Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding up a lantern, illuminating the pillory behind
Description:
Title and date from Paulson, Questionable attribution to Hogarth, but Paulson is inclined to accept as an early work by Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., According to Samuel Ireland in his Graphic illustrations of Hogarth (v.1 , p. 9-10) Hogarth executed this design when he was under twenty on the lid of a tobacco box for a Captain Johnson., A copy by Ireland. Plate from: Ireland, S. Graphic illustrations of Hogarth, v. 1, p. 8., Trimmed sheet., Ms. note I in Steevens's hand in pencil above image: Copy., and On page 180 in volume 2.
A copy in reverse of Hogarth's print: A night scene. A couple interrupted in flagrante by the night watch, she lying on the ground at left with dishevelled clothing, he held back on the right, with his breeches undone; a censorious old woman on the far right; a watchman on the left holding up a lantern, illuminating the pillory behind
Description:
Title etched above image., Questionable attribution to Hogarth, but Paulson is inclined to accept as an early work by Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., According to Samuel Ireland in his Graphic illustrations of Hogarth (v.1 , p. 9-10) Hogarth executed this design when he was under twenty on the lid of a tobacco box for a Captain Johnson., "Price 6d"--Lower right., Trimmed sheet., Ms. note in pencil in Steevens's hand above print: Copy., Ms. note in pencil in Steevens's hand below print: See Mr. Nichols's book, 3d edit. p. 365., and On page 180 in volume 2. Sheet mounted to: 7.4 x 9 cm.
Design consists of eight panels arranged in two horizontal rows, with lines of text etched in the top portion of each panel. In the upper left, an intoxicated woman in an arm chair, says "May we have in our arms what we love in our hearts. No tax upon gin! Here we go up, up, up, and there we go down, down, down!" The next shows a man prostrate on his back holding a lantern, with words above, "Bless me, is that the sun of the moon I see above there!" On the wall behind him a print with the title "The good woman" etched above the figure of a woman without a head. Third, a bare chested gravedigger looks up from his work in horror as a woman loses control of the pail of water on her head. Above them are the words, "Hollo! Damn your blood you old Faggot, where are you coming to?" The final panel in the top row shows an obese well-dressed woman vomiting, a bottle of "Comfort for the Cholick" in her left hand. The words etched above her head: "Too much of a good thing!". First on the left of the second row: a large, young woman with bare breasts and generally disheveled and quesy look on her face, walks on a cobblestone street; behind her in the distance a man shakes a cleaver in her direction. Above her the words, “I am a little sickish or so, but no matter, I've given Sal her gruel? She drink gin with me! Blast me she could as soon swallow the fat landlady!” The next panel shows a unconscious woman being carried on a man's back. The text above them reads, “She's got her quantum, by jingo, she smells as sweet as a daisy! But no matter, I'll get the blunt in the morning from her old goat of a keeper. 'Upon my conscience and soul he will have a precious bedfellow of her to night! In the third panel, bottom row, an old woman with spectacles bumps into a large rock, causing her to drop her bottle of gin and a bloody nose. Etched above her head are the words, “What's that for you sawcy reascal! Here, Watch! Watch! Watch! Lord a mercy upon me what a blow! My poor head spins like a top!” In the final panel, a military officer escorts a well-dressed young woman along a street as he brandishes a club. Above them is etched, "Stick, close, my dear, Charlotte. Hold up your head, my lily of the valley. I am as sober as a judge. Woman and wine for ever, damn me!”
Description:
Title from caption below images., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Russell & Co. 1799., and Mounted on modern secondary support.
Publisher:
Pub. by Willm. Holland, No. 50 Oxford Street
Subject (Geographic):
St. Giles in the Fields (London, England)
Subject (Topic):
Social conditions, Couples, Gin, Gravedigging, Intoxication, Spouses, and Watchmen
A pen and ink tracing of a published print, in reverse. Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at left with dishevelled clothing, he held back on the right, with his breeches undone; a censorious old woman on the right; a watchman on the left holding up a lantern, illuminating the pillory behind
Description:
Title, statement of responsibility, and publication traced from print: Mr. Hogarth invt. T. Fielding sculp. Augst. 17, 1746 publish'd according to act of Parlmet. Price 6d., Questionable attribution to Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., and On page 180 in volume 2.
Title from text below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street, (removed from Oxford Street)
A large crowd of theatregoers file out of a theater and onto the street in a pouring rainfall and high winds that turns umbrellas inside out. One man has fallen and broken his lantern as a woman falls back over him as her shoes are being changed. The audience is a mix of classes, couples, old women, young boys, some carrying laterns, one with a cane
Description:
Title from published print based on this drawing. See Lewis Walpole Library call no.: Drawer 802.11.01.05., Signed and dated by the artist in lower right., "The artist is said to have based the theatre in this image on the Orchard Street Theatre in Bath, opened in October 1750 near the South Gate, outside the medieval walls of Bath ... The theatre was the first country theatre to be granted a Royal patent and became known as the Theatre Royal, Bath. .... The theatre was closed in 1805."--Dealer's description., and With Joel Spitz's collector's label on verso of mount.
Subject (Topic):
Couples, Lanterns, Rain, Theater audiences, Theaters, Umbrellas, Watchmen, and Winds
A large crowd of theatregoers file out of a theater and onto the street in a pouring rainfall and high winds that turns umbrellas inside out. One man has fallen and broken his lantern as a woman falls back over him as her shoes are being changed. The audience is a mix of classes, couples, old women, young boys, some carrying laterns, one with a cane
Description:
Title from text below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and aquatint ; sheet 46 x 67 cm., Printed on wove paper, hand-colored, and matted to 57 x 74 cm., With the ownership stamp on mount (removed): From the collection of Maxine and Joel Spitz "Trail-Tree" Glencoe. Item no. 257. With a pencilled note: A rare print seldom met with. Obtained in London thru John Taylor -- ER NY. The original watercolor of this print is included in my collection -- obtained thru Amer. Art at auction, originally in the collection of David Insull., and Attached beneath are collector Joel Spitz's comments on provenance from old mount in pencil.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street, (removed from Oxford Street)
Subject (Topic):
Couples, Lanterns, Rain, Theater audiences, Theaters, Umbrellas, Watchmen, and Winds
Leaf 16r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A night scene on a city street: a young woman, holding a basket on her arm and carrying another basket on her back meets a watchman who carries a lantern
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Baskets, Watchmen, and Lanterns
A night scene (or early morning) in a London street. A countryman responds to the advances of two young prostitutes, one of whom takes a handkerchief from his coat-pocket. They are lit by the lantern hanging in a watchman's box; the aged watchman sleeps, leaning his arms on the half-door. Behind, in shadow, are the houses. Below the title: Careful Observers, studious of the Town, Shun the Misfortunes that disgrace the Clown. Gay's Trivia.--British Museum online catalogue
Description:
Title etched below image., Original imprint statement partially burnished out and scratched through but legible., Sheet trimmed within plate mark., For a description of the original imprint see no. 10646 Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., 1 print : etching with stipple on laid paper, hand-colored ; sheet 33.8 x 24.1 cm., Bottom left corner of sheet missing., and Mounted on leaf 35 of volume 8 of 14 volumes.
Publisher:
Pubd. April 20, 1806, by T. Rowlandson, James St., Adelphi
