"A man who is falling through the ice clutches desperately at the leg of a passing skater so as to drag him towards the hole he has made. From the edge of the ice (r.) projects a post with a notice-board: 'Humane Society - Whereas this Pond is very deep & dangerous, it is requested that no persons will rashly venture to Skait upon it.'"--British Museum online catalogue.
Alternative Title:
Elements of skateing, Elements of skateing :, and Elements of skating :
Description:
One of four prints in a series entitled: Elements of skateing., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Sir Busick Harwood and his wife lie side by side in a magnificent bed whose curtains frame the design. Both smoke long pipes. He (left) is small, lean and aquiline, she is large and comely. On the bed lies a letter: 'Sir--be you Sick', and, by the lady, a small dog and a 'Ball Ticket £3. 3. 0 First, 2. 2. 0 second, after Gratis'."--British Museum online catalogue.
Alternative Title:
Matins at Downing College, Cambridge
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Harwood, Busick,--1745?-1814--Caricatures and cartoons., and Humphrey, Hannah, active 1774-1817, publisher.
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (l.), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of BMSat 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (l.) is a bust of 'Hymen' with a broken nose, and (r.) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue.
Description:
Companion print to: "Harmony before matrimony.", Temporary local subject terms: Firepalce -- Musical Instruments: piano -- Furniture: sofa -- Female Costume: Morning gown -- Children's Nurse -- Toys: rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Thermometers -- Cupid -- Bell-Pulls., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Young women, gaily dressed, ride donkeys along a rough road at the edge of a cliff indicated by a railing and the sea below. There are three groups inscribed respectively 'Kicking-Sett', 'Active-Sett', and 'Passive Sett'. On the extreme left. one donkey lies on its back kicking the rider it has thrown; the donkey-boy kneels beside it holding the rein, and plying a cudgel. The next donkey, its head held by a boy, is kicking; a man (? groom) behind flogs it, another holds its rider's sunshade. The third donkey, with its rider holding a sunshade, stands beside it. The other two groups advance from r. to left. Three lively and coquettish ladies ride side by side, approaching with studied unconsciousness two hussar officers who lean against the railing. The animals are urged on by boys with vicious whips and cudgels. The last three (r.) are more demure and are escorted by grooms or attendant cavaliers, one of whom holds up his lady's parasol. A few spectators are strung out along the railing; an old sailor sits on the railing, smoking, facing the sea."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An old woman stands on a pavement in in profile to the left., holding a basket containing nosegays on her right. arm. She has sharp features and is very neatly dressed in a plain figured gown gathered at the waist by a string. She wears a flat hat of antique pattern over a white cap, a red cloak, mittens, and buckled shoes."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An elderly man stands in profile to the right outside a building on which are election placards, holding out his (orange-coloured) hat in which is a favour and a ticket inscribed Milton. He is curiously square, round-shouldered, long-waisted, and bandy-legged, wearing riding-dress with spurred top-boots, and a coat reaching nearly to his heels, with a fox embroidered on the collar. On the wall which forms a background is a placard: State of the Poll. Wilberforce 11808, Milton 11.177, Lascelles 10,990. Other placards are Steele Traps [see No. 10743], No Pretender, No Popery [torn] [cf. No. 10709], No Melville No Plunder. [see No. 10377, &c.] No Slavery [see No. 10778] Milton for Ever. From a narrow board inscribed Etridge on the corner of the wall projects a flagstaff supporting a pennant inscribed Saville in large letters."--British Museum online catalogue.
Description:
Artist identified as F. Hawkesworth in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A loutish yokel (l.), holding a pitchfork, grins avidly at a hideous and elderly country woman who crouches behind a stile (r.), her features twisted in a sly grimace. In the background (l.) men reap a corn-field, and corn-stooks cover a more distant hill. Lavinia is framed in foliage, with autumn leaves and a withered tree."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of quoted text following title: "He saw her charming; but he saw not half" "the charms her downcast modesty conceal'd."
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A grotesquely dilapidated post-chaise stands outside a ramshackle inn (r.); the driver lashes the horses cruelly, a boy lifts a pitch-fork to strike, but the wretched animals refuse to move. A barefooted slattern approaches from the r. with a huge red-hot poker. From the post-chaise leans its occupant, who wears a ribbon and star, and a night-cap. His feet have broken through the ruinous chaise; he threatens the driver with his cane; the latter's words are etched after the title: '"------"Forward immediately your Honour; But sure a'nt I waiting for the Girl with the Poker \ "just to give this Mare a burn your Honour, 'tis just to make her start your Honour.' The chaise is roofed with thatch on which a cock is pecking; it is held together by rope, the reins and traces are of rope. The wheels are broken. Above the door of the primitive inn is a placard: 'The New Thatched-House Tavern' [the Thatched House was a fashionable London tavern and club]. On the signboard an eagle attacking a naked infant (Ganymede) is depicted; above is a board: 'Nate Post-Chaise and Whiskey \ Nate \ Entertainment for Man & Beast.' From a brick chimney a little sweep looks out waving his brush. On a bench by the door a man with a crutch and wooden leg sits smoking and drinking, not interested in the departing grandee. In the foreground a lean sow eats from a heap of potatoes; a young pig attempts to suck; another, almost a skeleton, tries to eat potatoes. In the coach-house which is part of the inn, is a second and less-ruinous thatched post-chaise. Beside the road is a stone wall and behind it a signpost, pointing (r.) 'to Ballyragger', (l.) 'to Athlone'"--British Museum online catalogue.
Description:
Companion print to: "Posting in Scotland.", Printmaker identified as Gillray in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Smith, Charles Loraine, 1751-1835, artist.
"A very clumsy post-chaise descends a mountain road across a bare moor. On approaching a hair-pin bend the fore-heels have broken off, the chaise is about to upset, the occupant falls through the front window. A Highlander lies prone on the roof, saying to the unfortunate traveller: '" - Hald your Haund Mun, hold your haund! - en troth mun! e'n gin you na mind \ "yoursel, youl just make the Muckle Laird coupeing his Creels! - ' The chaise was drawn by a horse and ass; on the latter, which kicks violently, sits a primitive postilion; the traces are of rope. A shepherd (the muckle laird) reclines in the elbow of the road in the foreground; his dog barks at the chaise, which is followed by a man on a donkey. Horned sheep with tattered fleeces and bare rumps are beside the shepherd (r.). All four Scots are bare-footed, and have bare posteriors, the kilt being a mere apron."--British Museum online catalogue.
Description:
Companion print to: "Posting in Ireland.", Printmaker identified as Gillray in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Smith, Charles Loraine, 1751-1835, artist.
