of their country's rights ..., 1 print : aquatint and etching on wove paper ; plate mark 37.8 x 30.4 cm, on sheet 39.5 x 31.5 cm., and Mounted on leaf 82 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Mansfield, James, Sir, 1733-1821, Hardy, Thomas, 1752-1832., Sheridan, Richard Brinsley, 1751-1816., and Temple Church (London, England),
"Erskine, dressed as an officer of the Inns of Court Volunteers, kneels on one knee to receive spurs from Sir James Mansfield, in legal wig and gown, who stands over him, his sword held vertically. Erskine's knee rests on a bulky brief: 'The King v. Hardy Brief for Def[ence]'; he says: "Henceforth I will be faithful and bear true Allegiance [? and abjure] traiterous . . . (the words obscured by his plumed helmet)". In the foreground two couples of privates or N.C.O.s (left and right) walk off scowling suspiciously over their shoulders at the investiture. The design is framed by two arches of the cloister of the Temple Church. Through one (left) is seen the body of the church: three (sculptured) recumbent Knights Templars raise themselves from their tombs to gaze in horror at the scene. All five volunteers wear plumed helmets and epaulets. The two on the left carry, one a pike, the other a bayoneted musket, both directed towards the new knight. Under the foot of one is a torn paper: 'Mr Sheridan Speech & Vote of thanks to the Volunteer[s]'."--British Museum online catalogue
Description:
Title from text in top part of image., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Two columns of verse below image: Templars of old were valiant knights, defenders of their country's rights ..., and Mounted on page 102.
Publisher:
publisher not identified
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Mansfield, James, Sir, 1733-1821, Hardy, Thomas, 1752-1832., Sheridan, Richard Brinsley, 1751-1816., and Temple Church (London, England),
"Erskine, dressed as an officer of the Inns of Court Volunteers, kneels on one knee to receive spurs from Sir James Mansfield, in legal wig and gown, who stands over him, his sword held vertically. Erskine's knee rests on a bulky brief: 'The King v. Hardy Brief for Def[ence]'; he says: "Henceforth I will be faithful and bear true Allegiance [? and abjure] traiterous . . . (the words obscured by his plumed helmet)". In the foreground two couples of privates or N.C.O.s (left and right) walk off scowling suspiciously over their shoulders at the investiture. The design is framed by two arches of the cloister of the Temple Church. Through one (left) is seen the body of the church: three (sculptured) recumbent Knights Templars raise themselves from their tombs to gaze in horror at the scene. All five volunteers wear plumed helmets and epaulets. The two on the left carry, one a pike, the other a bayoneted musket, both directed towards the new knight. Under the foot of one is a torn paper: 'Mr Sheridan Speech & Vote of thanks to the Volunteer[s]'."--British Museum online catalogue
Description:
Title from text in top part of image., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Two columns of verse below image: Templars of old were valiant knights, defenders of their country's rights ..., and Mounted to 56 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Mansfield, James, Sir, 1733-1821, Hardy, Thomas, 1752-1832., Sheridan, Richard Brinsley, 1751-1816., and Temple Church (London, England),
An E.O. or roulette table lies broken in the street as four men attack it with mallets and other tools. Two attackers, the Bow Street magistrates Addington and Wright, are depicted with donkey's heads. Three constables are also shown, one attempting to stop the violence, the other two joining in the attack. A commentary on the enforcement of anti-gaming laws
Alternative Title:
Westminster just-asses a braying and Downfall of the E.O. table
Description:
Title etched below image., Printmaker from British Museum catalogue., and Text below title: NB. The jack-asses are to be indemnified for all the mischief they do, by the bulls & bears of the city.
Publisher:
Pubd. Augt. 26th, 1782, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London
Subject (Name):
Addington, William, Sir, -1811, Wright, Sampson, Sir, -1793, and Bond, John, active 1782
Subject (Topic):
Vandalism, Donkeys, Judges, Gambling, and Clothing & dress
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below image plate
Description:
Title etched below image., State from Paulson., Print made from two plates; image and text on separate plates., and The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below image plate
Description:
Title etched below image., State from Paulson., Print made from two plates; image and text on separate plates., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., On page 1 of volume 3. Sheet trimmed within plate mark: 305 x 209 mm. Only visible plate mark is the one between image and text., and With ms. note in pencil in Steevens's hand below print lower right: Later.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below image plate
Description:
Title etched below image., State from Paulson., Print made from two plates; image and text on separate plates., Sheet trimmed within plate mark. Only visible plate mark is between image and text., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., and On page 1 of volume 3: Steevens III.201.1.1. With annotation in pencil in Steevens's hand below print lower right: See Mr. Nichol's Book, 3d edit, page 403. Another note below lower right corner: 3d state.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
Plate 65. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below plate with image begins: There are hardly any two things more essentially different than character and caracatura ...
Description:
Title etched below image., Print made from two plates; image and text on separate plates., State and publisher from Paulson., Sheet trimmed within plate mark. Only visible plate mark is between image and text., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., 1 print : etching and engraving on laid paper ; plate marks 18.9 x 20.9 cm and 11.7 x 21.2 cm, on sheet 40 x 27 cm., Mounted on leaf 46 x 59 cm., and Plate 65 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
Plate 65. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below plate with image begins: There are hardly any two things more essentially different than character and caracatura ...
Description:
Title etched below image., Print made from two plates; image and text on separate plates., State and publisher from Paulson., Sheet trimmed within plate mark. Only visible plate mark is between image and text., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., On page 1 of volume 3., and With ms. note in pencil in Steevens's hand below print lower right: 2nd state.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
"The interior of a well-furnished room with an open door (right) through which a dove-cote and trees are visible. By the fire (left) in an arm-chair is a gouty magistrate, tipsily somnolent, with twisted features. In his left hand is a glass spilling its contents, in his right a smoking tobacco-pipe; his right foot is supported on a cushioned stool. Beside him (right) is a table with books and writing-materials behind which sits his clerk, pen in mouth, spectacles on forehead, scrutinizing a group of three: a constable with a long staff between a fashionably dressed and drunken reveller and a young woman, whose dress hangs from just below her bare breasts. The constable, looking at the clerk, points to the woman. In the doorway a dog looks out and a sow looks in. On the wall over the clerk's head is a picture of an ass kicking over a statue of Justice (a 'Justass', cf. British Museum satire no. 8187); in the background St. Paul's and the Monument with other buildings indicate London. On the table by the justice a punch-bowl stands on 'Burn's Justice'. The chimney-piece is supported by two carved satyrs. Above it is a framed (?) almanack. A cat sleeps by the fire. A patterned carpet completes the design."--British Museum online catalogue
Description:
Title from caption below image., Three lines of text below title: Custos. Nemo. Comes. Testis. Sus. Bosque. Canisque. rules for the Gender of Nouns. Custos. the Constable. Nemo. [cf. BMSat 5570] alluding to the Lady having no Waist [cf. BMSat 8569]. Comes, her Companion. Sus. a Sow Worried by a Dog. Testis, described by the Constable as Witness against the two Delinquents. Bosque, the Magistrate half Drunk or Bosky. Canisque, the Dog, referring to the Guardian of the Night in the Act of making a Seizure., Sheet trimmed within plate mark on three edges., and Watermark: J. Whatman 1805.
Leaf 49. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man with the profile of an animal, perhaps a sheep, wearing gown and bands, holds a large tie-wig of the kind worn by judges in his left hand, the fingers of his right hand are held out as if in calculation; he looks at himself in an ornately framed oval mirror on the wall with an expression of singular imbecility. An open door in the back wall shows rows of books in a book-case: on its lintel stands a bust. An oval (half length) portrait hangs on the left of the door, it is of a man in wig and bands, probably the subject of the caricature. Two high-backed chairs are the only furniture of the room."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of text below title: To wig - or not to wig, that is the question., Sheet partially trimmed within plate mark., Plate numbered "V. 3" in upper left corner and "14" in upper right corner., Temporary local subject terms: Pictures amplifying subject: Portrait of a man in a wig., and Watermark (partially cut off): Strasburg bend with initials G R below.
Publisher:
Pubd. April 27, 1774, by MDarly, 39 Strand
Subject (Topic):
Bookcases, Chairs, Interiors, Judges, Law offices, Lawyers, Mirrors, Sculpture, Sheep, and Wigs
Leaf 49. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man with the profile of an animal, perhaps a sheep, wearing gown and bands, holds a large tie-wig of the kind worn by judges in his left hand, the fingers of his right hand are held out as if in calculation; he looks at himself in an ornately framed oval mirror on the wall with an expression of singular imbecility. An open door in the back wall shows rows of books in a book-case: on its lintel stands a bust. An oval (half length) portrait hangs on the left of the door, it is of a man in wig and bands, probably the subject of the caricature. Two high-backed chairs are the only furniture of the room."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of text below title: To wig - or not to wig, that is the question., Sheet partially trimmed within plate mark., Plate numbered "V. 3" in upper left corner and "14" in upper right corner., Temporary local subject terms: Pictures amplifying subject: Portrait of a man in a wig., First of two plates on leaf 49., and 1 print : etching on laid paper ; plate mark 17.5 x 23.7 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pubd. April 27, 1774, by MDarly, 39 Strand
Subject (Topic):
Bookcases, Chairs, Interiors, Judges, Law offices, Lawyers, Mirrors, Sculpture, Sheep, and Wigs
Postcard depicting four dogs sitting in a row and Legally themed postcard depicting 4 dogs sitting in a row, as judges
Description:
The Court of Appeal: Printed title on postcard front., Rotary Photographic Plate Sunk Gem Series: Printed text on left margin of postcard back, In lower right corner of image, reverse type: Landor., In lower left corner of image, reverse type: P 528., Rotary Photographic Co. Ltd. was active in London between 1897 and 1916., Manuscript notes on verso: "Many thanks, wish I knew what it all meant. Have you named the new cow yet?" signed J. I., Addressed to Mr. Craig, [P--?] Palace, Donegal Rd., Belfast., Also available in original print http://morris.law.yale.edu/record=b1281865, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM Z Postcards v.1 no.3 tall., and Online resource; description based on print version record.
Title from item., Sheet trimmed within plate mark resulting in loss of plate number and placing instructions., "Plate no. 18.", Plate from: Woodward, G.M. Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales, 1796., and Temporary local subject terms: Old Bailey -- Symbols: figure of Justice.
Publisher:
Pubd. by Allen & West, 15 Paternoster Row
Subject (Topic):
Judges, Juries, Lawyers, Spectators, and Witnesses
"A sequence of six designs in two rows. [1] 'Begging before the Door of his Benefactor.' Young Leach, as a crossing-sweeper, holds out his hat to a gentleman who amiably puts in a coin. The latter walks away from a street-door with a plate inscribed 'Sir Robt Taylor'. [2] 'In the Service of his Benefactor.' Leach, as a young footman in livery, walks behind Taylor and his wife, who are returning from a country church. He carries cane and prayer-book. [3] 'As Clerk to his Benefactor.' Leach writes at a desk in a bare room, with a shelf of books high on the wall. [4] 'Now a Lawyer!!!' He sits in a well-furnished room, smilingly giving advice to a dismayed client (cf. British Museum Satires No. 11931, &c.). [5] 'Becomes a Counsellor!!! Thanks to his Benefactor.' Scene in court, with a crowded gallery. As one of a row of barristers Leach makes an impassioned appeal to the judge. [6] 'And now a Judge!!! Thanks to the Nation.' From the bench he looks down at a row of barristers. After the title: 'Every Merit should be Awarded to a Man for having raised himself from Beggary to so prominent a Station. The utmost Hatred, does that Man deserve who would create Despotism in our Land.'"--British Museum online catalogue
Alternative Title:
Gradations of a Vice Chancellor and "'Tis better to be born lucky than rich"
Description:
Title from text below image., Publisher's statement written in ink on separate piece of paper (11 x 38 mm) pasted below lower left corner of image., Date of publication from the British Museum catalogue., Imperfect; sheet trimmed with partial loss of statement of responsibility from lower right. Missing text supplied from the British Museum catalogue., and Mounted on page 22 of: George Humphrey shop album.
Publisher:
Pubd. by Garmeson, No. 2 St. Swithins Lane, Lombard Stt.
Subject (Name):
Leach, John, 1760-1834 and Taylor, Robert, Sir, 1714-1788
"Heading to a printed broadside. An enormous leech with the head and wig of Sir John Leach (see British Museum Satires No. 13740) advances menacingly upon three little men (right) who flee. Three others (left) register disgust, holding their noses. They say: "Tom T--dman's cart is nothing to compare to it; It stinks worse than a Pole-cat; D--n it what a Stench." A woman staggers backwards, saying: "Bring me a Smelling Bottle or I shall Die." One man lies on the ground fainting or dead. The leech is backed by clouds of smoke. Below the title: "The common damn'd shun its society, and think themselves fiends less foul." The text describes 'the Great Black Leech lately discovered at Milan . . .' procured 'at a great expense, at the special instance of the State "Doctor" [Sidmouth], . . . for 'the performance of an operation to relieve the Great Man's complaint' (a troubled mind). It was abortive and he is 'worse than ever'. Attempts to check its 'vicious propensities' were vain 'until Dr. Hone skilfully applied some "printer's ink" to it'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., 1 print : etching with roulette ; plate mark 10.2 x 18 cm, on sheet 12.1 x 19 cm., Printed on wove paper; hand-colored., Imperfect; sheet has been cut in half, with bottom portion (12.6 x 18.5 cm) containing most of the letterpress text mounted separately beside upper portion containing the engraved plate. Imprint statement has also been trimmed away., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Printed and published by W. Benbow, 269 Strand
Subject (Name):
Leach, John, 1760-1834, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and George IV, King of Great Britain, 1762-1830.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 52. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life.", 1 print : etching with engraving on laid paper ; plate mark 26.2 x 34.7 cm, on sheet 29.5 x 43.5 cm., Mounted on leaf 59 x 46 cm., and Plate 52 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 52. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life.", and On page 139 in volume 2. Sheet trimmed within plate mark to: 26.3 x 34.4 cm.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Sotheby 52 Box 100
Collection Title:
Plate 52. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life.", and On laid paper.
publish'd according to act of Parliam[en]t Sep 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice and Industry and idleness, plate 9
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life., and On page 139 in volume 2. Sheet trimmed within plate mark to: 26.5 34.6 cm.
publish'd according to act of Parliam[en]t Sep 30 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice and Industry and idleness, plate 9
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life., 1 print : etching with engraving on laid paper ; plate mark 26.2 x 34.4 cm, on sheet 26.9 x 40.4 cm., and Mounted on leaf 44 in: Album of William Hogarth prints.
publish'd according to act of Parliam[en]t Sep 30 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice and Industry and idleness, plate 9
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life., and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
publish'd according to act of Parliam[en]t Sep 30 1747.
Call Number:
Kinnaird 49K(a) Box 100
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice and Industry and idleness, plate 9
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life., and On laid paper. Sheet trimmed within plate mark to 263 x 349 mm.
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date., 1 print : etching with engraving on laid paper ; plate mark 27 x 39.9 cm, on sheet 27.5 x 40.8 cm., and Mounted on leaf 45 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Sotheby 54 Box 100
Collection Title:
Plate 54. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title etched above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer.", and On laid paper.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Kinnaird 50K(a) Box 215
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., and Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date., and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 54. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title etched above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer.", 1 print : etching with engraving on laid paper ; plate mark 27.1 x 40.4 cm, on sheet 29.2 x 43.5 cm., Mounted on leaf 59 x 46 cm., and Plate 54 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 54. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title etched above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer.", and On page 141 in volume 2. Sheet trimmed within plate mark to: 27.6 x 40.1 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date., and On page 141 in volume 2. Sheet trimmed within plate mark to: 27 x 40.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him and impeach'd by his accomplice
Description:
Title engraved above image., "Plate 10."--Below frame., Tenth plate in the series of twelve: Industry and idleness., Two captions below image. On the left: Psalm IX. Ver: 16. The wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in judgment., and Reduced copy of no. 2980 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Publisher:
Printed for & sold by Robt. Sayer at [the] Golden Buck near Serjeants Inn, Fleet Street
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", Sheet trimmed within plate mark to: 26.3 x 34.6 cm., and Formerly on page 140 in volume 2. Removed in 2012 by LWL conservator.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.6 cm, on sheet 29.2 x 43.3 cm., Mounted on leaf 59 x 46 cm., and Plate 53 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.6 cm, on sheet 29.2 x 43.3 cm., Mounted on leaf 59 x 46 cm., and Plate 53 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him and impeach'd by his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: Industry and idleness., Two captions in decoration in lower edge of frame. On the left: Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.3 cm, on sheet 26.8 x 40.6 cm., and Mounted on leaf 44 in: Album of William Hogarth prints.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Sotheby 53 Box 100
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", and On laid paper.
