Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
Opposite page 15. Trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right
Image Count:
1
Resource Type:
still image
Abstract:
An engraving, showing a scene from the Venetian Ambassadors Masquerade in which Miss Chudleigh appears wearing stockings, shoes, and a tunic, the last covering only a very small portion of her person, and taking off her mask on being seized round the ...
Description:
Title from text below image.
Publisher:
publisher not identified
Subject (Geographic):
England and England.
Subject (Name):
Bristol, Elizabeth Chudleigh, Countess of, 1720-1788 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
"Satire on John Heidegger and the taste for the masquerades which he promoted. A London street scene in the foreground of which Heidegger sprawls on the ground, his watch and coins falling from his pocket, as he begs mercy of Hercules. Hercules, clad ...
Description:
Title etched below image.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748. and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
The eighth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortun...
Description:
Title from pencil notation below title.
Subject (Topic):
Allegorical drawings, Ballrooms, Costumes, Masquerades, and Parables
A view of Ranelagh Gardens during a masquarade, with the revellers wearing masks. After a design by Canaletto. For an engraving of the same scene in reverse, published by Robert Sayer in 1752, see British Museum online catalogue, registration no.: 188...
Alternative Title:
View of the canal, Chinese building, rotunda, &c. in Ranelagh Gardens, with masquerade, Vüe du canal, du batiment chinois, de la rotunda, &c. des Jardins de Ranelagh, un jour de masquarade, and Masquerade angloise
