Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. XIV; see p. 116., On page 24 in volume 1. Plate trimmed to: 4.6 x 7.6 cm., and Ms. note in Steevens's hand: Missio Ignominiosa &c
A soldier, possibly from the English Civil War, looks with shock towards an arrow embedded in his chest. He sits, surrounded by foliage, holding a dagger in his right hand
Description:
Title devised by cataloger., Unsigned; attributed to Henry William Bunbury., and Date from dealer's description.
Subject (Topic):
Soldiers, War casualties, Arrows, and Daggers & swords
Ink drawing depicting a prisoner, possibly Saint Laurence of Rome, about to be burned over coals by Roman soldiers. The prisoner's hands are bound behind his back and he is naked apart from a loin cloth; a soldier on foot grasps him from behind while two mounted soldiers look on. Four other figures surround the prisoner, one crouching at the prisoner's feet and spreading coals. A statue of a seated figure next to an eagle is visible in the upper right, probably an architectual element of a building in the background
Description:
Title from local catalog card., Signed in ink with the artist's initials in lower right corner of mount; also signed on verso with the same initials., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in at page 153 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Ink drawing depicting a prisoner, possibly Saint Laurence of Rome, about to be burned over coals by Roman soldiers. The prisoner's hands are bound behind his back and he is naked apart from a loin cloth; a soldier on foot grasps him from behind while two mounted soldiers look on. Four other figures surround the prisoner, one crouching at the prisoner's feet and spreading coals. A statue of a seated figure next to an eagle is visible in the upper right, probably an architectual element of a building in the background
Description:
Title from local catalog card., Signed in ink with the artist's initials in lower right corner of mount; also signed on verso with the same initials., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in at page 153 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129., Ms. note in Steevens's hand: Standing before the General's tent &c., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.8 cm.
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson. and One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed within plate mark., and On page 150 in volume 2.
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[1766]
Call Number:
766.00.00.11
Image Count:
1
Resource Type:
still image
Description:
Title from note in contemporary hand written on mounting sheet., Attributed to Darly based on other prints in the series: The counsellor and The lawyer., Publication date inferred from date on another print in the series., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military: soldiers, ca. 1766., and Mounted to 21 x 17 cm.
