"An elderly judge holding a large open book, 'Law . . . Statutes', addresses a juryman, who stands facing him in the jury-box, where the rest of the jury are registering disgust. He says: "Mr Juryman-- you have requested permission to retire for a few moments--I have been looking some time for a precedent, and have at last found by the 25th of William Rufus, Chap 531, that a Juryman on any urgent occasion may retire backwards for the space of ten minutes only--therefore you may withdraw." The juryman answers that it is no longer necessary. Between judge and juryman are three grinning barristers."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Lamentable case of a juryman
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 290., Later state; former plate number "347" has been replaced with a new number, and most of imprint statement has been burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "240" in upper right corner., Publication information inferred from earlier state with the imprint "Pubd. March 10th, 1815, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12647 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Donkeys -- Sailors -- Bird-cages -- Walking-stick -- Menageries., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Wellington, Arthur Wellesley,--Duke of,--1769-1852.
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue.
Description:
Plate numbered "315" in upper right corner. and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
Couples. , Dance., Musicians. , Tailors. , and Weddings.
In a series of three images Napoleon Bonaparte is first shown on the left as Emperor wearing royal regalia, with other crowns and pharaoh's insignia at his feet, the Tuilleries Palace behind him, signed "What I was," below and "A cruel tyrant" above. In the second image his weeping figure in military uniform is shown on the tiny island of Elba, and is signed "What I am," below and "A snivelling wretch" above. Lastly, on the right, his corpse hangs from a gibbet, his hat fallen to the ground and ass's ears exposed on his head, with caption "What I ought to be" below and "Hung for a fool" above.
Alternative Title:
What I was, what I am, what I ought to be
Description:
Title etched at bottom of plate.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
Crowns. , Gallows., Military uniforms--French--19th century., and Scepters.
"Scene in an English court of law. The judge, Blücher, wearing a legal wig with regimentals, stands up with left arm extended, addressing Napoleon, who crouches in the dock (right), handkerchief in hand, pleading for mercy. Beside the judge are the sovereigns of Europe, two on his right, three on his left, all gazing at the prisoner. In the well of the court aged and grotesque counsel, typical of Rowlandson's lawyers, surround the green-covered table. The jury (left) have stupid, morose, or astonished expressions. The usher, with a long rod, seated on a raised chair, faces the jury on the opposite side of the court. Corpulent constables with staves stand beside and in front of the dock. Freely sketched spectators look down from a crowded gallery above the dock. Almost all eyes are on the prisoner, behind whom stand the Devil, with folded arms, fiercely gloating over his victim. Behind the usher is a high white screen on which Napoleon's offences are inscribed: 'NAPOLEAN BONAPARTE The first and last by the Wrath of Heaven Ex Emperor of the Jacobins & head Runner of Runaways [see British Museum Satires No. 12192], Stands indicted 1ts [sic] for the Murder of Captain Wright in the Temple at Paris 2d for the murder of the Duke Dangulem [d'Enghien] Pichegrew & Georges 3 for the Murder of Palm Hoffer &c & 4th for the murder of the 12 inhabitants of Moscow 5th for inumerable Robberies committed on all Nations in Christendom & elsewhere, 6th for Bigamy & lastly for returning from Transportation, and setting the World in an uproar.' Blücher says fiercely: "You Nap Boneparte being found Guilty of all these Crimes it is fell to my lot to pronounce Sentence of Death on You--You are to be hung by the Neck for one hour till you are Dead, Dead, Dead, & your Body to be chained to a Mill Stone & sunk in the Sea at Torbay." Napoleon says: "Oh cruel Blucher, Oh! cruel Wellington it is you that have brought me to this End. Oh Magnanimous Emperors Kings & Princes intercede for me and spare my life; and give me time to attone for all my Sins, My Son Napoleon the Second will reward you for Mercy shewn me." The sovereigns are poorly characterized. On the extreme left is Alexander, next him and on Blücher's right is the Prince Regent. On Blücher's left is Louis XVIII. Next (?) the King of Prussia, then the Emperor of Austria; next, the Pope with clasped hands, wearing his tiara. On the extreme right is (?) Ferdinand of Spain looking through an eye-glass."--British Museum online catalogue.
Alternative Title:
Europe's injuries revenged
Description:
Printmaker from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Courtrooms -- Judges -- Military uniform: Regimentals --Lawyers -- Ushers -- Constables -- Constables' staves -- Devils -- Satan -- Popes -- Trials., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Alexander--I,--Emperor of Russia,--1777-1825--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Ferdinand--I,--Emperor of Austria,--1793-1875--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Louis--XVIII,--King of France,--1755-1824--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"An adaptation of British Museum Satires No. 10039, by Gillray, the place of George III being taken by 'Blucher', the name on a ribbon worn over his uniform. The horse (left) is a restive charger instead of a hunter standing quietly. Blücher leans towards the pack in a fierce attitude, unlike that of the King. The grip of the hand on the fox's neck is as before, and the fox with the profile head of Napoleon registering despair is closely copied. In place of six hounds there are fourteen, six with names on their collars: 'Wellington', 'Swartsenberg', 'Crown Prince' [Bernadotte], 'D. York', 'Kutusoff', 'Row' [with a fourth letter which is perhaps 'L'], Two monarchs wearing crowns gallop up from the right, on a larger scale than the tiny horsemen headed by Pitt in British Museum Satires No. 10039. In the background (right) is a flaming town."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827., Harvey, Francis--Ownership., Kutuzov, Mikhail Illarionovich,--svetleĭshiĭ kni︠a︡zʹ Smolenskiĭ,--1745-1813., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Schwarzenberg, Karl Philipp,--Fürst zu,--1771-1820., and Wellington, Arthur Wellesley,--Duke of,--1769-1852.
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see British Museum Satires No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 176-7., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12404 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "317" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "261" in upper right., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A drinking scene; a drunken man carousing with two women, raising a glass into which Death, a crowned skeleton standing behind him, pours a liquid from a small bottle, a great quantity of steam or smoke rising off; one of the women lies asleep on the floor in front of the table, breasts exposed and a spilling glass in her hand, the other is falling off her chair at left, horrified, having spied Death; a dog and discarded flagon at lower left, a caged bird hanging from the ceiling, barrels of 'Old Tom' behind."--British Museum online catalogue.
Description:
Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A skeleton, Death (left), seated on a cannon, his elbows on his knees, faces Napoleon, not caricatured, in a similar attitude on a drum. The 'two Kings' gaze fixedly at each other, Death menacing, Napoleon as if trying to read a terrifying riddle. Death's left foot rests on a cannon-ball, the right on the broken shaft of an eagle. Behind is a symbolical representation of the battle. The Allies advance from the left in regular formation with bayonets levelled at fleeing French soldiers. Four flags, with the eagles of Russia, Prussia, and Austria, and the Swedish cross, are held up by standard-bearers in the third rank: they recede in perspective from left to right. On the left wing are two hussars, riding down the fugitives. The main French army is streaming in wild confusion up and over a hill, diminishing in perspective. Other soldiers, pursued by hussars, flee down a hill behind Napoleon (right). Bodies of Frenchmen lie on the ground."--British Museum online catalogue, description of an earlier state.
Description:
For an earlier state lacking the etched title and serving as the heading to a printed broadside entitled "The two kings of terror," see no. 12093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from Grego., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
