Stamped verso: Camera 5 / 27 West 27th Street, New York, N.Y. 10061 / Telephone 683-2534 / Please give photographer credit / Photo No: Ken Regan / photograph on loan for one time / reproduction rights in U.S. and / Canada. Original must be returned. / Not
Subject (Name):
Bennett, Michael, 1943-
Subject (Topic):
Actors, Actresses, Dancers, Musicals, Singers, and Theatrical producers and directors
Stamped verso: Camera 5 / 27 West 27th Street, New York, N.Y. 10061 / Telephone 683-2534 / Please give photographer credit / Photo No: Ken Regan / photograph on loan for one time / reproduction rights in U.S. and / Canada. Original must be returned. / Not
Subject (Name):
Bennett, Michael, 1943-
Subject (Topic):
Actors, Actresses, Dancers, Musicals, Singers, and Theatrical producers and directors
Stamped verso: Camera 5 / 27 West 27th Street, New York, N.Y. 10061 / Telephone 683-2534 / Please give photographer credit / Photo No: Ken Regan / photograph on loan for one time / reproduction rights in U.S. and / Canada. Original must be returned. / Not
Subject (Name):
Bennett, Michael, 1943-
Subject (Topic):
Actors, Actresses, Dancers, Musicals, Singers, and Theatrical producers and directors
Stamped verso: Camera 5 / 27 West 27th Street, New York, N.Y. 10061 / Telephone 683-2534 / Please give photographer credit / Photo No: Ken Regan / photograph on loan for one time / reproduction rights in U.S. and / Canada. Original must be returned. / Not
Subject (Name):
Bennett, Michael, 1943-
Subject (Topic):
Actors, Actresses, Dancers, Musicals, Singers, and Theatrical producers and directors
Two women stand on a balcony, mouths open in song and eyes cast downward at their music sheet. They wear corsetted dresses and feathered head wear. A satire of the duet performed by Harriet Abrams (1758-1821), the English soprano and composer, and her sister Theodosia (ca. 1770-1849), a contralto, on 9 May 1788 at Hanover Square Rooms. The piece performed was 'Gia che mia sposa sei' by Antonio Sacchini, and the occasion was the annual benefit concert for the tenor Samuel Harrison
Alternative Title:
Duet at the Hanover Square concert
Description:
Title etched below image., After a drawing by John Nixon, now in the Gerald Coke Handel Collection, Foundling Museum, London. The artist's "JN" monogram and "1788" date are etched within center left portion of image., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the Gerald Coke Handel Collection, Foundling Museum, London., Not in the Catalogue of prints and drawings in the British Museum., and Laid down onto album paper, with a cropped portrait of an unidentified man on the verso: I. Hiresman pinx. ; M. Vdr. Guchta sculp.
Title etched below image., Sheet trimmed within plate mark., Signed "M." in the lower right corner., Earlier state without imprint date and with alterations to the design. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6557., Temporary local subject terms: Allusion to Election Committee -- Allusion to Wood's Hotel -- Covent Garden -- Allusion to scrutiny -- Allusion to political grapes -- Election favors -- Voting: plumpers -- Ballad singers -- Placards -- Key to the Back Stairs -- Allusion to Hervey Redmond, 2nd Viscount Montmorres, 1746?-1797 -- Allusion to John Churchill, , fl. 1784., and Watermark in center of sheet: fleur-de-lis with initials G [or C?] R.
Publisher:
Pub. as the act directs by W. Holland, No. 66 Drury Lane
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Fox, Charles James, 1749-1806, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
Subject (Topic):
Political elections, Elections, 1784, Canvassing, and Singers
"The interior of Dulwich College Chapel. A stout man, probably the Master, wearing a gown, stands in a pulpit or desk (left), a large book before him, his eyes and mouth twisted in a sly leer. Below him (right) the figure of Edward Alleyne has risen from a tombstone and stands (half length) holding up the horizontal stone. He is surrounded by clouds. He wears hat, ruff, and a gown which differs from that of the living man chiefly in being furred. The figure is copied (in reverse) from the whole length portrait of Alleyne at Dulwich College. On the stone, beneath a coat of arms, is the inscription, a strip along the left being cut off by the lower margin of the print: 'Sacred | the Memory of | Edward Alleyne | Founder of this | College | Life Nov 26 | 1626 Æ 63 | Likewise | Joan his Dear | Wife who F | race 28 June 1623.' Next the Master is a sour-looking profile, and, below, three choristers (full-face), are grinning broadly."--British Museum online catalogue
Description:
Title etched below image. and Place of publication based on location of printmaker John Nixon.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Alleyn, Edward, 1566-1626., Alleyn, Thomas, -1805., and Dulwich College
