"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue and "Evidently Dubois de Chémant who introduced porcelain teeth into England (replacing those of bone and ivory) and published 'A Dissertation on Artificial Teeth in general', 1797, 4th ed., 1804. Cf. earlier prints by Rowlandson on false teeth, British Museum Satires Nos. 7766, 8174."--Curator's comments, British Museum online catalogue
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of plate number from top edge. Plate number supplied from impression in the British Museum., "Price one shilling"--Following imprint., Plate numbered "58" in upper right corner., Temporary local Medical Library subject terms: False teeth., 1 print : etching, hand-colored ; sheet 23.1 x 33.3 cm., and Sheet trimmed within plate mark with loss of plate number from upper right.
Publisher:
Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Dubois de Chémant, Nicolas, 1753-1824
Subject (Topic):
Dentures, Dentistry, Smiling, Hand lenses, and Signs (Notices)
"Whitefield preaching to a group of country-people by the roadside. A sign, a lion rampant on a post with the chequers which denote an alehouse, shows that the scene is outside an inn. Whitefield, his squint very pronounced, stands in gown and bands, both arms raised, in the attitude familiar from the mezzotints in print-shop windows, see British Museum satire 5220. Some of his hearers, men and women, clasp their hands in prayer, some kneeling; others grin slyly or scowl. Immediately in front of him an elderly man seated on a mounting-block, is asleep, his head resting on the head of his stick. A woman with three infants is seated in the foreground (left). A pot-man (left), his sleeves rolled up, holds out a foaming tankard, either to the preacher or to one of the audience. Behind, in front of the signboard (left) is a countryman on horseback. Behind Whitefield is the trunk of a large tree, under which the group is collected."--British Museum online catalogue
Description:
Title, printmaker, and publication information from British Museum catalogue., Sheet trimmed within plate mark resulting in loss of title, imprint, and statement of responsibility., and Window mounted to 33 x 26 cm.
Publisher:
Publish'd April 15, 1774, by W. Humphry, St. Martin's Lane
Subject (Name):
Whitefield, George, 1714-1770
Subject (Topic):
Breast feeding, Clergy, Crowds, Drinking vessels, Outdoor religious services, Prayer, Signs (Notices), Sleeping, Taverns (Inns), and Waiters
Title from caption below image., Printmaker and publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Street scenes: Spectators of performance by French? family with dancing bear -- Animals: Performing bears -- Costume, ca. 1780 -- French costume: Street performers., Note in an unidentified later hand below image: Engraved by Rowlandson., and Matted to 47 x 62 cm.
Publisher:
Published by Wm. Allen, No. 32 Dame Street
Subject (Topic):
Dogs, Monkeys, Sailors, British, Signs (Notices), and Spectators
published as the act directs, [approximately 1773]
Call Number:
773.01.19.02+
Image Count:
1
Resource Type:
still image
Abstract:
A Macaroni in a tricorne hat, a sword with a hilt in the shape of a cockatoo's head at his waist and a walking stick dangling from gold rope around his wrist, peers through his quizzing glass at two stylishly-dressed women -- one young and pretty, the other old and ugly -- whom he passes on the street in front of a tavern, a wrought-iron fence behind him. The sign above the entrance reads "Wines, &c"; the sign on the building reads "Kind and Tender Usage." The young woman holds her hands in her fur muff; a watch dangling from the edge
Description:
Title from text below image., Date erased, as in British Museum catalogue., Plate numbered '278' in lower left corner., imperfect; publication date erased from this impression., and Plate number crossed out and corrected in contemporary hand to '280.'
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Paul's Church Yard, London
Subject (Topic):
Dandies, Pickpockets, Prostitutes, Signs (Notices), and Taverns (Inns)
"A naked, bald, and grotesquely obese man stands on the tips of his toes about to plunge, or rather topple, into a bath, in which he admires, Narcissus-like, his own absurd reflection. He is poised on a platform projecting over the bath; behind him stands a comely young woman, watching in astonishment. A flesh-brush is beside her, another is on a seat on the opposite side of the bath, where a print of Narcissus is on the wall. An ugly old woman's head looks through a small rectangular aperture up m the wail; she is much amused at the scene. On the wall is a placard: 'Glowcocks Bagnio Cold and Hot Baths Cupping Sweating and otherwise cleansing the body performed here Lodgings for Gentlemen.'"--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed with plate mark on top edge.
Publisher:
Pubd. April 6, 1803, by R. Ackermann, N. 101 Strand, London
Subject (Name):
Narcissus (Greek mythological character),
Subject (Topic):
Prostitution, Public baths, Obesity, Therapeutic baths, Bathing, Nudes, and Signs (Notices)
A copy in reverse of William Hogarth's Plate 1 of A harlot's progress: A scene outside the Bell Inn: a country girl, Moll Hackabout, having just arrived on the York Wagon (seen on the right), meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower left the girl's initials "H.M." (M[ary?] Hackabout, initials reversed on this copy) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony. A clergyman on horseback fails to notice the encounter as his horse feeds on hay next to the wagon. In the back of the wagon, four other country girls sit holding onto a rail
Alternative Title:
Innocence betrayed, or The journey to London and Innocence trahie, ou, Le voyage de Londres
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.3 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Overprinted with left and right border pieces., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2031., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 121.
Publisher:
publisher not identified
Subject (Name):
Needham, Elizabeth, -1731. and Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Rake's progress, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.7 x 39.2 cm, on sheet 45 x 56 cm., and Leaf 2 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., and On page 58 in volume 1. With pencilled ms. notes in Steevens hand above print: Harlot's Progress 1st Impression. Plate trimmed to: 31 x 38.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
"Long, dressed as a funeral mute or mourner, stands full-face, legs apart, carrying four large boards like a sandwich-man (then "board-man"). Only his draped hat and eyes appear above the central board. In his hand is a staff draped in black which is inscribed 'Killing No Murder' [cf. British Museum Satires No. 11371]. At his feet are many ducks, all angrily quacking: 'quack!!'; 'quack!!!'; or (one) 'cruel quack'. He says, quoting a nursery rhyme, 'Come, Dilly, Dilly, Dilly, come and be killed!!!' The principal board is headed 'To the Public', with the Royal Arms. Inscriptions: 'A Receipt of my Grandmothers | Decline Arrested | Consumption prevented | A Cure for all diseases | By The Simple | process of | Skinning Alive | protected by the | NOBILITY | and a House-Full of | Ladies | of the first Distinction | Dr Needy, Harley-Street | NO QUACKERY'. On both flanking boards are a grinning skull and cross-bones inscribed 'momento [sic] mori'; on one (left) are wine-glasses, tankard, and bottle and 'A Short Life and a Merry one'; (right) 'N.B. . Short Accounts make LONG Friends'. Behind is a funeral procession with two coffins, preceded by a duck. This passes the railings of a London square. Behind are houses, on one of which is a hatchment, and a church-steeple on which prances a tiny devil flourishing a trident."--British Museum online catalogue
Alternative Title:
Oracle of Harley Street
Description:
Title etched below image., Second title etched above image: The Oracle of Harley Street., Signed at bottom of plate with the initials "J.D.R." followed by a depiction of an artist's palette., Possibly etched by 'Sharpshooter' (the pseduonym of John Phillips); see British Museum catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Consumption -- Funerals -- Manslaughter -- Drugs.
Publisher:
Pub. by G. Humphrey, 24 St. James's Street
Subject (Name):
Long, John St. John, 1798-1834
Subject (Topic):
Quacks and quackery, Malpractice, Quacks, Signs (Notices), and Ducks
"Caricature on the trial of Queen Caroline with her accusers on the stage of St Stephens with a cast of witnesses from the trial, addressing John Bull."--British Museum online catalogue
Description:
Title etched below image., Attribution to William Heath from unverified data in local card catalog record., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Walking sticks -- Hampton Court -- Male costume: 1820 -- Italians., and Manuscript "266" in upper center of plate.
Publisher:
Pub. July 22, 1820, by S.W. Fores, 41 Picadilli [sic], London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and St. Stephen's Chapel (Westminster, London, England),
Subject (Topic):
John Bull (Symbolic character), Stages (Platforms), Horns (Communication devices), Ethnic stereotypes, Witnesses, Staffs (Sticks), and Signs (Notices)
"Caricature on the trial of Queen Caroline with her accusers on the stage of St Stephens with a cast of witnesses from the trial, addressing John Bull."--British Museum online catalogue
Description:
Title etched below image., Attribution to William Heath from unverified data in local card catalog record., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Walking sticks -- Hampton Court -- Male costume: 1820 -- Italians., 1 print : etching ; sheet 24.2 x 33.9 cm., Prited on laid paper with watermark; hand-colored., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 48 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Castlereigh [sic]," "Londonderry," and "Sidmouth" identified in pencil below image; date "23 [sic] July 1820" writted in ink in lower right.
Publisher:
Pub. July 22, 1820, by S.W. Fores, 41 Picadilli [sic], London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and St. Stephen's Chapel (Westminster, London, England),
Subject (Topic):
John Bull (Symbolic character), Stages (Platforms), Horns (Communication devices), Ethnic stereotypes, Witnesses, Staffs (Sticks), and Signs (Notices)
A large stout man, with an expression of resignation on his face, walking between village houses, staggers under the weight of a drunken woman reposing on his back, a glass marked 'gin' in her raised right hand, her bosom exposed. On her lap sits a monkey holding on to the man's wig and thus pulling it off his head. A magpie is sitting on monkey's shoulders. Around the man's neck is a heavy chain with a huge padlock inscribed 'wedlock' hanging in the center. Behind the group, from a pigsty attached to the house on the left and inscribed, 'She is as drunk as David's sow' a pig sticks out its head. From the roof of the same house is suspended a sighboard showing two cats and decorated at top with bull's horns. Above the horns is an inscription, 'The Christian mans arms, or, the cuckolds fortune.'
Alternative Title:
Matrimony
Description:
Title from item., Publication date inferred from John Smith's address at Cheapside., Two columns of verse below image: A monkey, a magpuye & wife, is the true emblem of strife ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robt. Sayer in Fleet Street, & John Smith in Cheapside
Depicts a horizontal Scotsman wrapped in a letter which is floating in the air under a signpost inscribed "To London." The letter bears a round stamp "Free" and is addressed "To the Majority, St. Stephen's Westmr. Free Duke or no Duke". A reference to allegations that the Duke of Portland bribed Scottish M.P.s with money for travel
Description:
Title etched below image., Printmaker from British Museum catalogue., Probably a later state, with added scribbles in the background and with the presence of significant plate wear that makes printmaker's initials in lower left corner illegible. Cf. British Museum online catalogue, registration no.: 1868,0808.5108., and Mounted on page 34.
Publisher:
Published as the act directs by Jas. Bretherton, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809.
Subject (Topic):
Legislators, National characteristics, Scottish, Corruption, and Signs (Notices)
Depicts a horizontal Scotsman wrapped in a letter which is floating in the air under a signpost inscribed "To London." The letter bears a round stamp "Free" and is addressed "To the Majority, St. Stephen's Westmr. Free Duke or no Duke". A reference to allegations that the Duke of Portland bribed Scottish M.P.s with money for travel
Description:
Title etched below image., Printmaker from British Museum catalogue., Probably a later state, with added scribbles in the background and with the presence of significant plate wear that makes printmaker's initials in lower left corner illegible. Cf. British Museum online catalogue, registration no.: 1868,0808.5108., 1 print : etching with engraving on wove paper ; plate mark 23.3 x 28.7 cm, on sheet 25.4 x 30.3 cm., Mounted on leaf 22 of James Sayers's Folio album of 144 caricatures., and Watermark: 1811.
Publisher:
Published as the act directs by Jas. Bretherton, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809.
Subject (Topic):
Legislators, National characteristics, Scottish, Corruption, and Signs (Notices)
Depicts a horizontal Scotsman wrapped in a letter which is floating in the air under a signpost inscribed "To London." The letter bears a round stamp "Free" and is addressed "To the Majority, St. Stephen's Westmr. Free Duke or no Duke". A reference to allegations that the Duke of Portland bribed Scottish M.P.s with money for travel
Description:
Title etched below image., Printmaker from British Museum catalogue., Probably a later state, with added scribbles in the background and with the presence of significant plate wear that makes printmaker's initials in lower left corner illegible. Cf. British Museum online catalogue, registration no.: 1868,0808.5108., and Mounted to 35 x 42 cm.
Publisher:
Published as the act directs by Jas. Bretherton, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809.
Subject (Topic):
Legislators, National characteristics, Scottish, Corruption, and Signs (Notices)
Title etched below image., Numbered 'Plate 82' in upper left corner., Sheet trimmed within plate mark., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Architectural details: thatched overhang -- Old Maiden Head -- Elizabeth I.
Two huntsmen are seated at a table outside a wayside inn, one of whom turns to take on his knee a maidservant, a pretty girl who holds a jug in her right hand, and places a hand on her breast; the other (right) eats voraciously a slice of the roast beef. Behind, the innkeeper hurries from the door with a punch-bowl. At a horse-trough (left), placed under the inn-sign of a leaping stag, two saddle-horses are drinking; an ostler stands beside them."--British Museum online catalogue
Description:
Title etched below image. and No. '116' in the series of Drolls.
Publisher:
Published 20th May, 1794, by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Hunters, Hotelkeepers, Occupations, Servants, Signs (Notices), and Taverns (Inns)
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a penny-barber's shop showing one corner of a small raftered room lit by a lamp hung from the roof and inscribed 'Shave with Ease & Expedetion for one Penny'. The barber (right) flourishes his razor above the head of a lean client whose face a boy (left) coats with lather, using a large brush; a bucket hangs on the boy's arm. In the background (right) a second customer in back view is also being shaved. Two wig-blocks lie on the ground (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; plate has been slightly cut down with removal of imprint statement from bottom edge, and plate number has been added to upper right corner., Date of publication inferred from imprint on earlier state: Pubd. as the Act directs June 20, 1789, by Mrs. Lay, on the Steine, Bright-helmstone. Cf. No. 7604 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate numbered "63" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Companion print to: A penny barber., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 257., 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 35.8 x 23.3 cm, on sheet 41.8 x 25.6 cm., and Leaf 75 in volume 2.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Barbershops, Shaving equipment, Signs (Notices), and Wigs
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a penny-barber's shop showing one corner of a small raftered room lit by a lamp hung from the roof and inscribed 'Shave with Ease & Expedetion for one Penny'. The barber (right) flourishes his razor above the head of a lean client whose face a boy (left) coats with lather, using a large brush; a bucket hangs on the boy's arm. In the background (right) a second customer in back view is also being shaved. Two wig-blocks lie on the ground (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; plate has been slightly cut down with removal of imprint statement from bottom edge, and plate number has been added to upper right corner., Date of publication inferred from imprint on earlier state: Pubd. as the Act directs June 20, 1789, by Mrs. Lay, on the Steine, Bright-helmstone. Cf. No. 7604 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate numbered "63" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Companion print to: A penny barber., and Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 257.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Barbershops, Shaving equipment, Signs (Notices), and Wigs
