"In a room, a group watching as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at right, the man and a man standing in outdoor clothes behind looks at him with dismay; in the right foreground two young children build their own house on a small table; doors open onto garden in background."--British Museum online catalogue
Description:
Title engraved below image., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings after paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Sheet trimmed within plate mark resulting i`n loss of imprint.
Publisher:
Robert Sayer
Subject (Topic):
Chairs, Children, Dogs, Drawing rooms, Furniture, Interiors, Playing cards, Screens, Tables, and Toys
In a room, a small group of women and children watch as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at the right; a man standing in outdoor clothes behind looks at him with dismay. On a chair on the right a lapdog jumps on the woman standing between the two young boys; in the left foreground two little girls build their own house on a small table; doors open onto garden in background; after a painting by Hayman for Vauxhall Gardens
Description:
Publication date from Carington Bowles's entry in Maxted, I. London book trades, 1775-1800., Sheet partially trimmed within plate mark., and Numbered in upper right corner: V. 6.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil [sic], and Carington Bowles in St. Pauls Church Yard, London
"A young man, in military dress, of elegant and effeminate appearance, sprawls on a sofa, looking towards a young woman (right) who leans towards him. She is of meretricious appearance, and wears the quasi-military riding-dress fashionable at this time in connexion with the militia camps of Coxheath and Warley. The room is luxuriously furnished. A round table with a wine bottle and glass is partly visible on the extreme right."--British Museum online catalogue
Alternative Title:
Captain Jessamy learning the proper discipline of the couch
Description:
Title from item., Date of publication from British Museum catalogue., Plate numbered '471' in lower left corner., Temporary local subject terms: Militia camps -- Militia uniforms -- Nosegays -- Lighting -- Furniture: pedestal table -- Military female costume -- Female costume: military & feathered hats., Watermark., Imperfect; publication date at end of imprint has been erased from sheet., Subjects identified below plate line in a later hand as Captain Bisset and Lady Worsley., and Matted to 62 x 47 cm.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Military uniforms, Flowers, Wallpapers, Chandeliers, Shutters, Windows, Tables, and Hats
"Caricature with Caroline and Brougham with a broom standing accusing the Committee who cower back."--British Museum online catalogue
Alternative Title:
Caroline's Wood-en Brougham to sweep the filthy committee room, Caroline's wooden broom to sweep the filthy committee room, and Caroline's wooden Brougham to sweep the filthy committee room
Description:
Title etched below image; the second letter "o" in "broom" is scored through and the letters "ugha" inserted above the line with a caret, forming the name "Brougham.", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 31 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Wood," "Caroline," "Sidmouth," and "Liverpool" identified in pencil in lower margin; date "July 1820" written in ink in lower right.
Publisher:
Published July 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wood, Matthew, Sir, 1768-1843, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Sidmouth, Henry Addington, Viscount, 1757-1844
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and Mounted to 21 x 26 cm.
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and 1 print : etching with stipple on laid paper ; plate mark 17.5 x 22.5 cm, on sheet 22 x 24 cm
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
Title from text below image., Printmaker from plate no. 1., Series title from plate no. 1., No. 2 from the Dighton's series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy., Plate is numbered "2" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Corporals' uniforms -- Male costume, ca. 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Crutches, Screens, Furniture, Tables, Chairs, Stools, Interiors, Military uniforms, British, Staffs (Sticks), and Smoking
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 40.4 x 29.4 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline," "Lady Anne Hamilton," and "Ald. Wood" identified in ink below image; date "Ap. 30, 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
