In Latin., Script: Written by a single scribe in small, neat, gothic bookhand; note in his hand on f. 209r, too trimmed to be legible., Approximately half the historiated initials have been excised. The initials, 51- to 9-line, painted gold, red and blue with white highlights and punctuated with gold dots, terminate in spiralling floral serifs, often with biting animal heads, with long projecting stems against cusped grounds. The figures are red, blue, orange and grey, against red or blue grounds, some of them diapered and decorated with groups of three white dots and gold dots. Illuminated initials, 51- to 5-line, occasionally for books (f. 74v [Joshua] and f. 175r [Nehemiah]), for the most part for the prologues, similar to the historiated initials, except infilled with interwining and angular vines with biting head terminals, red and/or blue against red or blue grounds with gold dots and set in frames of painted gold. 2-line calligraphic initials for chapters, red or blue with blue or red penwork, each attached to a column of superimposed I's, red and blue, running the full length of the text column, with penwork flourishes, especially at the terminals. Capitals for verses stroked in red. Running headings and chapter numbers in alternating red and blue letters or numbers., and Binding: Date? Resewn on four single, round, vegetable fiber cords which are frayed out and adhered inside the oak boards. There are no endbands, but traces of alum tawed endband cores and sewing supports remain in the holes in the boards. The spine is square. Some lettering in ink on the fore-edge. Covered in red-brown calf, with an exceptionally large stamp of the Virgin and child in an aureole within concentric frames, one with an inscription, on the upper board and diamonds filled with crosses, roses and IHS in circles on the lower. The latter ornaments are also stamped on the turn-ins underneath the pastedowns. Rebacked and edges repaired. Upper board detached. Not the original and possibly not an early binding. Rebacked in the Yale Conservation Studio in 1982. The upper and lower covers are lined with single leaves, pasted down, of a missale plenum (11th century?). Portions of Dominica VI post Pentecosten, Feria IV of that week (upper cover), an unidentified mass of the Sanctorale, Dominica III post Pentecosten (lower cover). Where they occur, the texts of the proper chants are notated in German neumes in campo aperto. Some of the chants are cited by incipit; these are usually not noted. The Alleluia for DMC III is Domine in virtute; that for DMC VI is Eripe me. (We thank K. D. Hartzell for his assistance with these fragments.)
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of a portion of the biblical book of Mark, or a lectionary, or a missal
Description:
In Latin., Script: written in Caroline minuscule., Decoration: 1-line initials are in brown rustic capitals; punctuated with the punctus and punctus versus., and The speakers in the text are noted by letters above the first word of quoted text: "T" for Jesus, "C" for the narrator, and "I" for other speakers; these letters indicate the different ways to read the words of the speakers in the passage during Holy Week, in this case, Feria III.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Lectionaries, and Missals
Collection on paper and parchment of manuscript leaves, documents and printed leaves. Including paper leaves from a Latin Psalter, a parchment leaf from the Beauvais Missal (formerly owned by Otto Ege), and a parchment leaf from a Latin Bible concordance
Description:
In Latin, French and English.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Missals, and Psalters
Manuscript on parchment of Matthew of Westminster, Flores historiarum. Written presumably at the Cluniac priory of St. Saviour, Bermondsey, Surrey
Description:
In Latin., Script: Written in bold gothic textura; x is crossed., Rubrics, often accompanied by notes to rubricator in well formed current Anglicana script. Decorative initials not filled in. Numerous pen trials and crude drawings in margins (e.g., ff. 28r, 46v, 47r, 63r)., and Binding: Nineteenth century. Blind-tooled brown calf with a gold-tooled title. Parchment flyleaves (formerly pastedowns) from a Missal (England, 15th century) much rubbed and worn, and with offset impression from original binding of corner tongues and four attachments. Gothic textura. Fine blue initials with intricate herringbone penwork designs in red. Headings in red; paragraph marks in blue.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Paris, Matthew, 1200-1259.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, Missals, and History
Manuscript fragment on parchment of a gradual or a missal containing the Common of Martyrs and rubric for the Common of a Martyr
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: musical notation in brown on 4-line staves in red; 1-line initials alternate red with brown penwork and blue with red penwork; the 1-line initial at the beginning of the rubric is a blue capital with red penwork, and the rubric is written in in a smaller version of the text script; words and syllables are divided by red horizontal strokes; punctuated with the punctus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Missals, and Graduals (Chants).
Manuscript fragment on parchment of an index from a missal of the temporale, sanctorale, and Common of the saints
Description:
In Latin., Script: written in gothic script (littera textualis formata) in red and black ink., and Decoration: the 1-line initials at the beginning of each line are in red or in black highlighted with red; the feasts of Advent, the canon and prefaces of the Mass, the first Sunday after Easter, the beginning of the sanctorale, and all the items of the Commons are written in red; other important feast days such as Christmas, Epiphany, Easter, and Pentecost begin with a paragraph mark in red; punctuated with the punctus.
Manuscript fragment on parchment of a lectionary or missal containing portions of the biblical books of Wisdom, Hebrews, Proverbs, and the Apocalypse
Description:
In Latin., Script: written in Beneventan script., and Decoration: 3- and 4-line initials are written on the inner vertical bounding line; one of them is a plain red square capital "I"; the others are brown square capitals filled with red foliate ornamentation; 1-line initials are brown, highlighted with red; rubrics written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus versus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Lectionaries, and Missals
Manuscript fragment on parchment of lessons from the Mass, from a lectionary or missal, including among others: Anthony (13 June); Sts. Gervase and Protase (24 June); Vigil of St. John the Baptist (23 June); Vigil of Sts. Peter and Paul (28 June); and Octave of the Apostles
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: the words "In illo tempore" begin with a 7- to 8-line initial "I" in blue with red penwork; the initials of the lessons are 1-line red or blue initials decorated with blue or red penwork; 1-line initials within lessons are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation and accents are in the same ink as the text; there are symbols similar to neumes above some of the text, perhaps aids for reading aloud.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Lectionaries, and Missals
Manuscript fragment on parchment of lessons for the Mass, either from a lectionary or a missal. Readings include: Matthew 10, Luke 6, 11, and 12.
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 1- and 3-line initials at the beginning of lessons are in red; initials at the beginning of verses are in brown highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Lectionaries, and Missals
Manuscript fragment on parchment of a liturgical book containing instructions for a Feria on Dec. 27, among others, possibly from a missal
Description:
In Latin., Script: written in an unidentified script., Decoration: chapter marks and rubrics in red; unheightened neumes appear in red over parts of the text., and These fragments, which appear to be from the same manuscript, are contained in Zi +1215 (Albertus Magnus, Enarrationes in Evangelium Iohannis), in which they are used as front and back pastedowns.
Manuscript on parchment. Formerly known as the "Fouquet Missal", based on the mistaken attribution of the illumination to Fouquet
Description:
In French., Script: Written by a single scribe in formal gothic bookhand., A richly decorated manuscript with an unusual and elaborate program of miniatures by at least four artists: the Master of the Vienna Mamerot, Jean Colombe, a hand close to the Masters of Morgan 96 and 366, and a fourth artist whose hand has not yet been identified in other manuscripts. Each large miniature (107 total) has a full border incorporating four marginal scenes (428 in all) with subjects which either amplify or follow closely from the action of the miniature, disposed with two rectangular scenes in the outer border and two roundels in the lower border. The subsidiary miniatures, framed in red, are surrounded by blue and gold acanthus, flowering vines in green, blue and red, ivy in black pen with gold dots, large, naturalistic flowers, and black hair-spray with gold dots. The borders are framed on the outer edges with a red bounding line, on the inner edges with a red or gold bounding line., 4- and 2-line initials throughout, shaded pink or blue with gold foliate decoration against blue or pink grounds with pink or blue curling leaves, heightened in gold. 1-line initials, gold, against pink or blue grounds with gold filigree. On ff. 6r-13v the 4- and 2-line initials, as well as line-fillers in the same manner, are painted over blue or red initials with red or blue penwork and line fillers in red, blue and gold. The overpainting of this archaizing decoration reflects a change in decorative scheme rather than an interval of three-quarters of a century between the writing and the illumination of the manuscript. Rubrics and some underlining in red throughout., and Binding: Nineteenth century. Quarter bound in brown goatskin. Blue/green cloth sides with silver fastenings and fittings. On fastenings small roundels with portraits of the evangelists; on clasp a roundel with Annunciation. Numerous Turk's head place-marks on fore edge. Earlier covers, 17th century, mounted inside boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment (thick, good quality), composed of four parts. Although all four parts may be roughly contemporary in execution, they apparently were not assembled together as a "missal" until the 15th century, at which point the manuscript was annotated and cross-referenced from beginning to end; it is possible that only the lectionary and sacramentary in Part IV were originally intended to be used together.
Description:
Binding: Nineteenth century, England. Quarter bound in brown calf, blind-tooled, over wooden board. Metal fittings at the head and tail of the leather and two fastenings., Elegant repairs to parchment sewn with blue and chartreuse thread (e.g., f. 27). Most of the leaves of Part III have been repaired., Part I: KL monograms, in red, embellished with knobs. Part II: Eleven large initials, 12- to 6-line, drawn in red and/or brown ink against geometric grounds of blue and lime-green washes. The initials are constructed of dragons and other fantastic animals, or of stylized foliage inhabited by biting beasts and birds. Plain initials in blue, red or lime-green, some with blue and/or red penwork designs, others with knobs. Major headings in majuscules with letters alternating red, black, and sometimes lime green; other headings in red. Instructions to rubricator perpendicular to text. Part III: The decoration of the Canon of the Mass consists of a 3/4-page miniature of the crucifixion, f. 60r, framed with a narrow border of olive green, red and blue with white filigree. Christ is shown hanging from a Y-shaped Astkreuz flanked by Mary and St. John, against gold ground. The gold ground is largely rubbed and the figures are partly restored (lower part of St. John's robe has been reworked, and flaked paint on the cross and Christ's loin cloth replaced). Marginal illustration of what appears to be a kneeling Augustinian canon dressed in white and red robes, adjoining the Te igitur (f. 60v). Three illuminated initials, ff. 58r, 59v, 60v, for the Canon of the Mass, 7- to 5-line, pale mauve with stylized scrolls and green foliage against gold ground edged in blue with white filigree. Vere dignum initials, 3-line, alternate in red and blue with penwork in either blue or red. Part IV: Pen-and-ink initials, 7- to 4-line, of a similar design as in Part II, but lacking the vitality; drawn in brown and/or red ink with stylized foliage and palmettes sometimes touched with blue or red against blue, red and/or lime-green ground. Smaller initials, 4-line, red, blue or green with red and/or green penwork design. Plain initials in red. Headings in red. Instructions for rubricator perpendicular to text., and Script: Part I (ff. 2-8): Text of calendar written in gothic bookhand by a single scribe; many later additions in several hands. Part II (ff. 9-56): Written in gothic bookhand, with additions in several different hands in less formal styles of writing. Musical notation consists of Austrian adiastematic neumes in the same ink as the text. Part III (ff. 57-64): Written in large liturgical gothic bookhand. Part IV (ff. 65-276): Written in gothic bookhand; several layers of marginalia added in less formal hands.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals
Blanks between ff. 62-63 [4],112-113 [3] not included in modern foliation. Not digitized. and Water staining at top edge. Some discoloration but minimal loss of text.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals
Manuscript on parchment, composed of four parts. Written at the end of the 14th century (Parts I, III) and in 1578 (Parts II, IV); the prominence of St. Maclovius (Macutus) suggests that Parts II and IV were produced in Brittany or Normandy
Description:
In Latin., Script: Parts I and III (ff. 1r-40v, 48r-72v): Written in liturgical gothic of two sizes, by one scribe. Parts II and IV (ff. 41r-47v, 73r-102v) were intended to be integrated into the earlier portion: Written in liturgical gothic of the late 16th century, in two sizes by a single scribe; the letters slant slightly toward the left., On f. 48r, a 5-line historiated initial (65 x 58 mm.), white-decorated red and blue on a gold ground, enclosing a priest serving Communion; from the corners sprout blue vines with white, gold, and red trilobe leaves, extending around 3 sides of the page. On f. 1r, an 8-line illuminated initial of white-decorated blue and red (63 x 65 mm.), filled with blue and red trilobe leaves, on a gold ground; the base of the letter is extended around the inner and lower margins as a gold, blue, red, and white bounding line; from the lower two corners of this line and the upper left corner of the initial sprout vines, as for the historiated initial. 3- and 2-line initials in orange-tinted red or blue; rubrics throughout. Square notes in brown on 4-line orange-tinted red staves (the red ink has bled so that the whole written space has an orange glow). Parts II and IV: 4- to 1-line initials in red and blue. Rubrics are sometimes set off on the right side of the page by a narrow vertical border in brown. Musical notation: square notes on 4-line staves, all in brown., and Binding: 1981. Quarter cloth case, retaining brown mottled paper covered boards, 19th century. Traces of earlier bindings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of a missal containing the Sunday after Holy Trinity
Description:
In Latin., Script: written in two sizes of late Caroline minuscule, with a smaller script for the chants and a larger one for the lessons., and Decoration: 3-line initial "I" at the beginning of the lesson is in red; 1-line chant initials are in red uncials; 1-line initials within the lessons are in brown rustic capitals highlighted with red; rubrics are written in red minuscule; punctuated with the punctus and punctus elevatus.
Manuscript fragment on parchment of a missal containing readings from: Common of Saints; Lesson from Hebrews 5; Unidentified secreta and postcommunio (Common of a Confessor?); and Common of Virgins
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: three lines of a large initial "F" (?) that is half green and half red are preserved on fol. 1r; 1-line initials at the beginning of prayers are in red square capitals; smaller 1-line initials are in brown rustic capitals highlighted with red; rubrics are written in a mixture of red capitals and minuscule forms; liturgical directions are written in brown minuscule with some rustic capital forms and are dotted with red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing: Feria III after the twelfth Sunday after Pentecost; Feria IV after the twelfth Sunday after Pentecost; Feria VI after the twelfth Sunday after Pentecost; and Thirteenth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 3-line initials at the beginning of lessons alternate blue with red flourishes or red with not flourishes; 1-line initials at the beginning of verses are black, highlighted with red dots; punctuated with the punctus and punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing Palm Sunday and Feria II after Palm Sunday
Description:
In Latin., Script: written in two sizes of rounded gothic script (littera textualis), a larger script for the lessons and prayers and a smaller script for chants., and Decoration: 2-line initials of prayers and lessons alternate red and blue; 1-line initials within lessons, of chants and the first letters following a 2-line initial are brown and yellow; rubrics written in a red cursive script; punctuated with the punctus; a contemporary hand has made corrections in black ink.
Manuscript fragment on parchment of a missal containing the Saturday after the First Sunday of Quadragesima and the Second Sunday of Quadragesima
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2- and 3-line initials at the beginning of lessons and prayers alternate blue decorated with red penwork and red with no flourishes (the blue is faded); 1-line initials beginning the second word of the lessons alternate red and blue; other 1-line initials are brown highlighted with red strokes and dots; rubrics written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation added by a later hand.
Manuscript fragment on parchment of a missal containing a variety of Feriae and the Sixth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2-line initials are in red; 1-line initials are in brown highlighted with red; rubrics written in red in the same script as the text; the foliation is written in red in the upper center of the recto; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing the Common of Confessors and the Common of a Confessor Bishop
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis), with a larger script for the prayers and a smaller script for the chants., and Decoration: 1- and 2-line initials alternate red and blue; rubrics are in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing: St. Chrysogonus (24 November); St. Catharine of Alexandria (25 November); St. Virgil, Bishop of Salzburg (27 November); Common of an Apostle; and Common of Martyrs
Description:
In Latin., Script: written in a formal gothic script (littera textualis formata)., and Decoration: There is a 7-line initial "E" on fol. 1v in pink with red and white highlights on a gold ground; green and blue vines with pink flowers extend from the initial into the lower margin and the forks in the vines were once filled with gold wedges; other 1- to 4-line initials are in red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing a variety of feriae from the third week of Quadragesima
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata), with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: The 2-line initial beginning the Mass of Feria III is a blue uncial; the 8-line initial "I" beginning the lesson is red; 1-line initials are uncials in red or black highlighted with red; rubrics written in red; punctuated with the punctus; hyphenation is in the same ink as the text; the foliation is written in red roman numerals in the center of the upper margin of the recto.
Manuscript fragment on parchment of a missal containing: Common of the Apostles; Common of Martyrs; Common of a Martyr; Common of a Martyr not a Bishop; and Common of a Martyr Bishop
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis), with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: 6- to 7-line initials "I" at the beginning of lessons are in red; other 1-, 2-, and 3-line initials are in red; 1-line initials within lessons are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing: Visitation of Mary (2 July); Mass for an unidentified martyr; St. Pantaleon (27 July); Mass on the five wounds of Christ; Mass for the living; and Votive Mass in time of temptation
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata) with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: there are spaces for initials and rubrics, but none have been added except for the lengthy rubric on fol. 2v; 1-line capitals within lessons are black; punctuated with the punctus, rarely; hyphenation is in the same ink as the text; accents added by a later hand.
Manuscript fragment on parchment of a missal containing the Great Litany and St. Anne (26 July).
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata), with a smaller script for the chants and a larger one for the prayers and lessons., and Decoration: 2-line initials at the beginning of Masses and lessons and 1-line initials at the beginning of chants and prayers alternate red and blue uncials; 1-line initials within the lessons are in brown highlighted with red; the rubrics are written in red in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Anne (Mother of the Virgin Mary), Saint and Catholic Church
Manuscript fragment on parchment of a missal containing: St. Caesarius of Arles (27 August); Mass for the sick; Mass for travelers; Mass for the living and the dead; and St. Anne (26 July).
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials at the beginning of Masses and 1-line initials at the beginning of prayers in red; other 1-line initials are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing: Third Sunday after Pentecost; Fourth Sunday after Pentecost; Fifth Sunday after Pentecost; Eighth Sunday after Pentecost; and Ninth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials alternate red and blue; written over guide letters in black ink; 1-line capitals, which include the first letter after the 2-line initials, are in black filled with yellow; rubrics written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing Holy Saturday
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2-line initials alternate red and blue; 1-line initials are in black highlighted with red; rubrics written in red in the same script as the text; the liturgical directions are written in black and are underlined in red; punctuated with the punctus and punctus versus; accents added by a later hand.
Manuscript fragment on parchment of a missal containing the Fifth Sunday after Epiphany and the Sunday of Septuagesima
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 1-, 2-, and 3-line initials alternate in blue and red; other 1-line initials are in black highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus, punctus interrogativus, and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing: portions of Luke 10; Feria VI after the fifth Sunday of Pentecost; Sixth Sunday after Pentecost; and Feria IV after the sixth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2- to 5-line initials alternate red and blue; 1-line initials in brown and are highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing Christmas
Description:
In Latin., Script: written in two sizes of gothic script, the small a littera textualis and the large a textualis formata., and Decoration: 1 10-line initial "I" in red; 1- and 2-line initials are in red; other 1-line initials are in black highlighted with red; rubrics are written in red in the same script as the text; foliation written in red; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing: Sunday of Sexagesima; Feria IV after Sexagesima; Feria VI after Sexagesima; and Sunday of Quinquagesima
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis), with a slightly smaller script for chants; on fol. 1v there is a change of hands., and Decoration: 2-line initials at the beginning of masses and lessons alternate red and blue; 1-line initials in brown highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text; foliation in red; several small original holes in the parchment are circled in red.
Manuscript fragment on parchment of a missal containing: Common of the Virgins; Common of a Martyr not a Bishop
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 1- and 2-line initials are in brown highlighted with red; rubrics written in red in the same script as the text; foliation written in red; punctuated with the punctus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing the Vigil of Pentecost
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis), with a slightly smaller script for the chants than for the lessons., and Decoration: two 10-line lesson initials "I" in red, one decorated with a face, set apart from the text; 1-, 2-, and 4-line initials are in red; other 1-line initials are in brown highlighted with red; rubrics in red in the same script as the text; foliation in red; punctuated with the punctus and the comma; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing: Mass for Mary from the Nativity to the Purification; Mass for Mary from the Purification to Easter; Mass for Mary from Easter to Pentecost; and Mass for the patron saint of the church
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata), with a slightly smaller script for chants., and Decoration: 2- and 3-line initials are in gold on ground of blue and purple decorated with white penwork; 1-line capitals including the first letter after the initials in gold are in brown filled with yellow wash; rubrics written in red or in brown underlined with red and are in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text; the use of "Ff" suggests England.
Manuscript fragment on parchment of a missal containing among others: St. Felix in Pincis (14 January); St. Marcellus (16 January); St. Prisca (18 January); St. George (23 April); St. Mark (25 April); Letania Maior ad S. Laurentium (25 April); Apostles Philip and James (1 May); and Sts. Alexander, Eventius, Theodolus, and Juvenal (3 May).
Description:
In Latin., Script: written in Caroline minuscule by two scribes, one on fols. 1-2 and the other on fols. 3-4., and Decoration: there are two 7-line initials on fol. 2; they are in red outline with a center shaft filled with red and are decorated with foliate ornamentation; 1- and 2-line prayer initials alternate red and brown; the red initials are sometimes filled with yellow; 1-line chant initials are in brown rustic capitals, occasionally highlighted with red; punctuated with the punctus and punctus interrogativus; diacritical marks appear over the interrogative word in a question, in the Beneventan fashion; accents in the same ink as the text; there are 2 10-line initials on fols. 3-4; rubrics written in red rustic capitals marked with a horizontal yellow line; punctuated with the punctus.
Manuscript fragment on parchment of a missal (use of Sarum) containing Feria IV after the Twenty-fourth Sunday after Trinity and the Twenty-fifth Sunday after Trinity
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: there are three 2-line initials in blue with red penwork trailing up and down the entire margin or the column; 1-line initials are in brown; rubrics are written in red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript, in a single hand, of a missal for the Use of Beauvais.
Description:
Binding: fourteenth-century (?) brown leather over beveled wooden boards; remains of one clasp., Decoration: rubricated., Purchased from Richard A. Linenthal (Sotheby's London sale, 2013 July 2, lot 51) on the Edwin J. Beinecke Book Fund, 2013., and Script: early gothic bookhand.
Subject (Geographic):
Beauvais (France)
Subject (Name):
Cathédrale Saint-Pierre (Beauvais, France) and Catholic Church--Liturgy
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals
Manuscript on parchment. With graded calendar, in red and black, lacking January and February; the qualifier "pape" erased or crossed out
Description:
In Latin., Script: Written by a single scribe in elegant gothic textura (larger size for the Canon), with standard musical notation of Canon, etc., Sumptuous full bar borders surrounding text and running between text columns, alternating red and blue segments, divided by gold panels, from which sprout short sprigs of ivy (blue, red, pink with white highlights, often in a guilloche pattern) and daisy buds, gold cusped corners, filled with ivy or strapwork with flower terminals; the whole further embellished by hair-spray with gold balls and flowers; the gold with simple punches throughout. On the same folios, 7- to 5-line initials, blue and/or red with white highlights, filled with red, pink, and blue ivy or strapwork on irregular gold grounds, with simple punches. Elaborate 3- and 2-line initials throughout, pink and blue, filled with ivy, trailing pink and blue ivy, on irregular gold grounds extending with ivy into border, embellished with gold balls and hair-spray. 2- and 1-line gold initials throughout, with elaborate purple penwork designs, often far into margins; long (up to 10-line) I-initials in the same manner. 2- and 1-line blue initials throughout with red penwork; long I-initials in same manner. 1-line gold initials with simple brown penwork. Line-fillers in the litany, blue and gold. Two leaves, probably with miniatures of the Maiestas Domini and Crucifixion, have been removed before the Canon (after f. 136)., First four leaves are stained and trimmed, but with no loss of text., and Binding: Twentieth century. White, gold-tooled pigskin over wooden boards. Gilt edges. Bound by Sangorski and Sutcliffe (London, 1901 to the present).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript leaves from a Sarum missal, containing text from Masses for the third and eighth Sundays after Pentecost and for the dedication of a church
Description:
In Latin., Layout: double columns of 39 lines., Script: gothic liturgical script., and Decoration: numerous initials in burnished gold or blue; extensive penwork.
Manuscript, in a single hand, of a missal for the Use of St. Nicholas (Beauvais).
Description:
Collation: 59 l. + 2 l. paper + 3 l. original parchment endleaves., Decoration: miniature of the Crucifixion on gold ground, with protective cloth stitched to leaf (6v.), Decoration: rubricated. The two-line initials are in gold on pink and blue grounds. Large historiated initial "PP (5v)., Purchased from Richard A. Linenthal (Sotheby's London sale, 2013 July 2, lot 51) on the Edwin J. Beinecke Book Fund, 2013., and Script: Gothic bookhand, large and angular.
Subject (Geographic):
Beauvais (France)
Subject (Name):
Cathédrale Saint-Pierre (Beauvais, France) and Catholic Church--Liturgy
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals
Manuscript, in a single hand, containing a missal for the Use of St. Quentin.
Description:
Binding: nineteenth-century brown quarter-morocco., Decoration: rubricated. Larger initials in colored penwork., and Purchased from Richard Linenthal (Sotheby's London sale, 2013 July 2, lot 51) on the Edwin J. Beinecke Book Fund, 2013.
Subject (Geographic):
Beauvais (France)
Subject (Name):
Cathédrale Saint-Pierre (Beauvais, France)
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals
Printed book fragment on parchment of a leaf from the Missale Bambergense, a printed missal. The leaf contains the Mass for rain and the Mass for fair weather
Description:
In Latin., Script: printed in two sizes of gothic typeface; the larger is for the lessons and prayers and the smaller type is for the chants., and Decoration: 2-line initials at the beginning of Masses, prayers, and lessons and 1-line initials at the beginning of chants are in red and are adorned with balls; 1-line initials of verses and within lessons are in black; rubrics are printed in red in the same script as the text; punctuated with the punctus, the colon, and the punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a noted missal containing among other texts: St. Matthias (24 February); St. Benedict (21 March); Annunciation (25 March); Ash Wednesday; Common of the Apostles; Dedication of a church; and Mary
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 4-line initial "D" for the Annunciation is outlined in red with an interlace pattern and filled with blue and red on a square ground outlined with red; 3- to 6-line initials for other feasts and for hymns in red with red penwork; 1-line initials of prayers and of hymn verses are in red; other 1-line initials are in brown rustic capitals traced with red; rubrics in red in the same script as the text; punctuated with the punctus and punctus elevatus; the alleluia and prosula hymn following the "Gaude maria templum" has interlinear neumes in the St. Gall style.
Manuscript fragment on parchment of a noted missal containing among other items: Conversion of St. Paul (25 January); Octave of St. Agnes (28 January); Chair of St. Peter (22 February); St. Matthias (24 February); Sts. Perpetua and Felicity (7 March); St. Gregory (12 March); St. Cuthbert (20 March).
Description:
In Latin., Script: written in two sizes of late Caroline script, with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: 1- and 2-line initials are in red square capitals with round "D"; other 1-line initials are in brown rustic capitals; rubrics written in red minuscule with occasional rustic capital and uncial forms; punctuated with the punctus and punctus elevatus; hyphenation and accents are in the same ink as the text; interlinear neumes in the St. Gall style.
