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1.
Harmonicorum libri III

Creator:
Ptolemy, active 2nd century
Published / Created:
[ca. 1550]
Call Number:
Beinecke MS 208
Image Count:
144
Resource Type:
unspecified
Abstract:
Manuscript on paper (unidentified watermarks are faint and obscured by ink) of Ptolemy, Harmonicorum libri III
Description:
In Greek.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ptolemy, active 2nd century.
Subject (Topic):
Charts, diagrams, etc, Greek literature, Hellenistic, Manuscripts, Medieval, and Music theory
Found in:
Beinecke Rare Book and Manuscript Library > Harmonicorum libri III

2.
Harmonicum enchiridion; with Gaudentius, Introductio harmonica

Creator:
Nicomachus, of Gerasa
Published / Created:
1585.
Call Number:
Beinecke MS 272
Image Count:
180
Resource Type:
unspecified
Abstract:
Manuscript on paper of 1) Nicomachus Gerasenus, Harmonicum enchiridion, I-II. 2) Gaudentius, Introductio harmonica
Description:
In Greek.
Subject (Geographic):
Connecticut, New Haven., and Greece.
Subject (Name):
Nicomachus, of Gerasa.
Subject (Topic):
Manuscripts, Medieval, Music, and Music theory
Found in:
Beinecke Rare Book and Manuscript Library > Harmonicum enchiridion; with Gaudentius, Introductio harmonica

3.
A plaine and easie introduction to practicall musicke, set downe in forme of a dialogue : deuided

Creator:
Morley, Thomas, 1557-1603?
Published / Created:
1597.
Call Number:
Osborn fpa22
Image Count:
2
Resource Type:
text
Alternative Title:
Plaine and easie introduction to practicall musicke
Description:
BEIN Osborn fpa22: Illustrated title page hand-colored in green, red and tan. Autograph: Thos. Martin. Contemporary manuscript notes and markings. Armorial bookplate of John Whipple Frothingham (1878-1935), nephew and heir of William August White (184...
Publisher:
By Peter Short dwelling on Breedstreet hill at the signe of the Starre
Subject (Topic):
Music theory
Found in:
Beinecke Rare Book and Manuscript Library > A plaine and easie introduction to practicall musicke, set downe in forme of a dialogue : deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of, 2. 3. 4. and .5 [sic] parts