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1. The fair nun unmask'd [graphic]
- Creator:
- Wilson, James, approximately 1735-approximately 1786, printmaker
- Published / Created:
- publish'd as the act directs, A.D. 1769.
- Call Number:
- 769.00.00.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In an oval frame, a half-length portrait of woman with a black veil over her head looks left. In her right hand she holds a mask; around her neck is cross. She wears pearl earrings, pearls in her hair, and a strand hangs from the jeweled rose at her breast
- Alternative Title:
- Fair nun unmasked
- Description:
- Title engraved below image., Printmaker identified in Chaloner Smith who based his description on the 1780 copy published by Sayer., Sheet trimmed to plate mark., Plate numbered '8' in lower left corner., Two lines of verse below title: On her white breast a sparkling cross she wore ... Pope., Reversed copy of this print was published in 1780., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: masquerade dress -- Allusion to 'The Fair Nun' -- Literature: quotation from The rape of the lock, canto ii.7, by Alexander Pope, 1688-1744., and Watermark.
- Publisher:
- Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
- Subject (Topic):
- Accessories (Clothing & dress), Dancers, Jewelry, Masks, and Masquerades
- Found in:
- Lewis Walpole Library > The fair nun unmask'd [graphic]
2. Pantheon Masquerade [graphic]
- Creator:
- Rowlandson, Thomas, 1756-1827, printmaker
- Published / Created:
- [1 March 1809]
- Call Number:
- Quarto 646 808 M58 v.2
- Collection Title:
- V. 2 Microcosm of London.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Interior of the Pantheon on Oxford Street, during a masquerade; the hall crowded with figures in costume dancing and making merry; a band plays on the stage; other figures on balconies to left and right."--British Museum online catalogue
- Description:
- Title etched below image., Plate numbered in upper right, above image: Plate 60., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 215.
- Publisher:
- Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
- Subject (Geographic):
- London (England), England, and London.
- Subject (Name):
- Pantheon (Oxford Street, London, England)
- Subject (Topic):
- Masquerades, Interiors, Costumes, and Dance
- Found in:
- Lewis Walpole Library > Pantheon Masquerade [graphic]
3. Marriage a-la-mode. [graphic] / Plate V.
- Creator:
- Ravenet, Simon François, 1706-1774, printmaker
- Published / Created:
- according to act of Parliament April 1st 1745.
- Call Number:
- Kinnaird 17K Box 300
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
- Description:
- Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, Rake's progress, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V.
4. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
5. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 20. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 4
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
6. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 20. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 4
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
7. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
8. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 20++ Box 300
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
9. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V