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1.
[Scavenger's cart] [graphic]

Creator:
Rowlandson, Thomas, 1756-1827, printmaker, publisher
Published / Created:
[1788]
Call Number:
788.00.00.46
Image Count:
1
Resource Type:
still image
Abstract:
"At left, four rough-looking cart men working at an undifferentiated mass on the street outside some grand houses, one with a whip, two with brooms and the fourth shovelling into the back of a cart harnessed to two horses at right; an old man and a young couple watching from windows above."--British Museum online catalogue
Description:
Title from Grego. and Publisher supplied by Nicholas J.S. Knowles.
Publisher:
Thomas Rowlandson
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, Carts & wagons, Laborers, Shovels, Brooms & brushes, Whips, Horses, and Couples
Found in:
Lewis Walpole Library > [Scavenger's cart] [graphic]

2.
Bags out of place, or, A new administration [graphic]

Creator:
Phillips, John, active 1825-1831, printmaker
Published / Created:
[approximately April 1827]
Call Number:
827.04.00.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a bedroom, meanly furnished except for a four-post curtained bed (left) and a carpeted floor; it is lit by a single candle or rush-light. Lady Eldon (right), a lean and ugly virago, assails the ex-Chancellor with a shovel, holding him by the coat. He tries to escape, shrieking, I cou'dn't in conscience my love, act with them--why, they are all in league with the Devil. Lady Eldon: Conscience, indeed! I'll conscience you! Aye, aye, Sir, you don't know your friends from your foes. I'll make you learn to keep a good place when you've got one; you shan't be idling at home earning nothing. What business is it of your's who's who as long as you have got a good place and are well paid for it. Under the bed is a box of Smuggled Goods. On the wall is a picture: Taking leave of the Court of Conscience. In this Eldon leans from a desk holding a handkerchief towards his eyes, facing a group of standing barristers. On the floor is a book: Rule a Husband and have a Husband [parodying the title of Fletcher's comedy, 'Rule a wife ...]."--British Museum online catalogue
Alternative Title:
New administration
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 31.5 x 46 cm.
Publisher:
Published by E. King, Chancery Lane
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838 and Eldon, Elizabeth, Lady, 1754-1831
Subject (Topic):
Bedrooms, Canopy beds, Floor coverings, Candles, Spouses, Fighting, Shovels, Handkerchiefs, and Books
Found in:
Lewis Walpole Library > Bags out of place, or, A new administration [graphic]

3.
The two gardeners

Creator:
More, Hannah, 1745-1833, author
Published / Created:
[1797?]
Call Number:
Folio 74 OL1 v. 2
Image Count:
1
Description:
Signed Z., i.e. Hannah More., Verse begins: "Two gardeners once beneath an oak,"., In two columns separated by a double rule; woodcut and title span the columns., At foot of the second column, below a double rule, in square brackets: Entered at Stationers Hall., A pamphlet edition of this work, using the same woodcut, was published as part of the Cheap Repository; not in G.H. Spinney, ’Cheap Repository tracts: Hazard and Marshall edition.’ In Library, 4th series, volume 20:3 (December 1939), 97; Spinney records that the title was entered in the Stationers’ Register on 4 April 1797., Copy trimmed, perhaps removing an imprint and reference to the Cheap Repository?, Mounted on leaf 56. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Gardening, Shovels, Vegetables, Oaks, and Acorns
Found in:
Lewis Walpole Library > The two gardeners

4.
The modern fox chace, or, The fox chacing the hounds 1784 [graphic].

Creator:
Kay, John, 1742-1826, printmaker
Published / Created:
[ca. February 1784]
Call Number:
784.02.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
The agitated George III, a trowel in his hand, watches Charles Fox, as a fox, with the "liberty" ribbon draped accross his back, leap over the "vanity pit" (William Pitt) in pursuit of a pack of hounds. In Fox's mouth is the judge's cloak that he pulled off the bewigged and snarling hound (Lord Thurlow). A column inscribed, "to Eastern tyranny," topples down upsetting the male figure of Injustice who holds a sword and a pair of scales. The fox urinates on one of the lanterns that symbolize conspiracy. Behind it, Boreas (Lord North) succeeds in blowing down the "Temple of secret influence" (Lord Temple).
Alternative Title:
Fox chacing the hounds
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., Printmaker and publication date from British Museum catalogue., and Place of publication based on the area of printmaker's activity.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813., and Thurlow, Edward Thurlow, Baron, 1731-1806.
Subject (Topic):
Politics and government, Shovels, Foxes, Dogs, and Lanterns
Found in:
Lewis Walpole Library > The modern fox chace, or, The fox chacing the hounds 1784 [graphic].

5.
Sign for a paviour [graphic]

Creator:
Ireland, Jane, active 1792-1793, printmaker
Published / Created:
[1799]
Call Number:
Hogarth 799.05.01.09 Box 135
Image Count:
1
Resource Type:
still image
Abstract:
With the view of city buildings behind, pavers work with picks and shovels on the street ...
Description:
Title from caption below image., Sheet trimmed to plate mark., "Pl. II."--Numbered in upper right corner., Illustration from: Ireland, S. Graphic illustrations of Hogarth, v. ii, p. 46., and Attribution to artist William Hogarth burnished from lower left below design.
Publisher:
Samuel Ireland
Subject (Topic):
Boys, Cityscapes, Dogs, Laborers, Shovels, Musicians, and Women
Found in:
Lewis Walpole Library > Sign for a paviour [graphic]

6.
Blackberrying [graphic]

Creator:
Hunt, Charles, active 1825-1857, printmaker
Published / Created:
[before 1860]
Call Number:
860.00.00.02
Image Count:
1
Resource Type:
still image
Abstract:
A scene with a group of mourners in a landscape, a palm tree to the left with a monkey watching and pointing to the drama. A man standing to the right reads from a book; three other figures, another man and a woman with a child on her back weep as they watch two men lower the deceased into the grave. The man on the right says, "How precious pale he look in de face." The other man holding the other end of the stretcher says, "Aye-Aye, him be no Moor."
Description:
Title etched below image., Later state of a plate first published by Gabriel Shire Tregear in 1834, the year in which the Slavery Abolition Act came into force. The original print was one of twenty caricatures with the series title 'Tregear's Black Jokes'. The prints developed the theme of the earlier 'Life in Philadelphia' caricatures (of which Tregear published copies), lampooning the social aspirations of Philadelphia's black population. After Tregear's death, the plates for 'Tregear's Black Jokes' passed to his former shopman Thomas Crump Lewis (1808-81), whose publication line is on this later state. The three mentions of Tregear's name on the plate have either been changed to Lewis's or simply effaced., Dated 1860 by the Library of Congress, but Hickman suggests that the prints were issued before that date., "Catalogue of prints"--Etched in lower right corner., and Sheet trimmed to plate mark.
Publisher:
T.C. Lewis & Co., 96 Cheapside, London
Subject (Topic):
Black people, Death, Funeral rites & ceremonies, Graves, Shovels, Grief, Crying, and Monkeys
Found in:
Lewis Walpole Library > Blackberrying [graphic]

7.
Ancient music [graphic].

Creator:
Gillray, James, 1756-1815, printmaker
Published / Created:
[10 May 1787] and [not before 1801]
Call Number:
Drawer 787.05.10.01.2
Image Count:
1
Resource Type:
still image
Abstract:
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Subject (Topic):
Canopies, Concerts, Wreaths, Jewelry, Dogs, Demons, Sleeping, Musical instruments, Books, Birds of prey, Baskets, Fish, Swine, Lawyers, Judges, Shovels, Brooms & brushes, Punishment devices, Buttocks, and Cats
Found in:
Lewis Walpole Library > Ancient music [graphic].

8.
Dig for victory. For their sake -- grow your own vegetables! [graphic]

Published / Created:
[ca. 1939-1945].
Call Number:
Poster0037
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date derived from wartime subject matter., and Text below image: Printed for H.M. Stationery Office by Jarrold & Sons, Ltd., Norwich. 51-3083
Publisher:
H. M. Stationery Office and Jarrold & Sons, Ltd., Norwich
Subject (Topic):
Victory gardens, Nutrition, World War, 1939-1945, Children, Shovels, and Digging
Found in:
Medical Historical Library, Cushing/Whitney Medical Library > Dig for victory. For their sake -- grow your own vegetables! [graphic]

9.
Digging and delving [graphic].

Published / Created:
[16 December 1806]
Call Number:
806.12.16.01
Image Count:
1
Resource Type:
still image
Abstract:
"Heading to engraved verses: 'Sung by Mr Incledon, in his Popular Entertainment of Hospitality.' A countryman stands full face, reflectively leaning on his spade. Behind is a rustic scene with a cottage. A dog guards his master's coat. The first and last lines: 'Come Measter I be's going to sing, - At least I be's going to try, ... Some dig for ..."--British Museum online catalogue
Description:
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle series of Drolls were executed by either Isaac Cruikshank or Richard Newton., One line of text directly below title: Sung by Mr. Incledon in his Popular Entertainment of Hospitality., Twenty four lines of verse arranged in three numbered columns above imprint statement: Come Measter I be's going to sing, at least be's going to try ..., and Plate numbered '451' in the lower left corner.
Publisher:
Publish'd Decr. 16, 1806 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Digging, Shovels, Dogs, and Dwellings
Found in:
Lewis Walpole Library > Digging and delving [graphic].

10.
Doctor Medicinae [graphic].

Published / Created:
[17--]
Call Number:
Print00572
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Date supplied by curator., Place of publication derived from language of text., Title is followed by six lines of verse., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification)., Skeletons, Physicians, and Shovels
Found in:
Medical Historical Library, Cushing/Whitney Medical Library > Doctor Medicinae [graphic].

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