"Mrs. Abington stands facing three quarters to the right dressed as Scrub in Farquhar's 'Beaux' Stratagem', with her hair in tightly curled ringlets (resembling the wig worn by Weston in the part). Her hand is in the pocket of a long, old-fashioned coat worn over an apron. On the wall behind her head is a bust of Farquhar, scowling down at her, disgusted to see a woman play the part. On each side is a picture: on the left the head and shoulders of a man calling "Murder Murder", the frame is inscribed, "Mr Weston in ye part of Scrub". On the right a woman emerges from the funnel of a bottle, as the Bottle Imp. She is of meretricious appearance, holds up a purse in her right hand, a mask in the left; the frame is inscribed, 'For the Benefit of Thalia For this Night only The Pit laid into the Boxes."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Sheet trimmed within plate mark on right and left sides.
Publisher:
Publd. 15th Febry. 1786 by Thos. Cornell, Bruton Street
Subject (Name):
Abington, Mrs., 1737-1815 (Frances Barton), and Farquhar, George, 1677?-1707.
"George IV, indecorously sprawling, sits on a settee between the Duchess of Richmond (left) and Lady Hertford (right), an arm round each. On the garter at his knee: 'honi . . .' Both ladies exclaim: "God! save the King," the latter's hands clasped as if in supplication. Identifications are given by a book at the feet of the Duchess: 'Second Edition The Spruce Widow in two sheets', and by pictures above the head of each (left to right): 'Richmond', a country inn, with a stag's head sign; 'Solomon in his Glory', the King (crowned) surrounded by fat ladies (the two most prominent wearing coronets), all eager for kisses; 'Hertford', a landscape coloured to indicate a sunset and partly covered by a curtain. Empty wine-bottles lie on the floor."--British Museum online catalogue and "On the death of George III the new king was seriously ill. For the ladies see British Museum Satires No. 13222, &c. For some time he had been seeing less of Lady Hertford and had become attached to Lady Conyngham, cf. British Museum Satires No. 13847."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., "Turn over"--Etched in lower right corner, beneath title., Publisher's advertisement written in ink in lower left corner of plate: Just pubd. "How to get un-married" &c., Mounted to 58 x 39 cm., Mounted on leaf 57 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham" and "Lady Hertford" identified in ink in lower margin; date "1820" written in lower right. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Richmond and Lennox, Charlotte, Duchess of, 1768-1842, and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
Subject (Topic):
Adultery, Mistresses, Crowns, Sofas, Books, Draperies, Pictures, and Bottles
"The Regent, as Macheath, wearing military uniform and heavily shackled, stands between Mrs. Fitzherbert, who kneels at his feet (left) removing his leg-irons, and Lady Hertford (right), who stands beside him taking the fetters from his wrists (inscribed 'Restri[ctions]'), He sings "How happy could I be with either." Mrs. Fitzherbert, a long rosary dangling from her waist, says: "The Benediction of His Holiness light on the Defender of Our Faith." Lady Hertford, sultana-like in a jewelled turban, says: "You heard of the Row & the Rowly Powly Song before Our house the Other Night?!!" Behind and on the right Eldon stands full-face between Perceval and McMahon, who face each other in profile. Perceval, in his Chancellor of the Exchequer's gown, and holding a brief-bag, says: "The Greys won't move without their own Coachman tho the Brewer [Whitbread] has offerd his black to do the dirty Work." Eldon, in a huge wig, holds the Purse of the Great Seal; he says: "We must hire Jobs for the Night Work but we are Pro' Rogued." McMahon, in military uniform, has a number of ribbons and stars hanging over his arm; he says: "These Garters & Ribbonds are all returned." On the wall are two pictures: George Hanger, bestriding his pony (as in No. 8889) with a burly bailiff seated behind him, rides in the direction of a sign-post, with a noose hanging from it, pointing 'To the Kings Bench'. This is 'George & his Hanger On, takeing a ride together to a Lodging in Surry'. The other is Sheridan as Bacchus, but dressed as Harlequin (cf. British Museum Satires No. 9916), bestriding a cask of 'Old Sherry'."--British Museum online catalogue
Alternative Title:
Polly & Lucy taking off the restrictions, Polly and Lucy takeing off the restrictions, and Polly and Lucy taking off the restrictions
Description:
Title etched below image. and Watermark: J. Whatman.
Publisher:
Published March 1812 by J. Jonhston, 98 Cheapside
Subject (Name):
Gay, John, 1685-1732., George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Fitzherbert, Maria Anne, 1756-1837, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, McMahon, John, approximately 1754-1817, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845., Whitbread, Samuel, 1764-1815., and Dionysus (Greek deity),
Subject (Topic):
Harlequin (Fictitious character), Military uniforms, British, Shackles, Religious articles, Turbans, Wigs, Bags, and Pictures
Cover title., Place and publisher from Hazen., Signatures: A-E² (-E2)., and Stored in case: 27 cm. Hazen, A.T. Bibliography of the Strawberry Hill Press, no. 23 Copy 1 (page 111).
In an elegantly furnished sitting room, a man sits at a table in a dressing gown and night cap, his tongue hanging out of his mouth and his gouty leg resting on a foot stool as his pulse is taken by a physician (right). The physician looks at a pocket watch with a long chain; he also holds a walking stick in his right hand. The ill man is in the midst of putting together an elaborate dinner party. In addition to an inkstand with quill pens, on the table is a book, "Glasse's art of cookery" open to a recipe on how "to dress a turtle". On the table is an envelope addressed "To Ald. Guttle, London" and one to "Sr. A. Pepperpor" and a letter inviting the Alderman to dine. Another document contains the "bill of fare" which lists turtle soup, venison, chickens, hams, pheasents, etc. At his feet a dog scratches as a cat approaches. On the left a pretty, much young woman leans agains a chair as she watches the scene. The room is decorated with a map of the West Indies over the elegant mantelpiece on which sit a statute of a goat and two candlesticks whose bases are obese figures sitting cross-legged. Two other portraits on either side of the fireplace: on the left a cupid-like figure holding two strings to which are attached two doves; on the right, a portrait of a corpulent man in a wig
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Doctor and patient., 1 print : mezzotint and etching in sepia ink ; sheet 29.5 x 29.2 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Sepr. 22d, 1784, by J. Harris, Sweetings Alley, Cornhill
Subject (Topic):
Gout, Pulse, Cats, Chimneypieces, Clocks & watches, Dogs, Health care, Maps, Physicians, Pictures, Rugs, Sick persons, and Staffs (Sticks)
In an elegantly furnished sitting room, a man sits at a table in a dressing gown and night cap, his tongue hanging out of his mouth and his gouty leg resting on a foot stool as his pulse is taken by a physician (right). The physician looks at a pocket watch with a long chain; he also holds a walking stick in his right hand. The ill man is in the midst of putting together an elaborate dinner party. In addition to an inkstand with quill pens, on the table is a book, "Glasse's art of cookery" open to a recipe on how "to dress a turtle". On the table is an envelope addressed "To Ald. Guttle, London" and one to "Sr. A. Pepperpor" and a letter inviting the Alderman to dine. Another document contains the "bill of fare" which lists turtle soup, venison, chickens, hams, pheasents, etc. At his feet a dog scratches as a cat approaches. On the left a pretty, much young woman leans agains a chair as she watches the scene. The room is decorated with a map of the West Indies over the elegant mantelpiece on which sit a statute of a goat and two candlesticks whose bases are obese figures sitting cross-legged. Two other portraits on either side of the fireplace: on the left a cupid-like figure holding two strings to which are attached two doves; on the right, a portrait of a corpulent man in a wig
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Doctor and patient.
Publisher:
Publish'd Sepr. 22d, 1784, by J. Harris, Sweetings Alley, Cornhill
Subject (Topic):
Gout, Pulse, Cats, Chimneypieces, Clocks & watches, Dogs, Health care, Maps, Physicians, Pictures, Rugs, Sick persons, and Staffs (Sticks)
"She stands directed to the left, holding a pointer with which she slyly points to a picture of Suzanna and the Elders. She is old and grotesquely ugly, wearing a hat over a frilled cap, an apron, and bunched-up skirt. Her left hand is on her hip, a large key dangling from the fourth finger. A corner of the room is shown, the pictures fitted closely together; three rows are depicted, hung above a dado; a fourth is indicated. The pictures are very freely drawn, and one at least is burlesqued."--British Museum online catalogue
Description:
Title, printmaker, and imprint from British Museum catalogue., Text below title: The woman who shews General Guise collection of pictures at Oxford., Description based on imperfect impression; text below image trimmed from sheet., Watermark: Lower [...]., and Mounted to 32 x 23 cm.
Publisher:
Pubd. Febry 26, 1807 by T. Rowlandson, N. 1 James Street, Adelphi
"Lady Perceval sits at an ornate writing-table, pen in hand. A serpent issues from her breast, coils round her arm, and darts its fang at the tip of her pen. She frowns meditatively, saying, "Now then for something strong but not libellous, I hate half measures we must rush upon the enemy--suprise [sic], astound him--and unhorse him by Terror--John Bull have at you! I'll open your eyes--." The table is littered with papers and books; some are docketed: 'For the Star', 'To the Editor of the Star', 'For the News', 'Extracts from the Book', one is 'Copy', a book is 'Politicks', and a large paper is displayed: 'Select Scraps from Shakespeare--with my own comments "Some achieve greatness "some have greatness thrust upon them .... Querie was this not the case with Nunky [Spencer Perceval], why not happen .... Son--.' Other papers and books lie on the floor: newspapers are 'The News' and 'The Star', a paper is headed 'Memorandums Billy Austin [see British Museum Satires No. 12027]--the Will--' Books are 'Life of Lord Nelson', 'A very Woman by Massinger', 'Machiavael', 'Johnson', 'Indiscretion a Novel', 'Don Quixote'. On the left John Mitford, identified by a letter in his coat-pocket 'To John Mit--', stands facing the wall, and hanging one picture over another: he places a view of a country inn, 'The Tigers Head' above one of '[War]burton's Mad House', saying, "Come this is a prettier picture than the other [left] shall catch some fish in this neighbourhood." He is fashionably dressed, wearing Hessian boots. This picture is on the left of a row: a large picture of 'Alecto' (cf. British Museum Satires No. 7721), naked, wreathed in serpents, and brandishing scourge and fire-brand, with a background of flames hangs between three-quarter length portraits of 'Lady Douglas' and 'Lady A Hamilton'. The former covers her face with a tragic gesture; a dagger lies on a table beside her, she seems to contemplate suicide. The latter clasps her hands. Over the chimneypiece (right) is a three-quarter length portrait of 'Lord P . . . . val' concealing his face with his hat; below, and partly hiding the frame, is a statuette of a knight killing a dragon. On the chimney-piece there is also a bottle labelled 'Cephalic' (for diseases of the head). Papers are burning in the grate, one inscribed 'To[o] Libellous'."--British Museum online catalogue
Alternative Title:
Lady Paragraph championizing
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Text following title: - vide Letters., Imperfect; sheet trimmed within plate mark with loss of text following title. Missing text supplied from impression in the British Museum., Temporary local subject terms: Pictures amplify subject., Watermark: C. Ansell 1807., and Formerly mounted with remnants on verso.
Publisher:
Pubd. March 4th, 1814, by S.W. Fores, No. 50 Piccadilly
Leaf 82. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Kitchen of a French post house ; Playing billiards
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. No. 4764 in v. 4 and no. 5913 in v. 5 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1749 ; 59.533.1747., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 82 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
In a room decorated with a marble pilaster with Ionic capital, a corpulent gentleman holding a stick stands to the left of a table pointing gleefully to the two pineapples and three bottles -- labeled "Burgt", "Claret", and Chamne." -- that are set upon it. In his pocket is a rolled piece of paper with the words "An humble address to the K[ing]". On the wall behind him (right) in an ornate frame is a portrait of the Earl of Bute. This satire was issued at time of public excitement around the presentation of addresses to the King, and on the other hand, "Petitionos and Remonstrances". The portrait of the Earl of Bute indicates his alleged secret influence. See British Museum catalogue
Description:
Title engraved below image. and Sheet trimmed within plate mark on left edge.
Publisher:
Published as the act directs Novr. 9th, 1769, by Robt. Sayer, No. 53 in Fleet Street, & Jno. Smith, No. 35 in Cheapside, London
Subject (Geographic):
Great Britain
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792,
Subject (Topic):
Politics and government, Alcoholic beverages, Pictures, and Staffs (Sticks)
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair, the one on the right with a quizzing glass. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", and See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Hand lenses, and Pictures
A copy of a print (British Museum satires no. 12392) published by Humphrey in 6 March 1814. The players are the same, but one (right) has become gouty and sits in a winged arm-chair. The spectators are altered, but are perhaps intended to be the same persons, transformed by dress and pose. One (right) is a dandy who leans against the chimney-piece warming his coat-tails, and watching with a contemptuous smile. There is a picture of skittle-players, as in no. 12392; in place of the horse (left) a left-handed cricketer is depicted
Description:
Title from caption below image.
Publisher:
Pubd. August 1st, 1819 by G. Humphrey, 27 St. James's Street
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print., and Manuscript "Aug 1835" added after imprint.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Floor coverings, Hand lenses, and Pictures
Page 121.18. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Alternative Title:
End where the great door is
Description:
Titles from notes in ink at top of images., Unsigned; artist unidentified., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., Two drawings on a single sheet, one above the other., Each drawing has a numbered key at bottom of image that identifies the pictures that hung on the depicted wall., First two in a series of four drawings showing the layout of the walls of the Gallery at Strawberry Hill, with the number "1" written in upper right corner of sheet. On verso is the third drawing in the series: [Catalogue of pictures in the Gallery] : chimney side., and Tipped in as page 121.18 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Page 121.7. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Alternative Title:
Side fronting the door
Description:
Title from note in ink at top of image., Unsigned; artist unidentified., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., With a numbered key at bottom of image that identifies the pictures that hung on the depicted wall., First in a series of four drawings showing the layout of the walls of the Tribune at Strawberry Hill, with the number "1" likely trimmed away from corner of sheet. On verso is the second drawing in the series: [Catalogue of pictures in the Cabinet] : side where the cabinet of ivories is., and Mounted on page 121.7 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Leaf 82. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from Grego., Restrike. For possible earlier issue of the plate, published 1 March 1803, see: Grego, J. Rowlandson the caricaturist, v. 2, page 42., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A copy of no. 5803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 82 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Billiard rooms, Billiards, Dogs, Servants, and Pictures
Leaf 41. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from Grego., Restrike. For possible earlier issue of the plate, published 1 March 1803, see: Grego, J. Rowlandson the caricaturist, v. 2, page 42., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A copy of no. 5803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 41 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Billiard rooms, Billiards, Dogs, Servants, and Pictures
Volume 1, page 29. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Plate numbered "4" in upper left corner., and Mounted on page 29 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Geographic):
France.
Subject (Topic):
Billiard rooms, Billiards, Dogs, Games, Men, Servants, and Pictures
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 27th Jany. 1781.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 29. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"One corner of a billiard-table is visible, the rest being cut off by the right, margin of the print. A player, in profile to the right, holds up with exaggerated care a cue in front of a ball lying near the corner. He wears a long pigtail queue, on the back of his coat is a large ribbon bow or cockade to which a key is attached. A number of spectators stand round watching intently: of two behind the player, one resembles a footman. Two others stand behind the corner of the table, one wearing a hat like that of a coachman; two others stand on the right behind the table. They are probably all men-servants. The wall behind is papered or stencilled in a pattern of horizontal lines and spots. On it are a rack of cues, the "[Rules of the Ga]me [of Billia]rds", three framed pictures: (a horse-race, a duel, and an oval portrait) and what appears to be a satirical print."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Games -- Domestic service., and Mounted on page 29 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
"A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes."--British Museum online catalogue
Description:
Title etched below image., Printmaker and publication information from a smaller version of this design published 1 Mar. 1803 by R. Ackerman. See Grego, J. Rowlandson the caricaturist, v. 2, page 42., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London : Publisher not identified, 1836?], p. 41., A copy of no. 5803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Imperfect; artist's signature erased from lower right corner of sheet., and 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 36 cm, on sheet 26 x 39 cm
Publisher:
publisher not identified
Subject (Topic):
Billiard rooms, Billiards, Dogs, Servants, and Pictures