Manuscript on paper of Giovanni Gigli, Quaestiones de observantia quadragesimali
Description:
In Latin., Watermarks: similar to Heawood 2473, 2475., Script: Written by a single scribe in English secretary script., Large crude initials, in red, at beginning of each section of text, accompanied by simple penwork designs in brown ink; paragraph marks in red., and Binding: 16th-17th centuries. Original sewing on four double, tawed cords. No endbands. Cords laced through slanted round holes in oak boards. Covered in dark brown calf with traces of two sets of strap and pin fastenings, not contemporaneous, going from upper to lower board and vice versa. An outer covering of 19th century leather and marbled paper has been added. Sewing breaking. Covers lined with a parchment fragment of a Missal (England, 13th century); (front pastedown:) portions of the Gospel and the Secret for the Annunciation (25 March); (back pastedown:) portions from the Masses for the Nativity of John the Baptist (24 June), for John and Paul Martyrs (26 June), and for the Vigil of Apostles Peter and Paul (28 June).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gigli, Giovanni, d. 1498.
Subject (Topic):
Lent, Manuscripts, Medieval, Missals, and Theology, Doctrinal
Manuscript on paper of Prayers to be said at various times during the Mass. Composed by Paul Pellisson-Fontanier (1624-93).
Description:
In French., Script: Written by the master calligrapher Jean Pierre Rousselet, a follower of Nicholas Jarry, active in Paris between 1677 and 1736., Two full-page miniatures and nine historiated headpieces in gouache, all in frames best described as resembling the frames of 18th-century mirrors; the frames blue and purple with white highlights and gold side-pieces decorated with red flowers in diamonds; floral swags at bottom. Tail pieces with swags, as above and filled with gold, on f. 48v with the Holy Spirit as a dove. 3- and 2-line initials, blue with white highlights on gold; 1-line initials in red. Titles in gold, red and blue capitals; running headings and rubrics in red., and Binding: 18th-19th centuries. Black goatskin, gold-tooled. A red label and salmon pink doublures and flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pellisson-Fontanier, Paul, 1624-1693. and Catholic Church
Subject (Topic):
Liturgy, Devotional literature, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment of Kyrie, Gloria, Credo, Sanctus, Agnus Dei, and other liturgical texts, with motets by Josquin des Pres added at a later date
Description:
In Latin., Script: original text and additions copied in extremely large Southern (Spanish) Gothica Textualis Formata (Textus Praescissus), with music notation in nota quadrata., Richly decorated with red rubrics and painted initials., and Binding: s. XVI: undecorated brown leather over heavy wooden boards, sewn on four double cords. On both covers four large engraved brass corner pieces and more centrally five smaller engraved brass bosses. The leather damaged and several metal pieces lost. On the front cover upside down large number "26" in white paint. On the rear cover four engraved brass catches for clasps (one both at the top and at the bottom edge, and two at the outer edge), and eight nails towards the top probably for fixing a fenestra with title label (now lost). Leather tabs partly with Spanish inscriptions pasted on the outer edges of the leaves.
Manuscript fragment on parchment of a noted missal containing the Ordo missae
Description:
In Latin., Script: written in a formal gothic script (littera textualis formata) without feet on the minims., and Decoration: one 9-line initial "P" on fol. 1r in varying shades of blue with foliate decoration on white filigree; in the loop of the letter a peacock in blue and grey with green and gold feathers stands underneath a red rose; the text on the recto is bordered on all four sides and in the center margin with a gold band filled with blue diamons alternating with circles filled with flowers; musical notation is in black on 4-line staves in red; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a noted missal containing among other items: Conversion of St. Paul (25 January); Octave of St. Agnes (28 January); Chair of St. Peter (22 February); St. Matthias (24 February); Sts. Perpetua and Felicity (7 March); St. Gregory (12 March); St. Cuthbert (20 March).
Description:
In Latin., Script: written in two sizes of late Caroline script, with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: 1- and 2-line initials are in red square capitals with round "D"; other 1-line initials are in brown rustic capitals; rubrics written in red minuscule with occasional rustic capital and uncial forms; punctuated with the punctus and punctus elevatus; hyphenation and accents are in the same ink as the text; interlinear neumes in the St. Gall style.
Manuscript fragment on parchment of a noted missal containing the Prefaces of the Mass
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: four 2-line initials in light brown, outlined in black and highlighted with gold penwork on square grounds of blue, green, or red; the grounds are split diagonally with a dark shade of color on one side and a lighter and a lighter shade on the other; the edges of the side with the dark color are outlined in gold; 1-line capitals are in black and highlighted in red; rubrics written in red in the same script as the text; traces of guide letters for the rubricator preserved in the margins; punctuated with the punctus; hyphenation in the same ink as the text; the prefaces have musical notation in black ink on 3-line staves in red.
Manuscript fragment on parchment of a noted missal containing Holy Saturday
Description:
In Latin., Script: written in gothic script in red ink (littera textualis), at Klosterneuburg according to Alois Haidinger., and Decoration: 2-line initials of each verse are in green; the rubric is written in red minuscule; each word is separated by a green line; punctuated with the punctus; musical notation in gold outlined in black on 4-line staves in orange ink; the upper and lower margins are decorated with green foliage and penwork; the side margins are decorated with brown foliage and penwork.
Manuscript fragment on parchment of a noted missal containing St. Agatha (5 February); St. Valentine (14 February); and the Chair of St. Peter (22 February).
Description:
In Latin., Script: written in two sizes of late Caroline minuscule, a larger module for the lessons and prayers and a smaller module for the chants., and Decoration: 2- and 3-line initials in red square capitals, which has oxidized to a silver color; 1-line initials in brown rustic capitals; rubrics written in red minuscule; line fillers in red; punctuated with the punctus and punctus elevatus; chants have interlinear neumes in the St. Gall style.
Manuscript fragment on parchment of a noted missal, containing among others: Sts. Felix, Simplicius, Faustinus, and Beatrice (29 July); St. Felix II, Antipope (29 July); Sts. Abdon and Senan (30 July); Chains of Peter (1 August); Seven Maccabean Brothers (1 August).
Description:
In Latin., Script: written in two sizes of Caroline minuscule, with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: 2-line initials in orange square capitals, but with round "D"; 1-line intials in brown rustic capitals frequently filled with orange; rubrics written in orange minuscule with uncial "M" and occasional rustic capitals; punctuated with punctus and punctus elevatus; chants on the recto have interlinear neumes in the St. Gall style.
Manuscript fragment on parchment of a noted missal containing among other texts: St. Matthias (24 February); St. Benedict (21 March); Annunciation (25 March); Ash Wednesday; Common of the Apostles; Dedication of a church; and Mary
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 4-line initial "D" for the Annunciation is outlined in red with an interlace pattern and filled with blue and red on a square ground outlined with red; 3- to 6-line initials for other feasts and for hymns in red with red penwork; 1-line initials of prayers and of hymn verses are in red; other 1-line initials are in brown rustic capitals traced with red; rubrics in red in the same script as the text; punctuated with the punctus and punctus elevatus; the alleluia and prosula hymn following the "Gaude maria templum" has interlinear neumes in the St. Gall style.
Printed book fragment on parchment of a leaf from the Missale Bambergense, a printed missal. The leaf contains the Mass for rain and the Mass for fair weather
Description:
In Latin., Script: printed in two sizes of gothic typeface; the larger is for the lessons and prayers and the smaller type is for the chants., and Decoration: 2-line initials at the beginning of Masses, prayers, and lessons and 1-line initials at the beginning of chants are in red and are adorned with balls; 1-line initials of verses and within lessons are in black; rubrics are printed in red in the same script as the text; punctuated with the punctus, the colon, and the punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript, in a single hand, of a missal for the Use of St. Nicholas (Beauvais).
Description:
In Latin., Collation: 59 l. + 2 l. paper + 3 l. original parchment endleaves., Script: Gothic bookhand, large and angular., Decoration: rubricated. The two-line initials are in gold on pink and blue grounds. Large historiated initial "PP (5v)., and Decoration: miniature of the Crucifixion on gold ground, with protective cloth stitched to leaf (6v.)
Subject (Geographic):
Connecticut, New Haven., and Beauvais (France)
Subject (Name):
Cathédrale Saint-Pierre (Beauvais, France) and Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript leaves from a Sarum missal, containing text from Masses for the third and eighth Sundays after Pentecost and for the dedication of a church
Description:
In Latin., Layout: double columns of 39 lines., Script: gothic liturgical script., and Decoration: numerous initials in burnished gold or blue; extensive penwork.
Manuscript on parchment. With graded calendar, in red and black, lacking January and February; the qualifier "pape" erased or crossed out
Description:
In Latin., Script: Written by a single scribe in elegant gothic textura (larger size for the Canon), with standard musical notation of Canon, etc., Sumptuous full bar borders surrounding text and running between text columns, alternating red and blue segments, divided by gold panels, from which sprout short sprigs of ivy (blue, red, pink with white highlights, often in a guilloche pattern) and daisy buds, gold cusped corners, filled with ivy or strapwork with flower terminals; the whole further embellished by hair-spray with gold balls and flowers; the gold with simple punches throughout. On the same folios, 7- to 5-line initials, blue and/or red with white highlights, filled with red, pink, and blue ivy or strapwork on irregular gold grounds, with simple punches. Elaborate 3- and 2-line initials throughout, pink and blue, filled with ivy, trailing pink and blue ivy, on irregular gold grounds extending with ivy into border, embellished with gold balls and hair-spray. 2- and 1-line gold initials throughout, with elaborate purple penwork designs, often far into margins; long (up to 10-line) I-initials in the same manner. 2- and 1-line blue initials throughout with red penwork; long I-initials in same manner. 1-line gold initials with simple brown penwork. Line-fillers in the litany, blue and gold. Two leaves, probably with miniatures of the Maiestas Domini and Crucifixion, have been removed before the Canon (after f. 136)., First four leaves are stained and trimmed, but with no loss of text., and Binding: Twentieth century. White, gold-tooled pigskin over wooden boards. Gilt edges. Bound by Sangorski and Sutcliffe (London, 1901 to the present).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript, in a single hand, of a missal for the Use of Beauvais
Description:
In Latin., Script: early gothic bookhand., Decoration: rubricated., and Binding: fourteenth-century (?) brown leather over beveled wooden boards; remains of one clasp.
Subject (Geographic):
Connecticut, New Haven., and Beauvais (France)
Subject (Name):
Cathédrale Saint-Pierre (Beauvais, France) and Catholic Church
Manuscript fragment on parchment of a missal (use of Sarum) containing Feria IV after the Twenty-fourth Sunday after Trinity and the Twenty-fifth Sunday after Trinity
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: there are three 2-line initials in blue with red penwork trailing up and down the entire margin or the column; 1-line initials are in brown; rubrics are written in red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing the Great Litany and St. Anne (26 July).
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata), with a smaller script for the chants and a larger one for the prayers and lessons., and Decoration: 2-line initials at the beginning of Masses and lessons and 1-line initials at the beginning of chants and prayers alternate red and blue uncials; 1-line initials within the lessons are in brown highlighted with red; the rubrics are written in red in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Anne (Mother of the Virgin Mary), Saint and Catholic Church
Manuscript fragment on parchment of a missal containing: Visitation of Mary (2 July); Mass for an unidentified martyr; St. Pantaleon (27 July); Mass on the five wounds of Christ; Mass for the living; and Votive Mass in time of temptation
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata) with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: there are spaces for initials and rubrics, but none have been added except for the lengthy rubric on fol. 2v; 1-line capitals within lessons are black; punctuated with the punctus, rarely; hyphenation is in the same ink as the text; accents added by a later hand.
Manuscript fragment on parchment of a missal containing: Common of the Apostles; Common of Martyrs; Common of a Martyr; Common of a Martyr not a Bishop; and Common of a Martyr Bishop
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis), with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: 6- to 7-line initials "I" at the beginning of lessons are in red; other 1-, 2-, and 3-line initials are in red; 1-line initials within lessons are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.