From left to right, Lieutenant Doyle, Mr. Sone and Captain Foster, all from the 24th Regiment, walking to the right with three ladies on the North Bridge
Description:
Title and printmaker from volume., Probably from: Kay, J. Series of original portraits and caricature etchings by the late John Kay. Edinburgh : Hugh Paton, Carver and Gilder, 1837-1838., and Place and date of imprint conjectured from that of book.
Publisher:
Hugh Paton, Carver and Gilder
Subject (Geographic):
Scotland
Subject (Name):
Doyle, William, active 1784., Sone, Samuel., and Foster, William, active 1784.
Subject (Topic):
Couples, Clothing & dress, Military uniforms, and British
A light infrantryman dressed in full uniform executes a drill with his flintlock. The caption from the published plate reads: ... the right hand is brought sharp to seize the flintlock at the top of the left shoulder keeping the body square & elbows close
Description:
Title from print based on this drawing and later published in a volme by Rowlandson. and For further information, consult library staff.
Keppel in admiral's uniform, holding his hat in his right hand, his left hand in his waistcoat-pocket, stands full-length, looking slightly to the left
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17.7 x 11.2 cm, on sheet 19.5 x 13 cm., Mounted with three other prints on leaf 9 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Admiral Keppell.
Publisher:
Published [the] 14th July 1784 by James Bretherton
Keppel in admiral's uniform, holding his hat in his right hand, his left hand in his waistcoat-pocket, stands full-length, looking slightly to the left
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 15 with three other prints.
Publisher:
Published [the] 14th July 1784 by James Bretherton
Keppel in admiral's uniform, holding his hat in his right hand, his left hand in his waistcoat-pocket, stands full-length, looking slightly to the left
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Numbered '29' in contemporary hand in the upper right corner.
Publisher:
Published [the] 14th July 1784 by James Bretherton
The Right Hon. Lord Viscount Duncan is his admiral's uniform
Description:
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 1., Numbered '145' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Duncan of Camperdown, Adam Duncan, Viscount, 1731-1804,
Portrait of Sir Ralph Abercromby after John Hoppner. Abercromby is half-length directed slightly to right, looking away to left, right-gloved hand at his waist; he wears a military uniform with epaulettes, sash, star, and a white stock
Alternative Title:
Sir Ralph Abercrombie
Description:
Title devised by cataloger., Date based on execution of John Hoppner painting., Copy of oil painting by John Hoppner, ca. 1798., and For further information, consult library staff.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Numbered "15" above the plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"The Prince of Orange in old-fashioned uniform, heavily gold-laced, stands in profile to the left, looking up, both hands resting on a tall cane. He wears a cocked hat, long pigtail, aiguillettes, a star, a long sword, and clumsy jack-boots. He has not the heavy somnolent appearance of Gillray's portraits, cf. British Museum Satires No. 9065, &c."--British Museum online catalogue
Description:
Title from British Museum catalogue., Possible signature "D12[?]" in lower right, partly scored through. The British Museum catalogue gives a tentative attribution to either Denis or Richard Dighton., Date of publication from British Museum catalogue., and Leaf 78 in an album with the spine title: Characatures by Dighton.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2., Numbered '345' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2., Numbered '328' in lower right of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Major Skey.
"Portrait of Robert Clive, 1st Baron Clive of Plassey, three-quarter length, standing to right on a hill beside a tree, looking towards the viewer, leaning on a stick held in his left hand, holding a tricorn hat in the right; wearing uniform, sash over waistcoat, sword and queue wig; river below."--British Museum online catalogue, description of another print of similar composition
Description:
Title from manuscript note in ink on mounting sheet., Engraved after a painting by Nathanial Dance; see description of another print of similar composition in the British Museum online catalogue, registration no.: 1920,1211.410. For a discussion of various versions of the painting produced by the workshop of Nathanial Dance, see description for NPG 39 in the online catalogue of the National Portrait Gallery, London., Proof before letters?, Approximate date of publication supplied by cataloger., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 1, page 451., Window mounted to 51 x 36 cm., and Mounted opposite page 382 (leaf numbered '197' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Clive, Robert Clive, Baron, 1725-1774,
Subject (Topic):
Government officials, British, and Military uniforms
Full length caricature of Lord Amherst wearing sash and sword, in profile to the left
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching and drypoint on wove paper ; plate mark 17.6 x 11.3 cm, on sheet 19.5 x 13 cm., Mounted with three other prints on leaf 9 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Lord Amherst.
Full length portrait of Burgoyne as M.P. for Preston. He wears military dress and is turning toward the left, his hat in the left hand, his right extended and holding a paper
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Plate numbered "XV" in upper left corner., 1 print : etching with roulette on wove paper ; plate mark 17.7 x 11.3 cm, on sheet 19.7 x 13.3 cm., Mounted with three other prints on leaf 4 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: General Burgoyne.
Full length portrait of Burgoyne as M.P. for Preston. He wears military dress and is turning toward the left, his hat in the left hand, his right extended and holding a paper
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Plate numbered "XV" in upper left corner., and Mounted on page 5 with three other prints.
Full length portrait of Burgoyne as M.P. for Preston. He wears military dress and is turning toward the left, his hat in the left hand, his right extended and holding a paper
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Plate numbered "XV" in upper left corner.
Full length portrait of the Duke of Richmond standing facing left, wearing general's uniform and holding hat in his left hand
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with dypoint on wove paper ; plate mark 17.8 x 11.2 cm, on sheet 19.3 x 13.4 cm., Mounted with three other prints on leaf 9 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Duke of Richmond.
Publisher:
Published 3d July 1782 by C. Bretherton
Subject (Geographic):
England
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
A lady in quasi-military dress rides a sorry horse on the road to Coxheath. She is followed by her husband, dressed as a militia officer for auxilliary forces that frequently encamped on Cox Heath. A dog trots panting at the side of the group
Alternative Title:
Sir Horatio Mann returning from Linton to Barham Court having lost his way, is escorted by a farmer's wife returning from Maidstone market
Description:
Title devised by cataloger based on title of published print based on this drawing., Date based on publication date of James Bretherton's etching., A pen and ink copy of an etching after Bunbury., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Topic):
Horseback riding, Signs (Notices), Military uniforms, British, Militias, and Dogs
A light infantryman dressed in full uniform executes a motion with his flintlock musket. The caption from the published plate reads: ... the right hand slides back to the small of the stock holding it with the three last fingers & keeping the cartridge upright between the forefinger & thumb
Description:
Title from print later published in a volme by Rowlandson., Date supplied by cataloger., and For further information, consult library staff.
Title from item., Numbered '299' in lower right of plate., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Place and date of imprint conjectured from that of book., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Billair, Captain.
Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Place and date of imprint conjectured from that of book., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Duncan of Camperdown, Adam Duncan, Viscount, 1731-1804,
A soldier, worried look upon his face, leads his pregnant lady by the arm through a rural scene
Description:
Title devised by cataloger., Date from unverified data from local card catalog record and based on uniform., and For further information, consult library staff.
Subject (Topic):
Military uniforms, British, Poverty, Pregnant women, and Soldiers
Title from description in the British Museum catalogue for the original version of the print., Publication date based on an adverstisement of the series in Robert Sayer's catalog for 1766. See no. 1858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Copy in reverse of a print published ca. 1730. Cf. No. 1864 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Original print was etched by W.H. Toms after a design by Egbert van Heemskerck II., Eight lines of verse in two columns below image: See valiant Captain Snout appears, the drum beats up for volunteers, you that are weary of your wives, and willing to live merry lives ..., Plate numbered '3' in lower left corner. Possibly a reissue of Egbert van Heemskerck, the Younger's satires of people with animal heads, published in the 1760s., and Temporary local subject terms: Street scenes -- Military: recruiting sergeants -- Food: roast beef -- Plum pudding -- Buildings -- Signs: tavern signboard -- Nest made of a bottle -- Elephants -- Boars -- Monkeys -- Cats.
Publisher:
Robert Sayers?
Subject (Topic):
Recruiting & enlistment, Military uniforms, Drums (Musical instruments), Banners, Taverns (Inns), Birds, and Nests
Title from description in the British Museum catalogue for the original version of the print., Date of publication based on publisher's street address. John Bowles began operating out of No. 13 Cornhill in 1768; see British Museum online catalogue., Copy in reverse of a print originally published ca. 1730. Cf. No. 1860 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Original print was etched by W.H. Toms after a design by Egbert van Heemskerck II., Eight lines of verse in two columns below image: While thus the revelling debauchee, Dandles his mistrees on his knee, Th'old bawd is reckoning up the score, Of all that has been spent and more ..., Plate numbered '1' in lower left corner., and Temporary local subject terms: Tavern -- Trades: Tavern-keepers -- Tallies: Tavern-keeper's score board -- Magistrates -- Furniture: Bed with curtains -- Pets -- Containers: Jug -- Glass: Wine bottles.
Publisher:
Printed for Iohn Bowles at No. 13 in Cornhill
Subject (Topic):
Interiors, Prostitutes, Military uniforms, Judges, Watchmen, Canopy beds, Birdcages, Doves, Wine, and Bottles
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[not after 1760]
Call Number:
760.00.00.111+
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on prostitution set in a brothel in which all the men have been given the heads of apes and the women those of cats. In the centre of the room a prostitute sits on the knee of an old man who fondles her, her legs splayed; she holds a glass in one hand and a flask in the other. A magistrate wearing a lace edged hat and holding a large candle stands over them. Constables with staves stand in the open door, behind which the prostitute's pimp (referred to as her bully in the verse beneath) is hiding; he is dressed as a grenadier. On the right, the brothel-keeper holds up a tally-board pointing out one of the symbols to three men who are startled at the entry of the constables; one is seated at a table holding a glass, another holds a large candle. On the table is a large flask, another rests on the floor beside a big jug, and another lies broken in pieces. In the background on the right a couple peer from being the curtains of a large bed. Hanging from the ceiling is a large birdcage on which a bird is perched."--British Museum online catalogue, description of an earlier state
Description:
Title supplied from description of an earlier state in the British Museum catalogue., Reissue by Sayer of a print published anonymously around 1730. See no. 1860 in the Catalogue of prints and drawings in the British Museum, v. 2., Terminal date of publication based on publisher's street address; according to the British Museum online catalogue, Sayer moved from his "opposite Fetter Lane, Fleet Street" premises in 1760. A later date is also possible, as the series that included this print was advertised in Robert Sayer's catalogue for 1766; see no. 1858 in the Catalogue of prints and drawings in the British Museum, v. 2., Sheet trimmed within plate mark., and Eight lines of verse in two columns below image: Alas! poor whore, thourt fairly trap'd, Tho' by thy spark so sweetly lap'd; And for thy midnight vice and folly, Your fate is now to mill your dolly ...
Publisher:
Printed for Robt. Sayer, opposite Fetter Lane, Fleet Street
Subject (Topic):
Animals in human situations, Interiors, Prostitutes, Military uniforms, Judges, Watchmen, Canopy beds, Birdcages, Doves, Wine, and Bottles
"Mrs. Clarke stands before a large doorway inscribed Clark and Company. She wears a white short-sleeved dress with plumed cocked hat, gorget, and military sash, sword-belt and scabbard. The sword she holds over her head, saying, Now Gentlemen you had better be quick I have a few bargains to dispose of. as the partnership is disolving. She holds out a paper: List of Prices at Clark and Co's Warehouse--Majority--£900. Company --7oo. Lieutenancy 400. Through the doorway behind her are seen great stacks of papers in her 'warehouse'. These are labelled: Captains Commissions 500 each, Half-pay Commissions 200 each, Lieutenant, Colonel, Major, Cornet. On the wall is a notice: NB a sum wanted by way o Loan, terms to be seen within. On the right stands a man playing a fiddle, and saying with a sly smile, If you want de commission, you must give me de Note den I go play de Fiddle to de white petticoat. From his coat-pockets hang papers: Pay Sigr Cor[ri] for [word illegible] 200; and a piece of music: The Petticoat [see British Museum Satires No. 11220]. Beside him lies a large Note Book. Above his head hangs upside down a portrait: The Dukes Head; the upper part only of the Duke of York's profile is visible, defaced by a black mark, the rest of the picture being cut off by the upper margin of the design. On the left two military bandsmen play a drum and fife. One asks: What tune shall we play now Jack the Duke of Yorks Marck [sic]? Answer: No No lets play she's off with another."--British Museum online catalogue
Alternative Title:
Commission warehouse
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Imperfect; the word "York" at beginning of title has been erased from sheet.
Publisher:
Pubd. February 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827.
Subject (Topic):
Daggers & swords, Musicians, Violins, Drums (Musical instruments), Military bands, Military uniforms, British, Price lists, Warehouses, and Portraits
"A series of isolated figures, single or in pairs, arranged in two rows, each with an explanatory couplet relating to the news of the capture of Seringapatam, on the authority of a letter received at the India House on 15 May from Bristol dated 'Vestal, at sea'. [1] A grinning man stands full face, with raised shoulders, inscribed,'I cannot express how delighted I am, To hear we have taken Seringapatam'[2] Thurlow, tall and thin, nearsightedly reads a paper with a grin: 'The Chancellor look'd like a frolicksome Ram To hear we had taken Seringapatam.'[3] Dundas, holding a cane, runs in profile to the right; behind him is a small table on which is a bottle, &c.: 'Dundass fled from bottle, from chicken, and ham To Windsor to tell of Seringapatam.'[4] Pitt stands, chapeau-bras, in profile to the left, a cake in one hand, a jam-pot in the other:'Will Pitt eat a cake with some rasberry jam When told we had taken Seringapatam.' ,..."--British Museum online catalogue
Description:
Title from caption below images., Attribution to Newton in the British Museum catalogue., Publisher's advertisement above title: Just published by Holland, three prints on the slave trade ..., Design consists of fourteen single or paired figures in two rows, each with two lines of verse etched above., and Watermark: Curteis & Sons.
Publisher:
Pubd. May 18, 1792, by William Holland, No. 50, Oxford Street
Subject (Geographic):
Śrīraṅgapaṭṭaṇa (India) and India.
Subject (Topic):
Military officers, British, Military uniforms, and Soldiers
Title from item., Item is trimmed with loss of imprint. Information supplied from copy in British Museum., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Insanity.
Publisher:
Published Feb 1st 1791, by S. Parker
Subject (Name):
Loader, William, active 1791.
Subject (Topic):
Mental illness, Mentally ill persons, Daggers & swords, and Military uniforms
"The Prince and Mrs. Fitzherbert, dancing to the fiddle of George Hanger (right), advance towards an open door (left) through which is seen a large bed, the curtains raised; above the pillows are a crown and triple plume. The feathers are repeated on a chamber-pot under the raised valance of the bed. They are more elaborately dressed than in BMSat 6924; their arms are round each other's waists, the Prince holds with his right hand the left hand of Mrs. Fitzherbert. She wears a small crown, with flowers and ribbons, and triple ostrich plume. George Hanger is dressed as in BMSat 6924; he stands in profile to the left, watching the couple fixedly; a bludgeon hangs from his wrist. An open music-book at his feet shows that he is playing the 'Black Joke'. On the floor (left) are an open book, 'Matrimony', and a torn paper, 'Cirtificate'. Over the door is a picture of Cupid with his bow turning away from Danaë receiving the shower of gold."--British Museum online catalogue
Alternative Title:
Wedding night, or, The fashionable frolic, Fashonable frolic, and Fashionable frolic
Description:
Title etched below image., In lower right corner: Price 2 sh. 6., Temporary local subject terms: Morganatic marriages -- Pictures amplify subject -- Emblem: Ostrich feathers for Prince of Wales -- Music books -- Song: 'The Black Joke' -- Furniture -- Colonel's uniform, Light Infantry -- Violin -- Danae -- Mythological characters -- Lighting: Chandelier -- Sticks: Bludgeon., and On verso in pencil: George T. Stubbs attrib. by J. Riely, 7-29-83.
Publisher:
Publish'd by J. Phillips, No. 164 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Hanger, George, 1751?-1824
Subject (Topic):
Beds, Chamber pots, Crowns, Cupids, Dancers, Military uniforms, British, and Musical instruments
"The stern of one of the hoys from London to Margate, with passengers suffering from the effects of a fresh breeze. The steersman, leaning against the tiller, holds up a mug of frothing beer. The eight passengers are in various stages of distress and sea-sickness, except for a naval officer with a wooden leg who holds his wife's forehead and pours the contents of a bottle on her head; a sailor boy proffers a bucket to this couple. A man's hat and wig blow overboard, as does a young woman's large hat."--British Museum online catalogue
Description:
Title engraved below image., Engraver suggested by British Museum catalogue., and Watermark.
Publisher:
Printed & publish'd by W. Hinton No. 5 Sweetings Alley Road Exchange
Subject (Geographic):
England.
Subject (Topic):
Hats, Military uniforms, British, Resorts, Sailors, Ships, Peg legs, and Wigs
"A leech with the head and barrister's wig of Leach is coiled round an upright cylindrical document to which is tied with red tape a second bill; these are respectively 'Bill of Pains . . .' [see British Museum Satires No. 13825] and 'Divorce'. Propped against the former are two green bags (see British Museum Satires No. 13735), both closed with a large red seal on which is a 'G.R.' monogram. These are inscribed 'Fill'd with Filth and Lies!!!' and 'Lies . . . [L]ies'. With them are other large documents: 'List of Witness[es] against Q . . . N'; 'Expen[ces] & Bribes at Milan'; 'Protoc[ol]' (cf. British Museum Satires No. 13764). The small shambling Wilberforce is being pushed towards the leech by Castlereagh (left), who is a pendant to the more stalwart and bulky Duke of York (right). The Duke wears uniform, holds his unsheathed sword, and has a pyramid of cannon-balls crooked in his left arm. A paper, 'Bp Osnabu[rgh]', is thrust through his sash. He says fiercely: "Rascals! Villains!! Traitors!!! I have set the Claret running in One Place, and if any of you attempt, to deprive me of My succession, I will make your Bodies, a thoroughfare for York dumplings!! alias Artillery Bolouses." Castlereagh, with a scourge hanging from his pocket, says to Wilberforce: "O dear! O dear! That Bishop quite alarms me, now my dear Christian Friend, pray do persuade that great Horse Leech to muster up all his Italian Witnesses [see British Museum Satires No. 13762, &c.] immediately or that Military Bishop [cf. British Museum Satires No. 11227] will send us to Kingdom come along with out Master." Wilberforce holds a book: 'New Litany &c'; a Pet[ition] To Q--N' is under his arm; a paper, 'Slave Tra[de]' (cf. British Museum Satires No. 8793) hangs from his pocket. He says: "Pray Sr--Horse Leech, endeavour to stop the Q--'s mouth by bringing the whole host of Witnesses, before the L--ds, so as to Crush Her at once, otherwise that Terrable Bishop, will send us into Abrahams bosom, sooner, than We wish.""--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Mounted to 58 x 39 cm., Mounted on leaf 69 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "D. York," "Sir John Leach," "Wilberforce," and "Londondery [sic]" identified in ink at bottom of image; date "16 Aug. 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Carlile, 55 Fleet Stt
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Leach, John, 1760-1834, Wilberforce, William, 1759-1833, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Worms, Parasites, Wigs, Bags, Documents, Divorce, Military uniforms, British, Daggers & swords, and Cannon balls
"Mounted yokels, riding right to left, make havoc in a farm-yard. One only wears uniform; he shouts at them from the right, with upraised hand. A man riding a horse with blinkers fires a blunderbuss, shutting his eyes; he damages a pigeon-house and kills pigeons. He is riding up to a well in which a terrified man has sought shelter, clutching the rope and looking over the top. Two other inexpert horsemen use clubs, one a flail, one a pitchfork. A witch-like old woman holding a broom lies on her back; her basket of cocks and hens has been overturned and the birds escape. A bull and a bulldog face each other belligerently. In the background (left) a fierce engagement between farmers, labourers, and horsemen is in progress."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Military: Country recruits -- Guns: Blunderbuss -- Flails., and Watermark.
Publisher:
Publishd. Decemr. 18, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Military training, Military uniforms, Firearms, Pigeons, Wells, Pitchforks, Farmers, Swine, Poultry, and Dogs
"Parade of French eagles and colours taken by the British army in various actions."--British Museum online catalogue
Alternative Title:
Triumph of the British flag over the French eagles and colours, taken by our brave soldiers ...
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: French grenadiers., Leaf 66 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 19.9 x 27.7 cm, on sheet 25.5 x 31.1 cm.
Publisher:
Pubd. by Dighton, Spring Gardens
Subject (Topic):
Military parades & ceremonies, Military uniforms, Soldiers, British, Flags, and French
"Parade of French eagles and colours taken by the British army in various actions."--British Museum online catalogue
Alternative Title:
Triumph of the British flag over the French eagles and colours, taken by our brave soldiers ...
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: French grenadiers., and Print numbered '131' in manuscript near upper edge of sheet.
Publisher:
Pubd. by Dighton, Spring Gardens
Subject (Topic):
Military parades & ceremonies, Military uniforms, Soldiers, British, Flags, and French
"George IV sits in a four-wheeled light cart, inscribed Goods, drawn by loyal Hanoverians; it is covered by a canopy supported on poles. He sits on a high seat with his back to the shafts, scattering gold coins, which Londonderry (Castlereagh), who faces him on a lower seat, ladles into his lap. In the cart, besides a pile of coins, are packages and a basket of bottles of Brandy. The King: We have got the Means of Replenishing behind, throw away--Hurrah my Lads, we'll make Soldiers of you & take a few thousands in to our pay. The 'means' are the heavy burdens on the back of John Bull, an emaciated bull, marked I.B, tied to the cart, and weighed down with enormous bundles of taxes inscribed: Leather Tax Soap, Salt Tax; Candles Tax Beer Malt Light; Ale &c &c &c &c &c; Taxes Taxes Taxes. The bull plods along, with broken knees, shedding tears. The cheering Hanoverians catch the golden shower in their hats; the most prominent wears smart but mended German uniform of hussar type. One says: He is indeed a Hanoverian at Heart; another answers: No, He is an Irish Man he says [cf. British Museum Satires No. 14246, &c]. A third: Why some Years ago he said he & his Brother William were the only ones in the Family who were not Germans. The King wears a coat of foreign cut, with a round (Teutonic) cap, and smokes a long German pipe with covered bowl. A little ragged boy collects coins in an apron. A peasant woman (right) with an apronful of coins, holds one up, shouting Aye this is a proof of the excessive Riches of England."--British Museum online catalogue
Description:
Title etched below image., Tentative attribution to William Heath from the British Museum catalogue., Sheet trimmed within plate mark., Window mounted to 21.9 x 37.9 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 106 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Londondery [sic]" identified in ink below image; date "15 Nov. 1821" written in lower right corner. Typed extract of seventeen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pub. Nov. 15th, 1821, by S.W. Fores, 50 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and William IV, King of Great Britain, 1765-1837.
Subject (Topic):
John Bull (Symbolic character), Ethnic stereotypes, Carts & wagons, Coins, Alcoholic beverages, Bulls, Taxes, Hats, Military uniforms, German, Pipes (Smoking), Crowds, and Cheering
"A mounted officer of the Norfolk rangers, his blued sword drawn, a Tarleton helmet on his head, in green uniform with black facings and silver lace, a sword-belt across his chest and a sash about his waist, other members of the corps exercising in the fields beyond, the colours of the regiment below."--British Museum online catalogue
Description:
Title from dedication etched below image., Sheet trimmed within plate mark., Plate from: The British volunteer, or, A General History of the formation and establishment of the Volunteer and associated corps ... London : Printed by C. Whittingham ...; and published by T. Egerton ..., 1799., and Mounted to 35.2 x 23.4 cm; mounted on board to 36 x 28 cm.
Publisher:
Pubd. as the act directs, Decr. 1, 1799, for the proprietors by Egerton, Whitehall
Subject (Geographic):
Norfolk (England)
Subject (Name):
Townshend, George Townshend, Marquis, 1724-1807. and Great Britain
Subject (Topic):
Militia, Army, Volunteers, Military officers, Military uniforms, Cavalry, and Military training
"A tall man in uniform holding out one arm horizontally, that passes above the head of a standing soldier; on the table beisde him a huge hat."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Giantism -- The French Giant.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street, London
Subject (Topic):
Giants (Persons), Human curiosities, Military uniforms, and Hats
"In the foreground (left) is the quarter-deck of a small vessel, on which six French soldiers with ferocious gestures are taking down the British flag; a hump-backed soldier has climbed the flagstaff, and crouches with drawn sword, saying, "oh by Gar I was on de Pinnicle of my Glory". Through his ragged breeches issues the word 'Commandant'. In the lower left corner of the design is the head of an English sailor, saying, "that sweet little Cherub that sits up aloft (cf. BMSat 7677) he will shortly come wap on his Back". Two men bite the flag. Another, very emaciated, says, "aha Monr Angloise we was Men Enough (40.000) to take de whole fleet". Two other soldiers peer over the edge of the vessel. The ship is in harbour, behind her is another (English) vessel whose flag is being removed and sails furled. A British sailor stands in a boat on the extreme right, shouting, "avast Bougres well teach you to take 2 Merchant ships for a fleet of Men of War again". On the horizon are buildings inscribed 'Nantes'. Across the sky is etched 'Rehearsal'."
Alternative Title:
Patriotick attack of the troops national and Patriotic attack of the troops national
Description:
Title from item. and Temporary local subject terms: Reference to an incident at Nantes, 29 June 1791 -- Weapons: muskets -- Flags: Union Jack -- Ships: merchant ships -- Views: allusion to Nantes -- Emblems: French tricolor cockade.
Publisher:
Pub. July 20, 1791, by S. Fores, No. 3 Piccadilly
Subject (Topic):
Daggers & swords, Military uniforms, French, Sailors, and British
"George IV, a crutch under his left arm, takes Wellington's left arm, looking up at him with a pleased smile, which Wellington returns. He says: This is not the only time that you have Lent me a helping hand!! The Duke answers: Proud to be Your ----tys Staff. The King, plainly dressed but with the Garter ribbon and star, has a much swathed gouty leg supported in a sling from the neck. Wellington wears uniform, with orders, white satin breeches, and pumps; on his garter the word Honi is conspicuous. On a table (right) are decanters labelled Brandy and Whiskey."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Text below title: A friend in need is a friend indeed., and Matted to: 47 x 34 cm.
Publisher:
Pub. by McLean, 26 Haymarket, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Gout, Crutches, Military uniforms, British, and Alcoholic beverages
Title from item., Sheet trimmed within plate mark., Sign about doorway of cobbler's shop: Cobbling for exportation by Harry Dundas., and Temporary local subject terms: Shops -- Taxes -- Shop tax -- Allusion to St. Crispin, d. ca 286 -- Major's uniform -- East India Bill.
Publisher:
Publish'd for the proprietor, 31 Mar 1786 No. 5 Sweetings Alley Royal Exchange
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Scott, Major 1747-1819 (John),, and Hastings, Warren, 1732-1818
Eighteen woodcut caricatures of people involved in the Queen Caroline Affair, arranged in three rows of six. Each figure has a satirical name printed in letterpress above, and all but one have quoted text beneath the name; six lines of verse are printed in letterpress beneath each figure
Alternative Title:
Members of the plot club
Description:
Title from letterpress text at top of sheet., Date from manuscript annotation at bottom of sheet., Four lines of quoted text beneath title: "'Tis the curse of kings, to be surrounded by a venal herd of flatterers, that soothe his darling vices, and rob their master of his subjects' love.", "Price sixpence"--Following imprint., Mounted to 58 x 39 cm., Mounted on leaf 26 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Names of thirteen of the depicted figures are added in ink, written beneath the individual caricatures; date "Nov. 1820" written in pencil at bottom of sheet.
Publisher:
Printed and published by J. Turner, 170, Aldersgate Street, London
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Gifford, Robert Gifford, Baron, 1779-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Majocchi, Theodore, active 1820, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, and William IV, King of Great Britain, 1765-1837
Three American Indians are shown killing six loyalists as the result of the 1783 peace treaty preliminaries. On the left, an Indian pulling on the rope attached to the nooses of two military officers and two civilians hanged from a limb of a dead tree says, "I have them all in a String." The limb is inscribed, "Recommended to Congress by Lord S___e [Shelburne]." Below, another Indian with a large knife in his hand pulls the hair of a loyalist lying on the ground saying, "I'll scalp him." To their right, a loyalist kneeling on the ground and looking with horror over his shoulder at the Indian with a raised tomahawk says, "O Cruel Fate! is this the Return for Our Loyalty," to which the Indian responds, "I'll tomahawk the Dog."
Alternative Title:
Cruel fate of the loyalists
Description:
Title from item. and Date, including day, in lower right corner of the design. The day of publication not given in British Museum catalogue.
Publisher:
Sold by W. Humphrey No 227 Strand
Subject (Geographic):
United States and Great Britain
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805.
Subject (Topic):
Indians of North America, Hangings, Scalping, Massacres, Clothing & dress, Military uniforms, British, Headdresses, Tomahawks, Politics and government, and History
"An officer (left) on a charger, evidently General Davies, see BMSat 9442, directed to the right, takes the salute from three officers who march (right to left) past him. The first, sabre in hand, point downwards, holds his left hand across the front of his high cocked hat. A young officer follows, carrying a standard of the Union flag with the White Horse of Hanover and a crown. The third marches with almost closed eyes and sword held point upwards. A crowd of amused spectators backed by a high wall forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Emblems: royal crown -- White horse of Hanover.
Publisher:
Pubd. July 10th, 1797, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Davies, Thomas, approximately 1737-1812
Subject (Topic):
Military parades & ceremonies, Flags, British, Military uniforms, and Spectators
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor defends himself to a magistrate against a charge of beating up a man by saying he had no weapons except his fist."--British Museum online catalogue
Alternative Title:
Sailors defense
Description:
Title etched below image., Printmaker questionably identified as Isaac Cruikshank in the British Museum online catalogue., Later state, with previous plate numbering burnished from plate and new numbering etched in its place. For earlier state with "No. 5" in upper right corner, see Lewis Walpole Library call no.: 807.00.00.08.1., Date of publication from British Museum online catalogue, registration no.: 1948,0214.747., Plate numbered "6" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyer: Country Magistrates -- Male costume: 1807 -- Constable's staff -- Inkwells -- Miniature crowns -- Constables., and Watermark: Charles Wise.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor defends himself to a magistrate against a charge of beating up a man by saying he had no weapons except his fist."--British Museum online catalogue
Alternative Title:
Sailors defense
Description:
Title etched below image., Printmaker questionably identified as Isaac Cruikshank in the British Museum online catalogue., Later state, with previous plate numbering burnished from plate and new numbering etched in its place. For earlier state with "No. 5" in upper right corner, see Lewis Walpole Library call no.: 807.00.00.08.1., Date of publication from British Museum online catalogue, registration no.: 1948,0214.747., Plate numbered "6" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyer: Country Magistrates -- Male costume: 1807 -- Constable's staff -- Inkwells -- Miniature crowns -- Constables., 1 print : etching on wove paper, hand-colored ; plate mark 24.4 x 34.8 cm, on sheet 25.6 x 41.8 cm., and Leaf 5 in volume 1.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1807]
Call Number:
807.00.00.08.1
Image Count:
1
Resource Type:
still image
Alternative Title:
Sailors defense
Description:
Title from item., Date of publication from unverified data from local card catalog record., Sheet trimmed within plate mark., Plate numbered in upper right corner: No. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyer: Country Magistrates -- Inkwells -- Male costume: 1807 -- Constable's staff -- Minature crowns., and Watermark: J. Whatman.
In a country setting with cows and a windmill in the background, a young milkmaid sits on a bench under an oak tree, receiving a ribbon from a young sailor seated beside her. Another young girl looks on from behind, while the milkmaid's country suitor stands behind sulkily scratching his head. A dog paws at the milkmaid's lap while another drinks from the milking pail
Alternative Title:
Jealous clown
Description:
Date surmised from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", Numbered in lower left of plate 385., Publication date erased from print., and Torn and repaired.
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Clothing & dress, Sailors, Hats, Couples, Windmills, Dairy farming, Cows, and Dogs
Title from item., Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., Temporary local subject terms: Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Creditors., and Loose impression removed from the Kinnaird Coll.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Subject (Topic):
Amputees, Bailiffs, Black people, Bowls (Tableware), Candlesticks, Clergy, Dance, Military uniforms, British, Mirrors, Musical instruments, Pipes (Smoking), Portratis, Prostitutes, Sconces, Servants, Tables, Violins, and Weddings
Satirical view of London life, with a riotous wedding party at the Tavern at Rederiff: for full description see Catalogue of prints and drawings in the British Museum
Description:
Title from item., John June identified as the printmaker in the British Museum catalogue,, Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., and Temporary local subject terms: Officer's uniform -- Sailor's uniform -- Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Pictures: portraits -- Creditors.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Slang: tickler -- Slang: firm -- Bank notes.
Publisher:
Pubd. Octr. 28, 1799, by R. Ackermann, No. 101 Strand
"George IV (three-quarter length), surrounded by admiring Ministers, holds up a big extinguisher made of paper and inscribed 'Speech from the Throne', which he is about to place over a crowd of tiny Jacobins who surround the Queen and Alderman Wood. All these 'Lilliputians' are on a round table, whose top forms the base of the design except on the right. The terrified Jacobins fall on to papers inscribed 'Libels', 'Address' [twice], 'Sedition'. Alderman Wood steps on the back of one in a frantic effort to escape with the Queen whom he holds in his arms. She is a fat virago, holding up a fire-brand (cf. British Museum Satires No. 13895) inscribed 'Sedition', whose smoke rises into the extinguisher, and a large money-bag, '50 000 per Ann', labelled 'Crumbs of Consolation'. Other Jacobins flee to left and right, escaping the extinguisher, but either falling calamitously from the table, or about to be grasped by the hand of Eldon who sits at the table (left). They have banners and caps of Liberty on poles (or pikes). Among the fugitives is a Don Quixote (left) in armour, wearing Mambrino's helmet, galloping off on horseback, holding a banner. A terrified Jacobin (right) drops a 'Tailors Adress'. Ministers watch the approaching extinction with pleasure: Eldon has a grim smile, Sidmouth and Castlereagh behind him register, one eager delight, the other bland satisfaction. Wellington (right), close behind the King, smiles triumphantly, Liverpool beside him, is in profile, surprised, pleased, and imbecile. The King, three-quarter length, is a cynical Adonis, in military uniform. Behind his head is a framed picture: an irradiated sun containing features dispels dark clouds, putting bats, serpent, owl, &c., to flight; beside it is a dark disk containing the features of the Queen, in eclipse (reversing the situation in British Museum Satires No. 14012)."--British Museum online catalogue
Alternative Title:
King of Brobdingnag & the Lilliputians and King of Brobdingnag and the Lilliputians
Description:
Title etched below image., Two lines of quoted text below title: "Confound their politick's, frustrate their knavish tricks." "God save the king"!, Text above image: Ah! ha! Madam Q-!, Monsr. W! Messrs. Radicals, Addressers, & Co.!! Where are you now?!!! Ah ha! ha! ha! ha!, Sheet trimmed within plate mark., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. April 7th, 1821, by G. Humphrey, 27 St. James's Street, London
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Quixote, Don (Fictitious character)
Subject (Topic):
Politicians, Fire extinguishers, Tables, Crowds, Documents, Torches, Money, Banners, Liberty cap, and Military uniforms
"The boxing scene from 'The Romp', Act II, between Young Cockney (left) and Priscilla Tomboy. They face each other with clenched fists. Young Cockney is fashionably dressed and portly, Priscilla's large hat and mittens are on the floor. Behind her (right) stands Captain Sightley in regimentals and Miss La Blond wearing a large hat which conceals her face. Behind them on the extreme right is a folding screen. Framed pictures decorate the wall."--British Museum online catalogue
Description:
Title etched below image., Signed in lower left of image with monogram RR [first 'R' reversed] delin., Sheet trimmed within plate mark., Watermark in center of sheet., and In pencil on verso: RR [R Rushworth?].
Publisher:
Publisehed [sic] Jany 3d. 1786, by S.W. Fores at the Caracature Warehouse No. 3, Piccadilly
Subject (Name):
Barnes, Mrs., active 1782-1808., Barrymore, Mr. 1759-1830. (William),, Dodd, James William, 1740?-1796, Jordan, Dorothy, 1761-1816, and Bickerstaff, Isaac, 1735-1812.
Subject (Topic):
Boxing, Military uniforms, British, Theaters, and Theatrical productions
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Later state, with end of imprint statement re-etched to include publisher's street address. Cf. No. 7628 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- Jews -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., and Mounted on leaf 52 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Clergy, Architecture, Military uniforms, and British
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Later state, with end of imprint statement re-etched to include publisher's street address. Cf. No. 7628 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- Jews -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., and Mounted on page 71.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Clergy, Architecture, Military uniforms, and British
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title from text below image., First two letters of printmaker's signature form monogram., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., 1 print : etching on wove paper ; plate mark 50.2 x 35.5 cm, on sheet 50.6 x 35.7 cm., and Sheet trimmed to plate mark; mounted to 56 x 37 cm.
Publisher:
Published by Thos. Cornell
Subject (Geographic):
United States.
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Jews, Flags, Clergy, Architecture, Military uniforms, British, and Hand lenses
Volume 1, page 35. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three soldiers stand at attention outside a tent (right) holding bayoneted muskets. Two wear high plumed busbies, the third a laced three-cornered hat. The officer facing them (left), holding a musket without a bayonet against his shoulder, gives the word of command. A stout man and a fat woman stand behind him. In the foreground (right) a drummer boy, sitting on the ground, one arm resting on his drum, puts a plumed busby on the head of a dog. Two rough-looking men wearing ribbon favours in their hats, probably intended for Gordon Rioters, point jeeringly at the three soldiers. In the background are trees."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., "No. 13"--Upper right corner., Temporary local subject terms: Visit to militia camp -- Militia: relief -- Knapsack -- Drummer boy., and Mounted on page 35 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Octr. 21st, 1781, by W. Dickinson, engraver, No. 158 New Bond Street
Subject (Topic):
Soldiers, Military uniforms, Military officers, Rifles, Bayonets, Tents, Drums (Musical instruments), and Dogs
A happy looking lad stands center accepting with his left hand the king's shilling from the recruiting serjeant. A pregnant girl weeps on the lad's shoulder while on the left her mother berates the lad. To the right behind the serjeant stands a drummer. The scene takes place in front of a tavern, the signboard of which shows the lower part of two, one-legged men and whose name is 'Fortune of War'. In the window sits a man in a cap smoking a pipe and smiling cynically while another looks around the corner of the door
Alternative Title:
Brown Bess sooner than bigg bell'd betty
Description:
Title from item., Sheet trimmed to plate mark on three sides., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark on left side.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Topic):
Drums (Musical instruments), Military uniforms, British, Pregnancy, Recruiting & enlistment, and Signs (Notices)
Brittannias happy prospect and Britannia's happy prospect
Description:
Title from item., Plate numbered '73' in upper right corner., Plate from: A political and satirical history of the years 1756, 1757, 1758, 1759, 1760, 1761, and 1762. In a series of one hundred and twelve ... prints. London : Printed for E. Morris, [1763]., Reduced and reversed copy of No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Printmaker of the original identified by Stephens as Lord Townshend., Temporary local subject terms: Travesties: military -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Mounted to 19 x 30 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musicians, and Musical instruments
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Publication attributed in an unverified card catalog record to Edwards & Darly, Acorn, at Hungerford Market., Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Recruit's uniform -- Royal drum -- Paddle -- Drummer -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Watermark: countermark IV.
Publisher:
To be had facing Hungerfd. Market, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musical instruments, and Musicians
Title from caption below image., Later printing. Date of printing based on watermark., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each pair., Plate numbered in upper right corner: Vol. 2, pl. 6., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Colonel uniforms -- Corporal uniforms., and Watermark: R & T 1808.
Publisher:
Pubd. April 9th, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
Subject (Topic):
Military uniforms, British, Soldiers, and Physicians
A young barmaid wearing a frilly dormeuse cap and a neckerchief with a breast knot, attends to a group of male customers gathered around the bar. An elderly military officer wearing a saber leans on the bar spooning custard from a glass, while three young men on his left ogle the barmaid. Two other men occupy the right side of the bar, and two dogs the center foreground, a poodle jumping up at the bar, and a pug urinating on a copy of "The Gazette extraordinary" which lies on the floor. Other newspapers are in the hands of the customers, the "Ledger" and the "Morning post". Bottles, glasses and bowls are arranged on shelves behind the girl
Description:
Title from item., Publication date from British Museum catalogue, Numbered '384' in lower left of plate., and Publication date erased from this impression.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England. and England
Subject (Topic):
Bartenders, Military uniforms, British, Clothing & dress, Newspapers, Taverns (Inns), Interiors, Glassware, Bars (Furniture)., Shelving, Hats, and Dogs
Boitard, Louis-Philippe, active 1733-1770, printmaker
Published / Created:
[1767]
Call Number:
767.00.00.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashionable life described in a sub-title as "Address'd to the Professors of Driving, Dressing, Ogling, Writing, Playing, Gambling, Racing, Dancing, Duelling, Boxing, Swearing, Humming, Building, &c. &c. &c." with broad space flanked by large buildings leading down to the sea. On the left, "The Academy for the Noble Art of Boxing NB Mufflers provided for delicate Constitutions" through the windows of which a pugilist can be seen addressing a yong nobleman, and two men boxing. Beside this a theatre into which a large crowd enters via a staircase, encouraged by a zany standing on a balcony with three actresses, two actors wearing turbans and another dressed as a soldier; the sign above refers to notorious hoaxes of the earlier part of the century: "Britannia Humm'd Or the Tragedy of the Secret Expedition [presumably the Expedition on Rochefort, 1757], A Mock Tragedy to which is added a Farce call'd The Pregnant Rabit Woman [i.e., Mary Toft], Together with the Adventures of the Bottle Conjurer [see BM Satires 3022, 1868,0808.3875], and Polish Jew [Henry Simons]. As likewise the taking ye Standard at the Battle of Dittingen." The next house is built in a variety of styles; beyond, the sea the sun rises "for the Vigilant". In the foreground fashionable people are shown as described in a key below: 1. "British Nobility disguis'd", three women dressed in French style in an open carriage are bowed to by 2. a foppish young man "Return'd from the Polite Tour"; behind him 3. "Foreign Insolence [is] express'd by the French Valet de Chambre daring to Insult 4. English Bravery in Distress [an old sailor with a wooden leg], reduc'd to ask Alms in his Native Country, after having courageously lost his limbs in Defence of it on board a Privateer & unjustly kept out of his Prize-money"; next is 5. "The Optical Ogle, or polite Curiosity", a young gentleman peering at the women in the carriage through an eye-glass; 6. "An Author", a miserable gentleman with his hands tucked into the breast of his coat who is barked at by two dogs; by contrast, 7. "A Player" reclines comfortably in a sedan chair, a footman walking before him; 8. describes a scene at the door of the house on the right, "The Industrious Tradesman thrust off with Contempt, expecting a just Debt to be paid, to make room for a high Life Gambler [also in a sedan chair], politely usher'd in to receive his Debt of Honour"; behind this group is, 9. "A Feather of the Turf", a man mounted on a high gig drives two horses, and 10. "The Balance of Merit in this happy Climate for useless Exotics, [where] A French Dancing Master obtains 300£ pr. Ann. & a clear Benefit worth near 300£ more, while the Ingenious English Shipwright, tho' Assistant to the Honour Profit & Defence of his Country, by hard Labour barely obtains 40£ pr. Ann."; on the left, 11. a hearse drives into the scene with "The Corps[e] of a Blood, conveying to Interment, who boldly lost his Life in a Duel defending the Reputation of a Prostitute"; 12. is the house beside the sea, "Modern Architecture The Corinthian, Venetian, Gothic & Chinese huddled in one Front,"; 13. an old woman leaning out of an upper window calling to a woman and two men at the door represents "Modern Hospitality in the Character of Old Age, left to take care of Furniture, & answer Duns that the Family is in the Country"; 14. fishing boats at sea are reminders that "One British Buss [fishing boat] of more service to the Community than ten Italian Singers"."--British Museun online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Eight lines of text below image: Explanation. 1 British Nobility disguis'd, 2 Return'd from the Polite Tour, 3 Foreign Insolence express'd by the French valet de chambre daring to insult 4 English Bravery in distress ..., and Mounted to 26 x 35 cm., window mounted to 29 x 41 cm.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill & Carington Bowles in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Name):
Garrick, David, 1717-1779 and Toft, Mary, 1703-1763
Caption title below image, above verses., All engraved., Originally published by Darly in 1762. See Stephens., Sheet trimmed to plate mark., Plate numbered '30' in upper left corner., Later state, with plate number added. Cf. No. 3994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: countermark W.
Publisher:
Pubd. according to act of Parlt. by M. Darly, facing New Round Court, the Strand
Subject (Topic):
English West Indian Expedition, 1759, Beggars, Clergy, Military uniforms, Pluralism (Social sciences), and Veterans
An old soldier in uniform carrying a cudgel importunes a clergyman for alms, without success; a broadside with thirty lines of engraved verse in two columns, containing a dialogue between the soldier and the pluralist
Description:
Caption title below image., All engraved., Copy of a print by Tim Bobbin, published by Darly in 1762. Cf. British Museum catalogue., Sheet trimmed to plate mark., Print is an enlarged copy of no. 3994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: Strasburg bend with initials GR below.
Publisher:
Pubd. according to act of Parlt. by M. Darly, facing New Round Court, the Strand
Subject (Topic):
English West Indian Expedition, 1759, Beggars, Clergy, Military uniforms, Pluralism (Social sciences), and Veterans
Leaf 69. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A tall young officer wearing a small-sword and holding a pike stands looking left
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., The person depicted is Richard Fitzpatrick; see British Museum catalogue., Plate numbered "v. 2" in upper left corner and "15" in upper right corner., Temporary local subject terms: Hats: Little cocked hat, laced -- Halberds -- Tartar scarf -- Ensign on parade., and Third of three plates on leaf 69.
Publisher:
Pubd. by MDarly, Feb. 25th, 1772, according to act, 39 Strand
Subject (Geographic):
England
Subject (Name):
Fitzpatrick, Richard, 1747-1813
Subject (Topic):
Clothing & dress, Dandies, British, Military uniforms, Military officers, Daggers & swords, and Spears
A tall young officer wearing a small-sword and holding a pike stands looking left
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "15" in upper right corner., and The Lewis Walpole Library: Pencilled note indicating print a reference to General R. Fitzpatrick.
Publisher:
Pubd. by MDarly, Feb. 25th, 1772, according to act, 39 Strand
Subject (Geographic):
England
Subject (Name):
Fitzpatrick, Richard, 1747-1813
Subject (Topic):
Clothing & dress, Dandies, British, and Military uniforms
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
[ca. 1750]
Call Number:
750.00.00.29
Image Count:
1
Resource Type:
still image
Abstract:
An old soldier, dressed in the uniform of a Chelsea pensioner, walks to the right in a cobblestone courtyard. St. Paul's Church appears in the background
Description:
Sheet trimmed within plate mark. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
St. Paul's Church (Covent Garden, London, England)
"The Duke of Clarence, in admiral's uniform, stands with his back to the sea, gazing upwards and to the left with a malignant stare; his right fist is clenched; in his left hand he clutches papers docketed 'Calu[mnie]s'. He declaims (adapting Satan's address to the sun, 'Paradise Lost', iv, cf. British Museum Satires No. 13896, &c.): "O thou that with surpassing Glory shine, "And in whose train the stars attendant wait, Of thee I speak, but with no friendly Voice, And add thy name O Cinthia to tell thee How I hate thy brightness!!!" He apostrophizes the moon, a disk in the sky enclosing a bust portrait of the Queen, on a dark ground patterned with large five-pointed stars which are partly covered by cloud (hiding 'their diminished heads'). In the sea behind is a man-of-war in full sail, the 'Queen Caroline' (left), firing a stern-shot at the Duke; she flies a large flag on which are the Royal Arms, with the motto: 'Honi. soit qui mal y pense', and two pennants: 'Vox Populi' and 'Victoria'. A ship's boat, the 'True Blue' (right), is rowed by sailors; the helmsman stands up to wave his hat and shout towards the Duke's back "The Queen for Ever!!!" One asks: "Jack is that a Sailor!" Another answers: "Da--n me if I know there's no English true blue about him!" Below the title: 'Our Duke and no Duke, what with looking so blue In his coat and his learning, and chastisement too; His tricks on such Ultra-top-gallant mast pinnacles, -- Pestering lieutenants and poking at binnacles; -- Ultra opinions, and ultra suggestions, Cross quips, and cross quiddits, and very cross questions; His going so far beyond all other sailors, In cutting up true-blues, to brush up with tailors; And doing what never was yet done by seamen, By crossing the line of all feeling tow-rds women; Has played such a part to discolour the Queen, That the wags have entitled him Ultra-Marine.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 35 x 24.8 cm, on sheet 35.5 x 25.2 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 94 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Clarence" identified in ink at bottom of sheet. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Johnston, 98 Cheapside
Subject (Name):
William IV, King of Great Britain, 1765-1837, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Admirals, Military uniforms, Stars, Ships, Flags, and Sailors
"The Duke of Clarence, in admiral's uniform, stands with his back to the sea, gazing upwards and to the left with a malignant stare; his right fist is clenched; in his left hand he clutches papers docketed 'Calu[mnie]s'. He declaims (adapting Satan's address to the sun, 'Paradise Lost', iv, cf. British Museum Satires No. 13896, &c.): "O thou that with surpassing Glory shine, "And in whose train the stars attendant wait, Of thee I speak, but with no friendly Voice, And add thy name O Cinthia to tell thee How I hate thy brightness!!!" He apostrophizes the moon, a disk in the sky enclosing a bust portrait of the Queen, on a dark ground patterned with large five-pointed stars which are partly covered by cloud (hiding 'their diminished heads'). In the sea behind is a man-of-war in full sail, the 'Queen Caroline' (left), firing a stern-shot at the Duke; she flies a large flag on which are the Royal Arms, with the motto: 'Honi. soit qui mal y pense', and two pennants: 'Vox Populi' and 'Victoria'. A ship's boat, the 'True Blue' (right), is rowed by sailors; the helmsman stands up to wave his hat and shout towards the Duke's back "The Queen for Ever!!!" One asks: "Jack is that a Sailor!" Another answers: "Da--n me if I know there's no English true blue about him!" Below the title: 'Our Duke and no Duke, what with looking so blue In his coat and his learning, and chastisement too; His tricks on such Ultra-top-gallant mast pinnacles, -- Pestering lieutenants and poking at binnacles; -- Ultra opinions, and ultra suggestions, Cross quips, and cross quiddits, and very cross questions; His going so far beyond all other sailors, In cutting up true-blues, to brush up with tailors; And doing what never was yet done by seamen, By crossing the line of all feeling tow-rds women; Has played such a part to discolour the Queen, That the wags have entitled him Ultra-Marine.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 37 of: George Humphrey shop album.
Publisher:
Pubd. by J. Johnston, 98 Cheapside
Subject (Name):
William IV, King of Great Britain, 1765-1837, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Admirals, Military uniforms, Stars, Ships, Flags, and Sailors
publish'd according to act of Parliament, March 28th, 1750.
Call Number:
750.03.28.01
Image Count:
1
Resource Type:
still image
Alternative Title:
Modern commander
Description:
Title from text below image., Two columns of verse below title: From Mid: to Lieutenant, Bluff, quickly doth rise ..., "Price 6d.", Companion print to: The military nurse, or, Modern officer., Temporary local subject terms: Naval uniforms -- Stern cabin -- Guns., and Watermark: Fleur-de-lis.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Warren, Peter, Sir, 1703-1752 and Great Britain. Royal Navy.
Subject (Topic):
Promotions, Cannons, Military uniforms, British, and Ships
"A boy officer in cabin sitting by a bowl of punch and smoking, with servant."--British Museum online catalogue
Alternative Title:
Modern commander
Description:
Title etched below image., Publication date based on Carington Bowles's separation of his own business from his father's. Cf. I. Maxted. London book trades., Sheet trimmed within plate mark., Two columns of verse below title: From Mid: to Lieutenant, bluff, quickly doth rise ..., Companion print to: The military nurse, or Modern officer., Copy of a print of the same title published in 1750. Cf. No. 3089 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Mounted to 29 x 21 cm., and Watermark.
Publisher:
Printed for Carington Bowles, Map & Printseller in St. Pauls Church Yard, London
Subject (Geographic):
Great Britain. and England
Subject (Name):
Warren, Peter, Sir, 1703-1752
Subject (Topic):
Promotions, Cannons, Military uniforms, British, and Ships
Leaf 11. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Sir Thomas Rumbold is depicted vomiting his ill-gotten wealth into a chamber pot decorated with a thistle. Kneeling beside it and embracing the chamber pot is Henry Dundas, Lord Advocate of Scotland who oversaw the prosecution of Rumbold in 1782-3. Rumbold's ankles are chained to two weights signed "Sureties," a reference to restriction on his leaving the country before the case was dropped in 1783. He is supported by his son, Captain Rumbold of 1st Life Guards, dressed in his regimentals and wearing a gorget. Behind them, an Englishman gallops on an elephant saddled with an enormous bag signed "Roupees." An Indian sitting behind him is holding a tall parasol above his head
Alternative Title:
Lord Advocates amusement
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6169 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text in upper left margin: Political characters & caracatures of 1783. No. 1., and On leaf 11 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Jan. 21, 1783, by E. D'Archery, St. James's Street and Field & Tuer
Subject (Geographic):
England, Great Britain, and India.
Subject (Name):
Fox, Charles James, 1749-1806, Rumbold, Thomas, Sir, 1736-1791, Rumbold, Richard William, Captain, 1760-1786, and Dundas, Henry, 1742-1811
Subject (Topic):
Gorgets (Military insignia), Coins, Elephants, Vomiting, Chamber pots, Military uniforms, British, Clothing & dress, and Colonies
Sir Thomas Rumbold is depicted vomiting his ill-gotten wealth into a chamber pot decorated with a thistle. Kneeling beside it and embracing the chamber pot is Henry Dundas, Lord Advocate of Scotland who oversaw the prosecution of Rumbold in 1782-3. Rumbold's ankles are chained to two weights signed "Sureties," a reference to restriction on his leaving the country before the case was dropped in 1783. He is supported by his son, Captain Rumbold of 1st Life Guards, dressed in his regimentals and wearing a gorget. Behind them, an Englishman gallops on an elephant saddled with an enormous bag signed "Roupees." An Indian sitting behind him is holding a tall parasol above his head
Alternative Title:
Lord Advocates amusement
Description:
Title etched below image., Printmaker from British Museum catalogue., Text above upper left border: Political characters & caracatures of 1782. No. 1., Sheet trimmed within plate mark., and Text above upper left border has the date "1782" changed to "1783" in manuscript.
Publisher:
Pubd. Jan. 21, 1783, by E. D'Archery, St. James's Street
Subject (Geographic):
England, Great Britain, and India.
Subject (Name):
Rumbold, Thomas, Sir, 1736-1791, Rumbold, Richard William, Captain, 1760-1786, and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
Gorgets (Military insignia), Coins, Elephants, Vomiting, Chamber pots, Military uniforms, British, Clothing & dress, and Colonies
A soldier who has lost his right arm begs from an elderly man in old-fashioned dress whose hands are deep in his coat-pockets. The miser (right) walks away scowling sideways at the soldier. Beneath the title: He had a canvass bag which contain 'd what would answer the purpose, but his Callous soul caught the alarm at the Old Souldiers supplication; & it was hurried with rapidity of lightning into his pocket.' Behind is a high stone wall and a London street-lamp
Description:
Title from item., Quote from a story of the same title from The adventures of a hackney coach printed below the title: He had a canvass bag which contain'd ..., and Publisher's device in lower right corner of sheet: S.W.F.
Publisher:
Published July 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Kilner, Dorothy, 1755-1836.
Subject (Topic):
Amputees, Carriages & coaches, Military uniforms, British, Stone walls, Street lights, and Veterans
publish'd according to act of Parliament, March 28th 1750.
Call Number:
750.03.28.02
Image Count:
1
Resource Type:
still image
Abstract:
A tall soldier with a pike in his right hand, holds in his left one the leading strings of a child officer. The officer, moving with an awkward gate, is trying to balance on his thigh a pole of an enormous British flag. His oversized sword dangles below his knees. Behind the two of them, in the background, several soldiers with muskets on their shoulders march by.
Alternative Title:
Modern officer
Description:
Title from item., Two columns of verse below title: By dear mama's petition, and good papa's purse, Jacky gets a commission ..., Companion print to: The naval nurse, or, Modern commander., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Nursemaids: 'military nurse' -- Union Jack -- Escutcheons.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Army.
Subject (Topic):
Nepotism, Corruption, Military uniforms, Flags, and British
A tall soldier with a pike in his right hand, holds in his left one the leading strings of a child officer. The officer, moving with an awkward gate, is trying to balance on his thigh a pole of an enormous British flag. His oversized sword dangles below his knees. Behind the two of them, in the background, several soldiers with muskets on their shoulders march by.
Alternative Title:
Modern officer
Description:
Title etched below image., Earliest publication date of this edition based on that of Carington Bowles's separation of his own business from his father's. See: Maxted, I. London book trades., Two columns of verse below title: By dear mama's petition, and good papa's purse Jacky gets a commission ..., Companion print to: The naval nurse, or Modern commander., Temporary local subject terms: Nursemaids: 'military nurse' -- Union Jack - Escutcheons., and Watermark: Royal arms at top of sheet; countermark band at bottom of sheet.
Publisher:
Printed for Carington Bowles, Map & Printseller in St. Pauls Church Yard, London
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Army.
Subject (Topic):
Nepotism, Corruption, Military uniforms, Flags, and British
Leaf 95. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length caricature portrait of a thin man with a large head walking or running in profile to the right. His wig is a high toupet with a queue in a black bag. In his left hand he holds out a small three-cornered hat, in his right is a sword whose point rests on the ground. He wears a short coat with facings and epaulettes, and a ruffled shirt."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text below title: O -[Wilkes?] beware of this tremendous hat and arm, for should we by chance to meet it would me harm, for tho I to the world a poli-n now appear, yet d-n me but to my angelic wh-e am sincere., Plate numbered "v. 6" in upper left corner and "4" in upper right corner., For a variant (earlier?) state without plate numbering, see no. 5151 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and First of three plates on leaf 95.
Publisher:
Pub. accor. to act by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hairstyles, Military uniforms, Wigs, Hats, and Daggers & swords
"Whole length caricature portrait of a thin man with a large head walking or running in profile to the right. His wig is a high toupet with a queue in a black bag. In his left hand he holds out a small three-cornered hat, in his right is a sword whose point rests on the ground. He wears a short coat with facings and epaulettes, and a ruffled shirt."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text below title: O -[Wilkes?] beware of this tremendous hat and arm, for should we by chance to meet it would me harm, for tho I to the world a poli-n now appear, yet d-n me but to my angelic wh-e am sincere., and Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773.
Publisher:
Pub. accor. to act by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hairstyles, Military uniforms, and Wigs
Title from item., Initial letters of publisher's name in imprint form a monogram., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Spying glasses -- Veterans -- Eye patches., Watermark: Strasburg bend (partially trimmed) with initials L V G below., and Mounted to 27 x 32 cm.
Publisher:
Pub May 1, 1773, by MDarly, 39 Strand
Subject (Topic):
Amputees, Dandies, British, Military uniforms, and Peg legs
"The Dey of Tunis, a fat Turk, sits cross-legged on one mattress (left), the Princess of Wales, in Turkish costume, on another; her huge breasts are immodestly bare. He smokes a long pipe, and puffs smoke sideways towards his visitor with an inscrutable expression; beside him are coffee-pot and cup. She smokes a hookah; a bottle of 'Coniac' and a glass are beside her. A Tunisian with a long beard and baggy breeches stands between them, staring and bowing towards the Princess; he says: "His Highness Trusts the endeavours of his household for your Gratification is successful and that happiness in the Halb of the Faithfull attends you." She answers: "their Assiduities are unceasing I am as Happy as the Dey [altered to] Day is Long!!!" Behind her couch stands Bergami, in hussar costume with three orders; he scowls with clenched fists, saying: "this is an unfortunate Dey for me Othellos occupation's gone.""--British Museum online catalogue
Alternative Title:
Royal visit to the Dey of Tunis or the Great Plenipo
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Satire on George IV and Queen Caroline., Printed on watermarked paper., Window mounted to 24.3 x 34.3 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 47 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified below image in different hands, the former in ink and the latter in pencil; date "20 July 1820" written in ink in lower right. Typed extract of one line from the British Museum catalogue description is pasted at bottom of mounting sheet.
Publisher:
Pub. July 20, 1820, by S.W. Fores, 50 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Ethnic stereotypes, Smoking, Pipes (Smoking), Water pipes (Smoking), Seating furniture, Alcoholic beverages, and Military uniforms
Title from text above images., Five designs on one plate, each depicting a different scene., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Augt. 5th, 1827, by G. Humphrey, No. 24 St. James Street, Piccadilly
Subject (Topic):
Military uniforms, British, Military bands, and Boots
"Fox, wearing a military cocked hat, with civilian dress, threatens Prussia (or Frederick William III) with his sabre, while he puts a foot on the sword that Prussia has dropped. The latter, a grotesque figure with a long pigtail and moustaches, kneels terrified at his feet, clasping his hands in supplication. His Death's Head Hussar cap falls from his thrown-back head; he wears a fur-trimmed cloak and tunic, with a badge of the Prussian Eagle on his sleeve, with half-boots and extravagant spurs. Fox says, with an expression of sour and calculating contempt, " - O you Prussian Marauder, you! - what I've caught you at last? - what, You took me for a double-faced-Talleyrand! did you? - did you think I was like yourself, to Look One way & Row another? - what you thought because I make Loyal Speeches now, that I must be a Turncoat? - O you Frenchified Villain! - I'll teach you to humbug & insult my poor, dear, dear Master? - & to join with such Rascals as Boney, & O'Conner!" Prussia exclaims, terrified, "indeed! indeed! indeed! I could not help it. - " Meanwhile, Napoleon, holding his sabre, and wearing feathered bicorne, with spurred jack-boots, furtively hastens up to Fox from behind, to read the open book which the latter displays to him behind his back: 'State of the Nation'.
Alternative Title:
Magnanimous minister chastising Prussian perfidy and Magnanimous minister chastiseing Prussian perfidy
Description:
Title from caption below image., Text following title: "Vide Morning Chronicle.", and Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10560
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806.
Subject (Topic):
Admirals, British, Military uniforms, and Clothing & dress
"A London scene: in the foreground men and women flee diagonally from right to left towards the spectator away from a bullock (right) in the middle distance, pursued by men with sticks. The fugitives include a little chimney-sweeper on the extreme left, a stout citizen wearing a high hat, an old military officer on crutches, a woman who has fallen to the ground, a Billingsgate woman with a basket of fish on her head, the contents about to fall, a would-be beau crouching behind a barrel and taking snuff. The bullock has tossed a dog into the air. The background of houses with an open space enclosed by railings suggests Smithfield Market."--British Museum online catalogue
Description:
Title from item., After Dighton. See British Museum catalogue., Temporary local subject terms: Beaux -- Chelsea pensioners' uniform., and Watermark.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, published as the act directs
Subject (Geographic):
England and London.
Subject (Name):
Smithfield Markey,
Subject (Topic):
Animal fighting, Barrels, Bulls, City & town life, Crowds, Fishmongers, Food vendors, Markets, Military uniforms, and British
Leaf 32. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men in coats with military facings are having a violent fight with some geese. A goose (left) is biting the end of the long pigtail queue of one, who holds another goose by the neck in his right hand and is about to strike it with his sword which is in his left hand. The other (right) is threatening a goose with his sword and also with his tasselled cane. Three geese hiss angrily with outstretched necks, one lies dead on the ground."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '11' in upper right corner., First of two plates on leaf 32., and 1 print : etching on laid paper ; plate mark 17.4 x 24.9 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pubd. accorg. to act, Sepr. 17th, 1772, by MDarly, (39) Strand
Subject (Topic):
Dandies, British, Military uniforms, Geese, Fighting, Daggers & swords, and Staffs (Sticks)
Leaf 32. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men in coats with military facings are having a violent fight with some geese. A goose (left) is biting the end of the long pigtail queue of one, who holds another goose by the neck in his right hand and is about to strike it with his sword which is in his left hand. The other (right) is threatening a goose with his sword and also with his tasselled cane. Three geese hiss angrily with outstretched necks, one lies dead on the ground."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., and Plate numbered '11' in upper right corner.
Publisher:
Pubd. accorg. to act, Sepr. 17th, 1772, by MDarly, (39) Strand
Subject (Topic):
Dandies, British, Military uniforms, Geese, Fighting, Daggers & swords, and Staffs (Sticks)
A harlot sits on a curved sofa, her right arm resting on a table in front of her. In her right hand she holds a set of scales as she points to the gold coin in the scales which indicate that the guinea given her by the her companion is defective. An officer in a macaroni-style wig and captain's uniform (with sword and cutlass) wears a slight smile on his face as he stands at the table, hands in his pockets, watching her weigh the gold. On the wall behind them is a picture of Justice holding her scales further amplyfing the subject. Opposite the table on the right is an upholstered chair
Alternative Title:
Capt. Flash detected and Captain Flash detected
Description:
Title from caption etched below image., Sheet trimmed within plate mark on top and sides., Initial letters of publisher's name in imprint form a monogram., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Augt. 17, 1774, by MDarly, 39 Strand
Subject (Geographic):
Great Britain
Subject (Topic):
Daggers & swords, Justice, Military uniforms, Prostitutes, Scales, and Sofas
publish'd according to act of Parliament, Decemr [the] 15 [1746?]
Call Number:
746.12.15.01.1+
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on women's fashion; A street scene in which a crowd of people watch amused as a lady struggles with her wide hoop which has become tangled on the side of a building, a chinmey sweep who has fallen at her feet and a jewellery seller in an underground shop both have a view up her skirts."--British Museum online catalogue
Description:
Title from item., Text following title: nil ortum tale. Hor., Publication year erased from this impression and supplied in contemporary hand as 1746., 'Price 6d.', Twenty-two lines of verse in four columns, followed by four lines of explanation, below image: If fame say true in former days, the fardingale was no disgrace ... The explanation reads: Drawn from the fact occasion'd by a lady carelessly tossing her hoop too high in going to shun a littel [sic] chimney sweeper's boy who fell down just at her feet in an artful suprise at [the] enormous sight., Possibly intended as a companion print to: The beaux disaster. Cf. British Museum catalogue, no. 2880., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Street scenes: Strand, London -- Female dress: hoops -- Churches: New Church in the Strand -- Shop stalls., and Watermark: Strasburg bend with initials L V G below.
Publisher:
publisher not identified
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Chimney sweeps, City & town life, Military uniforms, and Signs (Notices)
"Outside a thatched cottage, partly visible on the left, Paris, a loutish peasant, hands the apple to an old harridan holding a fan and wearing a very wide hoop. Cupid, a hideous boy, holding a bow, is partly concealed by her petticoat. Juno (?), a hideous hag, strides towards them, brandishing a bottle. Minerva (?) in a soldier's coat and grenadier's cap, inscribed "J.R." [?Juno Regina], walks away to the right. looking over her shoulder; one fist is clenched, she carries a bottle and is smoking a pipe. One sheep (left) stands behind Paris who is holding a crook. A basket and his hat are on the ground. In the foreground his dog chases the peacock and the owl. Two doves fly over the head of Venus. Two broadsides are pasted on the cottage wall: one headed "Gods . . ." the other, "Thos the Wood Lous" (?). Mountains are indicated in the background."--British Museum online catalogue
Description:
Title etched above image., Publisher's name and month of publication in imprint have been mostly burnished from plate., Text in upper left margin, preceding title: Jun: But to bestow it on that trapes it mads me. Min: Hang him jackanapes., Temporary local subject terms: Mythology: Venus., Mounted on page 83 of: Bunbury album., 1 print : etching on laid paper ; sheet 17.9 x 20.9 cm., and Sheet trimmed to plate mark.
Publisher:
Pub. accor. to act by [...]
Subject (Name):
Cupid (Roman deity), and Juno (Roman deity),
Subject (Topic):
Paris (Legendary character), Minerva, Dwellings, Peasants, Fans (Accessories), Military uniforms, Bottles, Pipes (Smoking), Sheep, Baskets, Dogs, Peacocks, Owls, and Doves
"Outside a thatched cottage, partly visible on the left, Paris, a loutish peasant, hands the apple to an old harridan holding a fan and wearing a very wide hoop. Cupid, a hideous boy, holding a bow, is partly concealed by her petticoat. Juno (?), a hideous hag, strides towards them, brandishing a bottle. Minerva (?) in a soldier's coat and grenadier's cap, inscribed "J.R." [?Juno Regina], walks away to the right. looking over her shoulder; one fist is clenched, she carries a bottle and is smoking a pipe. One sheep (left) stands behind Paris who is holding a crook. A basket and his hat are on the ground. In the foreground his dog chases the peacock and the owl. Two doves fly over the head of Venus. Two broadsides are pasted on the cottage wall: one headed "Gods . . ." the other, "Thos the Wood Lous" (?). Mountains are indicated in the background."--British Museum online catalogue
Description:
Title etched above image., Publisher's name and month of publication in imprint have been mostly burnished from plate., Text in upper left margin, preceding title: Jun: But to bestow it on that trapes it mads me. Min: Hang him jackanapes., Temporary local subject terms: Mythology: Venus., and Watermark, trimmed.
Publisher:
Pub. accor. to act by [...]
Subject (Name):
Cupid (Roman deity), and Juno (Roman deity),
Subject (Topic):
Paris (Legendary character), Minerva, Dwellings, Peasants, Fans (Accessories), Military uniforms, Bottles, Pipes (Smoking), Sheep, Baskets, Dogs, Peacocks, Owls, and Doves
"Two men and a boy are on the deck of a small sailing-vessel, part of a sail appearing above their heads (left). The men wear round hats and short trousers; one (left) sits on a barrel smoking a long pipe, a tankard beside him; the other stands with a cane under his arm, his right hand on his hips. The boy (right), who is perhaps black and wears long trousers, sits on a coil of rope holding a punch-bowl."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Rowlandson by Grego.
Publisher:
Published Octobr. 1st, 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccaddilly [sic]
Subject (Topic):
Decks (Ships), Sailors, Military uniforms, Barrels, Pipes (Smoking), Staffs (Sticks), and Ropes
"The Duke of York leads his bride to the King and Queen, who are seated side by side on the throne (right), much caricatured, making gestures of eager greed. The King looks through a glass, the Queen holds out her apron to catch the coins which the Duchess holds in her apron. Behind the pair on the extreme left walks a gigantic Prussian soldier with extravagantly long moustaches, carrying a large money-bag under each arm, inscribed '£100000' and '£100 ...'"--British Museum online catalogue
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., With Horace Walpole's manuscript annotations: Duchess of York / Duke of York / Queen / King., and Mounted to 28 x 38 cm.
Publisher:
Pubd. Novr. 22d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
Subject (Topic):
Avarice, Coins, Dowry, Military uniforms, Prussian, Reception rooms, Royal weddings, Skull & crossbones, Telescopes, and Thrones
"The Duke of York leads his bride to the King and Queen, who are seated side by side on the throne (right), much caricatured, making gestures of eager greed. The King looks through a glass, the Queen holds out her apron to catch the coins which the Duchess holds in her apron. Behind the pair on the extreme left walks a gigantic Prussian soldier with extravagantly long moustaches, carrying a large money-bag under each arm, inscribed '£100000' and '£100 ...'"--British Museum online catalogue
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., 1 print : etching plate mark 25 x 35.2 cm., on sheet 26 x 36 cm., and On wove paper, hand-colored.
Publisher:
Pubd. Novr. 22d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
Subject (Topic):
Avarice, Coins, Dowry, Military uniforms, Prussian, Reception rooms, Royal weddings, Skull & crossbones, Telescopes, and Thrones
