"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
Manuscript, in a single hand, with the title in Horace Walpole's hand, containing 49 drawings in red ink of medals, many of them erotic
Description:
In English and Latin., Title from title page in Horace Walpole's hand., Binding: old red morocco, with gold tooling on boards and six stamps between bands on spine., Note on verso of flyleaf in Horace Walpole's hand: "Bought at the sale of Sr. Clement Cotterel's Library, 1764., On front pastedown: armorial bookplate in red morocco, gold stamped with arms and the name "Edward Hailstone"., Armorial bookplate of Oliver Brett on recto of front flyleaf., Not listed in: A catalogue of the genuine and elegant library of the late Sir Clement Cottrell Dormer, ... which will be sold by auction, ... by Samuel Baker. [London, 1764]., and Old red morocco. No bookplate and not in Manuscript Catalogue of 1763. Bookplates of Edward Hailstone and Oliver Brett.
Subject (Geographic):
Italy and Rome.
Subject (Name):
Tiberius, Emperor of Rome, 42 B.C.-37 A.D.
Subject (Topic):
Medals, Roman, Erotic art, Sex in art, Medals, Nudes, and Sex
"A naked, bald, and grotesquely obese man stands on the tips of his toes about to plunge, or rather topple, into a bath, in which he admires, Narcissus-like, his own absurd reflection. He is poised on a platform projecting over the bath; behind him stands a comely young woman, watching in astonishment. A flesh-brush is beside her, another is on a seat on the opposite side of the bath, where a print of Narcissus is on the wall. An ugly old woman's head looks through a small rectangular aperture up m the wail; she is much amused at the scene. On the wall is a placard: 'Glowcocks Bagnio Cold and Hot Baths Cupping Sweating and otherwise cleansing the body performed here Lodgings for Gentlemen.'"--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed with plate mark on top edge.
Publisher:
Pubd. April 6, 1803, by R. Ackermann, N. 101 Strand, London
Subject (Name):
Narcissus (Greek mythological character),
Subject (Topic):
Prostitution, Public baths, Obesity, Therapeutic baths, Bathing, Nudes, and Signs (Notices)
Title from item., Printmaker's name in image lower right., Place of publication supplied by curator., Published in L'Eclipse, 2 April 1876, François Polo publisher., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
François Polo
Subject (Geographic):
France
Subject (Name):
Raspail, F.-V. 1794-1878. (François-Vincent),
Subject (Topic):
Camphor, Politicians, Nudes, and Politics and government
A cherubic Mercury (left) and Jupiter (right) sit on a rock in a mountainous and tree-dotted landscape. Mercury holds his caduceus in his left arm and rests his foot on a small shield (?) while Jupiter seated on the ground to the right, holds his arm around the neck of a swan. On a shelf above Mercury's head a rooster looks down on the scene
Description:
Title from item. and Numbered in plate: 265.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Mercury (Roman deity) and Jupiter (Roman deity)
Subject (Topic):
Children, Caduceus, Roosters, Swans, Nudes, and Myths
"Two scenes on one plate. In the top scene a hefty nude woman is helped from a bathing machine into the water by a younger nude woman and older dressed woman. Within the enclosure there are two partially clothed women. In the background there is a second bathing machine with a nude woman shown falling into the water but held around the waist by another figure. In the bottom scene, within an interior by an open fireplace, a hefty nude man falls back in a wooden tub as he is scrubbed by an older woman. At left a young woman pours in hot water from a kettle onto the man."--Metropolitan Museum of Art online catalog
Description:
Titles etched below images., Two images on one plate, each bearing the signature "Rowlandson 1800" in lower left and Ackermann's imprint below., Bottom image has remnants of an earlier imprint, mostly burnished from plate, following printmaker's signature: Pud. March [...?] 1800 [...?] Adelphi., Imperfect; sheet trimmed with loss of image and text. Description based on a more perfect impression in the Metropolitan Museum on Art, accession no.: 59.533.723., For a copy of the top image, published ca. 1820 by Sidebotham, see no. 14099 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10. See also: Grego, J. Rowlandson the caricaturist, v. 2, pages 41, 397., 1 print : etching, hand-colored ; sheet 22.4 x 25.7 cm., and Imperfect; only bottom image entitled "Fresh water" is present, the top image having been trimmed away.
Publisher:
Pubd. March 25, 1800, at R. Ackermann's Repository of the Arts, 101 Strand
Subject (Topic):
Public baths, Bathing, Nudes, Bathtubs & showers, Fireplaces, Kettles, and Obesity
"Nude figures resting on a river bank in the shade of a tree; one woman reclining, another seated beside her at right, seen from behind and holding drapery over herself; a couple embracing at left, another couple in the water at right."--British Museum online catalogue
Description:
Title etched below image. and For a different version of this print, either an earlier state or a different plate altogether, see the British Museum online catalogue, registration no.: 1981,U.257.
Wanton virgins frighted and Old man strangely surprized and bugbear'd by the black bandileers and buff-coats
Description:
Verse - "You that delight in a jocular song,"., In four columns with the title and woodcut above the first two; the columns are separated by ornamental rules., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 62. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold in Aldermary Church-yard, Bow-Land [sic], London
Subject (Topic):
Single women, Swimming, Nudes, Women, Lakes & ponds, Voyeurism, and Trees
Title supplied by curator., Item has date M.D.C.XVII [1617]. Curator has supplied date of ca. 1592., Place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Anatomy in Art.
Publisher:
Herman Adolfz excud. Haelemen
Subject (Name):
Hercules (Roman mythological character).
Subject (Topic):
Human anatomy, Sculpture, Roman, Sculpture, and Nudes
