Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 51 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 38.9 cm, on sheet 28 x 40.9 cm., and With identifications of "George IV" and "Q. Caroline" written in pencil below image, as well as the explanation "the green bags with reference to their divorce were ordered to lie on the table" written in pencil below title.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image. and Mounted on page 25 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
A man wearing laced coat and sword and holding a snuff box leans on an elaborately carved console table of the pump room at Bath, admiring himself in a mirror. An illustration for the "History of Captain S_: or, the Bath Adonis."
Description:
Title from item., Sheet trimmed within plate mark., Date and publication information from British Museum catalogue., and Extended to 26 x 18 cm.
Publisher:
The Matrimonial Magazine?
Subject (Geographic):
Bath (England) and England
Subject (Topic):
Dandies, British, Clothing & dress, Furniture, Mirrors, Wallpaper, and Tables
Inside of what appears to be a simple cottage, a woman and two men are gathered around a table. The woman, sitting at the table, holds an open music book. One of the man leans over her shoulder in order to read the music while he is playing the violin. The other man, sitting at the opposite side of the table with a tall glass in his left hand and a happy expression on his face, is singing. In front of the table on the floor stands a large decorated jug with a lid. A pipe and a tobacco box lie on the table
Description:
Title engraved below image., Publication date inferred from publisher's activity dates., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Musical instruments -- Sheet music -- Containers: jug with a lid -- Glass: tall glass -- Furniture -- Architectural details: board floor., and Mounted to 20 x 15 cm.
Publisher:
Printed for J. Gapper in New Bond Street
Subject (Topic):
Violins, Tables, Drinking vessels, and Pipes (Smoking)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1800]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 4b. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the table of Sicilian jasper on a black frame, designed by Richard Bentley, in the Great Parlour (Refectory) at Strawberry Hill
Description:
Title written in ink below image, on mounting page., Signed and dated by the artist in lower left corner using his monogram: The letters "G" and "P" below with an "H" centered above., and Inlaid on page 4b in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
"Mrs. Coutts (right), fat, swarthy, and moustached, sits at a table, holding out a cheque for £100.000 to Lord Burford. Her Cheque Book lies on the table. He steps forward, hat in hand, left hand on breast, in profile to the right. She says: Why you seem to be a good looking hard working young fellow, but I must tell you my business is extensive And I shall expect you will employ your time day and night for the benefit of the Concern, you must also be humble and submissive, should this be realized on Trial I will make you a Sleeping Partner. And here's a trifle for you to buy a pair of gloves. He answers with eager deference: You may depend upon it Madam I shall endeavour to give you every satisfaction. I shall be very attentive and if I can't get through the business as you like, you are at liberty to employ an Assistant. Mrs. Coutts is décolletée and bejewelled, wearing a turban trimmed with a paradise-plume. The gold-bordered tablecloth is weighted with balls inscribed £20,000 and £9,000. Large money-bags are on the floor behind her: £800,000 and . . . 000. Under her chair are a glass and a decanter of White Tape. Behind her is a picture of heaped sovereigns and money-bags. Other pictures are a cow looking over the wall of Mrs C--s Dairy, and (left) a castle: View near St Albans. The chairs are decorated with coins pouring from cornucopias."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 32 x 46.4 cm.
Publisher:
Pubd. March 1825 by G. Humphrey, 27 St. James's Street, London
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837 and St. Albans, William Beauclerk, Duke of, 1801-1849
Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Satire on the Duke of Cumberland's poor spelling with references to his criminal conversation with Lady Grosvenor. He is shown at a table with a satyr holding a fool's cap over his head as a tutor stands beside the table where the Duke works. Also beside his chair is a monkey on his hind legs. On the wall hangs a birch rod
Description:
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), page 88., and Mounted to 33 x 46 cm.
Publisher:
Oxford magazine
Subject (Name):
Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790
Leaf 35. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike, with slight alteration to dialogue below image; the letters "omp" in "Romp" have been burnished from plate and replaced with an underscore. For original issue published ca. 1830, see Lewis Walpole Library call no.: 830.00.00.122+., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Five numbered lines of dialogue below title: 1. So! they say Miss Stiff R- is in the straw!! 2. Why sure, is it a girl? ..., and On leaf 35 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26, Haymarket and Field & Tuer
Subject (Topic):
Tea, Kettles, Gossiping, Tables, Candles, Fireplaces, Cats, and Accidents
Title from item., Printmaker from unverified data from local card catalog record., One of a series of "Drolls.", Four lines of verse below title: The old Booby half muzzy to a bagnio reel'd ..., and Watermark: armorial shield with initials G R below.
Publisher:
Published 1st May, 1790, by Robt. Sayer, 53 Fleet Street, London
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1780]
Call Number:
Bunbury 780.03.01.01+ Impression 1
Collection Title:
Volume 1, page 17. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two women playing chess, seated at opposite sides of a square table, a young man standing behind watching as the player at left makes her move, all three dressed in turbans, three dogs in the foreground, pillars with drapes behind; oval design after Bunbury, published state with wall at left and large dog added."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Publish'd 1st March 1780 by J. Bretherton, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1780]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 17. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two women playing chess, seated at opposite sides of a square table, a young man standing behind watching as the player at left makes her move, all three dressed in turbans, three dogs in the foreground, pillars with drapes behind; oval design after Bunbury, published state with wall at left and large dog added."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 17 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching and drypoint in brown ink on laid paper ; oval image 29.6 x 34.9 cm, on sheet 34.3 x 37.4 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd 1st March 1780 by J. Bretherton, New Bond Street
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., 1 print on wove paper : etching, hand-colored ; sheet 27 x 34 cm., and Printmaker's name erased from this impression.
Publisher:
Pubd. Augt. 10, 1799, by R. Akerman, No. 101 Strand
"Sir William Chambers sits in profile to the left at a small round table; on it is a house of cards which is falling in pieces. From his pocket protrudes a paper inscribed 'Art of', scored through, followed by 'Grant of Parlt'. Beside him on the ground (right) is a large book or portfolio: 'Art of Building and Rebuilding or Palladia improved by S---W---C'. Other papers (left) are 'Affidavit It was only a crack signed - Adam [and] Wyat' and 'Bills for the repairing S. H." On the wall are three pictures: (left to right) (1) a rock entitled 'Inigo Jones', (2) a picture in a broken frame: 'The House that Jack built', a view of the north (Strand) front of Somerset House, (3) 'A Ruin A View on the Thames', a picture of the south front of Somerset House in ruins."--British Museum online catalogue
Alternative Title:
Great architect modelling, Sr W- in his study, and Sir William in his study
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: House of cards -- Furniture: round pedestal tables -- Pictures amplifying subject: Somerset House -- Parliament grants -- River Thames -- Affidavits -- Reference to cracks in the Somerset House structure -- Allusion to Inigo Jones's work on Somerset House -- Allusion to Robert Adam, 1728-1792 -- Allusion to James Adam, 1730-1794 -- Allusion to Sir John Thynne, d. 1580 -- Allusion to Andrea Palladio, 1508-1580., and Watermark: fleur-de-lis on crowned shield with initials GR below.
A fat man, his wig turned upside down, sleeps in his chair, with a punch bowl, bottle and glass on the table by his elbow. Balanced on his enormous stomach is a see-saw, weighted down at the right by a diminutive boy and with a tiny girl seated on the raised end. On the wall behind him is a partly visible picture of someone playing bowls. A dog sleeps on the floor beneath the man's chair
Description:
Title from item., Sheet trimmed within plate mark., and Mounted on sheet 23 x 19 cm.
Publisher:
Pubd. as the Act directs 23.1776 by J. Lockington, Shug Lane, Golden Square, London
"Lord Lansdowne sits at a small writing-table, pen in hand, a number of papers before him. Three Jews (left) stand obsequiously on his right, but he turns with his enigmatic smile towards a French post-boy (right), a grotesque dwarfish man with long queue and jack-boots holding his whip and hat, who holds out to him with a cunning smile a paper inscribed: 'My dear Lord Paris 7th Jany 1783 I am happy to hear you have so nearly concluded your Alley Arrangements. The Preliminaries shall be signed coute que coute by the Time you desire, & you may rely on the Courier's arrival on the Eve of the 23d yours truly Billy Paradice [William Eden.]' Under Lansdowne's elbow is a paper inscribed 'Memorandums Pay off the Mortgage on Jesuits Colledge in Berkeley Square - Pay off Solomons any for 500£ pr Annm Inquire what Tayt will take for my Bond for 3000£ given for furniture sold at Christyes'. The foremost Jew holds out to Lansdowne a paper ... On a shelf, inscribed 'Waste Paper', in the upper right corner of the design, are three large bundles of papers: 'Ordnance Estimates', 'State of the National Debt', and 'Civil List'; two piles of documents hang from the shelf. On the wall above Lansdowne's head are two bust portraits: 'John Calvin', wearing a steeple-crowned hat, gown, and bands, and 'Ignatius Loyola', a profile portrait of Burke wearing a Jesuit's biretta as in British Museum Satires No. 6026, &c. 12."--British Museum online catalogue
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Sheet trimmed to within thread margins of plate mark., and Temporary local subject terms: Treaties -- Commerical Treaty with France -- National debt -- Civil list -- Military Ordinance -- Allusion to J. Bond -- Allusion to St. Ignatious Loyola -- Allusion to John Calvin -- French post-boy -- Jesuits -- Allusion to William Eden, 1st Baron Auckland, 1744-1814.
Publisher:
Pubd. March 12th, 1787, by R. Phillips, Southwke., London
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Burke, Edmund, 1729-1797
Subject (Topic):
Jews, Ethnic stereotypes, Tables, Writing materials, Boots, and Whips
"From slits in a huge green bag, labelled 'Evidence against the Q...n', peer the heads of five witnesses against the Queen. Round it stand puzzled and apprehensive Ministers discussing their plans. Castlereagh, on the extreme left, faces Sidmouth who stands with flexed knees holding a constable's staff, one hand on the bag. He says: "Well Gentlemen! we are pretty well in for it now--we must lie through thick and thin to do any good, and get as many as we can to do the same, or it is all up with us; what say you Doctor have you any specific for the occasion." Sidmouth: "Friend Derry I could as soon produce the Philosophers stone or Elixir of Life but if your brazen face can't bring us through it is a forlorn hope, however here is some chance in the Bag!" The head of a man crouching in the Bag looks up to say: "Yes I have some choice Tales to communicate what with Bargemen--Chambermaids--W....s and Rogues, whom I have had the honor to associate with. I shall be able to COOK up a high seasoned dish that his M.....y will relish." On the right of the Bag stands Canning, scratching his head with a puzzled expression; he says: "Curse that City Hop Merchant [Wood] he has thrown bitter into this Brewing with a vengeance! I'll try what a dash of my wit will do, or we shall be obliged to swallow it ourselves!" A pretty female head looks up at him from the Bag, to say: "I say Mr. Flashman! don't stand scratching your head in that manner but hear what I have to tell you when a woman is determined on revenge she will stick at nothing to accomplish it--turn me away indeed for a little amusement with Peter, when my husband was out I hate such scrupulous Modesty. I'll swear any thing you wish." Three faces appear at smaller slits, saying respectively: "I'll swear!"; "So will I!"; "So will I to any lie." Eldon (right) in Chancellor's wig and gown, walks off to the right, holding a rolled document: 'Rex [vers]us Regina'. He says with a meditative frown: "Well Gentlemen I shall go home and consult about it. I dont like to decide too hastily Look before you leap ought to be the Motto of my Seal" [cf. British Museum Satires No. 15139, &c.]. Behind Castlereagh (left) is a table with writing materials; at his feet are bundles of papers labelled 'Foreign Newspapers' and 'Foreign Correspondence private'.."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 24 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by J. Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Wood, Matthew, Sir, 1768-1843., Demont, Louisa, active 1814-1820., Cooke, William, 1757-1832., Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Bags, Witnesses, Documents, Newspapers, and Tables
"From slits in a huge green bag, labelled 'Evidence against the Q...n', peer the heads of five witnesses against the Queen. Round it stand puzzled and apprehensive Ministers discussing their plans. Castlereagh, on the extreme left, faces Sidmouth who stands with flexed knees holding a constable's staff, one hand on the bag. He says: "Well Gentlemen! we are pretty well in for it now--we must lie through thick and thin to do any good, and get as many as we can to do the same, or it is all up with us; what say you Doctor have you any specific for the occasion." Sidmouth: "Friend Derry I could as soon produce the Philosophers stone or Elixir of Life but if your brazen face can't bring us through it is a forlorn hope, however here is some chance in the Bag!" The head of a man crouching in the Bag looks up to say: "Yes I have some choice Tales to communicate what with Bargemen--Chambermaids--W....s and Rogues, whom I have had the honor to associate with. I shall be able to COOK up a high seasoned dish that his M.....y will relish." On the right of the Bag stands Canning, scratching his head with a puzzled expression; he says: "Curse that City Hop Merchant [Wood] he has thrown bitter into this Brewing with a vengeance! I'll try what a dash of my wit will do, or we shall be obliged to swallow it ourselves!" A pretty female head looks up at him from the Bag, to say: "I say Mr. Flashman! don't stand scratching your head in that manner but hear what I have to tell you when a woman is determined on revenge she will stick at nothing to accomplish it--turn me away indeed for a little amusement with Peter, when my husband was out I hate such scrupulous Modesty. I'll swear any thing you wish." Three faces appear at smaller slits, saying respectively: "I'll swear!"; "So will I!"; "So will I to any lie." Eldon (right) in Chancellor's wig and gown, walks off to the right, holding a rolled document: 'Rex [vers]us Regina'. He says with a meditative frown: "Well Gentlemen I shall go home and consult about it. I dont like to decide too hastily Look before you leap ought to be the Motto of my Seal" [cf. British Museum Satires No. 15139, &c.]. Behind Castlereagh (left) is a table with writing materials; at his feet are bundles of papers labelled 'Foreign Newspapers' and 'Foreign Correspondence private'.."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching ; plate mark 24.7 x 35.1 cm, on sheet 25 x 35.5 cm., Printed on wove paper; hand-colored., Mounted (with one other print) to 58 x 39 cm., Mounted on leaf 19 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," "Canning," and "Eldon" identified in black ink above title; date "June 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by J. Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Wood, Matthew, Sir, 1768-1843., Demont, Louisa, active 1814-1820., Cooke, William, 1757-1832., Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Bags, Witnesses, Documents, Newspapers, and Tables
"The Duke and Duchess of York face each other, a small table between them; he sits (left), with his hands clasped and resting on the table; she stands (right), a small jewel-box in her left hand, holding out to him a string of jewels. A paper inscribed '17,000 . . .' lies on the table beside the Duke, whose words are etched above his head: 'Henceforth my follies and neglects shall cease And all to come be penitence and peace, Vice shall no more atract me with her Charms, Nor pleasure reach me, but in those dear arms.' She says, "My Jewels? trifles! not worth the speaking of, if weigh'd against a husband's peace; but let 'em purchase that, and the world's wealth is of less value". She wears the Duke's miniature round her neck. Behind her is a chest of drawers, the top drawer open and full of jewels. On it stands a small coffer of jewels, marked with the Prussian eagle. Beneath the design is etched: 'Ye slaves of passion, and ye dupes of chance, Wake all your powers from this destructive trance! Shake off the shackles of this tyrant vice : Hear other calls than those of card and dice Be learn'd in nobler arts than arts of Play, And other debts than those of Honor Pay. No longer live insensible to Shame Lost to your country, families, and fame.'"--British Museum online catalogue
Description:
Title etched below image., Signed with printmaker Isaac Cruikshank's initials in center right portion of image., Eight lines of verse in two columns below image, four on either side of title: [The] slaves of passion, and [the] dupes of chance ..., Temporary local subject terms: Marriages: Duke of York's marriage, 1791 -- Furniture: chest of drawers -- Tables -- Upholstered chairs -- Furnishings: box with jewels -- Symbols: Prussian eagle -- Gambling debts -- Allusion to the Duke of York's gambling., and Watermark: [T?]aylor.
Publisher:
February 8, 1792, by S.W. Fores, 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Moore, Edward, 1712-1757.
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 17 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 24.9 x 35.2 cm, on sheet 25.3 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 19 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Liverpool," "Sidmouth," and "Eldon" identified in black ink at bottom of sheet; identification of "Geo. IV" follows in red ink. Date "June 1820" written in lower right corner. Printmaker name "Robt. Crknk.[?]" added in pencil in lower left. Typed extract of four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 January 1778]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 137. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on Cambridge. The interior of a large room showing two sash windows, through one of which (left) is seen part of the south side of the Senate House, through the other, the tower of St. Mary's Church, both drawn with topographical accuracy. Between the two windows is a niche in which is a statue of Athene holding her shield; in her outstretched left hand is held out a laurel wreath towards some men beneath her who have entered from a door on the right. Her owl sits beside her on the stump of a tree. Beneath the title is etched, "dedicated to the illustrious Inheritress of her fame in Professors of Arts & Sciences, the University of Cambridge O Matre pulchra Filia pulchrior!" Immediately below Athene, and concealing the lower part of her draperies a man stands on a high rostrum covered with a cloth. He wears a furred academic gown and bands, and holds out a rolled document in his right hand. Immediately below the rostrum a man, not in academic dress, is seated at a table writing. He is in profile to the right looking towards four men who have entered from the right through an open door, apparently 'professors of Arts and Sciences', whose names he is recording. The foremost of these is a dancing-master who stands holding a bow in his right hand, a kit or small fiddle in his left. Next is a rough-looking elderly man wearing a round hat and long coat. The other two are middle-aged, one holding his hat and a cane and accompanied by a dog. On the left, and behind the chair of the man writing, are two other 'professors'; a fencing-master, wearing a fencing-jacket, stands in back view, turning his head in profile to the right, his left arm raised, holding his foil horizontally. Behind him stands a thin man wearing a hat, one hand in his waistcoat pocket, the other thrust in his waistcoat."--British Museum catalogue
Description:
Title etched below image; the letters "n" in "Athens", "inheritress", and "University" are etched backwards., Sheet trimmed within plate mark., and Mounted on page 137 of: Bunbury album.
"Four men smoking long pipes sit stiffly in upright wooden chairs. One (left) in profile to the right, very obese, is an old military officer with a wooden leg; next is a lean man in back view, next a stout man sits full face, and on the right is a thin man in profile to the left seated beside a rectangular table on which is a glass and a large jug. All have expressions of solemn vacuity. They emit clouds of smoke from mouth or pipe which fill the upper part of the bare room. On the wall (right) is a print of Fox, whole length, declaiming with right arm raised."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print originally published 1 May 1792 by W. Dickinson. Cf. No. 8205 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Imprint continues: ... where may be had all Mr. Bunbury & Rowlandsons works., Sheet trimmed within plate mark., Temporary local subject terms: Smoking clubs -- Military officer -- Wooden legs -- Male costume, 1792 -- Large jugs -- Pictures amplifying subject -- Reference to Charles James Fox, 1749-1806., and Publisher's stamp (partially trimmmed) in lower right corner of sheet: S.W.[F.].
Publisher:
Publishd. March 15th, 1794, by S.W. Fores, No. 3 Piccadilly ...
Volume 2, page 81. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Four men smoking long pipes sit stiffly in upright wooden chairs. One (left) in profile to the right, very obese, is an old military officer with a wooden leg; next is a lean man in back view, next a stout man sits full face, and on the right is a thin man in profile to the left seated beside a rectangular table on which is a glass and a large jug. All have expressions of solemn vacuity. They emit clouds of smoke from mouth or pipe which fill the upper part of the bare room. On the wall (right) is a print of Fox, whole length, declaiming with right arm raised."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed within plate mark., and Mounted on page 81 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd May 1st, 1792, by W. Dickinson, engraver, No. 24 Old Bond Street
"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
"The Duke of Richmond (left) sleeps in an arm-chair beside a table on which are playing-cards and bits of broken tobacco-pipes arranged to represent fortifications. On the right are two cannons, one on a gun-carriage ; a cat sits on its muzzle miaowing at Richmond, one paw on the table. By his side (left) are plans on rollers and a box of long tobacco-pipes. On the wall hang two pictures on rollers as if they were plans. In one (left) soldiers with wheelbarrows, &c. work on the sea-shore, off which dismantled ships lie at anchor. In the other, cannons and cannon-balls with one sentry lie along the sea-shore, off which are ships at anchor with brooms at their mast-heads to show that they are for sale. Richmond's hat, overcoat, and sword hang on the wall between the two pictures. At his feet is an open book inscribed 'Trial of Colol Debbeig'."--British Museum online catalogue
Alternative Title:
Planing of fortifications and Planning of fortifications
Description:
Title etched below image., Printmaker from Grego and British Museum Catalogue., Temporary local subject terms: House of Cards -- Card players -- Bill to fortify Portsmouth -- Fortifications -- Furniture -- Pictures that amplify subject -- Matches -- Pets., Horace Walpole refers to subject of print in his letter to Mann dated March 16, 1786., and Watermark in center of sheet: J Whatman?
Publisher:
Published March 7th, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Chairs, Sleeping, Tables, Playing cards, Pipes (Smoking), Cats, and Pictures
"The Queen, not caricatured, sits regally in an armchair beside an ornate marble and gilt table, on which are dishes of fruit. Next her is a dish of pears. She holds a (bitten) pear near her mouth; in her left hand is a rolled document inscribed 'Defence' from which hang two pears on a forked twig. She says meditatively: "I do love these Pears! but I hate the English Pairs* [peers]." Above her is looped a heavy fringed curtain. The 'trial', see British Museum Satires No. 13825, is assumed to be proceeding badly for the Queen. Cf. in British Museum Satires No. 13900 the contrary assumption. For the Queen and Bergami see (e.g.) British Museum Satires No. 13731. Fruit-sellers in London cried 'Bergami pears and Caroline Apples'. 'Letters of Countess Granville', 1894, i. 172."--British Museum online catalogue, description of an earlier state
Alternative Title:
Choice fruit!!
Description:
Title etched below image., Later state, with alternative title etched on plate. For an earlier state with this alternative title in manuscript only, see no. 13869 in the Catalogue of prints and drawings in the British Museum, v. 10., Approximate date of publication from watermark., Publication date of 1 October 1820 is noted in the British Museum catalogue entry for an earlier state., Sheet trimmed within plate mark., Watermark: Weatherley & Lane 1820., Mounted to 58 x 39 cm., Mounted on leaf 88 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Q. Caroline" identified in ink below image; date "1821" written beneath lower right corner of image. Typed extract of one line from the British Museum catalogue description is pasted below print.
Publisher:
Pubd. by S.W. Fores, Piccadilly No. 41
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
Queens, Adultery, Fruit, Pears, Tables, Documents, and Draperies
"In a room, a group watching as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at right, the man and a man standing in outdoor clothes behind looks at him with dismay; in the right foreground two young children build their own house on a small table; doors open onto garden in background."--British Museum online catalogue
Description:
Title engraved below image., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings after paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Sheet trimmed within plate mark resulting i`n loss of imprint.
Publisher:
Robert Sayer
Subject (Topic):
Chairs, Children, Dogs, Drawing rooms, Furniture, Interiors, Playing cards, Screens, Tables, and Toys
In a room, a small group of women and children watch as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at the right; a man standing in outdoor clothes behind looks at him with dismay. On a chair on the right a lapdog jumps on the woman standing between the two young boys; in the left foreground two little girls build their own house on a small table; doors open onto garden in background; after a painting by Hayman for Vauxhall Gardens
Description:
Publication date from Carington Bowles's entry in Maxted, I. London book trades, 1775-1800., Sheet partially trimmed within plate mark., and Numbered in upper right corner: V. 6.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil [sic], and Carington Bowles in St. Pauls Church Yard, London
"A young man, in military dress, of elegant and effeminate appearance, sprawls on a sofa, looking towards a young woman (right) who leans towards him. She is of meretricious appearance, and wears the quasi-military riding-dress fashionable at this time in connexion with the militia camps of Coxheath and Warley. The room is luxuriously furnished. A round table with a wine bottle and glass is partly visible on the extreme right."--British Museum online catalogue
Alternative Title:
Captain Jessamy learning the proper discipline of the couch
Description:
Title from item., Date of publication from British Museum catalogue., Plate numbered '471' in lower left corner., Temporary local subject terms: Militia camps -- Militia uniforms -- Nosegays -- Lighting -- Furniture: pedestal table -- Military female costume -- Female costume: military & feathered hats., Watermark., Imperfect; publication date at end of imprint has been erased from sheet., Subjects identified below plate line in a later hand as Captain Bisset and Lady Worsley., and Matted to 62 x 47 cm.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Military uniforms, Flowers, Wallpapers, Chandeliers, Shutters, Windows, Tables, and Hats
"Caricature with Caroline and Brougham with a broom standing accusing the Committee who cower back."--British Museum online catalogue
Alternative Title:
Caroline's Wood-en Brougham to sweep the filthy committee room, Caroline's wooden broom to sweep the filthy committee room, and Caroline's wooden Brougham to sweep the filthy committee room
Description:
Title etched below image; the second letter "o" in "broom" is scored through and the letters "ugha" inserted above the line with a caret, forming the name "Brougham.", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 31 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Wood," "Caroline," "Sidmouth," and "Liverpool" identified in pencil in lower margin; date "July 1820" written in ink in lower right.
Publisher:
Published July 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wood, Matthew, Sir, 1768-1843, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Sidmouth, Henry Addington, Viscount, 1757-1844
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and Mounted to 21 x 26 cm.
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and 1 print : etching with stipple on laid paper ; plate mark 17.5 x 22.5 cm, on sheet 22 x 24 cm
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
Title from text below image., Printmaker from plate no. 1., Series title from plate no. 1., No. 2 from the Dighton's series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy., Plate is numbered "2" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Corporals' uniforms -- Male costume, ca. 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Crutches, Screens, Furniture, Tables, Chairs, Stools, Interiors, Military uniforms, British, Staffs (Sticks), and Smoking
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 40.4 x 29.4 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline," "Lady Anne Hamilton," and "Ald. Wood" identified in ink below image; date "Ap. 30, 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A parody of British Museum Satires No. 9752, Gillray's 'Dido in Despair!' The Queen takes the place of Lady Hamilton, in a similar pose but tearing her long black hair with more of rage and less of grief. She wears a bracelet on each arm, one inscribed 'BB' (for Bergami), the other 'MW' (for Wood). On the floor are gifts to the Queen. Her bare right foot rests on a large cake inscribed 'MW' on which are various emblems: a large crown, which she kicks over, busts of Wood, Bergami, Lieut. Hownam, and an unidentified person; also a goat, an ass, and a cat. This stands on a paper: 'Mr Trifle's Love to the Q[ueen]'. A huge round of beef is ticketed 'With Mr Suets Love to the Q--n'; with this is a roll of 'Cat's Meat'. A model of a pair of stays enclosed in a glass case stands on two papers: 'Glass-blower's Delight' and 'O stay my love my Cary dear'. A pair of breeches of metal is 'For Bat [Bergami] or Cat ad libitum from the Brazier[s]'. Caricatures lie near a pair of slippers inscribed 'BB'; the uppermost is of Bergami drinking at a table between Wood and the Queen. A book is 'Catalogue of Fancy Men'. The glass on the dressing-table is topped by a crescent; on it hang miniatures of Bergami and Wood (cf. No. 13858). The table is covered with decanters, one labelled 'Brandy' [see British Museum Satires No. 14175], glass, pill-box, and boxes of 'Rouge', 'Brick dust', and 'Court Plaister'. The curtains of the bed are fringed with gold and hang from a pelmet. In place of Gillray's open sash-window is a closed French window; outside is a landscape, with two asses, and a lake (Como) with a sailing-boat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below the title: Ah! where, and ah where, does my gallant courier lie, for me does he oft on his downy pillow sigh, I left him on the Continent, to claim my half-a-crown, and I wish to my heart, I could have him here in town., Sheet trimmed within plate mark., and Mounted on page 36 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., Wood, Matthew, Sir, 1768-1843., and Dido (Legendary character)
"A parody of British Museum Satires No. 9752, Gillray's 'Dido in Despair!' The Queen takes the place of Lady Hamilton, in a similar pose but tearing her long black hair with more of rage and less of grief. She wears a bracelet on each arm, one inscribed 'BB' (for Bergami), the other 'MW' (for Wood). On the floor are gifts to the Queen. Her bare right foot rests on a large cake inscribed 'MW' on which are various emblems: a large crown, which she kicks over, busts of Wood, Bergami, Lieut. Hownam, and an unidentified person; also a goat, an ass, and a cat. This stands on a paper: 'Mr Trifle's Love to the Q[ueen]'. A huge round of beef is ticketed 'With Mr Suets Love to the Q--n'; with this is a roll of 'Cat's Meat'. A model of a pair of stays enclosed in a glass case stands on two papers: 'Glass-blower's Delight' and 'O stay my love my Cary dear'. A pair of breeches of metal is 'For Bat [Bergami] or Cat ad libitum from the Brazier[s]'. Caricatures lie near a pair of slippers inscribed 'BB'; the uppermost is of Bergami drinking at a table between Wood and the Queen. A book is 'Catalogue of Fancy Men'. The glass on the dressing-table is topped by a crescent; on it hang miniatures of Bergami and Wood (cf. No. 13858). The table is covered with decanters, one labelled 'Brandy' [see British Museum Satires No. 14175], glass, pill-box, and boxes of 'Rouge', 'Brick dust', and 'Court Plaister'. The curtains of the bed are fringed with gold and hang from a pelmet. In place of Gillray's open sash-window is a closed French window; outside is a landscape, with two asses, and a lake (Como) with a sailing-boat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below the title: Ah! where, and ah where, does my gallant courier lie, for me does he oft on his downy pillow sigh, I left him on the Continent, to claim my half-a-crown, and I wish to my heart, I could have him here in town., Sheet trimmed within plate mark., and 1 print : etching with stipple on wove paper, hand-colored ; sheet 26.8 x 21.7 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., Wood, Matthew, Sir, 1768-1843., and Dido (Legendary character)
"A parody of British Museum Satires No. 9752, Gillray's 'Dido in Despair!' The Queen takes the place of Lady Hamilton, in a similar pose but tearing her long black hair with more of rage and less of grief. She wears a bracelet on each arm, one inscribed 'BB' (for Bergami), the other 'MW' (for Wood). On the floor are gifts to the Queen. Her bare right foot rests on a large cake inscribed 'MW' on which are various emblems: a large crown, which she kicks over, busts of Wood, Bergami, Lieut. Hownam, and an unidentified person; also a goat, an ass, and a cat. This stands on a paper: 'Mr Trifle's Love to the Q[ueen]'. A huge round of beef is ticketed 'With Mr Suets Love to the Q--n'; with this is a roll of 'Cat's Meat'. A model of a pair of stays enclosed in a glass case stands on two papers: 'Glass-blower's Delight' and 'O stay my love my Cary dear'. A pair of breeches of metal is 'For Bat [Bergami] or Cat ad libitum from the Brazier[s]'. Caricatures lie near a pair of slippers inscribed 'BB'; the uppermost is of Bergami drinking at a table between Wood and the Queen. A book is 'Catalogue of Fancy Men'. The glass on the dressing-table is topped by a crescent; on it hang miniatures of Bergami and Wood (cf. No. 13858). The table is covered with decanters, one labelled 'Brandy' [see British Museum Satires No. 14175], glass, pill-box, and boxes of 'Rouge', 'Brick dust', and 'Court Plaister'. The curtains of the bed are fringed with gold and hang from a pelmet. In place of Gillray's open sash-window is a closed French window; outside is a landscape, with two asses, and a lake (Como) with a sailing-boat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below the title: Ah! where, and ah where, does my gallant courier lie, for me does he oft on his downy pillow sigh, I left him on the Continent, to claim my half-a-crown, and I wish to my heart, I could have him here in town., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 27.8 x 22.7 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark., Mounted to 58 x 39 cm., Mounted on leaf 63 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in pencil at bottom of sheet; date "3 Ap. 1821" written in ink in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., Wood, Matthew, Sir, 1768-1843., and Dido (Legendary character)
"A patient, wrapped in shroud-like draperies, sits (left) in a high-backed arm-chair gazing up and to the left. Two doctors in the foreground fight each other, overturning a round table on which are medicine-phials. A lean doctor (left) flourishes the wig of his fat opponent, whom he clutches by the neck-cloth. The fat doctor (right) siezes the other's pigtail queue."--British Museum online catalogue
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '143' in lower left corner., and Temporary local subject terms: Fist-fights -- Medicine bottles -- Walking staves -- Furniture: armchairs.
Publisher:
Published 23th Decr. 1794 by Laurie & Whittle, 53 Fleet Street, London
"Rectangular bundles of documents, supported on human legs, march towards a writing-table (left) where two men await them eagerly, one being evidently Lord Stewart. These bundles recede in perspective from right to left. The two largest are inscribed: 'From Switzerland Via Colombier the Capital of Europe' and 'From Milan by the Brown road'. The others are: 'From Trieste'; 'From Carlsruhe'; 'Como'; 'Italy'; 'Devil'; 'Moloch'; 'Lucifer'. A bird flies towards the table with a paper inscribed 'Private'. Forked lightning darts towards the table, beside which trunks, boxes, and papers are piled, with a paper headed '... [Maj]ochys deposition'. Towards the table from the left advances (from an ornate Gothic building) a procession of lawyers, carrying books. P. 6: E, for the Embassy, kept on full pay, Collecting of slander and filth on the way ; ..."--British Museum online catalogue
Alternative Title:
E, for the embassy, kept on full pay, collecting of slander and filth on the way ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Documents, Tables, Birds, Lightning, Luggage, Boxes, and Lawyers
A scene in a sitting room, a man in a fit of anger kicks over a chair and table set with tea; a pitcher, cups and saucers, tongs and other tableware are in flight or shattered on the floor. The man holds his wig in his left hand as a woman looks on with fear. Two cats fight in front of a fireplace above which hangs a seascape with rough waters and lightening. On the back wall another painting shows a man standing over a woman
Description:
Title etched below image., Publication date from Isaac., Plate numbered "38" in upper left corner., Sheet trimmed to plate mark on top edge., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Anger, Couples, Kicking, Interiors, Tables, Fireplaces, and Cats
Leaf 56. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Droll: a fat and jolly woman representing 1760 seated facing a thin gin-sodden woman of 1780."--British Museum online catalogue
Alternative Title:
Emblems of 1760 and 1780
Description:
Title engraved below image., Restrike. For original issue of the plate, see British Museum online catalogue, registration no.: 1988,0514.64., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse below image, four on either side of title: In this poor and humble station, see an emblem of the nation ..., and On leaf 56 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published as the act directs, 1st Jany. 1780, by Robt. Wilkinson, at No. 58 in Cornhill and Field & Tuer
"Heading to a printed broadside: ... 'New Version', verses printed in two columns below the (printed) title. The Duke of York, with a gauntleted fist, strikes in the face the startled King, who staggers, decanter in hand, saying, "Theres no dependance on the Army." The Duke answers: "Not for you." A supper-table, with decanters, &c., overturns on the right, the King's chair on the left; the chair is decorated with an irradiated wine-glass flanked by bowing Chinese, and, like the table, is fringed by bells. Behind the King are two bottle-holders, the bottles in the shape of a 'Green Bag' [see British Museum Satires No. 13735], and so inscribed; they are Castlereagh and Liverpool, who are backed by Sidmouth and Canning. They say: "Never fear--we are here," and "Never fear." Behind the Duke is the Queen between two ladies; she says: "Fair play's a Jewell Face to Face Truith [sic] will come out." Four of her supporters watch from the left: Wood in his alderman's gown, and holding a 'City Address', says: "A blow has been Struck who feels it?" Burdett, next Hobhouse, and holding a 'West' [minster Address], says: "When Britons strike they strike home." The fourth is a barrister (one of the Queen's legal advisers, not resembling Brougham). The sixth and seventh of ten verses: Said Ca . . tl . . gh I know the Cause, Y . . k's for your 'R .... l Rib', Sire, Your M .... y shall have New Laws, You know we never gib, Sire. Said W . . b . . rce, with face demure, Divorce!...... we'll soon obtain it; Another Consort we'll ensure, His end......Y . . k ne'er shall gain it."--British Museum online catalogue, description of a later edition
Description:
Title from letterpress text below image., Tentative attribution to Robert Cruikshank from the British Museum catalogue., First edition?, An approximate date of August 1820 is given in the British Museum catalogue for a later edition; the same print is dated March 1820 in the British Museum online catalogue, registration no.: 1948,0214.831., Imperfect; sheet has been cut in half, with bottom portion (16.1 x 20.7 cm) containing the letterpress text mounted separately beside upper portion containing the engraved plate., For the third edition with slight changes to the verses, see no. 13830 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wood, Matthew, Sir, 1768-1843, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Burdett, Francis, 1770-1844
Subject (Topic):
Politicians, Fights, Bottles, Wine, Tables, Chairs, and Bells
"Heading to a printed broadside: '(Third Edition.)' and 'New Version', verses printed in two columns below the (printed) title. The Duke of York, with a gauntleted fist, strikes in the face the startled King, who staggers, decanter in hand, saying, "Theres no dependance on the Army." The Duke answers: "Not for you." A supper-table, with decanters, &c., overturns on the right, the King's chair on the left; the chair is decorated with an irradiated wine-glass flanked by bowing Chinese, and, like the table, is fringed by bells. Behind the King are two bottle-holders, the bottles in the shape of a 'Green Bag' [see British Museum Satires No. 13735], and so inscribed; they are Castlereagh and Liverpool, who are backed by Sidmouth and Canning. They say: "Never fear--we are here," and "Never fear." Behind the Duke is the Queen between two ladies; she says: "Fair play's a Jewell Face to Face Truith [sic] will come out." Four of her supporters watch from the left: Wood in his alderman's gown, and holding a 'City Address', says: "A blow has been Struck who feels it?" Burdett, next Hobhouse, and holding a 'West' [minster Address], says: "When Britons strike they strike home." The fourth is a barrister (one of the Queen's legal advisers, not resembling Brougham). The sixth and seventh of ten verses: Said Ca . . tl . . gh I know the Cause, Y . . k's for your 'R .... l Rib', Sire, Your M .... y shall have New Laws, You know we never gib, Sire. Said W . . b . . rce, with face demure, Divorce!...... we'll soon obtain it; Another Consort we'll ensure, His end......Y . . k ne'er shall gain it."--British Museum online catalogue
Description:
Title from letterpress text below image., Tentative attribution to Robert Cruikshank from the British Museum catalogue., Publisher and approximate publication date of August 1820 from the British Museum catalogue. The same print is dated March 1820 in the British Museum online catalogue, registration no.: 1948,0214.831., Sheet trimmed within plate mark with probable loss of imprint statement from bottom edge., Ten stanzas of verse in two columns below title, printed in letterpress: Cried G......e, who dare my will resist, My word shall ne'er be shaken ..., Watermark: Cater., Window mounted to 34.7 x 25.8 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 54 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Canning," "Londondery [sic]," "Liverpool," "Geo. IV," "D. York," "Caroline," and "Wood" identified in ink below image. Various blank spaces in the printed verses have been filled in using purple ink, to complete the censored names and the words "Royal" and "King." Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
C.E. Pritchard
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wood, Matthew, Sir, 1768-1843, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Burdett, Francis, 1770-1844
Subject (Topic):
Politicians, Fights, Bottles, Wine, Tables, Chairs, and Bells
"A family, grouped round a small round table, see with consternation that the candle has a large blue flame. They are an elderly woman who is sewing, an elderly man in a smock frock, a youth, a small child, and a dog, whose raised head appears in the foreground. Behind the woman (left) stands a ghost in white drapery, with a beard and corpse-like face, glaring down at the group."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Watermark: J Whatman 1794., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pub. July 30, 1796, by S.W. Fores, No. 50 Piccadilly
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
Novr. 1, 1790.
Call Number:
790.11.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"A lean man wearing a hat sits in profile to the left, holding a large frothing tankard and smoking a long pipe. His expression is one of pleased anticipation. Before him (right) is a round table on which are a tobacco-box and lighted lantern. Behind is a casement window, its blackness indicating night."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., From the series: Symptoms of drunkenness., and Variant state, with abbreviated title, of No. 7771 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., 1 print : etching with stipple ; plate mark 24.7 x 34.8 cm, sheet 25 x 35.4 cm, Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 56 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Caroline," "Sidmouth," "Londondery [sic]," and "Leach" identified in ink at bottom of sheet; date "1820" written in lower right corner. Typed extract of seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 12th, 1796, by H. Humphrey, New Bond Street
"Lady Perceval sits at an ornate writing-table, pen in hand. A serpent issues from her breast, coils round her arm, and darts its fang at the tip of her pen. She frowns meditatively, saying, "Now then for something strong but not libellous, I hate half measures we must rush upon the enemy--suprise [sic], astound him--and unhorse him by Terror--John Bull have at you! I'll open your eyes--." The table is littered with papers and books; some are docketed: 'For the Star', 'To the Editor of the Star', 'For the News', 'Extracts from the Book', one is 'Copy', a book is 'Politicks', and a large paper is displayed: 'Select Scraps from Shakespeare--with my own comments "Some achieve greatness "some have greatness thrust upon them .... Querie was this not the case with Nunky [Spencer Perceval], why not happen .... Son--.' Other papers and books lie on the floor: newspapers are 'The News' and 'The Star', a paper is headed 'Memorandums Billy Austin [see British Museum Satires No. 12027]--the Will--' Books are 'Life of Lord Nelson', 'A very Woman by Massinger', 'Machiavael', 'Johnson', 'Indiscretion a Novel', 'Don Quixote'. On the left John Mitford, identified by a letter in his coat-pocket 'To John Mit--', stands facing the wall, and hanging one picture over another: he places a view of a country inn, 'The Tigers Head' above one of '[War]burton's Mad House', saying, "Come this is a prettier picture than the other [left] shall catch some fish in this neighbourhood." He is fashionably dressed, wearing Hessian boots. This picture is on the left of a row: a large picture of 'Alecto' (cf. British Museum Satires No. 7721), naked, wreathed in serpents, and brandishing scourge and fire-brand, with a background of flames hangs between three-quarter length portraits of 'Lady Douglas' and 'Lady A Hamilton'. The former covers her face with a tragic gesture; a dagger lies on a table beside her, she seems to contemplate suicide. The latter clasps her hands. Over the chimneypiece (right) is a three-quarter length portrait of 'Lord P . . . . val' concealing his face with his hat; below, and partly hiding the frame, is a statuette of a knight killing a dragon. On the chimney-piece there is also a bottle labelled 'Cephalic' (for diseases of the head). Papers are burning in the grate, one inscribed 'To[o] Libellous'."--British Museum online catalogue
Alternative Title:
Lady Paragraph championizing
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Text following title: - vide Letters., Imperfect; sheet trimmed within plate mark with loss of text following title. Missing text supplied from impression in the British Museum., Temporary local subject terms: Pictures amplify subject., Watermark: C. Ansell 1807., and Formerly mounted with remnants on verso.
Publisher:
Pubd. March 4th, 1814, by S.W. Fores, No. 50 Piccadilly
A French satire on the British administration, who are shown gathered around a table with bottles and glasses (two of which are toppled over) and a battle plan (’Plan de Berlin’) drawn on the tablecloth. The men are mostly yawning, asleep or looking bored. Even the dog in the foreground looks to be toppling over with fatique. A servant also yawning enters from the left with a bootjack carrying slippers(?). In 1806, French forces under Napoleon occupied Prussia, pursued the remnants of the shattered Prussian Army, and captured Berlin
Alternative Title:
Deliberations des politiques anglais sur la guere and Deliberations des politiques anglais sur la guerre
Description:
Title etched below image; the letter "n" in "plan" is etched backwards., For a variant state lacking alternative title and other text at bottom of plate, see British Museum online catalogue, registration no.: 1993,1107.60., "Déposé à la Bibliothèque Imp."--Beneath lower left corner of image., "Et presentement chez Basset Md. d'estampes et fabricant de papiers, peints, Rue St. Jacques au coin de colle des Mathurines, No. 64"--Below title., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Chez Martinet
Subject (Geographic):
Germany.
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Military officers, British, Tables, Bottles, and Drinking vessels
Title above image. and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Spiritualism, Seances, Parties, Top hats, and Tables
"Popular print, satire, after print published by Laurie & Whittle in 1794 (British Museum satires no. 8596): five men sit at a small square table on which are glasses and an empty punch-bowl, all have expressions of deep melancholy: one reverses his glass, another breaks his pipe, the bowl of which still smokes, the third weeps, the fourth looks down with a gesture of deprecating misery, the fifth looking towards the viewer."--British Museum online catalogue
Description:
Title etched below image., Publication date from British Museum online catalogue., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Crying, Eating & drinking, Tables, Pipes (Smoking), and Sadness
"A satire on the folly of marriage where the two parties are of a dissimilar age, and on the sexual opportunism of young military office. An elderly magistrate has fallen asleep sitting beside a table on which are glasses, pipes and two bottles, one labelled “Port” in front of an empty grate. He holds a copy of “Compleat JUSTICE”, showing him to be a Justice of the Peace, and a paper protrudes from his pocket lettered “-him for a Trepass on...”. On a bracket table behind him are “BURNS JUSTICE”, a paper lettered “Stealing a Hare” and another “Mid to Wit...”. On the wall over his head is a stag’s head with antlers alluding to his cuckoldry. On the other side of the fireplace, watching him, his pretty young wife sits beside an army officer who caresses her. The officer’s hat hangs on the wall behind them. On the mantelpiece are two oriental style jars and a figure of Budai,” the smiling Buddha” and over these is a gun suspended upside down.."--British Museum online catalogue
Description:
Title from item., Sheet partially trimmed within plate mark., and Watermark: Strasburg bend with initials GR below.
Publisher:
Printed for Robt. Sayer, Map & Printseller, No. 53 in Fleet Street
Subject (Topic):
Adultery, Alcoholic beverages, Bottles, Chairs, Drinking vessels, Firearms, Fireplaces, Furnishings, Interiors, Marriage, Military officers, British, Parlors, and Tables
Leaf 44. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two scenes on one plate: on the left a macaroni smiling standing at a table, in the other a skeleton leaning against a funerary monument."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "22" in upper right corner., Temporary local subject terms: Dice-box and dice -- Furniture: Hanging bookshelf -- Pictures amplifying subject: Horse racing -- Books: Allusion to Weber and Hoyle -- Allusion to Harris's List of Covent Garden Ladies -- Allusion to Charlotte Hayes, procuress -- Building: Country church -- Tools: Spade., and Watermark.
Publisher:
Pub. accord. to act Decr. 1, 1773, by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Gambling, Playing cards, Tables, Skeletons, Shovels, and Tombs & sepulchral monuments
Leaf 44. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two scenes on one plate: on the left a macaroni smiling standing at a table, in the other a skeleton leaning against a funerary monument."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "22" in upper right corner., Temporary local subject terms: Dice-box and dice -- Furniture: Hanging bookshelf -- Pictures amplifying subject: Horse racing -- Books: Allusion to Weber and Hoyle -- Allusion to Harris's List of Covent Garden Ladies -- Allusion to Charlotte Hayes, procuress -- Building: Country church -- Tools: Spade., First of two plates on leaf 44., and 1 print : etching on laid paper ; plate mark 17.7 x 24.8, on sheet 44.4 x 27.5 cm.
Publisher:
Pub. accord. to act Decr. 1, 1773, by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Gambling, Playing cards, Tables, Skeletons, Shovels, and Tombs & sepulchral monuments
"Satire on George IV who sings while Lady Conygham plays at the organ; at the side a table laden with decanters of drink."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 30 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Eliz. Conyngham" identified in black ink below image.
Publisher:
Pub. July 2, 1820, by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Organs, Singing, Tables, Bottles, Alcoholic beverages, Hats, and Pineapples
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum, v. 10., and Mounted on page 28 of: George Humphrey shop album.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum, v. 10., 1 print : etching ; sheet 22 x 33.9 cm., Printed on wove paper with watermark "J. Whatman"., Sheet trimmed within plate mark., Window mounted to 23.6 x 35.5 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "12 Dec. 1820" written in ink in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"The Regent at the head of a table (left) on which are decanters and dessert, holds a consultation with five advisers. He sits on a dais, with his right leg thrown over an arm of his chair; the right arm over the back, spilling a glass of wine. He says jocosely: "Well my boys, I think now we shall succeed D--d fine evidence from the states of Barbary (if that cursed Hedgehog dont get hold of it; the very man that says he acted as Accoucheur I have got over every thing as clear as the Sun at noon day, I knew what fellows those Turks were, only once get her over there & the thing was accomplished,--now for a divorce as soon as possible, I have a tit bit in my eye, & if I dont yet get a son, say that I am not a chip of the old Block!!" At his right sits Castlereagh, with the Prince's feathers and motto on the back of his chair. He turns his head in profile, saying, "I'm an unmatched negociator [see British Museum Satires No. 12501] and I'll enter into a treaty with the House of commons to secure your suit." In his pocket is a paper: 'Negociat . . with the'. Lord Eldon faces Castlereagh; he wears his Chancellor's wig and gown; the Purse of the Great Seal hangs on the wall behind him. He says: "I'll stick to your highness through thick and thin or never call me Old Bags again as long as I live!!" At the foot of the table sits Ellenborough, in wig and gown, towards whom the other two members of the Cabinet turn in alarm. Liverpool (a poor portrait) sitting opposite Vansittart, says: "I have my doubts and qualms of conscience your highness what say you, Van?" Vansittart, in his Chancellor of the Exchequer's gown: "Oh my Lord I have some strange touches of feeling on the subject!" He sits on a sack inscribed 'Budget'; from a rent in it projects a paper: 'to . . . 6.000000'. Ellenborough shakes his fist at Vansittart, rising from his chair which overturns: "Dont put me in a passion with your qualms and your touches, they are all "false, false as Hell" I'll blow you all to the D--l if you dont stick to your Master manfully!!" On the floor beside him lie three large volumes, 'Law of Divorce [Vol. I]. Vol III, Vol II.' Behind the Regent hangs a portrait with the feet only showing: '[Hen]ry VIII'. Beside him are a full wine-cooler, with empty bottles lying by it, and an open book: 'The Secret Memoirs of a Prince By Humphry Hedgehog Esqr 1810' [or 1816]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Reissue, with date removed from imprint statement, of a print originally published 1 October 1816 as a plate to: The Scourge and satyrist, or, Literary, theatrical and miscellaneous magazine. For the earlier state, see No. 12808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Mounted on page 30 of: George Humphrey shop album.
Publisher:
Pubd. by Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Henry VIII, King of England, 1491-1547., Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Vansittart, Nicholas, 1766-1851, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Divorce, Tables, Chairs, Podiums, Wine, Bottles, and Books
"The Regent at the head of a table (left) on which are decanters and dessert, holds a consultation with five advisers. He sits on a dais, with his right leg thrown over an arm of his chair; the right arm over the back, spilling a glass of wine. He says jocosely: "Well my boys, I think now we shall succeed D--d fine evidence from the states of Barbary (if that cursed Hedgehog dont get hold of it; the very man that says he acted as Accoucheur I have got over every thing as clear as the Sun at noon day, I knew what fellows those Turks were, only once get her over there & the thing was accomplished,--now for a divorce as soon as possible, I have a tit bit in my eye, & if I dont yet get a son, say that I am not a chip of the old Block!!" At his right sits Castlereagh, with the Prince's feathers and motto on the back of his chair. He turns his head in profile, saying, "I'm an unmatched negociator [see British Museum Satires No. 12501] and I'll enter into a treaty with the House of commons to secure your suit." In his pocket is a paper: 'Negociat . . with the'. Lord Eldon faces Castlereagh; he wears his Chancellor's wig and gown; the Purse of the Great Seal hangs on the wall behind him. He says: "I'll stick to your highness through thick and thin or never call me Old Bags again as long as I live!!" At the foot of the table sits Ellenborough, in wig and gown, towards whom the other two members of the Cabinet turn in alarm. Liverpool (a poor portrait) sitting opposite Vansittart, says: "I have my doubts and qualms of conscience your highness what say you, Van?" Vansittart, in his Chancellor of the Exchequer's gown: "Oh my Lord I have some strange touches of feeling on the subject!" He sits on a sack inscribed 'Budget'; from a rent in it projects a paper: 'to . . . 6.000000'. Ellenborough shakes his fist at Vansittart, rising from his chair which overturns: "Dont put me in a passion with your qualms and your touches, they are all "false, false as Hell" I'll blow you all to the D--l if you dont stick to your Master manfully!!" On the floor beside him lie three large volumes, 'Law of Divorce [Vol. I]. Vol III, Vol II.' Behind the Regent hangs a portrait with the feet only showing: '[Hen]ry VIII'. Beside him are a full wine-cooler, with empty bottles lying by it, and an open book: 'The Secret Memoirs of a Prince By Humphry Hedgehog Esqr 1810' [or 1816]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Reissue, with date removed from imprint statement, of a print originally published 1 October 1816 as a plate to: The Scourge and satyrist, or, Literary, theatrical and miscellaneous magazine. For the earlier state, see No. 12808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., 1 print : etching ; plate mark 24.6 x 35 cm, on sheet 25 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 21 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon," "Castlereagh," "Liverpool," "Vansittart," and "Ellenborough" identified in black ink above title; date "June 1820" written in lower right corner.
Publisher:
Pubd. by Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Henry VIII, King of England, 1491-1547., Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Vansittart, Nicholas, 1766-1851, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Divorce, Tables, Chairs, Podiums, Wine, Bottles, and Books
A young woman cradles a puppy in her arms as the dog's mother leans on her arm as it stands on the table beside the woman
Description:
Title etched below image., Alterations to the plate at bottom., Probably printed and published by Robert Sayer, 53 Fleet Street, London., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
On the back wall of a tavern(?) is drawn "Royal Game of the Goose" and underneath four men sit at a table with glasses and large punch bowl, smoking pipes.. The table and bowl are falling on a large man who has fallen from his chair. A woman (servant) on the right reacts with alarm at the contents of the bowl spilling on the falling man; another man behind her looks on in amusement
Description:
Title engraved below image., Numbered '146' in lower right of plate., One of the series of Laurie & Whittle drolls., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 24th Jany. 1795 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Fighting, Games, Pipes (Smoking), Smoking, Tables, and Taverns (Inns)
Leaf 68. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., In the manner of Rowlandson, and likely engraved after one of his drawings., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], and On leaf 68 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Interiors, Gambling, Intoxication, Sleeping, Tables, Bottles, Drinking vessels, and Dogs
Leaf 77. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike, with title and border added. For an earlier state lacking title, perhaps published ca. 1800, see Lewis Walpole Library call no.: Bunbury 792.05.01.03., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 8205 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and On leaf 77 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
"Six country people surround a flaming bowl on a small round table. A man jocosely holds a terrified cat over the bowl to force it to pull out a raisin. A man wearing a shirt or surplice stands with both arms held up, from one hand dangles a (?) burnt rag. A mastiff (right) snarls at the cat."--British Museum online catalogue
Description:
Title from item., Printmaker identified in the British Museum catalogue and from original drawing in the Huntington Library., One of a series of Drolls., Plate numbered '165' in lower left corner., Temporary local subject terms: Snap dragon -- Punch bowl., and Watermark.
Publisher:
Publish'd Decr. 12th 1795 by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Games, Beverages, Bowls (Tableware), Tables, Pets, Cats, and Dogs
Title engraved below image., Numbered '137' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark in lower right corner, partially obscured by design.
Publisher:
Printed for Robert Sayer, No. 253 Fleet Street as the act directs
"Two men sit beside a blazing fire in a well-furnished room, overcome by drink, and fast asleep. One, a stout officer in regimentals, wearing a cocked hat, seated in an arm-chair (right), has thrust his wooden leg into the fire, where it is burning. The ashes of his pipe fall on to the tail of a dog asleep under his chair. His companion sits (left) supporting his head on his elbow, which rests on a round table on which are a punchbowl, glasses, and a candle, in which his wig is burning. On the wall (left) is a framed plan of fortifications."--British Museum online catalogue
Alternative Title:
Bon companions
Description:
Title engraved below image., Printmaker identified by the repository based on the original drawing in the Huntington Library., One of a series of 'Drolls.', and Watermark (partial): fleur-de-lis.
Publisher:
Published Septr. 15th, 1790, by Robt. Sayer, No. 53 Fleet Street, London
Leaf 53. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike. For an earlier issue of the plate, published ca. 1828, see Lewis Walpole Library call no.: Bunbury 772.12.07.04., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 5084 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 53 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Tables, Chairs, Candles, Books, Sleeping, Dogs, and Cats
"Caricature on the trial of Queen Caroline, with the charges being laid before the Lord Chancellor."--British Museum online catalogue
Alternative Title:
School boy and his master
Description:
Title etched below image., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 102 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Leach," "Majocchi," "Sidmouth," "Liverpool," "Eldon," "D. York," and "Wellington" identified in ink below image; date "Oct. 1820" written in lower right corner of sheet.
Publisher:
Published October 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Majocchi, Theodore, active 1820, Leach, John, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Politicians, Military officers, Military uniforms, British, Scepters, Daggers & swords, Worms, Coats of arms, Tables, Bags, Rats, and Books
Volume 2, page 47. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man and two women with turbans seated round a table drinking from large goblets; in the background cushions and a lute; after Bunbury."--British Museum online catalogue
Alternative Title:
Belle estrangère empoisonneé par sa soeur, tiré de lhistoire du docteur juif : vide le petit bossu, daus Les contes arabes
Description:
Titles from text in English and French below image., Sheet trimmed to plate mark., and Mounted on page 47 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published as the act directs, 31st March 1787, by S. Watts, No. 50 opposite Old Round Court, Strand
Subject (Topic):
Eating & drinking, Drinking vessels, Tables, Turbans, and Lutes
"An elderly invalid sits in an arm-chair in profile to the left, looking down, with gaping mouth and face distorted with terror. Round him dance in a circle, holding hands, seven grotesque little naked demons, one wearing large jack-boots. On a round table (right) are a medicine-phial and a book: 'Essay on the Power of Imagination'. The parted curtains of the bed form a background. Cf. British Museum Satires No. 9391, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Imagination -- Furniture: armchairs -- Furnishings: bed curtains -- Medicinal: medicine bottle -- Invalids -- Jack-boots., Temporary local Medical Library subject terms: Demons & devils., and 1 print : etching and aquatint, hand-colored ; sheet 389 x 269 mm.
"An elderly invalid sits in an arm-chair in profile to the left, looking down, with gaping mouth and face distorted with terror. Round him dance in a circle, holding hands, seven grotesque little naked demons, one wearing large jack-boots. On a round table (right) are a medicine-phial and a book: 'Essay on the Power of Imagination'. The parted curtains of the bed form a background. Cf. British Museum Satires No. 9391, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Imagination -- Furniture: armchairs -- Furnishings: bed curtains -- Medicinal: medicine bottle -- Invalids -- Jack-boots., and Temporary local Medical Library subject terms: Demons & devils.
"Heading to a printed broadside. Four Ministers, summoned by the King, sit at a table bending over a crown broken into two pieces. Sidmouth (right), tilting forward his seat, which is a commode, holds his clyster-pipe; in his pocket is a bottle labelled 'Strong Mixture'. He says: "There seems to have been a flaw in it for some years it only required a slight tap to do all the mischief." Liverpool, next him, says: "Some Foreign Cement or a decoction of steel lozenges [see British Museum Satires No. 13513] properly applied may stick them together for the present, but I'm afraid it won't last long, the parts seem of opposite compositions." Castlereagh says, with a sinister smile: "By the Ghost of my Father I will hold it together by a Tringular [sic] Proceeding. & whip it all round" [see British Museum Satires No. 14135]. Wellington, dressed as a field-marshal, and wearing cavalry boots with huge spurs, sits in a chair decorated with military emblems; he says: "Steel filings and leaded paste is the only Composition to be depended on." At his feet are bayonets and cannon-balls, with (left) a cannon, and a huge ball inscribed 'Bolus'. Behind Sidmouth stands George IV (right) in consultation with Eldon; he weeps, holding his handkerchief to his eye, and says, pointing to his Ministers: "Cant Sid my Tool and L--r--pl, Some how contrive to mend it." Eldon, in Chancellor's wig and gown, holds the lower end of the mace against his chin with a puzzled scowl. He answers: "Dash my Wig if I know what to do! my head's in Chancery." Beside him are two 'Old Green Bags done with' [see British Museum Satires Nos. 13735, 13986]. At the King's feet is a paper: 'Straight Jacket'. By Sidmouth's chair are papers: 'A Blister for the Radicals if they Kick up a Row'; 'A Gagging Bandage', with a pot of 'Poison for the Q . . .' [cf. British Museum Satires No. 13868]. Also the words 'Filth', 'Dirt'. On the extreme left, John Bull, a stout and formidable 'cit', is seated on a bale inscribed 'Knowledge is Power' [see British Museum Satires No. 14005]. One hand is on his hip, the other on a bludgeon of 'English Oak'. He says, frowning at the Ministers: "I think the following prescription would be the best Cement, a handful of reformation; a large portion of the abolition of Sinicures [sic], a ladle full of the reduction of Taxes, with a plentiful solution of the Oil of Just Claims, and attention to the wants of an industrious part of the Community, would more safely ensure a permanent union with the separate pieces than all the cement or steel lozengers [sic] in the world." The Queen looks in through a small window, Wood looking over her shoulder; they watch the proceedings, tense and indignant. Above the King's head is a shelf of 'Chinese Toys from Hot Creek': a little pagoda flanked by figures of (left) a fat lady and a thin man (the Conynghams) and (right) a squatting obese man (the King). The last two of seven verses (of a 'New Version'): "She claims a share "To all (I swear!) "That I possess;--but mind her "Good C--tl--gh, "Look sharp--d'y' see "There's Radicals behind her. "A stronger pill "'S required still "Than G--ff--d's famous lotion; "Your brains well shake, "The corners rake, To give the jade a motion."--British Museum online catalogue
Alternative Title:
Disasters of a green-bag chief!!!
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price one shilling"--Below imprint., 1 print : etching ; sheet 38 x 26 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and price statement from bottom edge., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Conyngham, Henry, Marquess, 1766-1832.
Subject (Topic):
John Bull (Symbolic character), Politicians, Tables, Crowns, Medical equipment & supplies, Bayonets, Cannons, Cannon balls, Crying, Ceremonial maces, Bags, and Windows
"Heading to a printed broadside. Four Ministers, summoned by the King, sit at a table bending over a crown broken into two pieces. Sidmouth (right), tilting forward his seat, which is a commode, holds his clyster-pipe; in his pocket is a bottle labelled 'Strong Mixture'. He says: "There seems to have been a flaw in it for some years it only required a slight tap to do all the mischief." Liverpool, next him, says: "Some Foreign Cement or a decoction of steel lozenges [see British Museum Satires No. 13513] properly applied may stick them together for the present, but I'm afraid it won't last long, the parts seem of opposite compositions." Castlereagh says, with a sinister smile: "By the Ghost of my Father I will hold it together by a Tringular [sic] Proceeding. & whip it all round" [see British Museum Satires No. 14135]. Wellington, dressed as a field-marshal, and wearing cavalry boots with huge spurs, sits in a chair decorated with military emblems; he says: "Steel filings and leaded paste is the only Composition to be depended on." At his feet are bayonets and cannon-balls, with (left) a cannon, and a huge ball inscribed 'Bolus'. Behind Sidmouth stands George IV (right) in consultation with Eldon; he weeps, holding his handkerchief to his eye, and says, pointing to his Ministers: "Cant Sid my Tool and L--r--pl, Some how contrive to mend it." Eldon, in Chancellor's wig and gown, holds the lower end of the mace against his chin with a puzzled scowl. He answers: "Dash my Wig if I know what to do! my head's in Chancery." Beside him are two 'Old Green Bags done with' [see British Museum Satires Nos. 13735, 13986]. At the King's feet is a paper: 'Straight Jacket'. By Sidmouth's chair are papers: 'A Blister for the Radicals if they Kick up a Row'; 'A Gagging Bandage', with a pot of 'Poison for the Q . . .' [cf. British Museum Satires No. 13868]. Also the words 'Filth', 'Dirt'. On the extreme left, John Bull, a stout and formidable 'cit', is seated on a bale inscribed 'Knowledge is Power' [see British Museum Satires No. 14005]. One hand is on his hip, the other on a bludgeon of 'English Oak'. He says, frowning at the Ministers: "I think the following prescription would be the best Cement, a handful of reformation; a large portion of the abolition of Sinicures [sic], a ladle full of the reduction of Taxes, with a plentiful solution of the Oil of Just Claims, and attention to the wants of an industrious part of the Community, would more safely ensure a permanent union with the separate pieces than all the cement or steel lozengers [sic] in the world." The Queen looks in through a small window, Wood looking over her shoulder; they watch the proceedings, tense and indignant. Above the King's head is a shelf of 'Chinese Toys from Hot Creek': a little pagoda flanked by figures of (left) a fat lady and a thin man (the Conynghams) and (right) a squatting obese man (the King). The last two of seven verses (of a 'New Version'): "She claims a share "To all (I swear!) "That I possess;--but mind her "Good C--tl--gh, "Look sharp--d'y' see "There's Radicals behind her. "A stronger pill "'S required still "Than G--ff--d's famous lotion; "Your brains well shake, "The corners rake, To give the jade a motion."--British Museum online catalogue
Alternative Title:
Disasters of a green-bag chief!!!
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price one shilling"--Below imprint., Watermark: Fellows 1819., Mounted to 58 x 39 cm., Mounted on leaf 65 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "J. Bull," "Ald. Wood," "Q. Caroline," "Wellington," "Londonderry," "Liverpool," "Sidmouth," "Geo. IV," and "Eldon" identified in ink below image. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Conyngham, Henry, Marquess, 1766-1832.
Subject (Topic):
John Bull (Symbolic character), Politicians, Tables, Crowns, Medical equipment & supplies, Bayonets, Cannons, Cannon balls, Crying, Ceremonial maces, Bags, and Windows
Title from caption below image., Date of publication based on watermark., Sheet trimmed within plate mark., Companion print to: The breakfast : symptoms of drowsiness., A reduced copy of no. 8538 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Dinners -- Footmen -- Furniture -- Dinner table., and Imperfect; artist's signature mostly erased from sheet.
"A fantastic and complicated design. Queen Caroline leans back in an arm-chair, pen in hand, staring as if at a vision, her black locks flying outwards and upwards. Above her head, as if sprung from it, is an owl with the cross of the Order of St. Caroline (see British Museum Satires No. 13810) in its beak, and on its head a fool's cap with bells. She wears a décolletée dress with voluminous gathered trousers, as in many prints; her right foot is placed regally on a footstool. Her right arm rests on a table and on the paper on which she writes: To the King. She listens to a serpent held up by Dr. Parr, brandyfaced and naked except for his wig, one of several figures pressing round her, partly obscured by shadow. Lieut. Hownam looks over her right shoulder, two other faces are partly hidden, one may be Flinn, the other resembles Burdett. The aquiline profile of Hobhouse is behind Parr. On the right stands a broom, supporting a wig and gown (Brougham); another wig and gown beside it must indicate Denman; both are in back view. On the left and in the foreground stands Wood, as a devil, hairy and naked except for a furred gown, symbol of the alderman. He turns towards her, holding a baton, topped by a little cap of Liberty, and strings attached to two tiny processions: a state-coach (the Queen's) drawn by four horses and a band of armoured men on horseback, with banners, one inscribed Brass [the braziers' procession, see British Museum Satires No. 14119]. They are surrounded by clouds of dust. Over his shoulder look Cobbett, wearing a red cap with tricolour cockade and brandishing a bone (Paine's, see British Museum Satires No. 13525). To left and right of these advisers are evil gangs (cf. British Museum Satires No. 14194): a procession (left) of men with tall staves or pikes topped by caps of Liberty, and with a tricolour banner inscribed No Church no King no Constitution Universal Suffrage & Annual Plunder for ever. They wave their hats and cheer; their leader wears an apron. Above them floats a figure of Justice holding scales and a crown. Behind on the right naked arms raise firebrands, fanatical faces loom from the shadow; one at least has the snaky locks of Discord. The ornate round table at which the Queen writes is piled with boxes; on the largest, inscribed Secrets of the Baron, stands a small lifelike image of Bergami dressed as a courier. Other objects are a wallet from which projects a paper: 50,000 Per Ann [see British Museum Satires No. 14145], a vase of flowers, a decanter labelled (punningly) Tent [see British Museum Satires No. 13818]. On the floor are two figurines, one in back view, the other of Mahomet dancing (see British Museum Satires No. 13929). At the Queen's feet are her much-feathered four-cornered cap, and papers, one headed My dear Ca . . . and signed BB [Bartolomeo Bergami], the other beginning My dear C and signed Mat. [Wood]. By the broom are bulky bundles of papers: Brooming Correspondence and Defence of Moth[er Red Cap, see British Museum Satires No. 13975]. The owl is the base of an irregular inverted cone, formed of cloud-borne objects from the Queen's head. These are: Cobbets Register, The Times (see British Museum Satires No. 13968), The Champion (see British Museum Satires No. 13677), realistically depicted; three conical caps of Liberty with tricolour cockades inscribed respectively Bat, Cat, Mat [for Bergami, the Queen, and Wood; the title of a print, see British Museum Satires No. 14206 [23]]; Letters to Watch Makers [of] Coventry C B, over which hangs a watch and chain. Two large sketch-books, open: [1] Journal of a Tour to Jerusalem [see British Museum Satires No. 13918, &c.] with a view of a large mosque inscribed Temple of Solomon C.B del. [2] [Mem]oranda of the [Vi]lla d Este, facing a view of a large lake-side villa (see British Museum Satires No. 13857); this partly covers a third sketch: [Bucki]ngham House [the Queen's House as in British Museum Satires No. 14175]. Three large bundles of letters: Letters to the Baron [Bergami]; Wooden Headed Addresses Below Par; Answers to Addresses above Par [i.e. composed by Parr, see British Museum Satires No. 13934]. In a picture of a royal coach drawn by six horses and with three footmen behind the tiny passenger seems to be the Queen. Next this along the upper edge of the cone are pieces of plate decorated with a crown: urn, salver, goblet, candlestick, spoons, &c, with a paper: Plate Subscription.."--British Museum online catalogue
Alternative Title:
Evil communications corrupt good manners
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman 1821., Mounted to 58 x 39 cm., Mounted on leaf 96 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Bergami," "Caroline," "Brougham," and "Denman" identified in ink below image; date "10 July 1821" written in lower right corner. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Parr, Samuel, 1747-1825, Burdett, Francis, 1770-1844, Broughton, John Cam Hobhouse, Baron, 1786-1869, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Denman, Thomas Denman, Baron, 1779-1854., Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Bergami, Bartolomeo Bergami, Baron
A devil (demon) holds an executioner's axe on the right as Bute, Bedford, and Holland sit round a table settling Lord Holland's accounts
Description:
Title etched below image., Sheet trimmed to plate mark., Plate from: The town and country magazine. London : Printed for A. Hamilton, v. 1 (1769), page 641., and Numbered 'No. XXXVI' in upper right corner.
Publisher:
publisher not identified
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Bute, John Stuart, Earl of, 1713-1792, and Holland, Henry Fox, Baron, 1705-1774
"Seven Aldermen, with ass's ears, sit in conference (a meeting of the Court of Aldermen) in Guildhall wearing their furred gowns. The table is covered with a cloth on which are the City Arms and motto, 'Domine Direge [sic] Nos', but a turtle replaces the griffin as the sinister supporter. The arcaded wall, showing the lower part of the windows (with the City Arms), forms a background. The table is flanked by the statues of the giants, 'Gog' (left) and 'Magog' (right), on pedestals. The former, holding a staff with a spiked ball dangling from it, asks: "I say Brother what do you think of our City Asses." Magog, holding pike and shield: "Why I think Brother Gog they are a set of D--n'd Stupid Blockheads." Five Aldermen are on the farther side of the table. The other two sit facing each other at the opposite ends. In the centre sits Bridges; he says: "As late Mare I should be a Great Ass if I did not differ from those Radical Individuals who trust in their own confidence-- I say the Q--n must not go to St Pauls." On his right is Curtis, the largest and most prominent, who says with raised forefinger: "We shall have a speedy Revolution and soon [see British Museum Satires No. 11306], if she is allowed to come into the City-- I protest on my part against prayers of any description." The man at the head of the table says: "No Prayers by St Paul I say for one." The Alderman next him asks: "Where is our friend At--ns, he knows all about burning the Thames" [see British Museum Satires No. 13272]. The others (left to right) says: [1] "Let me see--Keep her out by all means." He stares through an eye-glass, shutting one eye. [2] "Oh dear we shall all be ruined if she comes." [3] "If the Q--n is prayed for we are all dished by Goles--I'll have the Caracatures taken out of the Windows." In the upper margin: 'List of the Wise Men--G. Br--s, Billy Blubber [Curtis], C. Fl--r. [Sir Charles Flower, see vol. viii], G. Sc--y [Scholey, see British Museum Satires No. 12038, &c.], S B--h [Birch, see vols. vi-ix], C. Ma--y [Magnay], W. H--y--e [Heygate].' [This list is in the order of the signatures to their letter of 28 Nov.]."--British Museum online catalogue
Alternative Title:
Seven wise men of the East, prophesying before Gog and Magog of a row in the city, November 29th, 1820
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 36 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Dec. 1820" written in black ink in lower right corner. Above the censored "List of Wise Men" at top of image are annotations in brown ink that name the men: Aldn. Bridges, Curtis, Flower, Scholey, Birch, Magnay, Heygate.
Publisher:
Published December 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bridges, George, approximately 1762-1840, Curtis, William, Sir, 1752-1829, Flower, Charles, Sir, 1763-1834, Scholey, George, -1839, Birch, Samuel, 1757-1841, Magnay, William, 1767-1826, Heygate, William, Sir, 1782-1844, and Guildhall (London, England),
Subject (Topic):
Interiors, Tables, Robes, Coats of arms, Sculpture, Arms & armament, City council members, and Hand lenses
"A number of ladies (eleven in all) sit at a table at the head of which is their president or chairman. They are balloting for the admission of a member, according to the 'Authentic Rules of the Female Coterie' printed in the 'Gentleman's Magazine', 1770, p. 414, by which ladies balloted for men and men for ladies. The president sits in a raised chair, a hammer in her right hand; she says: "Mr Driver the New Member shall be admitted & duly return'd by me the proper Officer if upon examination he comes up to the Standard". Remarks from other ladies (left to right) are: "I hold up my hand for Mr Driver, if it had not been for him, several Noble Families would have been extinct that have now a numerous Issue"; "The ability of every Candidate ought to be strictly Examined"; "The Gentleman to be elected into this Society shall not be Husband to any of us"; "No our plan is to supply the deficiency of Husbands"; "I move for the Admission of Mr Driver as a Member. He has a promising Leg, an happy Assurance, & to crown the whole he is an Irishman"; "Lady H------n [Harrington] has her Reasons for not suffering Mr Driver to return to Ireland, but she must not Engross him all to herself". The lady on the President's right is writing in a large book. On the table are writing materials, books, one being 'Essay on Man', a bottle marked "Eau de Vie", a tray with coffee-pot, cups, &c."--British Museum online catalogue
Description:
Title from item., Plate from: The court and city magazine. London: Joseph Smith, v. 1 (1770)., Temporary local subject terms: The Female Coterie -- Dishes: coffee set -- Literature: Reference to Essay on man by Alexander Pope (1688-1744)., and Window mounted to 20 x 25 cm.
Publisher:
publisher not identified
Subject (Topic):
Clubs, Tables, Coffeepots, Coffee cups, Writing materials, and Books
Leaf 70. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A well-dressed man with a high-crowned hat and cloak leans on a table on which are dice, a pack of cards and piles of coins or counters; a carved serpent with a woman's head is entwined around the table leg."-British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "18" in upper right corner., For an earlier state, see no. 4697 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Macaronies -- Braided queue wig -- Figure with serpent's tail and woman's head and bust around leg of table -- Dice, dice box -- Greatcoasts reversed for luck., and Third of three plates on leaf 70.
Publisher:
Pubd. accor. to act, March 16th, 1772, by MDarly, Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Hats, Gamblers, Playing cards, Gambling, and Tables
"A satire on William Pitt on his accepting office in government showing him reacting in horror to the sight of the ghost of Sarah, Duchess of Marlborough who appears in her shroud saying “Furies Wheres my 10000 £”, in one hand she holds a paper lettered “Taken a Place” and another lettered “Voted for ye C(our)t”. Her other hand points down to a portrait of Lord Chesterfield on the floor which has been torn from its frame on the wall and in this hand she holds a paper lettered “and you too 20000£”. Behind her is a statue of Queen Anne. Flashes of lightening come through the window at the back of the room aimed at Pitt as he sits at a table with two candles on it writing “an answer to T.H.” also on the table are “Letters to W(ilia)m. P(itt) Tr(easurer) of I(relan)d” and “Letter to W(ilia)m P(itt) by T. H-y Esq. On his forehead is written “HANOVER T(urnip)S”."--British Museum online catalogue
Alternative Title:
The ghost of a Duchess to William Pitt Esqr
Description:
Title from item., Sheet trimmed within plate mark., Thirteen lines of verse in three columns below image: Ungrateful P---. You have me bitt! ..., Temporary local subject terms: Statues: statue of Queen Anne on pedestal -- Ghosts: the Duchess of Marlborough -- Lightning bolts -- Female dress: Queen Anne's dress -- Lighting: candlesticks -- Furniture -- Furniture -- Furnishings: wall clock and bracket -- Letters -- Legacy., Watermark., and Mounted to 32 x 43 cm.
Publisher:
Publishd. for L. Raymond
Subject (Name):
Anne, Queen of Great Britain, 1665-1714, Marlborough, Sarah Jennings Churchill, Duchess of, 1660-1744, and Pitt, William, Earl of Chatham, 1708-1778
"Heading to a printed broadside. The King, on a dais, sits at a table between Eldon and Castlereagh, with Liverpool (?) under the table (from fear). All are terrified at the Bill, a creature, surrounded by clouds, with stick-like limbs, supported on broken crutches and a body formed of a rolled document: 'Bill of Pains and Penalties'. The apparition interrupts a Cabinet meeting, only three Ministers are depicted, others being mentioned; the King departs to Windsor to escape the Ghost, which has addressed them. The thirteenth and sixteenth of nineteen verses: Two crutches supported its figure so drear, Two props almost broken in pieces; And as the wan spectre advanced to them near, They saw one inscribed "Ministerial fear," On the other was, "Royal Caprices." "Ah! see to my heart how fraud-hating Gr--y His vigorous weapon home thrust: Through here the bold sword of a L--nsd--n made way: Noble H--ll--nd struck here with impetuous sway, Uprous'd in a struggle so just."--British Museum online catalogue
Alternative Title:
C-rlt-n Palace haunted and Carlton Palace haunted
Description:
Title printed in letterpress below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark on two sides., Nineteen stanzas of verse in two columns below title, printed in letterpress: 'Twas midnight! - an awful beginning, you'll say - That witching and ghost-breeding time! ..., With a key to seven symbols printed beneath nineteenth stanza, at foot of right column: * Vide Majocchi's re-cross-examination. ..., Mounted to 58 x 39 cm., Mounted on leaf 101 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon" and "Londondery [sic]" identified in ink below image; date "Oct. 1820" written beneath lower right corner of image. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Scott, printer, Great New Street, Fetter Lane, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Politics and government, Political satire, English, Chairs, Tables, Chandeliers, Documents, Legislation, Supernatural beings, Crutches, and Fear
The heads of Burke, North, and Fox lie on a long table, in front of which are executioner's block and axe, with the words "pro bono publico" above them. Behind the table sits Thurlow wearing judge's robes, asking the House of Lords to approve the display of the heads at Temple Bar (last done after the defeat of the Jacobite Rebellion in 1746). The title refers to Fox's attempts to postpone the Mutiny Bill
Description:
Title from item. and Mounted to 37 x 28 cm.
Publisher:
Pubd. Feby. 20th, 1784, by E. Darchery, St. James's Street
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., Fox, Charles James, 1749-1806., and Thurlow, Edward Thurlow, Baron, 1731-1806.
Subject (Topic):
Politics and government, Decapitations, and Tables
A pretty young maid seated at a table is flirting with a footman leaning with his arms on the back of her chair. She is petting a cat; two kittens are playing in a basket on another chair. In the background, another maid, busy mending a garment, looks at them with disapproval and jealousy. Behind on the wall hangs a shelf with plates, a warming pan and a placard (playbill?) entitled, "The Rival Maids."
Description:
Title from item., Four lines of verse in two columns on sides of title: His lordship loves the amourous game; His gadding lady does the same ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Domestic service: maidservants -- Footman -- Furniture -- Dish rack -- Warming pan -- Romantic jealousy -- Domestic life -- Dishes: forks and spoons.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, London
Subject (Topic):
Women domestics, Servants, Envy, Baskets, Cats, Chairs, and Tables
Page 239. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on untrustworthy young men: a prostitute, with a powdered wig wearing a dressing gown open to reveal her chemise and petticoat, sits at a table using scales to weigh the coin offered by a well-dressed young man which is lighter than its proper weight; behind is a curtained bed."--British Museum online catalogue
Alternative Title:
Blade in the dumps
Description:
Title from item., Date of publication from unverified data in local card catalog record., Dated to circa 1773-1774 in the British Museum online catalogue, registration no.: 1935,0522.1.86., Four lines of verse below title: Dull are the times, since trade I first began, our gold was sterling then, and true each man ..., and Numbered '291' in lower left of plate.
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Draperies, Dandies, British, Prostitutes, Scales, and Tables
Page 239. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on untrustworthy young men: a prostitute, with a powdered wig wearing a dressing gown open to reveal her chemise and petticoat, sits at a table using scales to weigh the coin offered by a well-dressed young man which is lighter than its proper weight; behind is a curtained bed."--British Museum online catalogue
Alternative Title:
Blade in the dumps
Description:
Title from item., Date of publication from unverified data in local card catalog record., Dated to circa 1773-1774 in the British Museum online catalogue, registration no.: 1935,0522.1.86., Four lines of verse below title: Dull are the times, since trade I first began, our gold was sterling then, and true each man ..., Numbered '291' in lower left of plate., 1 print : mezzotint on laid paper ; sheet 36.9 x 25.7 cm., Sheet trimmed within plate mark on left edge., and Tipped in at page 239 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Draperies, Dandies, British, Prostitutes, Scales, and Tables
"The fat and florid Lady Buckinghamshire, seated at the head of her faro-table, throws up her arms in dismay, turning towards her husband, who enters through a door (left), saying, "The Bank's stole! - we're ruin'd my Lady! - but I'll run to Bow Street & fix the Saddle upon the right horse, my Lady!" She exclaims: "The Bank stole, my Lord? - why I secur'd it in the Housekeepers-room myself! - this comes of admitting Jacobins into the house! - Ah! the Cheats! Seven Hundred gone smack; - without a single Cock of the Cards!" She fills the centre of the design, and is much larger than her husband. Her guests are crowded together on the right. A pretty young woman, Mrs. Concannon, seated on her left, clasps her hands, exclaiming, "Bank stole! - why I had a Gold snuffbox stole last night from my Table in Grafton Street." Lady Archer, on the extreme right, on the nearer side of the table, turns a corvine and angry profile towards Lord Buckinghamshire, saying, "Stole! - bless me why a Lady had her Pocket pick'd at my House last Monday." Opposite her sits Fox, wearing a hat and putting his hand over his mouth, saying, "Zounds! I hope they dont Smoke me." Sheridan looks over his shoulder, saying, "nor me". Behind Fox, Hanger stands in profile to the left, wearing a hat and holding his bludgeon; he says: "O! if they come to the Mount, if I don't tip them Shelalee" (see BMSat 8889). ... The door (left) resembles that of a strongroom, with two heavy locks and three bolts."--British Museum online catalogue
Alternative Title:
Rook's pigeon'd and Rook's pigeoned
Description:
Title etched below image., One line of quoted text following title: "When Greek meets Greek, then comes the tug of war!", Sheet trimmed within plate mark on bottom edge., and Literature: Quotation from Nathaniel Lee's The Rival Queens, iv. ii.
Publisher:
Pubd. Feby 2d, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Archer, Sarah West, Lady, 1741-1801, Fox, Charles James, 1749-1806, Hobart, Robert, Earl of Buckinghamshire, 1760-1816, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Sheridan, Richard Brinsley, 1751-1816, and Hanger, George, 1751?-1824
Subject (Topic):
Jacobins, Card games, Floor coverings, Gambling, Robberies, and Tables
Volume 2, page 82. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Dr Priestley sitting at a garden table, looking at a mouse in a semi-circular cage, smiling as he listens to Mrs Barbauld who stands pleading for its release and another woman and Charles Rochemond Aikin, a little boy look on, with trees all around; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Sixteen lines of verse below image, eight on either side of title: Oh! hear a pensive prisoner's prayer, for liberty that sighs; and never let thine heart be shut against a wretch's cries ... Vide Mrs. Barbauld's poem., and Mounted on page 82 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 20, 1791, by Thos. Macklin, 39 Fleet Street
"The young man sitting on a sofa with his arm around the shoulders of a prostitute, clinking glasses with her and another prostitute wearing a plumed hat who sits on the right; at a table set with decanters of wine and dishes of fruit."--British Museum online catalogue
Alternative Title:
Prodigal son reveling with harlots
Description:
Title from item., One line of text below title: He wasted his substance with riotous living., Numbered 'Plate 2' in lower right of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Furniture -- Glass: liquor bottles -- Food -- Bible: quotation from Luke, 15.V.13.
Publisher:
Published 12th April, 1797, by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Prodigal son (Parable) in art, Tables, Chairs, Wallpapers, Eating & drinking, Fruit, Alcoholic beverages, Bottles, and Jewelry
"George IV (three-quarter length), surrounded by admiring Ministers, holds up a big extinguisher made of paper and inscribed 'Speech from the Throne', which he is about to place over a crowd of tiny Jacobins who surround the Queen and Alderman Wood. All these 'Lilliputians' are on a round table, whose top forms the base of the design except on the right. The terrified Jacobins fall on to papers inscribed 'Libels', 'Address' [twice], 'Sedition'. Alderman Wood steps on the back of one in a frantic effort to escape with the Queen whom he holds in his arms. She is a fat virago, holding up a fire-brand (cf. British Museum Satires No. 13895) inscribed 'Sedition', whose smoke rises into the extinguisher, and a large money-bag, '50 000 per Ann', labelled 'Crumbs of Consolation'. Other Jacobins flee to left and right, escaping the extinguisher, but either falling calamitously from the table, or about to be grasped by the hand of Eldon who sits at the table (left). They have banners and caps of Liberty on poles (or pikes). Among the fugitives is a Don Quixote (left) in armour, wearing Mambrino's helmet, galloping off on horseback, holding a banner. A terrified Jacobin (right) drops a 'Tailors Adress'. Ministers watch the approaching extinction with pleasure: Eldon has a grim smile, Sidmouth and Castlereagh behind him register, one eager delight, the other bland satisfaction. Wellington (right), close behind the King, smiles triumphantly, Liverpool beside him, is in profile, surprised, pleased, and imbecile. The King, three-quarter length, is a cynical Adonis, in military uniform. Behind his head is a framed picture: an irradiated sun containing features dispels dark clouds, putting bats, serpent, owl, &c., to flight; beside it is a dark disk containing the features of the Queen, in eclipse (reversing the situation in British Museum Satires No. 14012)."--British Museum online catalogue
Alternative Title:
King of Brobdingnag & the Lilliputians and King of Brobdingnag and the Lilliputians
Description:
Title etched below image., Two lines of quoted text below title: "Confound their politick's, frustrate their knavish tricks." "God save the king"!, Text above image: Ah! ha! Madam Q-!, Monsr. W! Messrs. Radicals, Addressers, & Co.!! Where are you now?!!! Ah ha! ha! ha! ha!, Sheet trimmed within plate mark., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. April 7th, 1821, by G. Humphrey, 27 St. James's Street, London
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Quixote, Don (Fictitious character)
Subject (Topic):
Politicians, Fire extinguishers, Tables, Crowds, Documents, Torches, Money, Banners, Liberty cap, and Military uniforms
Satirical view of London life, with a riotous wedding party at the Tavern at Rederiff: for full description see Catalogue of prints and drawings in the British Museum
Description:
Title from item., John June identified as the printmaker in the British Museum catalogue,, Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., and Temporary local subject terms: Officer's uniform -- Sailor's uniform -- Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Pictures: portraits -- Creditors.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Title from item., Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., Temporary local subject terms: Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Creditors., and Loose impression removed from the Kinnaird Coll.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Subject (Topic):
Amputees, Bailiffs, Black people, Bowls (Tableware), Candlesticks, Clergy, Dance, Military uniforms, British, Mirrors, Musical instruments, Pipes (Smoking), Portratis, Prostitutes, Sconces, Servants, Tables, Violins, and Weddings
Leaf 106. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A portly man sits in a chair at a small round table, a baluster glass in his right hand and another on the table. The spoon or ladle held in his left hand rests within the bowl in front of him. He wears a large coat and a tricorne
Alternative Title:
Tippling squire
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Date of publication from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Squires -- Posset-cup and spoon -- Posset glasses -- Tipling -- Furniture: Small round table with pedestal -- Male costume: Large buttons on coat cuff., and Third of three plates on leaf 106.
"Satire on the professions of medicine, law and the church with three practitioners in a well furnished interior disputing which is the superior; each wears the dress of his profession. The lawyer holds a sealed document; the clergyman a book letterd "Bals. Soul" and the physicial a phial lettered, "Bals. Life". Pictures on the wall show, men rushing to separate two fighting dogs, men and women bringing tythes to a clergyman, and two doctors quarreling at a bedside. Verses below with scrolling calligraphic decoration."--British Museum online catalogue
Description:
Title from item., Publication date from from British Museum catalogue., and Sixteen lines of verse in two columns below title: Law, physick, and divinity, contend which shall superior be ...
William Pitt, in a dramatic pose, reaches up with his right hand for a sword presented to him by three cherubs encouraging him to defend King and country. With his other hand he indicates a volume inscribed, "Locke on the human understanding" on the table behind him. Above the table hangs a portrait of Lord Chatham. Members and supporters of the North-Fox coalition look on through an open window, gathered under a flag labeled "The Harmonic Society."
Description:
Title from item., Under title: "Third sketch"., and Mounted to 41 x 29 cm.
Publisher:
Published Feby. 18, 1784, as the act directs by S. Fores No. 3 Piccadilly
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806., Pitt, William, Earl of Chatham, 1708-1778., North, Frederick, Lord, 1732-1792., Fox, Charles James, 1749-1806., Sheridan, Richard Brinsley, 1751-1816., and Burke, Edmund, 1729-1797.
Subject (Topic):
Politics and government, Tables, Daggers & swords, and Clothing & dress
Volume 2, page 92. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Kitchen scene with a woman standing over a table at left with knife in hand, displaying a diamond in her palm to a man and young boy, a figure at right seen from behind leaving the room, above a bird-cage hangs; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image, enclosed within parentheses., Sheet trimmed to plate mark., and Mounted on page 92 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Pub'd April 10th, 1795, by W. Dickinson, No. 53 next York House, Piccadilly
Subject (Topic):
Interiors, Kitchens, Tables, Knives, Fish, Diamonds, Fireplaces, Birdcages, and Boys
