Postcard photographs related to United States military involvement in the Mexican Revolution
Container / Volume:
Folder 16
Image Count:
2
Abstract:
Collection includes postcard photographs created by commercial and amateur photographers of locations and events related to United States military involvement in the Mexican Revolution, ca. 1910-1917.
Alternative Title:
5th U.S. Field Artillery in parade going south on Stauton St. and turning west at 6th Street, El Paso, TX, in 1916
Description:
ALS to Mr. Lawrence, Eastport, Maine, from William Hobson, 1914 Jan 22.
American Red Cross nurse aiding wounded soldier in battlefield
Description:
Title from item., Date derived from subject and uniforms depicted., Place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Mounted on linen.
Publisher:
The Atlantis Press, Boston
Subject (Topic):
Medicine, Military, Nursing, World War, 1914-1918, Trench warfare, Foxholes, Nurses, Soldiers, Wounds & injuries, and Battlefields
A young soldier tells his fellow soldiers he can tell if a woman has syphilis by looking at her. An army doctor is called into the barracks to disabuse him
Description:
Title from item., Date from item., In lower margin: U. S. Government Printing Office ; 1943-O-521841., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title and date from item., In poster lower right [U.S. Army Medical Corps logo] Distributed through the medical department., Poster lower left is blank, labeled: Paste list of pro stations in this space., Signed in ink in margin lower right: 11/12/99 Raphael Epstein., In margin lower left: V.D. 5., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
U.S.A., S.O.S., S.W.P.A.
Subject (Topic):
Sexually transmitted diseases, World War, 1939-1945, Prostitution, Condom use, Prostitutes, and Soldiers
Title from item., Decade obliterated in date; surmised from publisher's address., and Date of publication surmised from printer'ss address. See I. Maxted's British book trade.
Publisher:
Pub. by T. Colley Novr. 28 17[8]1 high Holborn London
Subject (Geographic):
France
Subject (Topic):
Soldiers, French, Military uniforms, Piers & wharves, Clothing & dress, and Dogs
Volume 2, page 35. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"An organ grinder turning angrily to left at the sight of a soldier placing his hand on the arm of a beautiful girl from his troupe playing the mechanical organ at left, his dog at his ankles reflecting his sentiment by growling at another at the soldiers feet, behind at left a woman beating a drum and on the right a young girl plays a triangle, two friars stand behind, ogling the organ player, buildings and a church on the street behind; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 35 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Sepr. 20th, 1785, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Street musicians, Organ grinders, Drums (Musical instruments), Soldiers, Monks, and Dogs
"Three visitors regard with amusement a soldier who acts as barber. A soldier sits (left) outside a tent, his hair lank and undressed, his chin lathered, a cloth round his neck. The barber stands flourishing a razor; he is in full regimentals, wearing a busby, with intrenching tools (a spade and axe) thrust through his belt. Facing him in profile to the left stands a lady with a man in riding-dress on each side of her; one points, the others raise their hands in amused surprise. A grinning black boy in livery, wearing a turban and carrying a riding-whip, stands behind them. A sentry stands on duty beside the tent with his musket across his shoulder. Another soldier stands on the extreme right, his hands crossed on his breast. A row of tents, backed by trees and the contour of a hill, forms a background. In the middle distance an officer with another soldier appears to be inspecting the camp."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 25 June 1784 by C. White. Cf. No. 6727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Military barbers -- Military tents -- Military uniforms -- Regimentals uniforms -- Male costume -- Domestic service -- Riding whips -- Guns: Musket., and Watermark.
Publisher:
Published Novr. 17, 1794, by J. Harris, Sweetings Alley & No. 8 Broad Street
Subject (Topic):
Military camps, Soldiers, Tents, Barbering, Shaving equipment, Spades, Axes, Servants, Turbans, Riding habits, Whips, and Rifles
Volume 2, page 23. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three visitors regard with amusement a soldier who acts as barber. A soldier sits (left) outside a tent, his hair lank and undressed, his chin lathered, a cloth round his neck. The barber stands flourishing a razor; he is in full regimentals, wearing a busby, with intrenching tools (a spade and axe) thrust through his belt. Facing him in profile to the left stands a lady with a man in riding-dress on each side of her; one points, the others raise their hands in amused surprise. A grinning black boy in livery, wearing a turban and carrying a riding-whip, stands behind them. A sentry stands on duty beside the tent with his musket across his shoulder. Another soldier stands on the extreme right, his hands crossed on his breast. A row of tents, backed by trees and the contour of a hill, forms a background. In the middle distance an officer with another soldier appears to be inspecting the camp."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Scene: Shaving in front of tent -- Militia: Sentry -- Officer -- Costume, 1784 -- Black footboy -- Military: Busby -- Male hats, 1784., and Mounted on page 23 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. June the 25th, 1784, by C. White, Stafford Row, Pimlico
Subject (Topic):
Military camps, Military uniforms, Military officers, Soldiers, Tents, Barbering, Shaving equipment, Spades, Axes, Servants, Turbans, Riding habits, Whips, and Rifles
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 3 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A drawing of four scenes, with caricatured figures with large heads and very small bodies. Upper left: A man with a monocle (right) inquires of the butler on a threshold with pillar to his left, "Is your master within. No Mr. Smallfeast he's gone out to dinner. Oh dear me, well your mistress will do just the same. & She's out Sir. How provoking. Well, I'll set down by the fire till they come home. I'm sorry to tell you that that's gone out to." Upper right: A soldier is shot by a man (Turk?) hiding in the tall grass and pointing a rifle. Lower half, left: In a pulpit a bald minister with spectacles rants and he holds up a Bible in his left hand ready to throw it at the sleeping congregation below, " Ye sleepy crew if ye wont hear the owrd of God ye shall feel it." Lower right: A simpleton in artist attire holds up a piece of paper with a stick figure drawing and says, "Don't you think I improve."
Description:
Title from captions written each image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Artists, Butlers, Clergy, Congregations, Soldiers, British, and Sleeping
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[18 November 1830]
Call Number:
830.11.18.01+
Image Count:
1
Abstract:
Political satire: Arthur Wellesley, 1st Duke of Wellington (1769-1852) leading his Tory government ministers in flight from its attack on the castle of 'Reform' (as inscribed to the Tricolore flag of liberty that flies from the tower).
Description:
Title from caption below image. and Mounted to 32 x 41.5 cm.
Publisher:
Pub. Nov. 18, 1830, by S. Gans, Southampton St., Strand
Subject (Geographic):
Great Britain
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politics and government, Military retreats, Soldiers, and British
"Soldiers march impassively in double file through a crowded street, and over the prostrate bodies of those whom they have overthrown. Military arrogance and foppishness are personified by the officer, much caricatured, with a grotesquely elongated waist (cf. British Museum Satires No. 7352). He places one toe on the body of a fish-woman who lies on her back, her legs much exposed. His outstretched right leg is poised above a crouching woman who tries to protect her barrow of vegetables. Two men holding muskets precede the officer; one tramples on the face of an infant. The officer is followed by a man carrying a pike, behind whom march six soldiers in double file carrying muskets with fixed bayonets. All march ruthlessly, eyes front, regardless of the havoc they are causing. A porter lies on the ground clutching a broken wooden case faintly inscribed 'Mr . . . Silversmith'; from it pour plate and jewels. The porter's knee is badly damaged, and his knot has been knocked from his shoulders. A milliner or courtesan lies on her back clutching the hair of a barber who clasps her leg. On the extreme right a prostrate woman tries to protect her infant, and a newsboy with his horn and a sheaf of the 'Morning Herald' tries to escape from the trampling soldiers. Other victims between the soldiers and the wall are a woman with a crutch, a shoeblack, a man with a tray of rolls. A pair of beseeching hands and two female legs (right) waving in the air add to the turmoil, which is accentuated by the writhing forms of the fish which fall from the fishwoman's basket. The background is formed by the wall of a stone building with two elaborately barred niches, and by the window of a silversmith's shop (right)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Abuses: military marches, 1787 -- Newspapers: Morning Herald -- Architectural details: barred niches -- Trampled victims -- Guns: muskets with fixed bayonets -- Protection of the Bank, 1787 -- Military march, double file -- Children: abused infant -- Shops: exterior of a silversmith shop -- Silversmith's box -- Vegetable sellers -- Fishwomen -- Allusion to the Strand -- Allusion to Cheapside -- Allusion to Fleet Street -- Porter's knot -- Newsboys -- Milliners., and Watermark: Hall & [...]plin 1804 on the right side of sheet; Strasburg bend on the left.
Publisher:
Pubd. Augt. 22d, 1787, by S.W. Fores, Piccadilly
Subject (Topic):
Soldiers, British, Military uniforms, Military officers, Marching, Food vendors, Porters, Rifles, Barbers, Newspaper carriers, and Storefronts
Title below image., Date of publication supplied by curator., Place of publication derived from publisher's known location., Book illustration., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
J.S. Virtue & Co. Ltd. Lith
Subject (Topic):
Medicine, Military, Red Cross and Red Crescent, Physicians, Covered wagons, and Soldiers
"A soldier and a woman in deshabille swapping clothes; the woman standing hands on hips on the left wearing the sword and tricorn; the man sitting demurely on the right holding a fan and wearing a bonnet; tea-tray and four poster bed behind, a dog jumping up at a parrot on the left and a book open on the floor inscribed 'Ovid's Metamorphoses done into English';"--British Museum online catalogue
Alternative Title:
Transmutation of sexes
Description:
Title from item., Sheet trimmed within plate line., and Publication date from British Museum catalogue. Date burnished from plate.
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Couples, Cross dressing, Soldiers, Military uniforms, British, Boudoirs, Tableware, Furniture, Pets, and Clothing & dress
Detail from Hogarth's The March to Finchley": an innocent young piper, a drunken drummer with a weeping woman and child behind him
Description:
Title from caption below image., "N. 02."--Upper left corner., "1."--Upper right corner., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 184.
Publisher:
Published 12th May, 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Jacobite Rebellion, 1745-1746, Children, Intoxication, Marching, Prostitutes, and Soldiers
Political satire: With billows of smole behind it, a skeleton holding a noose and pointing to his eye dances to the left of Napoleon who stands pointing at it. In the right background is a gallows with a group of soliders standing in the distance below
Alternative Title:
Pair of specticals easely seen through and Pair of spectacles easily seen through
Description:
Title etched below image., "355"--Upper left corner above image., Sheet trimmed within plate mark on right and left sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on a former album leaf; newspaper clippings dating from 1817 and 1818 are pasted on verso of mount covering a range of topics including: small pox, post horse duties, poor rate, three cases of debtors, two work related accidents, and a short humorous piece on the streets of Paris and the price of wine.
Publisher:
Pub. 17 June 1813 by T. Tegg, Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Skeletons, Nooses, Gallows, Soldiers, French, and Smoke
Political satire: With billows of smole behind it, a skeleton holding a noose and pointing to his eye dances to the left of Napoleon who stands pointing at it. In the right background is a gallows with a group of soliders standing in the distance below
Alternative Title:
Pair of specticals easely seen through and Pair of spectacles easily seen through
Description:
Title etched below image., "355"--Upper left corner above image., Sheet trimmed within plate mark on right and left sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on a former album leaf; newspaper clippings dating from 1817 and 1818 are pasted on verso of mount covering a range of topics including: small pox, post horse duties, poor rate, three cases of debtors, two work related accidents, and a short humorous piece on the streets of Paris and the price of wine.
Publisher:
Pub. 17 June 1813 by T. Tegg, Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Skeletons, Nooses, Gallows, Soldiers, French, and Smoke
Façade of the bungalow in Chelsea, with colonnade at front; above at centre the royal arms, with soldiers and men holding scientific instruments on either side
Description:
Title engraved below image., Publication date from British Museum online catalogue., and Formerly dated 1730.
Publisher:
publisher not identified
Subject (Geographic):
Chelsea (London, England), England, and London.
Subject (Topic):
Buildings, structures, etc, Bungalows, Facades, Scientific equipment, British, and Soldiers
Maurer, John, active 1720-1742, printmaker, artist
Published / Created:
published according to act of Parliament, 1754, for Stowes Survey.
Call Number:
Quarto 724 771N
Collection Title:
Page 181. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"View in the park with spectators watching the parade, as George II makes his way to the House of Lords, showing the Horse Guards and the Treasury."--British Museum online catalogue
Alternative Title:
Vüe de la parade dans le Parc de St. James : le Treser, le nouveau batiment de Gardes a Cheval, et la procession du Roy allant a la Chambre des Seigneurs
Description:
Titles engraved below image, in English and French., "An earlier state of this print was first listed in John Bowles's catalogue for 1753, in the series 'Perspective Views in and about London', p.44, number 19"--Curator's comments, British Museum online catalogue, registration no.: R,9.27., Plate from: A survey of the cities of London and Westminster, and the borough of Southwark. London : Printed for W. Innys and J. Richardson [etc.], 1754-55., Sheet trimmed within plate mark on three sides., Plate numbered "5" beneath lower right corner of image., Folded to 25.5 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 181 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
W. Innys and J. Richardson, etc.
Subject (Geographic):
London (England), Saint James's Park (London, England),, England, and London.
Subject (Name):
George II, King of Great Britain, 1683-1760,, Horse Guards (London, England : Building),, and Great Britain. Treasury
Subject (Topic):
Buildings, Parks, Government facilities, Soldiers, Parades & processions, Spectators, and Carriages & coaches
"Turkish soldiers, scattered over a wide parade-ground, are being instructed in squads, groups, and as individuals, by French officers. In the foreground a Turkish potentate, the Sultan or perhaps the Grand Vizier, leans against the stump of a tree, turning his head in profile to the left to watch the soldiers. At his feet (left) kneels a Black enslaved person who is filling a long pipe; beside him a fire burns on a tiny tripod. On the right a Frenchman pulls the long moustache of a Turk, striking him with his cane. Next, three awkward Turks are being taught musket drill. On the left a Turk threatens an officer, drawing his sabre. In the middle distance a Frenchman puts his hand on the projecting stomach of an obese Turk, to make his attitude more soldierly. In the background are a marching squad (left) and a firing squad (right) and, beyond, an officer is attacked by three Turks with sabres raised to strike. Behind (left) is a Turkish fort. The officers are not caricatured nor is their dress exaggerated. The Turks wear baggy trousers with either a fez or a turban; all have long moustaches."--British Museum online catague
Description:
Title engraved below image, in two lines., Sheet trimmed within plate mark., Richard Bull (1725-1806) attritbutes the print to Isaac Landmann of Woolwich on his undated copy in an album held in the British Museum. See Museum number: 1931,0413.185., This image was first published in Vienna by Hieronymus Löschenkohl and then engraved once again by Johann Martin Will Augsburg in 1783., Watermark: fleur-de-lis on crowned shield with monogram CP at the bottom and countermark Patoh., and Ms. annotation in contemporary hand, numbered '64'.
Publisher:
Published April 3rd, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Selim III, Sultan of the Turks, 1761-1808
Subject (Topic):
Austro-Turkish War, 1788-1790, Russo-Turkish War, 1787-1792, Black people, Clothing & dress, Turkish, Daggers & swords, Hats, Forts & fortifications, Military inspections, Military officers, French, Military training, Military uniforms, Pipes (Smoking), Tableware, Rifles, Soldiers, and Enslaved people
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., and Dedication etched below image: To His Majesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", 1 print : etching and engraving on laid paper ; sheet 43.2 x 55.2 cm., Sheet trimmed within plate mark; mounted on leaf 46 x 59 cm., and Plate 37 in the album: Queen Charlotte's collection of Hogarth works.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., Ms. note in pencil in Steevens's hand below print: First impression., A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia"., and On page 151 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., 1 print : etching and engraving on laid paper ; plate mark 43 x 55.4 cm, on sheet 45 x 56 cm., and Leaf 37 in: Album of William Hogarth prints.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., and A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia".
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", Ms. note in pencil in Steevens's hand below print: Modern impression., Sheet trimmed within plate mark to: 43.1 x 55.2 cm., and Formerly on page 152 in volume 2. Removed in 2012 by LWL conservator.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, scarcely caricatured, stands in the centre of the design, pointing with left forefinger to a pile of cannon-balls in the right foreground inscribed 'Forse, meat Balls for the Lads of Paris'. Just behind him, and emerging from clouds, stand the Devil (left) and Death (right), directing his actions. Napoleon is flanked by two much taller supporters: an Italian brigand holding up a pole inscribed 'Plunder' to which a limp purse is tied, and with a pistol in his left hand. On the right is a savage dishevelled butcher, holding up a knife, with a noose in the right hand. Both wear belted tunics. These three are identified by an inscription below the design: 'Capt of Starved Banditty from the Alps, Ad Camp,, The Aghast Emperor & his two Friends & Pillars of the State,, Butcher from Elba. Generalissimo'. All are dominated by a larger figure, emerging from clouds above Napoleon's head, which has a scaly body and streaming hair, styled 'Deamon of War Presideing over the Tyrant'. His extended right hand points to the words 'Boundless Ambition' in large letters on a background of fire and lightning of which he is the centre. In his left hand is the shaft of a pennant inscribed: 'We, Come, to Redres:s Grievances'. Dark clouds and lightning extend left and right over ranks of soldiers in the middle distance who watch Napoleon. Those on the right are a ragged, dilapidated, and motley crew, some with pitchforks; they shout "Vive la Empre . . . [sic]" and "Vive la Boun. . . ." Those on the left are perhaps intended for National Guards (cf. British Museum Satires No. 12531)."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Plate numbered "351" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 64 in volume 5.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joachim Murat, King of Naples, 1767-1815
Subject (Topic):
Butchers, Devil, Skeletons ., Death, Soldiers, Italian, and French
A scene on the frontier of the United States: a Native American (left) is shown scalping a dead British soldier. Another British soldier who has already been scalped is shown on the left edge of the design. In the center a second Native American, from whose rifle hangs a sign "Reward for 16 ... scalps" and in whose knife initials "G.R." have been etched, is shown handing a scalp to an obese British soldier (right). The speech balloon above the soldier 's head reads: "Bring me the scalps and the King our master will reward you"; from his pocket a strip of paper "Secret service money". In the background, Native Americans and British soldiers dance around a fire
Description:
Title etched above image., Signed with the initials "L.G." in lower right corner., A copy in reverse of a print by William Charles. For original version, see Library of Congress call no.: PGA -- Charles (W.) -Scene on the frontiers ... (A size) [P&P]., and Eight lines of verse in two columns below image: Arise Columbia's sons and forward press, your country's wrongs call loudly for redress ...
Publisher:
publisher not identified
Subject (Geographic):
United States
Subject (Topic):
Indians of North America, History, Scalping, Soldiers, and British
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Hypothetical scenario of the defeated British soldiers returning from Spain with numerous injuries."--British Museum online catalogue
Description:
Title from item., Initial "G." for printmaker Charles Jameson Grant in lower left corner of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Text below title: The last remnant of the British Mercenary Brigade, under Colonel Evans, as they will appear returning to Old England from the Spanish Brigand War, about or before next Christmas., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "95" in brown ink in lower left corner of design., and No. 95.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
Evans, George De Lacy, Sir, 1787-1870.
Subject (Topic):
Soldiers, British, Wounds & injuries, Amputees, Peg legs, and Crutches
"In the foreground John Bull, a drink-blotched 'cit', and George IV tug at a large pair of antlers. The King (right): "I tell you Bull I will wear them--I know they will become me--what am I allways to be disappointed." John wears a large white favour in his hat inscribed 'The Queen'; he says: "I'll be D--n'd if you do wear them yet, however much you may deserve them so it is useless contending G--e." At his feet is a large bludgeon: 'John Bull's Oke'. Behind them, a woman, apparently Mrs. Bull, strikes Majocchi, so that his nose gushes blood, saying: "You're one of the Villians from Cotton Garden" [see British Museum Satires No. 13824, &c.]. He falls backwards, saying: "Non mi Ricordo" [see British Museum Satires No. 13827]. In the middle distance behind John (left), stands a woman arm-in-arm with a sailor, who is next a soldier; she waves her handkerchief, saying; "The Queen for ever"; the other two wave their hats, shouting: "Go it John we'll stand by You." Behind the King (right) stand four witnesses: three villainous-looking fops and a woman; they are 'Inhabitants of Cotton Garden'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 41 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, and Majocchi, Theodore, active 1820
Subject (Topic):
John Bull (Symbolic character), Adultery, Antlers, Pulling, Fighting, Witnesses, Sailors, and Soldiers
"View in the park looking towards the Horse Guards, with the Admiralty Office on the left and the Treasury on the right; a carriage following a line of soldiers approaching the arched gateway of the Horse Guards."--British Museum online catalogue
Alternative Title:
Vü̈e de la parade dans le Parc de St. Jacques
Description:
Titles etched below image, in English and French., Date range for publication from the British Museum online catalogue, registration no.: 1880,1113.2309., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Imperfect; plate number mostly erased from upper right corner of sheet. Missing number supplied from impression in the British Museum., Plate numbered "11" in upper right corner., Mounted to 23 x 38 cm., and Leaf 15 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
Saint James's Park (London, England),, England, and London.
Subject (Name):
Horse Guards (London, England : Building),, Great Britain. Treasury, and Great Britain. Admiralty
Subject (Topic):
Buildings, Parks, Government facilities, Parades & processions, Soldiers, and Carriages & coaches
"View in Whitehall with the royal carriage departing led by marching foot soldiers, passing the Holbein Gate, the Banqueting House on the left."--British Museum online catalogue
Alternative Title:
Vüe de l'hotel royal, pour les Gardes du Corps et a Piè, vis à vis la Salle Blanche a Manger à Londres
Description:
Titles engraved below image, in English and French., Date of publication from the British Museum online catalogue, registration no.: 1880,1113.2763., 1 print : etching and engraving on laid paper ; sheet 23.7 x 40.9 cm., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge and some loss of image from top edge., and Leaf 45 in an album of views of London and its vicinity.
Publisher:
Printed for Ino. Boydell, Engraver, Cheapside
Subject (Geographic):
Whitehall (London, England),, England, and London.
Subject (Name):
Horse Guards (London, England : Building), and Whitehall Palace (London, England),
Subject (Topic):
Government facilities, Castles & palaces, Gates, Carriages & coaches, Soldiers, and British
"View in Whitehall with the royal carriage departing led by marching foot soldiers, passing the Holbein Gate, the Banqueting House on the left."--British Museum online catalogue
Alternative Title:
Vüe de l'hotel royal, pour les Gardes du Corps et a Piè, vis à vis la Salle Blanche a Manger à Londres
Description:
Titles engraved below image, in English and French. and Date of publication from the British Museum online catalogue, registration no.: 1880,1113.2763.
Publisher:
Printed for Ino. Boydell, Engraver, Cheapside
Subject (Geographic):
Whitehall (London, England),, England, and London.
Subject (Name):
Horse Guards (London, England : Building), and Whitehall Palace (London, England),
Subject (Topic):
Government facilities, Castles & palaces, Gates, Carriages & coaches, Soldiers, and British
A version of British Museum satire no. 4765, in reverse. A narrow design with les sky and slightly less ground. Half of the dog on the left is cut off in the design. Two soldiers showing a party of civilians around their tents erected in an open space. The civilian gentleman have walking sticks tucked under their arms, and one carries a quizzing glass. The short, stout lady wears a large hooded cloak and carries a large umbrella
Description:
Title from caption below image., Questionable date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Dogs, Military camps, Military uniforms, British, Staffs (Sticks), Soldiers, Tents, and Umbrellas
Two soldiers showing a party of civilians around their tents erected in an open space. The civilian gentleman have walking sticks tucked under their arms, and one carries a quizzing glass. The short, stout lady wears a large hooded cloak and carries a large umbrella
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Plate numbered "1" in upper left corner., and Watermark.
Publisher:
Publish'd Decr. 1st, 1779, by Watson & Dickinson, No. 158 New Bond Street
Subject (Topic):
Dogs, Military camps, Military uniforms, British, Staffs (Sticks), Soldiers, Tents, and Umbrellas
British soldiers showing a party of civilians around their tents erected in an open space. A black boy in livery carries a folded umbrella as he walks behind two gentleman and a tall, long-chinned lady who carries her umbrella open. A soldier is being shaved outside a tent as the group looks on.
Description:
Title from captions below images., Two designs on one plate, each individually titled., Printmaker and questionable date of publication from description in Grego of design on lower half of plate., Plate measurement from later impression in bound volume., Plate also published in: Caricatures. [London], 1836?], page 76., Reduced copies of nos. 6727 and 4766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, v. 4., 1 print : etching on wove paper, hand-colored ; sheet 17.9 x 25.3 cm., Imperfect; lower half of sheet trimmed away, leaving only the upper design of two printed from the same plate., and Artist's signature erased from lower left corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Barbers, Equipment, Military camps, Military uniforms, British, Riding habits, Soldiers, Tents, and Umbrellas
British soldiers showing a party of civilians around their tents erected in an open space. A black boy in livery carries a folded umbrella as he walks behind two gentleman and a tall, long-chinned lady who carries her umbrella open. A soldier is being shaved outside a tent as the group looks on.
Description:
Title from captions below images., Two designs on one plate, each individually titled., Printmaker and questionable date of publication from description in Grego of design on lower half of plate., Plate measurement from later impression in bound volume., Plate also published in: Caricatures. [London], 1836?], page 76., Reduced copies of nos. 6727 and 4766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, v. 4., 1 print : etching on wove paper, hand-colored ; sheet 17.4 x 24.4 cm., Imperfect; upper half of sheet trimmed away, leaving only the lower design of two printed from the same plate., and Artist's signature erased from lower left corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Barbers, Equipment, Military camps, Military uniforms, British, Riding habits, Soldiers, Tents, and Umbrellas
Leaf 76. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Visit to the camp ; Recruits
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature., Attributed to Rowlandson in the Metropolitan Museum of Art online catalog., Restrike. For an earlier issue of the plate, published ca. 1811, see Metropolitan Museum of Art online catalog, accession no.: 59.533.1801., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Top image is a reduced copy of no. 6727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Bottom image is a reduced copy of no. 4766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 214., and On leaf 76 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Barbers, Equipment, Military camps, Military uniforms, British, Riding habits, Soldiers, Tents, and Umbrellas
Title etched below image., Date derived from printmaker's date of death., Place of publication derived from printmaker's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Wounds.
Publisher:
publisher not identified
Subject (Name):
Adam, Albrecht, 1786-1862,
Subject (Topic):
Medicine, Military, Horses, Soldiers, Dogs, Wounds & injuries, and War casualties
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties
Title from item., Publisher derived from information about artist., Date supplied by curator., Poster published just after World War II to warn returning soldiers of the dangers of venereal disease., Numbered: AGPS 5.46.70000.3896., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Office of Military Government
Subject (Topic):
World War, 1939-1945, Health aspects, Sexually transmitted diseases, Military hygiene, Medicine, Military, Soldiers, Ships, and Luggage
Title from item., In upper margin: Jeudi 29 Juillet 1830., Place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Hospitals, Interior; Wounds; Nurses & nursing., and Blind stamp: E. Ardit à Paris.
Publisher:
à Paris, chez E Ardit, editeur rue Vivienne No.2, Pl.6. London by Engelmann, Graff Condet et Cie and Imp. lith. de E Ardit
Subject (Geographic):
France. and France
Subject (Topic):
Hospital wards, War wounds, Hospitals, Emergency medicine, Soldiers, Revolutionaries, Nurses, Churches, and History
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1798]
Call Number:
Drawings W87 no. 35 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
An elderly woman questions a man dressed in a curious combination of professional military uniform and shopkeeper's attire with an apron tide around his waist and a musket propped against his shoulder. The woman exclaims, "Thee looks't very genteel indeed Tommy, I should hardly ha known thee, but I hope the shop is not quite neglected, trade must be minded thee know'st" while the shoppkeeper/soldier responds, "Trade d--n trade! I'm a gemmen and a soljer as Mister Wind-hum says".
Description:
Title from inscriptrion in black ink below image., Date supplied by cataloger., and Attributed to Woodward.
Subject (Topic):
John Bull (Symbolic character), Stores & shops, Commerce, Soldiers, Military uniforms, and Dogs
Invitation to a dinner of the Guardians of the Asylum for Female Orphans. At top is a scene of a woman leading three orphan children away to the left, while the bodies of soldiers are taken away to the right; text with the details of the meeting engraved below. The whole is enclosed within a border of leaves
Description:
Caption title., All engraved., Illustration is signed: C.R. Ryley delin.; W. Skelton sculp., Beneath title are the names of six "Stewards", engraved on either side of a small image of a woman with the caption "When my father and my mother foresake me, the Lord taketh me up"., "Dinner to be on table at half past four o'clock precisely. No collection after dinner."--Bottom of sheet., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Asylum for Orphan Girls (London, England)
Subject (Topic):
Orphanages, Charities, Charity, Orphans, Soldiers, and British
Title from item., Date supplied by curator., Place of publication from item., "Gisling" is a pseudonym of de Hooghe. Geneva may also be part of that pseudonym., Description from British Museum: A broadside satirising the developments in the Palatine War of Succession, the Glorious Revolution, and the Turkish War by likening the European leaders to (hypochondriac) patients being treated by a German doctor and other physicians; with an etching by de Hooghe showing in the centre a doctor holding a urine sample in his R hand, in his L a book, under his belt wearing paper slips with different (German) place names, on the left Louis XIV (no 2) attempting to draw his sword, but being stopped by William III (no.3), on the R the English Queen Mary in bed (no 8), attended by Father Petre (no 9), in the R foreground two women with the infant Prince James (no 10), on the left a priest with bells and a sword (James II?) on a chamber-pot assisted by another cleric, in the left background a madman let away by two Turks., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain
Subject (Name):
William III, King of England, 1650-1702., James II, King of England, 1633-1701., Louis XIV, King of France, 1638-1715., Mary II, Queen of England, 1662-1694., and Petre, Edward, 1631-1699.
Subject (Topic):
Urine, Analysis, Hypochondria, Politics and government, Physicians, Kings, Queens, Sick persons, Soldiers, Arms & armament, Turbans, and Arches
Volume 2, page 71. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"The shooting of Hyloeues & Rhoecus by Atlana to protect her chastity; in a wood, one of the men lying dead in the foreground, only his torso and legs visible with an arrow in chest, the hunter at left aiming her bow to shoot the second man, a soldier weilding a dagger beside the body of his companion, a horse fleeing behind; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey., Sheet trimmed within plate mark., One line of text below title: As renown'd for her skill in the use of the bow, as for the beauty & swiftness of foot; sends two arrows to the hearts of Hyloeus & Rhoecus who attempt her chastity in her solitude., Dedication etched above imprint statement: To the most noble the Marchioness of Salisbury, as patroness of the elegant science of archery, this plate is inscrib'd by her Ladyship's most respectful humble servant, John Raphael Smith., and Mounted on page 71 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 4th, 1790, by J.R. Smith, King Strt., Covent Garden
Subject (Name):
Atalanta (Greek mythological character),
Subject (Topic):
Forests, Bows (Weapons), Daggers & swords, Soldiers, and Horses
Title from item., Date derived from caption., Place of publication supplied by curator., Below title: Morris Island, August 30, 1863., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Pencil notation verso.
Publisher:
publisher not identified
Subject (Geographic):
United States
Subject (Topic):
History, Health aspects, Public toilets, Military hygiene, Diarrhea, Sanitation, Public health, Soldiers, Sick persons, Privies, Defecation, Forts & fortifications, Tents, Cannons, Flagpoles, and Flags
