"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue, description of a later state of the same composition.
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
At bottom of broadside is printed the additional publication line "Published by J. Ginger, 169 Piccadilly," the printing line "Printed by D.N. Shury, Berwick Street, SOHO," and the price statement "Price two shillings and six pence, coloured." Another edition of the broadside, in a different type and apparently lacking these statements, was also printed in 1803. See British Museum catalogue., Date of publication based on that of probable later state. See British Museum catalogue., Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., Printmaker from description of a later state in the British Museum catalogue., Probably an earlier state of a plate later published with the imprint: Published by H. Humphrey, 27 St. James's Street, Septr. 1803. Cf. No. 10091 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Text below title: New style-- No quarter day!, and Title from letterpress text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Ginger, John, active 1797-1806, publisher., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue.
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
Another edition of the broadside, in different type, was also printed in 1803. This edition bore the publication line "Published by J. Ginger, 169 Piccadilly" and the printing line "Printed by D.N. Shury, Berwick Street, SOHO." See British Museum catalogue., Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., Printmaker from British Museum catalogue., Probably a later state of a plate originally published with the imprint: Published by J. Ginger, Piccadilly., Text below title: New style-- No quarter day!, and Title from letterpress text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
A satire of Pitt's return to office in 1804. Pitt is shown in the chamber of Britannia. Britannia sits listlessly on a bed, holding a sword in one hand. Next to her, leaning against the bed, is her shield and olive branches. Pitt holds aloft a bottle labelled "Constitutional Restorative" as he kicks another man, a caricature of Addington, through the door. Addington is in the process of dropping a bottle labelled "Composing Draft". With his other foot, Pitt steps on the face of a flailing and prostrate Fox, who holds a bottle labelled "Rebublican Balsam" towards Britannia. From Fox's pocket dice and a dice container labelled "Whig Pills" have fallen. Emerging from behind the bed curtains, the figure of Death, a skeleton with the face and plumed bicorne of Napoleon, overturns a table and upsets bottles of medicine and points his sword toward the unsuspecting Britannia.
Description:
Title etched below image.
Subject (Name):
Fox, Charles James,--1749-1806--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
Subject (Topic):
Britannia (Symbolic character)--1800-1810. and Politics & government--Great Britain--1800-1810.
"The head of Napoleon in profile to the left, is held high on a pitchfork by John Bull, whose head and shoulders only are visible. He is a volunteer, an armed yokel, his loose hair and check neckcloth going ill with his military coat and epaulets. He wears a three-cornered hat turned up with a favour inscribed 'Britons strike home', and with a bunch of oak-leaves. A background of similar heads, fat and smiling, recedes in perspective : a crowd holding up their bayoneted muskets and looking up at the bleeding head; some wave their hats. They have a Union flag. John says: "Ha! my little Boney! - what do'st think of Johnny Bull now? - Plunder Old England! hayy? - ravish all our Wives & Daughters! hay - O Lord help that silly Head! - to think that Johnny Bull would ever suffer those Lanthorn Jaws to become King of Old England's Roast-Beef & Plumpudding!" Above the design: 'This is to give information for the benifit of all Jacobin Adventurers, that Policies are now open'd at Lloyd's - where the depositer of One Guinea is entitled a Hundred if the Corsican Cut-throat is Alive 48 Hours after Landing on the British Coast.'"--British Museum online catalogue.
Alternative Title:
Buonaparte forty-eight hours after landing!
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Bonaparte stands on the sea-shore, about to embark (on 23 Aug. 1799) in a boat (left) which will take him to a ship in full sail (the 'Muiron'). He looks with a sly leer to the right, where a little band of ragged and emaciated French soldiers hurry towards him making gestures of dismay. He wears the embroidered fastened coat or tunic with a sash of authentic portraits, without a hat; he points up towards a vision in the sky surrounded by massive clouds of a sceptre and imperial crown superimposed on the revolutionary fasces and axe. Above the general flies a figure of Fame, smiling sardonically and pointing down derisively. Two soldiers in cocked hats who stand in the boat waiting for Bonaparte to embark greedily hug large money-bags. A plank slants from the boat to the shore. The boat has a figure-head composed of two heads facing opposite ways wearing a single coronet. Behind the French troops is a small encampment with tricolour tents and flags. Behind this stretches a vast Turkish camp with crescent flags."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of text below title: For an illustration of the above, see the intercepted letters from the Republican General Kleber to the French Directory respecting the courage, honor & patriotic-views of "the deserter of the Army of Egypt."
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Sir Francis Burdett, one hand on the knocker of the large iron-studded door, addresses the gaoler, a burly ruffian with large keys, who stands just inside, holding open one leaf of the door. He says, one finger raised: "Hush! - Harkee! - open the door! - I want only to see if my Brother Citizens have Candles & Fires, & good Beds, & clean Girls, for their accommodation, - that all!!! Hush! open the Door! quick!!" The gaoler answers: "Hay? - what? - let You in, hay? - no! no! - we're bad enough here, already! - let you in! no! - no! - that would be too bad; - You're enough to corrupt the whole College." From Burdett's pocket hangs a paper: 'Secret Correspondence with O'Conner Evans Quigley Despard' (see BMSat 9189). In the background a hackney coach is driving under the high prison wall towards the gate. The profile of Courtenay (on the extreme left) looks from the window to say: "Drive me to the Bastille you dog". The driver answers: "To Cold Bath College, you mean I suppose! - to take up your Degrees Master." Above the massive gateway is inscribed: 'The House of \ Correction for the \ County of Middlesex. \ 1794 \ .'"--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Courtenay, John,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The 'Gods', Hawkesbury, Addington, St. Vincent, lean down from the clouds to defend the 'Treasury' against the assault of the 'Giants', different groups of the Opposition forming a pyramid in the lower, and larger, part of the design. [These identifications are those of Miss Banks (on a B.M. print) confirmed by Lord Holland, who omits Lord Spencer but adds Tierney, called by Miss Banks 'no particular person'. The identifications of Wright and Evans are in several cases incorrect. Grego substitutes Lord Mulgrave for Dr. Lawrence (or Spencer) and omits Spencer and others. Lord Holland notes that only the portraits of Pitt, Addington, Fox, Norfolk, Buckingham, Grenville, and Derby are like their subjects.] These are grouped on rocks, and are naked or nearly so (with one exception). At the apex of the pyramid are Pitt and Dundas, smaller and less dangerous than Fox in the foreground (left). Pitt, much emaciated, stands with legs astride, looking up, and about to hurl a large bundle of papers: 'Knock-down Arguments'; two similar bundles lie at his feet: 'Death and Eternal Sleep' [cf. BMSat 8350], and 'Coup de Grace'. He wears a military cocked hat, jack-boots, and a sword-belt from which hangs a sabre, indicating his volunteer activities (see BMSat 10113, &c); round his loins is a girdle of grapes and vine-leaves (cf. BMSat 8798). Melville (Dundas), behind and below Pitt, raises a sword inscribed 'True Andrew-Ferrara' and a shield; he wears a Scots bonnet; a tartan plaid and kilt adorn his burly nudity. At Pitt's feet stands Wilberforce, a dwarf, holding a large volume, Duty of Man, and directing upwards a fountain which can never approach the clouds. On the lower part of this rock stands Canning, in an attitude like that of Pitt, prepared to hurl a bulky sheaf of papers: 'Killing Detections'; he registers sly amusement, and wears a girdle of feathers suggestive of a Red Indian. From behind the rock appear two shadowy figures, each with the pen in his mouth that indicates a Treasury secretary; one prepares to hurl a bundle of 'Charges', the other, below him, has a bundle of 'Long Charges'. They are Rose and Long, ex-Treasury secretaries, see BMSat 9722. In the foreground (left) is a lower rocky platform on which the obese Buckingham and his burly brother Lord Grenville hold up Fox by the legs. Fox, bulky and hairy, fires a blast of flame, smoke, and bullets from a blunderbuss', doing more execution than all the others together. He is completely nude; drapery hangs from the shoulders of his two supporters, and the pompous Buckingham wears spectacles and Garter ribbon. All register satisfaction, rather than ardour like the Pittites. Beside their rock, and on the extreme left are supporters of Fox: Norfolk with a kettle-drum slung from his neck on which he is performing with two wine-bottles (cf. BMSat 9261). Behind him is Carlisle, banging a marrow-bone on a cleaver inscribed 'Coalition Roast Beef' [reminiscent of the Foxite butchers at Westminster elections]. The profile of Burdett is on the extreme left; he wears a hat on which is a ribbon: 'no Bastile' [see BMSat 9878, &c], and holds a fringed banner on which are equally balanced scales and the motto 'In hoc Signo Vinces' [cf. BMSat 10416]; on its spear-point is poised a cap of liberty terminating in the bell that indicates Folly. Behind him an arm holds up a trumpet to which is attached a banner inscribed 'Honor Property Ability' [symbolic of the Whig oligarchy and stressing the gulf between Foxites and the supposedly levelling Burdett]. ..."--British Museum online catalogue.
Alternative Title:
Giants storming heaven
Description:
Title etched below image. and Two lines of text below title: "They never complain'd of fatigue, but like giants refreshed, were ready to enter immediately upon the attack! Vide Lord Ch--c-ll-r's Speech, 24th April 1804. "Not to destroy! but root them out of heaven." Milton.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jones, Thomas Tyrwhitt,--Sir,--1765-1811--Caricatures and cartoons., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Long, Charles,--1761-1838--Caricatures and cartoons., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Rose, George,--1744-1818--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., Stanhope, Charles Stanhope,--Earl,--1753-1816--Caricatures and cartoons., Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., Wilberforce, William,--1759-1833--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"The ugly and ungainly Nicholls, naked except for floating drapery, and with heavy, feathered wings, stands directed to the right, drawing the string of his bow. He stands on clouds which form a background."--British Museum online catalogue.
Alternative Title:
New pantheon ; no. 4
Description:
No. 4 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Nicholls, John,--1745?-1832--Caricatures and cartoons.
"George III (left), as a huntsman, stands beside his white (Hanoverian) horse, holding up to a pack of hounds a fox with the head of Napoleon. He is in 'profil perdu', and grips the frantic animal by the neck. On the right are the hounds, eager for the kill; others swim across a stream on the farther side of which members of the hunt are galloping up, tiny figures led by Pitt, who echoes "Tally ho" to the King's "Tally-ho! - Tally-ho! - ho! - ho!- ho!" The King stands under a gnarled oak. The leading dogs have collars inscribed 'St Vincent', 'Nelson', '[Admiral William] Cornwall[is]', 'Sydney S[mith]', 'Gardner' (indicating the predominance of the Navy in the defence of Great Britain, cf. BMSat 10065). The leadership of the hunt by Pitt is also significant, cf. BMSat 9978."--British Museum online catalogue.
Description:
Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
"A sequence of eight designs, arranged in two rows. [1] 'DEMOCRATIC INNOCENCE. The young Buonaparte, & his wretched Relatives, in their native Poverty, while Free Booters in the Island of Corsica.' ... [2] 'DEMOCRATIC HUMILITY. Buonaparte, when a boy, receiv'd thro' the King's bounty into the École Militaire at Paris.' ... [3] 'DEMOCRATIC GRATITUDE. Buonaparte, heading the Regicide Banditti which had dethron'd & Murder'd the Monarch, whose bounty had foster'd him.' ... [4] 'DEMOCRATIC RELIGION. Buonaparte turning Turk at Cairo for Interest; after swearing on the Sacrament to support ye Catholic Faith.' ... [5] 'DEMOCRATIC COURAGE. Buonaparte, deserting his Army in Egypt, for fear of ye Turks; after boasting that he would extirpate them all'. ... [6] 'DEMOCRATIC HONOR. Buonaparte, overturning the French Republic which had employ 'd him, & intrusted him with the chief Command.' ... [7] 'DEMOCRATIC GLORY. Buonaparte, as Grand Consul of France, receiving the adulations of Jacobin Sycophants & Parasites.' ... [8] 'DEMOCRATIC CONSOLATIONS. Buonaparte on his Couch, surrounded by the Ghosts of the Murder'd, - ye Dangers which threaten his Usurpation, and all the Horrors of Final Retribution.' ..."--British Museum online catalogue.
Alternative Title:
Sketch of the life of Buonaparte
Description:
Plate is divided in eight compartments in two rows, each with caption title and short description below image: Democratic consolations; Democratic courage; Democratic glory; Democratic gratitude; Democratic honor; Democratic humility; Democratic innocence; Democratic religion. and Title etched below images.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
