"Mrs. Schwellenberg, enormously fat and heavily laden, supported by small wings, floats or falls head foremost down a broad slanting ray, which extends from a sun with a crown in its centre in the upper right corner of the print and stretches across the sea to a castellated town flying a flag inscribed 'Hanover'. Half only of the crown and sun is visible. Her massive legs terminate in tiny feet. In her arms are two large money-bags, labelled 'Pr Ann.' and '£1000000'. Her bulging pocket hangs downwards, a rosary and cross hanging from it."--British Museum online catalogue
Alternative Title:
Angel gliding on a sunbeam into Paradise
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of quoted text below title: "Down thither, prone in flight, lo Schwelly speeds, & with her brings the gems and spoils of Heav'n.", Sheet partially trimmed within plate mark., Temporary local subject terms: Angels -- Sunbeams -- Bags of money -- Rosaries -- House of Hanover -- Crowns -- Allusion to George III -- Allusion to Queen Charlotte -- Literature: altered quotation from John Milton's (1608-1674) Paradise Lost., 1 print : etching on laid paper, hand-colored ; plate mark 27.5 x 21.1 cm, on sheet 30.5 x 22.8 cm., and Mounted on leaf 16 of volume 8 of 12.
Publisher:
Pubd. Octr. 11th, 1791, by H. Humphrey, N. 18 Old Bond Street
"A young man (left) takes with his left hand the right hand of a young woman, who bows towards him, holding her limp skirt delicately between finger and thumb. Both wear burlesqued versions of the newest fashions. He wears a striped sleeveless vest or waistcoat made in one piece with a pair of pantaloons which reach below his calves where they are tied with bunches of ribbon. A voluminous swathed neckcloth conceals his chin. His powdered hair is frizzed on his head with a long queue. He holds a round hat and a bludgeon in his right hand. She wears in her hair three extravagantly long ostrich feathers, which rise from a small cap or turban and sweep across the design, with an erect brush-aigrette ; long tresses issue from the turban with the feathers and fall below her waist. Her limp high-waisted dress with short sleeves falls from below uncovered breasts, which are decked with a lattice-work of jewels caught together by an oval miniature (cf. BMSat 8521)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray, working from a design by 'Miss Aynscombe.' See British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Male costume, 1794 -- Female costume, 1794., 1 print : etching & aquatint with stipple on wove paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 35.7 x 25.6 cm., and Mounted on leaf 56 of volume 8 of 12.
Publisher:
Pubd. May 7th, 1794, by H. Humphrey, No. 18 Old Bond Street
"An elderly woman sits on a stool playing a small harpsichord (right) seen in profile, a music-book upon it. She sings with her head turned towards the spectator, her features twisted, eyes closed. Her hair hangs upon her round shoulders; the curves of her figure and a small waist indicate an attempt to conceal the ravages of time. The line is shaky throughout, to give an impression (especially in the music-book) of an aged, quavering voice."--British Museum online catalogue
Alternative Title:
Here's songs of love and maids forsaken
Description:
Title etched below image., Possibly by Gillray. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Old women -- Musical instruments: harpsichords -- Music sheets., 1 print : etching on wove paper, hand-colored ; plate mark 25.4 x 23.5 cm, on sheet 33.2 x 25.3 cm., and Mounted on leaf 53 of volume 8 of 12.
"A mother and daughter face each other in profile. An elderly woman, heavily moustached and bearded, sits at a small rectangular table, her right forefinger accusingly pointed at a young woman (closely resembling her), apparently pregnant, who stands holding a fan with an expression of wary apprehension. Beneath the table is a large crow, one foot raised, turning its head towards the elder woman to say "Oh! too bad". A patterned carpet, plain wall, and door (right) form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pregnancy -- Expressions of speech: I have a crow to pluck with you., 1 print : etching on wove paper, hand-colored ; sheet 28.6 x 33.8 cm., Sheet trimmed within plate mark on right and left edges., and Mounted on leaf 57 of volume 8 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"A very short and corpulent woman stands full face, her handkerchief is raised towards her face as if to mop it, her left arm is clasped by a man of similar proportions, who kneels in profile to the left, looking up at her with a pained expression."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner below image: Design'd for the Shakespeare Gallery., Sheet trimmed within plate mark., Temporary local subject terms: Parody on Boydell's Shakespeare Gallery -- Obesity., 1 print : etching & stipple engraving on wove paper, hand-colored ; sheet 21.4 x 22.2 cm., Sheet trimmed within plate mark on three edges., and Mounted on leaf 3 of volume 8 of 12.
Publisher:
Pubd. March 20th, 1791, by H. Humphrey, No. 18 Old Bond Street
"The design simulates a pyramidal monument in bas relief against a stone wall, supported on short Corinthian pilasters between which is an inscription. On the face of the pyramid Lady Cecilia Johnston, is seated in profile to the right on a round close-stool. She is thin and witch-like, her chin is support by her left hand, the elbow resting on her knee. In her right hand is a torn paper inscribed 'Tranquility'. Behind the stool stands a little cupid holding his nose; in his left hand is a torch, reversed. On the ground (right) are bones and two skulls which gaze at Lady Cecilia. Beneath is the inscription: "By Patience, minds an equal temper know, Nor swell too high, nor sink too low; Patience the fiercest grief can charm, And fate's severest rage disarm: Patience can soften pain to ease, And make despair and madness please, This the divine Cecilia found, And to her Husbands ears, confind the sound." Vide St Cecilias Day."--British Museum online catalogue and The allusions are to St. Cecilia (died 177) and to Cecilla's husband General James Johnston. Also allusion to Shakespeare's Othello, iv.2.61-3 and Shakespeare's Twelfth Night, ii.4.111
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 30.8 x 20.8 cm, on sheet 32.6 x 22.7 cm., and Mounted on leaf 10 of volume 8 of 12.
Publisher:
Pubd. Septr. 19th, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Johnston, Henrietta Cecilia, Lady, 1727-1817 and Johnston, James Lesslie, 1697 or 1698-1789.
Subject (Topic):
Defecation, Monuments & memorials, Putti, and Skull & crossbones
"The Recording Angel sits full face in the upper part of the design, writing at a long scroll, which rests on a small but very solid rectangular table supported on billowing clouds. He is a sulky-faced naked child, with wide-spread wings and wearing a nightcap. A large tear falls from his right eye. The Accusing Spirit, a bald-headed, elderly man, his face blotched with drink, with wings and wearing a long robe, in profile to the right, holds up to the Angel a paper inscribed "He shall not dye by xxx". The winged heads of a man and woman, poised on the claws of birds of prey, rest on clouds in the upper left corner of the design; he regards her insinuatingly, she grins back. A cherub's winged head flies behind the Accusing Spirit. Rays of light fall diagonally from the right on the Recording Angel. Billowing clouds complete the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Dedicated (without permission) to the Revd. Mr. Peters., 1 print : etching & stipple engraving on wove paper, hand-colored ; plate mark 40.9 x 29.8 cm, on sheet 43.2 x 33.1 cm., and Laid in at leaf 7 of volume 8 of 12.
Publisher:
Pubd. April 8th, 1791, by H. Humphrey, No. 18 Old Bond Street
"The Recording Angel sits full face in the upper part of the design, writing at a long scroll, which rests on a small but very solid rectangular table supported on billowing clouds. He is a sulky-faced naked child, with wide-spread wings and wearing a nightcap. A large tear falls from his right eye. The Accusing Spirit, a bald-headed, elderly man, his face blotched with drink, with wings and wearing a long robe, in profile to the right, holds up to the Angel a paper inscribed "He shall not dye by xxx". The winged heads of a man and woman, poised on the claws of birds of prey, rest on clouds in the upper left corner of the design; he regards her insinuatingly, she grins back. A cherub's winged head flies behind the Accusing Spirit. Rays of light fall diagonally from the right on the Recording Angel. Billowing clouds complete the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Dedicated (without permission) to the Revd. Mr. Peters., 1 print : etching & stipple engraving on wove paper, hand-colored ; plate mark 41.1 x 29.9 cm, on sheet 43.6 x 32.8 cm., and Mounted on leaf 7 of volume 8 of 12.
Publisher:
Pubd. April 8th, 1791, by H. Humphrey, No. 18 Old Bond Street
"A fashionably dressed man stands in back view, a round hat in his hand, a bludgeon under his left arm. He wears a tail-coat with a large cape-like collar with revers. Above this appears the high stiff collar at the back of his waistcoat. His hair falls on his coat collar and his shoulders are frosted with hair-powder (a fashion of the day), cf. BMSats 7537, 8192. He wears half-boots and breeches tied below the knee with a bunch of strings."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Companion print to: "Neck or nothing.", Sheet trimmed within plate mark., Temporary local subject terms: Male costume: capes., 1 print : etching & stipple engraving on wove paper, hand-colored ; sheet 27.6 x 21.7 cm., and Mounted on another impression of the same print, which is mounted on leaf 34 of volume 8 of 12.
Publisher:
Pubd. March 23d, 1792, by H. Humphrey, No. 18 Old Bond Street
"A man walks on tiptoe away from the spectator. He is ungainly, the left shoulder lower than the right, with ill-dressed hair in a small tail. He wears a grotesque cocked hat poised on his head, an old-fashioned coat, and striped stockings. The stone wall of a house, showing part of a street-door and one window, forms a background."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., Temporary local subject terms: Doctors -- John Burges, 1745-1807., 1 print : etching on wove paper, hand-colored ; plate mark 25.1 x 17.5 cm, on sheet 34.1 x 24.0 cm., and Mounted on leaf 75 of volume 8 of 12.
Publisher:
Pubd. July 3d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Burgess, John, 1745-1807 and Royal College of Physicians of London.
