A copy (cropped) of Hogarth's fifth plate: Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher who are wielding clubs; to the left, Ralpho is flanked by a man with a rope (mostly cropped from this image) and another who holds a sword
Alternative Title:
Hudibras vanquished and protected by Trulla and Hudibras vanquished by Trulla
Description:
Title engraved below image., Title from Paulson: Hudibras vanquished by Trulla., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "5" in upper left corner., Fifteen lines of verse in three columns, below image: Mean while the other campions Yerst In hurry of the fight disperst ... This stopt their fury, and the Basting Which towards Hudibras was hasting., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, volume 1, nnumber 508, Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 86., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
Great Britain and England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
"Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher, wielding clubs; to left, Ralpho is held by a man with a rope and another with a sword"-- British Museun online catalogue
Alternative Title:
Hudibras vanquished by Trulla
Description:
Title engraved below image., Title from Paulson: Hudibras vanquished by Trulla., Date and state from Paulson., Numbered "5" in upper right corner., and Twenty-four lines of verse in four columns, two on either side of the title below image: Meanwhile the other campion, Yerst, in hurry of the fight disperst ... restor'd this fiddle and his case."
Publisher:
Printed and sold by Robert Sayer, opposite Fetter Lane, Fleet Street
Subject (Geographic):
Great Britain and England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
"Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher, wielding clubs; to left, Ralpho is held by a man with a rope and another with a sword"-- British Museun online catalogue
Alternative Title:
Hudibras vanquished by Trulla
Description:
Title engraved below image., Title from Paulson: Hudibras vanquished by Trulla., Date and state from Paulson., Numbered "5" in upper right corner., Twenty-four lines of verse in four columns, two on either side of the title below image: Meanwhile the other campion, Yerst, in hurry of the fight disperst ... restor'd this fiddle and his case.", and On page 32 in volume 1. Plate trimmed to: 26.4 x 34.1 cm.
Publisher:
Printed for Robt. Sayer, map and printseller, at no. 53 in Fleet Street
Subject (Geographic):
Great Britain and England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
"Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher, wielding clubs; to left, Ralpho is held by a man with a rope and another with a sword."-- British Museun online catalogue
Alternative Title:
Hudibras vanquished by Trulla
Description:
Title engraved below image., Title from Paulson: Hudibras vanquished by Trulla., Date and state from Paulson., Twenty-four lines of verse in four columns, two on either side of the title below image: Meanwhile the other campion, Yerst, in hurry of the fight disperst ... restor'd this fiddle and his case., Numbered "5" in upper right corner., Description based on imperfect impression; sheet trimmed within plate mark with loss of series number in upper right corner., and On page 32 in volume 1. Plate trimmed to: 26.5 x 33.9 cm.
Publisher:
Printed and sold by Philip Overton near St. Dunstans Church in Fleetstreet and I. Cooper in Iames Street Convent Garden
Subject (Geographic):
England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
"Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher, wielding clubs; to left, Ralpho is held by a man with a rope and another with a sword."-- British Museun online catalogue
Alternative Title:
Hudibras vanquished by Trulla
Description:
Title engraved below image., Title from Paulson: Hudibras vanquished by Trulla., Date and state from Paulson., Twenty-four lines of verse in four columns, two on either side of the title below image: Meanwhile the other campion, Yerst, in hurry of the fight disperst ... restor'd this fiddle and his case., Numbered "5" in upper right corner., and Description based on imperfect impression; sheet trimmed within plate mark with loss of series number in upper right corner.
Publisher:
Printed and sold by Philip Overton near St. Dunstans Church in Fleetstreet and I. Cooper in Iames Street Convent Garden
Subject (Geographic):
England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
"Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher, wielding clubs; to left, Ralpho is held by a man with a rope and another with a sword"-- British Museun online catalogue
Alternative Title:
Hudibras vanquished by Trulla
Description:
Title engraved below image., Title from Paulson: Hudibras vanquished by Trulla., Date and state from Paulson., Numbered "5" in upper right corner., Twenty-four lines of verse in four columns, two on either side of the title below image: Meanwhile the other campion, Yerst, in hurry of the fight disperst ... restor'd this fiddle and his case.", and Printed 1768?
Publisher:
Printed for Robt. Sayer, map and printseller, at no. 53 in Fleet Street
Subject (Geographic):
Great Britain and England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher wielding clubs; to the left, Ralpho is held by a man with a rope and another with a sword
Alternative Title:
Hudibras vanquished by Trulla
Description:
Title engraved below image., After Hogarth., Twenty-four lines of verse in four columns, two on either side of the title below image: Meanwhile the other campion, Yerst, in hurry of the fight disperst ... restor'd this fiddle and his case.", Copy of no. 508 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 86.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the left) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on.
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Caption on either side of title, begins: "This said the high, outragious Mettle, Of Knight, began to cool and settle ...", and On page 31 in volume 1. Plate trimmed to: 26.5 x 34.5 cm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the left) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on.
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Caption on either side of title, begins: "This said the high, outragious Mettle, Of Knight, began to cool and settle ...", and Numbered "10" in upper right corner.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
An old officer in uniform with a wrinkled face and carbuncles looks lustfully at a pretty young woman as they walk together on a path, his hand grasping hers
Description:
Title inscribed below image., Attributed to Rowlandson., and Date supplied by cataloger.
Subject (Topic):
Military uniforms, British, Lust, Older people, Young adults, and Women
LGBTQ Resource and Teaching resource: Professor George Chauncey, History 460 / American Studies 353 / Women's, Gender, & Sexuality Studies 348, Selected Topics in Lesbian and Gay History
Title from item., Date and English translation from www.lovelife.ch website., At upper right: Love Life [O represented by a pink condom] ; Stop Sida ; www.lovelife.ch, In lower right margin: EURO RSCG Zurich., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
L'Office fédéral de la santé publique et l'Aide Suisse contre le Sida
Subject (Topic):
AIDS (Disease), Safe sex in AIDS prevention, Condom use, Fencing, and Women
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 37 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
A monkey wears a white bonnet and sits on a chamber pot with arms crossed across her lap in imitation of an elderly woman facing opposite with her dress raised sitting upon a 'closet stool'. The pair stare and grin at each other
Description:
Title from inscription below image in the artist's hand., Date devised by cataloger., and Attributed to Woodward.
Subject (Topic):
Chamber pots, Monkeys, Imitation, Bonnets, Women, Urination, and Defecation
Manuscript on paper containing 1) Instructions for a nun, addressed as "ma devote fille", by a priest, containing extensive Latin quotations, followed by their French translations, from the Bible, St. Augustine, St. Bernard, Cesarius of Arles, St. Gregory the Great, Isidore of Seville, St. Jerome, St. John Chrysostom, Macrobius, Origen, Richard of St. Victor ("ung docteur nommé Richart"), Seneca, Thomas Aquinas. 2) The Passion according to the Gospel of St. John, as read in the office of Good Friday (Jn. 18:1-40; 19:1-42), to be read when a nun is dying, in French translation
Description:
In French., Script: Copied by one hand in Gothica Cursiva Libraria/Currens., Watermark: Crowned Lily, var. Briquet 7252 (mostly 1468-1477)., Written in campo aperto in one column, 20-23 lines., Headings and stroking of majuscules in red., and Binding: Nineteenth century. Blue mottled paper over cardboard.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Didactic literature, French, Manuscripts, Medieval, Women, and Religious life
Manuscript, in a single hand, of a book of instruction for the author's daughter. Although the volume contains information on parts of speech, explanations of the meanings of words in the English language, basic mathematics such as addition, subtraction, multiplication, and division, systems of government, and numerous prayers and meditations, the bulk of the volume is given to instruction on letter-writing and astronomy. The manuscript contains guidelines for how to address a queen, a duchess, or someone of one's own station; how to end letters; and how to write a "billet"; as well as form letters of thanks, consolation, recommendation, "congratulation for the recovery of health," and "to a lady newly come to London." The section on astronomy includes 7 diagrams and includes information on the positions of the planets, the phases of the moon, and eclipses
Description:
Stanhope, Philip, second earl of Chesterfield (1633-1714), courtier and politician, was the eldest son of Henry Stanhope (d. 1634), and his wife Katherine (bap. 1609, d. 1667). He was involved in numerous duels, fleeing the country after having killed Francis Wolley, the son of a Hammersmith doctor, in a duel on 17 January 1660. Chesterfield was appointed on 24 February 1662 as lord chamberlain to Queen Catherine of Braganza, and on 13 June 1667 was made the colonel of a foot regiment, but it was disbanded following the treaty of Breda. That year he married his third wife, Lady Elizabeth Dormer (1653-1677). They had two sons and two daughters, one of whom was Lady Mary Stanhope, for whom the manuscript was written. He continued to be active in politics, supporting his tory son-in-law Thomas Coke in Derbyshire elections in 1701-2., Lady Mary (Stanhope) Coke, eldest daughter of Philip Stanhope, 2nd Earl of Chesterfield, married Thomas Coke of Melbourne, Derbyshire., In English., Note on verso of front endpaper: See 'a Prayer after the confession of sins.' and 'a Prayer for the Dead." both at the end of this M.S. 1814., Inscription on verso of front endpaper: Cecil Henry Southwell the gift of his dear Papa., Written on flyleaf: notes written by Thomas, 3rd Baron Southwell concerning the genealogy of the Stanhope family, including a biography of Lady Mary (Stanhope) Coke and her daughter, Mary Baroness Southwell. He mentions that Lady Mary (Stanhope) Coke was his great-grandmother., Written on verso of flyleaf: note by Mary Southwell dated 1756 explaining the manuscript was used to instruct her mother in "what was proper for a young Lady to know," and bequeathing the volume to her granddaughter Frances upon her death., Bookplate of Viscount Thomas Southwell, 3rd Baron Southwell., Marbled endpapers., and Binding: full calf; gilt decoration. Printed on spine: 1st Earl of Chesterfield to his D. L. M. Coke.
Subject (Geographic):
Great Britain
Subject (Name):
Aristotle., Chesterfield, Philip Stanhope, Earl of, 1633-1713., Cicero, Marcus Tullius., Coke, Mary Stanhope, Lady, 1664-1703., Homer., Southwell family., and Southwell, Thomas Southwell, Baron, 1721-1780.
Subject (Topic):
Astronomy, Letter writing, Nobility, Social life and customs, Women, Conduct of life, and Education
publish'd according to act of Parliament, March 8th 1756.
Call Number:
Hogarth 756.03.08.02.3+ Impression 2 Box 200
Image Count:
1
Resource Type:
still image
Abstract:
Outside an English country inn, over whose door a sign reads "Duke of Cumberland Roast and boil'd every day", a group of soldiers and sailors laugh at a large caricature of Louis XV on the tavern wall. They sit with two attractive young women around a table on which sits a large pie, a tankard, and a broadsheet with the verses of "Rule Britannia." In the lower left a soldier leans against a drum as he plays his flute; the music sheet in front of him is "God save Great George our King". To the right, a short well-fed man smiles as he stands on tip-toe to reach the height required by the recruiting sergeant. In the distance, soldiers are drilling in an orderly fashion; beyond them, on a hill is a large country house
Alternative Title:
England. Plate 2d
Description:
Title from Paulson: The invasion, Pl. 2. England., Title etched above image "England. Plate 2d", with the two Ns in England etched backwards., State and publisher from Paulson., Companion print: France. Pl. I., Four columns of verse below image: See John the soldier, Jack the tar with sword & pistol arm'd for war. Should mounsir dare come here?! The hungry slaves have smelt our food, they long to taste our flesh and blood, Old England's beef and beer! Britons to arms! and let 'em come! Be you but Britons still. Strike home, and lion-like attack 'em; no power can stand the deadly stroke that's given from hands & hearts of oak with liberty to back em., and 1 print ; etching on laid paper ; plate mark 31.5 x 38.5 cm, on sheet 40.2 x 50.0 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Louis XV, King of France, 1710-1774
Subject (Topic):
Seven Years' War, 1756-1763, Eating & drinking, Musicians, Signs (Notices), Soldiers, Taverns (Inns), War, and Women
publish'd according to act of Parliament, March 8th 1756.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 81. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Outside an English country inn, over whose door a sign reads "Duke of Cumberland Roast and boil'd every day", a group of soldiers and sailors laugh at a large caricature of Louis XV on the tavern wall. They sit with two attractive young women around a table on which sits a large pie, a tankard, and a broadsheet with the verses of "Rule Britannia." In the lower left a soldier leans against a drum as he plays his flute; the music sheet in front of him is "God save Great George our King". To the right, a short well-fed man smiles as he stands on tip-toe to reach the height required by the recruiting sergeant. In the distance, soldiers are drilling in an orderly fashion; beyond them, on a hill is a large country house
Alternative Title:
England, Plate 2d
Description:
Title from Paulson: The invasion, Pl. 2. England., Title etched above image "England Plate 2d" The two Ns in England etched backwards., State and publisher from Paulson., Companion print: France. Plate 1st., Four columns of verse below image: See John the soldier, Jack the tar with sword & pistol arm'd for war. Should mounsir dare come here?! The hungry slaves have smelt our food, they long to taste our flesh and blood, Old England's beef and beer! Britons to arms! and let 'em come! Be you but Britons still. Strike home, and lion-like attack 'em; no power can stand the deadly stroke that's given from hands & hearts of oak with liberty to back em., 1 print : etching on laid paper ; plate mark 31.6 x 38.5 cm, on sheet 46 x 59 cm., and Plate 81 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Louis XV, King of France, 1710-1774
Subject (Topic):
Seven Years' War, 1756-1763, Eating & drinking, Musicians, Signs (Notices), Soldiers, Taverns (Inns), War, and Women
publish'd according to act of Parliament, March 8th 1756.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 2
Collection Title:
Plate 81. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Outside an English country inn, over whose door a sign reads "Duke of Cumberland Roast and boil'd every day", a group of soldiers and sailors laugh at a large caricature of Louis XV on the tavern wall. They sit with two attractive young women around a table on which sits a large pie, a tankard, and a broadsheet with the verses of "Rule Britannia." In the lower left a soldier leans against a drum as he plays his flute; the music sheet in front of him is "God save Great George our King". To the right, a short well-fed man smiles as he stands on tip-toe to reach the height required by the recruiting sergeant. In the distance, soldiers are drilling in an orderly fashion; beyond them, on a hill is a large country house
Alternative Title:
England, Plate 2d
Description:
Title from Paulson: The invasion, Pl. 2. England., Title etched above image "England Plate 2d" The two Ns in England etched backwards., State and publisher from Paulson., Companion print: France. Plate 1st., Four columns of verse below image: See John the soldier, Jack the tar with sword & pistol arm'd for war. Should mounsir dare come here?! The hungry slaves have smelt our food, they long to taste our flesh and blood, Old England's beef and beer! Britons to arms! and let 'em come! Be you but Britons still. Strike home, and lion-like attack 'em; no power can stand the deadly stroke that's given from hands & hearts of oak with liberty to back em., Sheet trimmed to: 31.5 x 38.3 cm., and On page 178 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Name):
Louis XV, King of France, 1710-1774
Subject (Topic):
Seven Years' War, 1756-1763, Eating & drinking, Musicians, Signs (Notices), Soldiers, Taverns (Inns), War, and Women
publish'd according to act of Parliament, March 8th 1756.
Call Number:
Sotheby 74++ Box 315
Collection Title:
Plate 81. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Outside an English country inn, over whose door a sign reads "Duke of Cumberland Roast and boil'd every day", a group of soldiers and sailors laugh at a large caricature of Louis XV on the tavern wall. They sit with two attractive young women around a table on which sits a large pie, a tankard, and a broadsheet with the verses of "Rule Britannia." In the lower left a soldier leans against a drum as he plays his flute; the music sheet in front of him is "God save Great George our King". To the right, a short well-fed man smiles as he stands on tip-toe to reach the height required by the recruiting sergeant. In the distance, soldiers are drilling in an orderly fashion; beyond them, on a hill is a large country house
Alternative Title:
England, Plate 2d
Description:
Title from Paulson: The invasion, Pl. 2. England., Title etched above image "England Plate 2d" The two Ns in England etched backwards., State and publisher from Paulson., Companion print: France. Plate 1st., and Four columns of verse below image: See John the soldier, Jack the tar with sword & pistol arm'd for war. Should mounsir dare come here?! The hungry slaves have smelt our food, they long to taste our flesh and blood, Old England's beef and beer! Britons to arms! and let 'em come! Be you but Britons still. Strike home, and lion-like attack 'em; no power can stand the deadly stroke that's given from hands & hearts of oak with liberty to back em.
Publisher:
Wm. Hogarth
Subject (Name):
Louis XV, King of France, 1710-1774
Subject (Topic):
Seven Years' War, 1756-1763, Eating & drinking, Musicians, Signs (Notices), Soldiers, Taverns (Inns), War, and Women
publish'd according to act of Parliament, March 8th 1756.
Call Number:
Hogarth 756.03.08.02.3++ Impression 1 Box 305
Collection Title:
Plate 81. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Outside an English country inn, over whose door a sign reads "Duke of Cumberland Roast and boil'd every day", a group of soldiers and sailors laugh at a large caricature of Louis XV on the tavern wall. They sit with two attractive young women around a table on which sits a large pie, a tankard, and a broadsheet with the verses of "Rule Britannia." In the lower left a soldier leans against a drum as he plays his flute; the music sheet in front of him is "God save Great George our King". To the right, a short well-fed man smiles as he stands on tip-toe to reach the height required by the recruiting sergeant. In the distance, soldiers are drilling in an orderly fashion; beyond them, on a hill is a large country house
Alternative Title:
England, Plate 2d
Description:
Title from Paulson: The invasion, Pl. 2. England., Title etched above image "England Plate 2d" The two Ns in England etched backwards., State and publisher from Paulson., Companion print: France. Plate 1st., and Four columns of verse below image: See John the soldier, Jack the tar with sword & pistol arm'd for war. Should mounsir dare come here?! The hungry slaves have smelt our food, they long to taste our flesh and blood, Old England's beef and beer! Britons to arms! and let 'em come! Be you but Britons still. Strike home, and lion-like attack 'em; no power can stand the deadly stroke that's given from hands & hearts of oak with liberty to back em.
Publisher:
Wm. Hogarth
Subject (Name):
Louis XV, King of France, 1710-1774
Subject (Topic):
Seven Years' War, 1756-1763, Eating & drinking, Musicians, Signs (Notices), Soldiers, Taverns (Inns), War, and Women
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780
Call Number:
LWL MSS 11 Box 8
Image Count:
43
Resource Type:
unspecified
Abstract:
Madame du Deffand's diary, written in the hand of Jean-Francois Wiart, she having lost her sight in 1754, for the last months from July 1779 to September 1780 in which she records details of her dinner engagements with her circle of friends, the entries ending less than two weeks before her death on September 23. She also makes note of who she has corresponded with that day and records details of interest to her about 01the news contained in the letters she receives or events of the day
Description:
Marie Anne de Vichy Chamrond, marquise du Deffand (1697-1780), was married at 21 to her kinsman, Jean Baptiste de la Lande, marquis du Deffand. The marriage resulted in a separation as early as 1722. However, her intelligence, cynicism, and wit gained her such friends as Voltaire, Montesquieu, Fontenelle and Madame de Staal-Delaunay, the president Henault, and D'Alembert. The principal friendships of her later years were with the duchesse de Choiseul and with Horace Walpole. She died on September 23, 1780, leaving her papers to Walpole., In French., Title from cover., Final 206 pages blank. Bound in green vellum., and Formerly classed as: 49 2545 II.
Subject (Geographic):
France
Subject (Name):
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780.
Subject (Topic):
Women, Conduct of life, Authors, French, and Social life and customs
Title from item., Date supplied by curator., Place of publication from item., Above image: Actualités; 137., Above printmaker's signature: 133., Published in Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Politics, French.
Publisher:
Chez Aubert & Cie. Place de la Bourse 89 Paris and Lith de Me. Vve. Aubert r de l'Abbaye 5 Paris
Subject (Geographic):
France
Subject (Topic):
Suffrage, Women, Politicians, Umbrellas, History, and Politics and government
Title printed within image., Date supplied by curator., Place of publication derived from printer's location., Published in Gazette des Beaux-Arts, 1 December 1887., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified and Imp. A. Clément
Subject (Topic):
Old age, Older people, Diseases, Geriatrics, Sick persons, Women, and Chairs
Manuscript, on parchment, in a single hand, incomplete, containing the text of a prose allegorical pilgrimage of the soul. The narrator's soul is led by Dame Inspiration to the Fountain of Penitence (Fontaine de penitence); after being washed there, the soul continues her journey toward the Promised Land (Terre de promission) on the Ship of Penitence (Navire de penitence).
Description:
In Middle French., Laid in: autograph letter,signed, from the Liverpool bookseller Jaggard to Allan Heywood Bright, 1896 April 27, concerning the unknown early provenance of the manuscript. With autograph and typed notes by Allan Heywood Bright, 1898 and undated., Title from ownership inscription by Remy Megret (f80r)., Opening sentence: Les continuelles meditationes de la volubilite et soudaine mutation des creatures raisonnables., Layout: single columns of 19 lines., Script: gothic bastarda., and Decoration: 13 large full-color miniatures in architectural frames illustrating various events in the allegorical pilgrimage of the author's soul, guided by Dame Inspiration. The opening miniature is full-page and depicts the author asleep beneath a tree hung with her coat of arms. Other subjects include: the soul, accompanied by Dame Inspiration, begins her pilgrimage to the Fontaine de Penitence f.9; Inspiration explains to the soul what needs to be done in order to reach the Fontaine de Penitence f.11, the soul, carried on the back of Inspiration, flies to the Château de Contention diabolique f.17, Inspiration and the soul meet Raison f.20; the soul enters the Chemin de Crainte de Dieu f.35; souls are cleansed in the Fontaine de Penitence f.47; the soul sets off on her journey to the Terre de Promission f.50v; the company journey to the coast where they find boats awaiting them f.53; the company embark f.58; the company sets off on the Navire de Penitence f.61; the company is attacked by seven other boats f.63; the company is swept up by the Vent de Hypocrisie f.69v.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Amboise, Catherine d', 1481?-1550. and Megret, Remy.
Subject (Topic):
Allegories, Devotional literature, French, French prose literature, Illumination of books and manuscripts, French, Illumination of books and manuscripts, Medieval, Illumination of books and manuscripts, Renaissance, Manuscripts, Medieval, Repentance, Soul, Women, Conduct of life, and Women authors, French
The interior of a jeweller's shop, indicated only by three necklaces festooned on the wall and by a door giving on to the street. A lady sits between two men; one (left) points insinuatingly to a box of ear-rings which he holds, the other applies a boring instrument to her left ear. To her left, a dog barks as he looks up at her startled face. Behind, a weeping schoolboy with a bag of books is being birched by a young woman. Through the door are seen a Highlander blowing bagpipes and a milkmaid screaming for custom
Description:
Title from item., Printmaker from British Museum catalogue., and One of a series of 'Drolls.'
Publisher:
Publish'd 24th Octr. 1793, by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Bagpipes, Dairy workers, Earrings, Jewelers, Jewelry stores, Necklaces, School children, Women, and Young adults
Title from item., Date supplied by curator., Place of publication from item., From: Le Mariage à la ville., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
ce vendent à Paris chez luy en l'isle du Palais proche le point neuf
"A woman, elderly, short, and broad, with swarthy Jewish features, stands, her head turned in profile to the right, holding a goose perched on her forefinger. In her right hand is the end of a ribbon attached to its leg. She says: "Say little foolish Fluttering thing". Her head is covered with dark curls in which are flowers and a ribbon. She wears a short-waisted dress, with the slashed and vandyked bodice associated with the stage or (in caricature) with Spain. The background, with cast shadows, suggests the stage."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Printseller's identification mark located in lower right corner: S·W·F.
"A lady, stout and plain, her knees awkwardly apart, sits behind a small round tea-table filling a cup from a large urn. Seven other ladies sit on her right and left, in a semicircle, on upright chairs, in silent boredom. A child sits by its ugly middle-aged mother on the extreme right. A black servant in livery hands a tray on which are cups, cream-jug, and small (?) rolls. The room is bare except for table, chairs, and a narrow curtained window."--British Museum online catalogue
Description:
Title etched below image., Print attributed to Alphonse Roehn in the British Museum catalogue., Date from British Museum online catalogue., and Sheet trimmed to plate mark on lower edge.
Publisher:
Chez Martinet, Libraire, Rue de Coq St. Honoré
Subject (Topic):
Black people, Children, Eating & drinking, Servants, Tea services, Tea tables (Tables), and Women
Title and publishers from item., Date from date of movie release., Poster advertises a film starring Pierre Brasseur and Alida Valli, by Georges Franju., In right margin: Cinemato ; 29 R. Marsoulan, Paris ; Jean.Mascii-CE 60.80, In left margin: Pub. J. Fourastié., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Champs-Élysées Productions - Lux Film and Pub. J. Fourastié.
Subject (Topic):
Surgery, Plastic, Complications, Surgeons, Professional ethics, Physicians, and Women
LGBTQ resource and Teaching resource: Professor George Chauncey, History 460 / American Studies 353 / Women's, Gender, & Sexuality Studies 348, Selected Topics in Lesbian and Gay History
Subject (Topic):
Incest, Lesbians, Lesbians in literature, Twins, and Women
Sévigné, Marie de Rabutin-Chantal, marquise de, 1626-1696
Call Number:
49 2576
Image Count:
29
Resource Type:
unspecified
Abstract:
ALS from Madame de Sévigné to her daughter soon after she married and moved to Provence. The letter begins by assuring her daughter of a preference for her company over that of Mme. de Brissac and continues with a report on the weaknesses of her brother Charles and his affair with an actress. She responds to an invitation to visit Provence and talks about her other possible travel plans. She reports on an evening spent at the home of Madame de la Fayette, with M. de La Rochefoucauld and the amusement the "Marans woman" caused when she appeared with nothing on her head and a child-like hair cut. She conveys more news about social engagements at the Arsenal and the Luxembourg where there were "men of all ranks". She relates a conversation with Abbe Tetu that she had in the afternoon spent at Mme. Richelieu's home. She thanks her for a gift of gloves and describes material that she has purchased for a dress. She conveys more words of encouragement and affection about her daughter and compliments from mutual friends. A postscript includes a description of the King's visit to Chantilly, his hunting, the fireworks, and the shocking suicide of the well-respected maître d'hôtel, Vatel. She closes with a report on the engagement of M. de Ménars to Mlle. de La Grange Neuville
Description:
In French., Bound in red morocco with silk endpapers and with a binder's stamp on the inside front cover: "Bain London"., and Not in Manuscript Catalogue of 1763.
Subject (Geographic):
France
Subject (Name):
Sévigné, Marie de Rabutin-Chantal, marquise de, 1626-1696., Sévigné, Charles, marquis de, 1648-1713., and Grignan, Françoise Marguerite de Sévigné, comtesse de, 1646-1705.
Subject (Topic):
Women, Conduct of life, Authors, French, Mothers and daughters, and Social life and customs
Manuscript, in a single hand with numerous corrections, of a collection of 15 letters describing life in England, translated into French, possibly from German. The letters discuss English lotteries; the proliferation of newspapers; the constitution and the difficulty of reconciling ideology with practice; Parliamentary elections; literary societies; and the nobility. One letter describes and deplores the cruelty of amusements such as hunting, cock-fighting, and "combats des gladiateurs"; another letter mocks an English law against the illegal wearing of buttons. A letter dated December 14, 1790 discusses the possibility of the abolition of the slave trade; the author declares it is the most talked-of subject of conversation and expresses his astonishment that the trade still exists and The letters are followed by a lengthy essay explaining the Women's March on Versailles on October 5-6, 1789. The volume is prefaced by a note by the translator, who criticizes the motives of many travel writers; says that he was drawn to this letter-writer for his curiosity and interest in humanity; and explains that the writer published two volumes, the first of letters written in Paris and Versailles during the revolution in 1789, and the second of letters in England
Description:
In French., Binding: full calf., and For further information, consult library staff.
Subject (Geographic):
Great Britain, Great Britain., England, France, and Versailles (France)
Subject (Name):
Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834., Louis XVI, King of France, 1754-1793., and Necker, Jacques, 1732-1804.
Subject (Topic):
Cockfighting, Elections, Hunting, Lotteries, Slave trade, Newspapers, Nobility, Travelers' writings, French, Description and travel, History, Women, Intellectual life, Politics and government, and Social life and customs
Grafigny, Mme de (Françoise d'Issembourg d'Happoncourt), 1695-1758
Published / Created:
1752.
Call Number:
1998 1243
Container / Volume:
2
Image Count:
1
Alternative Title:
Lettres d'une Péruvienne
Description:
Engraved t.p.'s., Titles within ornamental borders., Initials; head- and tail-pieces., Engravings signed: C. Eisen inv,, Delafosse sculp., Errata on [1] leaf bound between p. 128 and [129] in v. 2., and "Cénie : en prose et en cinq actes : représenté pour la premiere fois par les Comédiens françois, le 25 juin 1750.--Nouvelle edition": v. 2, p. [129]-258.
Grafigny, Mme de (Françoise d'Issembourg d'Happoncourt), 1695-1758
Published / Created:
1752.
Call Number:
1998 1243
Container / Volume:
1
Image Count:
2
Alternative Title:
Lettres d'une Péruvienne
Description:
Engraved t.p.'s., Titles within ornamental borders., Initials; head- and tail-pieces., Engravings signed: C. Eisen inv,, Delafosse sculp., Errata on [1] leaf bound between p. 128 and [129] in v. 2., and "Cénie : en prose et en cinq actes : représenté pour la premiere fois par les Comédiens françois, le 25 juin 1750.--Nouvelle edition": v. 2, p. [129]-258.
"A stage-coachman (left) holds open the door of his coach, showing that it is overcrowded with five fat passengers. He speaks to a fat woman who stands in profile to the right, holding a fan, a dog tucked under her left arm. A flagged pavement and cobbled roadway show that they are in a London street. Beneath the title is engraved: '"Just room for one Madam," - "Vell I wow I have run all the way like a Lamp-lighter, till I am all over in such a Heat you can't think."'"--British Museum online catalogue
Description:
Title engraved below image., Printmaker identified from original drawing in the Huntington Library., Plate numbered '198' in lower right corner., From the Laurie & Whittle series of Drolls., and One line of text below title: Just room for one Madam, -- vel [sic] I vow I have run all theway like a lamp-lighter ...
Publisher:
Published 1st September 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Dogs, Carriages & coaches, Coach drivers, Obesity, Streets, Travelers, and Women
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings H263 no. 7 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait of Lucy Walter, turned slightly left and looking at the viewer; wearing a pearl necklace, pearl earings, and a blue gown adorned with strings of pearls
Description:
Titled by the artist within lower border., Signed in lower left corner with the artist's initials., Date of production supplied by cataloger, based on the dates of similar drawings by G.P. Harding at The Lewis Walpole Library., Note in pencil beneath lower border: From the miniature at Strawberry Hill., Drawn after the miniature owned by Horace Walpole and kept in his Cabinet of Miniatures and Enamels at Strawberry Hill. Walpole believed the miniature to have been painted by Samuel Cooper, but it has since been reattributed to Nicholas Dixon; see Christie's sale catalogue "Fine miniatures, enamels and object of art and vertu", 6 July 1965, lot 36., and A print entitled "Lucy Barlow alias Waters", published by Harding's father Sylvester in 1802 for The biographical mirrour, was probably engraved from this drawing; see Lewis Walpole Library call no.: SH Contents H263 no. 16.
Subject (Name):
Walter, Lucy, 1630?-1658, and Strawberry Hill (Twickenham, London, England)
A satire on women's fashion. Three women stand outside and strike poses that show off their attire: dresses that expose their breasts and/or legs, and extravagant headdresses adorned with pearls or large feathers
Alternative Title:
Lunatics out of Bedlam!
Description:
Title etched below image., Publisher's street address and date of publication have been mostly removed from end of imprint statement; month and day of publication from Alexander., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by W. Holland
Subject (Geographic):
England
Subject (Topic):
Fashion, Clothing & dress, Women, Fans (Accessories), and Feathers
Two women shown full-length in cloaks and bonnets, one with an umbrella; the one in the foreground is short and stout, and winks at the viewer. The other is tall and thin and is turns to look at her companion
Description:
Title etched below image., Publisher from contemporary annotation in black ink., and Approximate date of publication based on style and topic.
Publisher:
Chez Martinet
Subject (Geographic):
France. and Great Britain
Subject (Topic):
Clothing and dress, Women, and Foreign public opinion, French
"Half-length, directed towards and looking to the left, right arm resting on a slab to the right, chin leaning on her hand; published state."--British Museum online catalogue
Description:
Title engraved below image. and State from: Smith, J.C. British mezzotinto portraits.
Publisher:
Published May 29th, 1772, & sold by J. Finlayson, Orange Street, Leicester Fields
Title derived from caption., Signed and dated, lower left: Sue Coe 06., Place of production derived from artist's place of residence., Caption below image: Mary Ann "I went crazy when they told me I was HIV positive" husband could have been on the down low -- infected from husband, not a drug user., Part of "Through Her Own Eyes," a series focusing on the plight of HIV positive female prisoners., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Topic):
AIDS (Disease), HIV infections, Women prisoners, Prison guards, Women, Birds, Cells (Rooms & spaces), and Crying
Nine manuscript letters to Fanny Burney, dictated and signed by Mary Delany. Subjects include the health of the two women and of friends; plans for visits and holidays; the publication of Charles Burney's Musical Catalogue; and Burney's appointment as Second Keeper of the Queen's Robes
Description:
Mary Granville Delany (1700-1788) was an English Bluestocking, best-known today for her flower collages and other paper artworks. and In English.
Title from item., Date derived from year Mary Toft reported giving birth to rabbits., Place of publication derived from language of text and subject., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Anecdotes; Frauds.
Publisher:
publisher not identified
Subject (Name):
Toft, Mary, 1703-1763.
Subject (Topic):
Hoaxes, Rabbits, Breeding, Prenatal influences, Obstetrics, and Women
LGBTQ Resource and Teaching resource: Professor George Chauncey, History 460 / American Studies 353 / Women's, Gender, & Sexuality Studies 348, Selected Topics in Lesbian and Gay History
Manuscript meeting minutes, 12 March 1900 to 19 March 1902
Description:
African-American women's organization, founded on 12 March 1900 in New Haven, Connecticut, when eighteen members elected officers, including Mrs. John Ross, Jr., President; Mrs. W. B. Johnson, Vice President; Mrs. Carrie Hickman and Mrs. Eugene Henderson, Secretaries; and Mrs. Ann S. Kinner, Treasurer. The club met weekly to discuss works by and about African-Americans and to plan community activities.
Subject (Geographic):
Connecticut and New Haven
Subject (Name):
Women's 20th Century Club (New Haven, Conn.)
Subject (Topic):
African American women, Societies and clubs, African Americans, Societies, etc, and Women
Manuscript, on vellum, in a single hand, of the complete text of Love's translation of the Meditationes vitae Christi, a text often attributed to Pseudo-Bonaventure or Johannes de Caulibus. This version concludes with the "additional" chapter on the sacrament
Description:
In Middle English., Presentation inscription at end of text, in red ink: This booke is gyffyne to Allyse Belacyse. Be the gyfte of Johane Countesse of kente., Presentation inscription following the previous, in black ink: I Allyse Belacyse, gyfe this booke to Elysabeth my serua[n]t wt. my handys., Layout: single columns of 34 lines., Script: English bookhand., Decoration: illuminated initial and a full illuminated bar border on the first page of text; other illuminated initials., and Binding: eighteenth-century full paneled calf, gilt. Six-compartmented spine, decorated, gilt. Spine tag in red leather: Lyffe of Jesu Criste.
Subject (Geographic):
Connecticut, New Haven., and England.
Subject (Name):
Love, Nicholas, active 1410.
Subject (Topic):
Devotional literature, English (Middle), English literature, Manuscripts, Medieval, Women, and Books and reading
Portrait, three-quarter length seated slightly facing right, looking towards the viewer over shoulder, left hand holding a lock of her long hair, holding an oval portrait of Prince Charles Edward, wearing a tartan shawl, with a landscape background
Description:
Title engraved below image., Verse following title: She seems not won, yet won she is at length, In loves war, women use but half their strength., and Scottish Jacobite heroine who helped Charles Edward, the Young Pretender, to escape from Scotland after his defeat in the Jacobite rebellion of 1745-46; married Allan Macdonald of Kingsburgh.
Publisher:
George Bickham?
Subject (Name):
MacDonald, Flora, 1722-1790 and Charles Edward, Prince, grandson of James II, King of England, 1720-1788
"Portrait, three-quarter length standing facing front, hands folded on her cloak which covers a ledge in front of her to right, head turned to right shoulder, smiling towards the viewer, wearing a loose gown with a jewelled belt, hair up with pearls and a diadem, a curl flying loose behind right shoulder, a balustrade behind to left, pillars to right."--British Museum online catalogue, description of later state with added numbering
Description:
Title engraved below image., Artist and printmaker unidentified; the painter and engraver names on the print are evidently fictitious. See: Smith, J.C. British mezzotinto portraits., State from: Russell, C.E. English Mezzotint portraits and their states., Date of publication from a later state described in the British Museum online catalogue, registration no.: 1902,1011.7303., Window mounted to 51 x 36 cm., and Mounted opposite page 93 (leaf numbered '139' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Maynard, Annabella Parsons, Viscountess, -1814 or 1815,
Portrait of Martha Reay seated three-quarter length to right holding a book with musical notation, her head in three-quarter profile, her right elbow leaning on book with lettered on spine label "Jepih", on slab at left; against a backdrop of trees, with vista to the right
Alternative Title:
Miss Reay
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Published May 24th 1779 by V. Green, No. 29 Newman Street, Oxford Street, & at No. 52 Strand and Chez les Frères Torre, marchands d'estampes
publish'd as the Act directs [after January 1, 1778?]
Call Number:
778.01.01.05
Image Count:
1
Resource Type:
still image
Abstract:
Four elegantly dressed young ladies are shown outside a brick or stone house with trees in the background. In the foreground a woman in a large hat is about to roll the ball at ninepins. Behind her two woman look on, one holding a bowl. To the right before a table with bottle and glass, another young lady drinks from a large tankard. On the far right a young girl sets up the pins
Description:
Title from item., Date based on that of the probable companion print Miss Wicket and Miss Trigger. See no. 4555 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Numbered in plate at lower left: 290.
Publisher:
Printed for Carington Bowles, No.69 in St. Pauls Ch:Yard, London
Subject (Geographic):
Great Britain. and England
Subject (Topic):
Ninepins, Women, Recreation, Sports for women, Bowlers, Clothing & dress, Hats, and Drinking vessels
publish'd as the Act directs [after January 1, 1778?]
Call Number:
778.01.01.04
Image Count:
1
Resource Type:
still image
Abstract:
Two well-dressed young ladies meet before a farm house. On the left, Miss Wicket leans on her cricket-bat turning towards Miss Trigger who advances with her dogs, holding aloft a pheasant and two partidges, as she tramples a paper marked "Effeminacy". Miss Wicket wears a chip hat and jacket with waistcoat, her sporting petticoat short enough to reveal her ankles. Miss Trigger wears a large hat of the bergère style, a long coat with buttoned sleeves and boots. Behind the pair a young girl catches a ball
Description:
Title from item., Verse follows title: Miss Trigger you see is an excellent shot. And forty-five notches Miss Wicket's just got., Date from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", Numbered in plate at lower left: 276., Reduced version of no. 4555 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Date erased from this impression?
Publisher:
Printed for Carington Bowles, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
Great Britain. and England
Subject (Topic):
Women, Recreation, Sports for women, Gender identity, Cricket players, Hunting dogs, Game bird hunting, and Clothing & dress
"A satire on high-waisted dresses. A lady (left) stands holding an infant in a long robe (cf. British Museum Satires No. 8897). She wears a round hat of masculine shape trimmed with three small feathers. Her dress hangs in straight folds from a line across, or above, her breast; behind appears the end of a train. Beside her stands a lady in back view: a transparent curtain veil hangs from her small hat. Her dress and a loose train held over the right arm hang from the shoulders. A stone wall forms a dark background to the light figures. See British Museum Satires No. 8896, &c."--British Museum online catalogue
Reversed copy of the first print in the Hogarth's series "Four Times of the Day. The setting is a morning in Covent Garden; in the center of the image, a middle-aged woman walks from the right towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the right foreground. To the right, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Alternative Title:
Matin
Description:
Title engraved below image., Date from Paulson: Publish'd 23d June 1740., Sheet trimmed to plate mark., and Matted to 380 x 280 mm.
Publisher:
publisher not identified
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 49.2 x 39.9 cm, on sheet 56 x 45 cm., and Leaf 22 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
An old woman, the prude, is standing near a crowd of people huddled around a bonfire in Covent Garden. She is crossing Covent Garden Piazza, disapproving of the amorous scenes outside the notorious Tom King's Coffee House. The print shows the morning and is part of a series representing the progress of the day
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 146., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2357., and Watermark: 1794 J. Whatman.
Publisher:
Published August the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Kissing, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State and series from Paulson. First plate in the series: Four times a day and Strolling actresses dressing in a barn., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print: ”See Nichols's book, 3d edit. p. 248.", and On page 90 in volume 1. Plate mark 488 x 395 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Kissing, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 396 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State and series from Paulson. First plate in the series: Four times a day and Strolling actresses dressing in a barn., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Kissing, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image. and State from Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Title and date from item., Below title: From an Original Picture in the Possession of Ralph Ouseley Esqr., Published: Kirby's Wonderful and Scientific Museum, Vol. 2, London: R.S. Kirby, 1804., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pubd. April 30 1804 by R. S. Kirby London House Yard & J. Scott 447, Strand
Subject (Name):
Shipton, Mother approximately 1488-1561. (Ursula),
"Portrait after Reynolds (Mannings 28); standing whole-length to front in woodland, resting her left arm on the pedestal of a statue of the Comic Muse, head inclined to left, eyes to front, holding mask in her right hand; wearing floral gown, sash and her hair up."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Proof state, with the word "Proof" etched beneath title., "Samuel William Reynolds I issued a series of upwards of 350 small mezzotints after Sir Joshua Reynolds, from Bayswater, in four volumes. The engraved title-page is dated 1820, but many plates were issued a few years later. ... Some of these plates are stated to have been engraved by Samuel Cousins when an apprentice to S.W. Reynolds, according to Algernon Graves in his List of the works of Samuel Cousins (Whitman, p. 147)"--Curator's comments, British Museum online catalogue, registration no.: 1902,1011.8282., Window mounted to 51 x 36 cm., and Mounted opposite page 176 (leaf numbered '214' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Portraits of Miss Mary Berry and Mrs. Anne Damer seated across a table from each other in the Library at Strawberry Hill. Each holds a book in her hand; the table on which they lean is also piled with books
Alternative Title:
Mrs. Damer and Miss Berry by Cosway
Description:
Title in pencil below image added later in a different hand from the note on the verso., Note on verso in black ink in a contemporary hand: Mrs. Seymour Damer & Miss Berry in the Library at Strawberry Hill, a sketch by Cosway., No longer thought to be in the hand of Cosway., and Date based on other drawings in the collection which have been identified as circa 1816 and not before 1818.
Subject (Geographic):
England.
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828,, Berry, Mary, 1763-1852,, and Strawberry Hill (Twickenham, London, England),
Title and place of publication from item., Date derived from style of work., A smaller version is also in the collection, call number Poster1212., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Impies Lemercier. Paris
Subject (Topic):
Motion sickness, Antiemetics, Patent medicines, Women, and Ships
Burford, Thomas, approximately 1710-approximately 1779, printmaker
Published / Created:
[1741]
Call Number:
741.00.00.18+
Image Count:
1
Resource Type:
still image
Abstract:
"Five women bathing at night in a pool below rocks and trees, one sitting on the shore in the foreground, gesturing towards one standing in the water on the left, while three others are gathered around a small boat; after Lancret; from a set of the four Times of Day."--British Museum online catalogue, description of an earlier state
Description:
Title from item., Later state with altered imprint statement. For an earlier state from 1741 with the publication line "Printed for John Bowles at the Black Horse, in Cornhill, London," see British Museum online catalogue, registration no.: 2010,7081.2717., Date of publication based on publisher's name in imprint; John Bowles partnered with his son Carington Bowles and traded as "John Bowles & Son" from approximately 1752 to 1764. See British Museum online catalogue., Four lines of verse in two columns on either side of title: By the moon's friendly shade, i'th' limpid stream ..., and One of four plates in an untitled series on the times of the day.
Publisher:
Printed for John Bowles & Son at the Black Horse in Cornhil [sic]
A pregnant Black woman wearing a maternity dress and dangling earrings cradles her belly. On her dress is a "Nixon's the one" campaign pin
Description:
Title and date from item., In margin lower left: Shelly Roseman photography., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
A young gentlemen sits in a chair opposite three fashionable young ladies and their mother who are seated on a sofa. His wide grin suggests that he has amused himself with an anecdote, but the expressions on the ladies' faces indcate that he has failed to amuse them. One of the young ladies looks down at the dog in her lap, another looks at her fan
Description:
Title etched below image., Companion print to: A capital joke., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
LGBTQ resource and Teaching resource: Professor George Chauncey, History 460 / American Studies 353 / Women's, Gender, & Sexuality Studies 348, Selected Topics in Lesbian and Gay History
Subject (Topic):
Lesbians, Lesbians in literature, and Women
Collection Created:
North Hollywood, Calif. : Frimac Publications, c1963
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.7 cm, on sheet 56 x 45 cm., and Leaf 23 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.4 cm, on sheet 59 x 46 cm., and Plate 23 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
A copy of the second print in William Hogarth's series "Four Times of the Day": Set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 147., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 40.4 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image. and State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Three young ladies in the open air among trees grouped on the left, one holding flowers and two holding fans, with a young man who looks at a cupid on a fountain with a sundial
Description:
Title from item., Four lines of verse in two columns on either side of title, begins: Boast not my power (thus Cupid seems to say) ..., One of four plates in an untitled series on the times of the day., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg bend.
Publisher:
Printed for John Bowles & Son at the Black Horse in Cornhil [sic]
Subject (Topic):
Couples, Cupids, Fans (Accessories), Fountains, and Women
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
A very pregnant sits slouched in a chair, her left arm around a distaff and a spindle in her right hand. Above her is a picture of a young girl looking down at the broken pitcher at her feet. To the right an old woman in a shawl and wearing spectacles holds a letter in her hand, as she leans towards the younger woman with an expression of concern. Between them stands a young man who stands mostly with his back to the viewer but is slightly turned to the younger woman as he subtly points to the painting over her head
Description:
Title engraved below image. and Printmaker from British Museum online catalogue.
Publisher:
Publish'd as the act directs, Octr. 14, 1793, by T. Prattent, 46 Cloth Fair, London
Title etched below image., Plate from: Voiture, Monsieur de. Familiar letters of love, gallantry, and several occasions. London : Printed for Sam. Briscoe. R. Smith, G. Strahan, E. Symons, J. Osborne, [and 10 others in London], 1718., and Placement instructions at the bottom of plate: vol. 2, pag. 136.
Title from item., Plate numbered '218' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Clothing & dress, Courtship, Draperies, Living rooms, Love letters, Sofas, Wallpapers, Women, Writing materials, and Young adults
Orator Henley christening a child, after an oil sketch by Hogarth; the cleric stands holding the infant over a large, empty baptismal font, with the mother beside him to left. To his right stand a man who holds his hat and a stout woman, while in front a child, wearing a plumed hat and standing on tiptoe, reaches into the font, tipping the shallow bowl and spilling the water
Description:
Title engraved below image., See Paulson, R. Hogarth's graphic works (2nd ed.) for note about a related work by Sympson, p. 310., and On page 217 in volume 3. Sheet: 20.5 x 13 cm.
Publisher:
Samuel Ireland
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Clergy, Fonts, Infants, and Women
Orator Henley christening a child, after an oil sketch by Hogarth; the cleric stands holding the infant over a large, empty baptismal font, with the mother beside him to left. To his right stand a man who holds his hat and a stout woman, while in front a child, wearing a plumed hat and standing on tiptoe, reaches into the font, tipping the shallow bowl and spilling the water
Description:
Title engraved below image., Also signed below image: Hogarth pinxt ; S. Ireland fecit 1785., Dedication etched below title: To Francis Grose Esq. F.A.S. an encourager & promoter of the arts, this etching from his favorite Hogarth is inscribed by his obliged friend & servant, Saml. Ireland., Sheet trimmed within plate mark., For related work by Sympson see: Paulson, R. Hogarth's graphic works (2nd ed.), p. 310., See no. 2837 for original painting in reverse in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and On page 217 in volume 3. Sheet trimmed to plate mark: 37.9 x 28.8 cm.
Publisher:
Publish'd March 1st 1786, by W. Dickenson, No. 158 New Bond St.
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Clergy, Fonts, Infants, and Women
Orator Henley christening a child, after an oil sketch by Hogarth; the cleric stands holding the infant over a large, empty baptismal font, with the mother beside him to left. To his right stand a man who holds his hat and a stout woman, while in front a child, wearing a plumed hat and standing on tiptoe, reaches into the font, tipping the shallow bowl and spilling the water
Description:
Title etched below image., Reissue; printmaker Jane Ireland's full name etched in lower right, replacing her initials "J.I." on earlier state., and See Paulson, R. Hogarth's graphic works (2nd ed.) for note about a related work by Sympson, page 310.
Publisher:
Samuel Ireland?
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Clergy, Fonts, Infants, and Women
Orator Henley christening a child, after an oil sketch by Hogarth; the cleric stands holding the infant over a large, empty baptismal font, with the mother beside him to left. To his right stand a man who holds his hat and a stout woman, while in front a child, wearing a plumed hat and standing on tiptoe, reaches into the font, tipping the shallow bowl and spilling the water
Description:
Title engraved below image. and See Paulson, R. Hogarth's graphic works (2nd ed.) for note about a related work by Sympson, p. 310.
Publisher:
Samuel Ireland
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Clergy, Fonts, Infants, and Women
Orator Henley christening a child, after an oil sketch by Hogarth; the cleric stands holding the infant over a large, empty baptismal font, with the mother beside him to left. To his right stand a man who holds his hat and a stout woman, while in front a child, wearing a plumed hat and standing on tiptoe, reaches into the font, tipping the shallow bowl and spilling the water
Description:
Title engraved below image., Also signed below image: Hogarth pinxt ; S. Ireland fecit 1785., Dedication etched below title: To Francis Grose Esq. F.A.S. an encourager & promoter of the arts, this etching from his favorite Hogarth is inscribed by his obliged friend & servant, Saml. Ireland., Sheet trimmed within plate mark., For related work by Sympson see: Paulson, R. Hogarth's graphic works (2nd ed.), p. 310., and See no. 2837 for original painting in reverse in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Publisher:
Publish'd March 1st 1786, by W. Dickenson, No. 158 New Bond St.
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Clergy, Fonts, Infants, and Women
Title from item., Date derived from poster style., Text is also in Hindi., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Designed & published by Central Health Education Bureau, Directorate General of Health Services, Ministry of Health, Government of India New Delhi and Printed by the manager, Govt. of India Photo Litho Press, New Delhi
Subject (Topic):
Public health, Health behavior, Children, Health and hygiene, Women, and Bathing
Title from item., Date supplied by curator., Place of publication from item., In image: h.D. ; 144., Above image: Croquis Parisiens. 43., Published in Le Charivari, 1 February 1858., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Mon Martinet, 172, r. Rivoli et 41 r. Vivienne and Lith. Destouches, 28, r. Paradis Pre
Subject (Topic):
Influenza, Men, Boys, Women, Diseases, Coughing, and Salutations
Manuscript document, on parchment, in a single hand, containing the petition of Joan, widow of William Rykyll to Baron Bergavenny for the restoration of her rights in land held of Robert Lindsey, in Kent, from which she has been disseized by Edward Lindsey and Rose, his wife and the daughter of William Rykyll
Description:
In Middle English., Docketed in a contemporary hand., Layout: single column of 14 lines., and Script: Anglicana.
Subject (Geographic):
Connecticut, New Haven., England., England, and Great Britain.
Subject (Name):
Bergavenny, George Neville, Baron.
Subject (Topic):
Manuscripts, Medieval, Feudal law, Land tenure, and Women
Leaf 10. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A lady with an enormous coiffure surmounted by hat with huge ostrich feathers brandishes a long whip as she drives her phaeton behind a pair of diminutive horses. The carriage is elevated on very high springs, and on its side bears a ducal coronet (a possible allusion to the Duchess of Devonshire) and the motto "Swift".
Alternative Title:
Phaetona, or, Modern female taste and Modern female taste
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark., On leaf 10., and 1 print : etching and engraving on laid paper ; plate mark 24.8 x 35.1 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Name):
Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824.
Subject (Topic):
Carriages and carts, Women, Social life and customs, Social conditions, Horses, Clothing & dress, Hats, Hairstyles, Carriages & coaches, and Coach drivers
Leaf 10. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A lady with an enormous coiffure surmounted by hat with huge ostrich feathers brandishes a long whip as she drives her phaeton behind a pair of diminutive horses. The carriage is elevated on very high springs, and on its side bears a ducal coronet (a possible allusion to the Duchess of Devonshire) and the motto "Swift".
Alternative Title:
Phaetona, or, Modern female taste and Modern female taste
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark., and Sheet mounted to 27 x 37 cm.
Publisher:
Pub. by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Name):
Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824.
Subject (Topic):
Carriages and carts, Women, Social life and customs, Social conditions, Horses, Clothing & dress, Hats, Hairstyles, Carriages & coaches, and Coach drivers
The Duchess of Devonshire sits nursing a fox at her bare breast; the fox is dressed as a child, its paw on her lap. A child sits to her right crying, arms stretched towards her. On the left a cat licks the face of a dog while ignoring her kitten that crawls beside them. A cradle sits empty in the background (left).
Description:
Title and date from graphite pencil inscriptions in image., Study for the print of the same title, no. 6546 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and With, on the opposite side of the sheet: a drawing for Reynard put to his shifts by the same artist.
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Women in politics, Foxes, Breast feeding, Infants, Women, and Political activity
"Mission des Soeurs de St-Joseph de Lyon au Maduré [Madura] (Inde). 1 - Jeune Mariée au beau Sari Soyeux." A young woman stands in front of a wall hanging, dressed in traditional clothes. Additional information reads, "Véritable Photo au Bromure - Reprod. Interdite."
A collection of 197 mezzotints of British ladies -- members of the Royal family, the nobility, and ladies of fashion -- by J. Wilson, J. Faber, I. Becket, T. Smith, J. Simon, R. Laurie, James Watson, Spicers, S. Watts, T. Ryley, Jas. McArdell, J.R. Smith, Val. Green, J. Murphy, R. Williams, Richd. Houston, Charles Townley, J. Saunders, Charles Spooner, Philip Corbutt, R. Corbutt, R. Purcell, J. Van der Vaert, E. Fisher, H. Meyer, J. Jones, W. Dickinson, R. Tompson, D. Martin, A. Blooteling, W. Faithorne, H. Gascar, P. Schenk, J. Finlayson, H. Fowler, S. Paul, W. Doughty, Robert Dunkarton, R. Earlom, G. White, and Elizabeth Judkins. Some prints in multiple states, proof impressions, before letters, etc and Portraits are after paintings by: Sir Joshua Reynolds, T. Hudson, W. Wissing, G. Kneller, C. Philips, Zoffany, H.D. Hamilton, C. Read, Berridge, F. Wilson, A. Ramsay, M. Dahl, P. Falconet, R.E. Pine, T. Kettle, H. Hysing, J. Vanderbank, T. Stothard, Hayman, P. Lely, John Robinson, G. Willison, George Knapton, R. Cosway, E.F. Calze, R. Samuel, J. Vandervaert, Ant. Van Dyck, G. Schlaken, J.S. Liotard, Largilliere, N. Hone, J. Highmore, J. Closterman, N. Dance, T. Worlidge, Charles D'Agar, D. Gardiner, Farrel, Hamlet Winstanley, Samuel Cotes, F. Cotes, William Thompson, J. Riley, J.R. Smith, and H. Vorelst
Alternative Title:
Bliss collection of portraits of ladies in mezzotint
Description:
Letterpress title pages printed in red and black., Each volume with printed table of contents in letterpress; plates arranged alphabetically by sitter., Includes Horace Walpole's copy of "The Lord Churchill's two daughters" / G. Kneller pinxit ; I. Smith fecit., Bound in full red levant by Lloyd Wallis & Lloyd., and For further information consult library staff.
