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2.
- Published / Created:
- May 20th, 1772.
- Call Number:
- Folio 724 776D
- Collection Title:
- Leaf 74. Darly's comic-prints of characters, caricatures, macaronies, &c.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Caricature portrait, whole length, of a man in profile walking to the right, grotesquely dressed, probably for a masquerade. In his right hand he holds a rod to each end of which is slung a fox's tail. A large fox's tail hangs from the back of his neck. A bell hangs outwards from the back of his waist. A ribbon flutters from his right arm. He wears a small cap with a tuft of feathers at the top. Rows of feathers (quills) or ribbons hang from his cap, his waist, and from the tops of his stockings which leave his knees bare."--British Museum online catalogue and "At the masquerades (c. 1772) groups of young men from the universities, some dressed as "Tom fools with cap and bells", were conspicuous. ... Evidently intended for C. J. Fox, a leader of fashion and already a favourite subject of caricature."--Curator's comments, British Museum online catalogue
- Description:
- Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text above image: Tom Fool the First., Plate numbered "v. 3" in upper left corner and "8" in upper right corner., Temporary local subject terms: Macaronies -- Male costume., and Second of three plates on leaf 74.
- Publisher:
- Pub. accor. to act by MDarly, Strand
- Subject (Geographic):
- England
- Subject (Name):
- Fox, Charles James, 1749-1806
- Subject (Topic):
- Clothing & dress, Dandies, British, Costumes, Masquerades, and Feathers
- Found in:
- Lewis Walpole Library > The original macaroni [graphic].
3.
- Creator:
- Dodd, Daniel, artist
- Published / Created:
- [between 1752 and 1793]
- Call Number:
- Drawings D639 no. 8 Box D117
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The eighth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this eighth drawing, Charles is dressed in costume at a crowded masquerade with other elaborately dressed party goers in an elegant ballroom
- Description:
- Title from pencil notation below title., Signed "Dodd" in lower left and numbered '8' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
- Subject (Topic):
- Allegorical drawings, Ballrooms, Costumes, Masquerades, and Parables
- Found in:
- Lewis Walpole Library > Charles reveling at a masquerade [art original]
4.
- Published / Created:
- [1 May 1749]
- Call Number:
- Quarto 53 C46 776
- Collection Title:
- Opposite page 15. Trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- An engraving, showing a scene from the Venetian Ambassadors Masquerade in which Miss Chudleigh appears wearing stockings, shoes, and a tunic, the last covering only a very small portion of her person, and taking off her mask on being seized round the waist by a gentleman. "Punch", "Judy", and another masquerader, George II?, are behind
- Description:
- Title from text below image., Attributed to Charles Moseley in the British Museum online catalogue, registration no.: 1868,0808.3894., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price 6 d."--Lower right corner of plate., and Bound in opposite page 15 in an extra-illustrated copy of: The trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right Honourable the House of Peers ... London : Printed for Charles Bathurst, in Fleet-Street, MDCCLXXVI [1776].
- Publisher:
- publisher not identified
- Subject (Geographic):
- England and England.
- Subject (Name):
- Bristol, Elizabeth Chudleigh, Countess of, 1720-1788 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
- Subject (Topic):
- Masquerades
- Found in:
- Lewis Walpole Library > Iphigenia [graphic].
5.
- Published / Created:
- [approximately 1765]
- Call Number:
- 765.00.00.94+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A view of Ranelagh Gardens during a masquarade, with the revellers wearing masks. After a design by Canaletto. For an engraving of the same scene in reverse, published by Robert Sayer in 1752, see British Museum online catalogue, registration no.: 1880,1113.2450
- Alternative Title:
- View of the canal, Chinese building, rotunda, &c. in Ranelagh Gardens, with masquerade, Vüe du canal, du batiment chinois, de la rotunda, &c. des Jardins de Ranelagh, un jour de masquarade, and Masquerade angloise
- Description:
- Title etched below image., Additional title "Masquerade angloise" at top of plate, etched as a mirror image., Signed in lower right corner with an illegible printmaker's signature., Date of publication from dealer's description., Sheet trimmed within plate mark on right and left sides., A 'vuë d'optique', designed to be viewed through an optical viewer that gives a sense of depth perspective; the scene is reversed, as is the additional title at top., Manuscript number "9" written in ink at bottom of sheet, centered., Mounted on board., and Windows of the rotunda in image cut out by hand and inset with hand-painted multi-color inserts, which appear illuminated when a light is held from behind.
- Publisher:
- publisher not identified
- Subject (Geographic):
- England and London.
- Subject (Name):
- Ranelagh Gardens (London, England)
- Subject (Topic):
- Canals, Gardens, Rotundas, and Masquerades
- Found in:
- Lewis Walpole Library > A view of the canal, Chinese building, rotunde [sic], in Ranelagh Gardens, with masquarade [sic] Vüe du canal, du batiment chinois, de la rotunda, &c. des Jardins de Ranelagh, un jour de masquarade / [graphic] =
6.
- Published / Created:
- [25 April 1775]
- Call Number:
- 775.04.25.01
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A voluminous petticoat worn over the head as a hood and reaching to the feet of its wearer, whose face, in profile to the left, appears through an aperture. One large gloved hand appears through a slit in the garment. A ducal coronet is on the wearer's head, low-heeled shoes suggest that the wearer is a man."--British Museum online catalogue and "A companion-print to British Museum Satires No. 5314. Perhaps a portrait of Alexander, 4th Duke of Gordon (1745-1827); portraits of the Duke show that this is not unlikely."--Curator's comments, British Museum online catalogue
- Description:
- Title etched below image., Initial letters of publisher's name in imprint form a monogram., and On same sheet: The breeches in the fiera maschereta. [London] : Pub. by MDarly, 39 Strand, 25 Apl. 1775.
- Publisher:
- Pub. Apr. 25, 1775, by MDarly, 39 Strand
- Subject (Geographic):
- England
- Subject (Name):
- Gordon, Alexander Gordon, Duke of, 1743-1827.
- Subject (Topic):
- Masquerades and Clothing & dress
- Found in:
- Lewis Walpole Library > The petticoat, at the fieri maschareta [graphic].
7.
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
8.
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 20. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 4
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
9.
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 20. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 4
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
10.
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
