"A woman, fashionably dressed, is being led to the altar of Hymen by a youth. The altar is decorated with a mask and chains. Hymen, who stands on the altar, draws a veil over her face, holding her torch downwards. On the ground is a sleeping cupid. Behind the bride is a house, inscribed 'Alfred House'; on the ground at her feet are books, the cap and staff of Liberty (which she is treading under foot), an inkpot and pen. This symbolizes the marriage of Mrs. Catherine Macaulay, aged 57, with William Graham, aged 21, the younger brother of James Graham the quack doctor. Alfred House (2 Alfred Street, Bath) had been presented to her by Dr. Thomas Wilson; on her marriage he wished to eject her from it. She is here represented as throwing aside her historical writings and her patriotic zeal for an unnatural marriage."--British Museum catalogue
Description:
Title from text above image., Publication information from that of the periodical in which the print was issued., Illustration from: Town and country magazine. London : Printed for A. Hamilton, Jr., v. 10 (December 1778), page 623., Date given in British Museum catalogue: 1 January 1779., Mounted to 23 x 14 cm., and Bound in after page 14 in Lord Rosebery's extra-illustrated copy of: Burn, J.S. History of the Fleet marriages. London : Rivingtons [etc.], 1834.
Shepherd's daughter betray'd and Shepherd's daughter betrayed
Description:
Caption title., First verse - "Come all you constant lovers, and to me lend an ear,", In three columns with the title and two woodcuts above the first two; the imprint is below the last column, under a single rule composed of long dashes., Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Mounted on leaf 12. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold by J. Evans, no. 41 Long-lane, Westsmithfield, London
Subject (Geographic):
Great Britain
Subject (Topic):
Marriage, Social aspects, Parental consent, Murder, Arranged marriage, Doves, Nets, and Elk
"An elaborate design. The Prince of Würtemberg, grotesquely corpulent, conducts his bride in the procession (right to left) towards the bridal chamber which is led by the King and Queen. George III, plainly dressed and wearing a hat, partly concealed by a pillar, hurries forward; in each hand is a candle-stick holding a guttering candle-end (cf. BMSat 8117). The Queen, covered with jewels and her face hidden by a poke-bonnet, carries a steaming bowl of 'Posset'. On the back of the Prince's coat are slung five ribbons from which dangle the jewels of orders; three garters encircle his leg; a star decorates the bag of his wig. The Princess gazes at him from behind her fan. Round her waist is the ribbon of an order, to which is attached a jewel containing a whole length miniature of her husband, which exaggerates his corpulence. Behind the Princess is a group of princes: the Prince of Wales, in regimentals, is fat and sulky. Prince William of Gloucester stands with splayed-out feet as in BMSat 8716. The Duke of Clarence (caricatured) puts a hand on the right arm of the Prince of Wales. Behind is the more handsome head of the Duke of York. These four heads are clever juxtapositions of variations on the family features. Behind them is the grotesque profile of the Stadholder with closed eyes. The sharp features of Lady Derby tower above the Stadholder. Next him is the Princess of Wales, not caricatured. Two princesses hold up their sister's train, and, behind, a sea of feathered headdresses recedes in perspective under a lighted chandelier. Salisbury (left), the Lord Chamberlain, standing stiffly in profile to the right, much caricatured, with wand and key as in BMSat 8649, holds open the door through which the King is about to pass. Pitt, on the outskirts of the procession, carries a sack inscribed '£80,000' (the amount of the Princess's dowry). On the wall is a large picture, inscribed 'Le Triomphe de l'Amour', of an elephant with a little cupid sitting on his neck blowing a trumpet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: posset -- Furnishings: carpets -- Pictures amplifying subject: a cupid riding an elephant -- Male dress: court dress., and Mounted to 31 x 46 cm.
Publisher:
Pubd. May 18th, 1797, by H. Humphrey, 27 St. James Street
Subject (Name):
Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Salisbury, James Cecil, Marquess of, 1748-1823, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Pitt, William, 1759-1806
"An elaborate design. The Prince of Würtemberg, grotesquely corpulent, conducts his bride in the procession (right to left) towards the bridal chamber which is led by the King and Queen. George III, plainly dressed and wearing a hat, partly concealed by a pillar, hurries forward; in each hand is a candle-stick holding a guttering candle-end (cf. BMSat 8117). The Queen, covered with jewels and her face hidden by a poke-bonnet, carries a steaming bowl of 'Posset'. On the back of the Prince's coat are slung five ribbons from which dangle the jewels of orders; three garters encircle his leg; a star decorates the bag of his wig. The Princess gazes at him from behind her fan. Round her waist is the ribbon of an order, to which is attached a jewel containing a whole length miniature of her husband, which exaggerates his corpulence. Behind the Princess is a group of princes: the Prince of Wales, in regimentals, is fat and sulky. Prince William of Gloucester stands with splayed-out feet as in BMSat 8716. The Duke of Clarence (caricatured) puts a hand on the right arm of the Prince of Wales. Behind is the more handsome head of the Duke of York. These four heads are clever juxtapositions of variations on the family features. Behind them is the grotesque profile of the Stadholder with closed eyes. The sharp features of Lady Derby tower above the Stadholder. Next him is the Princess of Wales, not caricatured. Two princesses hold up their sister's train, and, behind, a sea of feathered headdresses recedes in perspective under a lighted chandelier. Salisbury (left), the Lord Chamberlain, standing stiffly in profile to the right, much caricatured, with wand and key as in BMSat 8649, holds open the door through which the King is about to pass. Pitt, on the outskirts of the procession, carries a sack inscribed '£80,000' (the amount of the Princess's dowry). On the wall is a large picture, inscribed 'Le Triomphe de l'Amour', of an elephant with a little cupid sitting on his neck blowing a trumpet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: posset -- Furnishings: carpets -- Pictures amplifying subject: a cupid riding an elephant -- Male dress: court dress., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 30.6 x 44.8 cm, on sheet 34.5 x 48.5 cm., and Mounted on leaf 47 of volume 9 of 12.
Publisher:
Pubd. May 18th, 1797, by H. Humphrey, 27 St. James Street
Subject (Name):
Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Salisbury, James Cecil, Marquess of, 1748-1823, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Pitt, William, 1759-1806
An angry husband with carving knife and fork in hand glowers at the leg of mutton on the dinner table before him, while his wife and two young men look on with anxious expressions. He says: "Its rad! not fit to eat! --these are the blessed effects of boiling mutton in a clath!" A dog at the wife's feet looks on. On the wall hangs the framed picture with the two allegorical figures of Peace and Concord
Alternative Title:
Dinner spoiled
Description:
Title from item., Series title and number etched above image., and Publication date from British museum catalogue and Grego.
"No.1: A small dinner-table, largely covered by a pale leg of mutton behind which sits the irate husband, carving-knife and fork in hand. His wife opposite (right) glares at him, two youths look anxious. He says: "Its rod! not fit to eat! - these are the blessed effects of boiling Mutton in a clath!!" A dog watches him. On the wall (right) is a framed picture of 'Peace and Concord', two allegorical figures."--British museum online catalogue
Alternative Title:
Dinner spoiled
Description:
Title etched below image., Series title and number etched above image., Earlier state, with date in imprint, of no. 9622 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 14.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, N. 101 Strand
"No.1: A small dinner-table, largely covered by a pale leg of mutton behind which sits the irate husband, carving-knife and fork in hand. His wife opposite (right) glares at him, two youths look anxious. He says: "Its rod! not fit to eat! - these are the blessed effects of boiling Mutton in a clath!!" A dog watches him. On the wall (right) is a framed picture of 'Peace and Concord', two allegorical figures."--British museum online catalogue
Alternative Title:
Dinner spoiled
Description:
Title etched below image., Series title and number etched above image., Earlier state, with date in imprint, of no. 9622 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 14., 1 print : etching on laid paper, hand-colored ; plate mark 22 x 19.5 cm, on sheet 24.9 x 20.6 cm., and Mounted on leaf 1 of volume 7 of 14 volumes.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, N. 101 Strand
A couple, the lady seated with her back to her husband, turns with knit-brow to look over her shoulder at her husband who looks at her with anger or disgust and distain
Description:
Title written in pencil beneath image., Signed by the artist in lower right., Date from: Padbury, D. View of Dightons., Numbered "407" in ink in lower left., and For a related mezzotint, published by Bowles & Carver, see no. 8921 in the Catalogue of prints and drawings in the British Museum, v. 7.
"The interior of a well-furnished room with a carpeted floor. A young woman turns aside with a gesture of disgust from a young man of simian appearance who is grinning sheepishly. Her father stands behind her with outstretched arms, pleading desperately for her acceptance of the man. The suitor, holding his hat in both hands, turns away from the lady with an imbecile grin, but is being pushed towards her by a third man, probably his father. Through two sash-windows (left) appear houses and the steeple of a church. Between them is an oval mirror in a carved frame. A landscape hangs on the other wall (right) perhaps symbolically amplifying the subject; a waterfall flows over a large stand of rocks with a sole tree bending in the wind
Alternative Title:
Happiness sacrifised to riches
Description:
Title from text below image., Artist identified as Robert Dighton in the British Museum online catalogue, registration no.: 1935,0522.1.136., Sheet trimmed to plate mark., Numbered "516" in lower left corner., No. 27 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Children, Couples, Fathers, Interiors, Marriage, Mirrors, Parlors, and Rugs
