How to pass a carriage., How to ride up Hyde Park., How to stop your horse at pleasure., Symptoms of kicking., and Symptoms of tumbling.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Six designs on one plate, each individually titled below., and Title etched below images.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., and Harvey, Francis--Ownership.
"The comet has the profile head of Napoleon wearing a plumed bicorne; it rushes up from the left towards the sun, the profile head of George III, much irradiated. John Bull, a carbuncled 'cit', stoops low to look through a telescope on a tripod pointing towards the comet. Napoleon looks up at the King, who gazes fixedly above his head. He has ascended from a small piece of land rising from the narrow Channel separating it from John's wider fragment. Up this a frog clambers. On the open sea ships are strung out along the horizon. John says: "Aye - Aye - Master Comet - you may attempt your Periheliums - or your Devil heliums for what I care but take the word of an Old Man you'll never reach the Sun depend upon it"."--British Museum online catalogue, description of an earlier state.
Alternative Title:
John Bull making observations on the comet
Description:
"Price one shilling coloured.", Also issued separately., Date of publication based on complete imprint on earlier state: London, Printed for Thos. Tegg, 111 Cheapside, 10th Novr. 1807. Cf. No. 10769 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Later state; former plate number "29" has been replaced with a new number, and date has been removed from end of imprint statement., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "274" in upper right corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"On the left: An old sailor with a long pigtail, and wearing an old-fashioned blue coat with gold lace, points with a pointer at a large decoration by Thornhill. He leans against an iron railing, standing on raised stone flags. A corner of the decoration is shown, swirling allegorical figures, nude and partly draped. On the right: The lower left corner of a large heavily framed picture with a man in Roman draperies, and a woman in longer draperies. Two sightseers and a small boy gaze at the wall, the man yawning cavernously. Three lines of text in lower right corner of design: "Here is Prince George of Denmark, and in & the Prospective a View of St Pauls London, Sr James Thornhill in the Wig &&&'"--British Museum online catalogue.
Alternative Title:
John Rosedale, mariner
Description:
In lower left corner of design: J.N. Esqr. 1807. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George,--Prince, consort of Anne, Queen of Great Britain,--1653-1708--Portraits., Harvey, Francis--Ownership., Rosedale, John (Mariner), Rowlandson, Thomas, 1756-1827, publisher., and Thornhill, James,--Sir,--1675-1734.
Subject (Topic):
Boys., Paintings., Sailors--Briish., and Sightseers.
"The Pope (left), on a small ass decked with trappings, faces John Bull, who stands as toll-keeper before a closed five-barred gate. From the other side of the gate a path leads to a country church on a hill, irradiated, and framed by the semicircular inscription: 'King - Church and Constitution'. The Pope, except that he wears a Papal crown instead of a mitre, resembles St. Patrick in caricature (where he often rides an ass). He is aquiline and bearded, holds a crosier, and wears a cope. His ass has blinkers, on which a satyr's mask is freely drawn. He leans towards John, saying, "Mr Bull, I have been to Paris - and seen all the fine sights there - I now want to have a peep at that little Church on the Hill - therefore let me pass the turnpike." John (right), a fat yokel, looks up at the Pope with a suspicious scowl, pointing over his shoulder at a large open book, 'Test Oath', which is on a book-rest attached to the gate-post. He says: "If you want to go through - pay the Toll, what the devil do you think I keep a turnpike gate for?" Behind the Pope stand four dissenting ministers anxiously watching the interview. Three say sanctimoniously : "Though I boast not gaudy trappings, - nor am I mounted on Ass back, - yet if he goeth through verily I should like to go through also!"; "Verily so should I."; "We should all like to go through".."--British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820., Harvey, Francis--Ownership., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
Subject (Topic):
Dissenters., Donkeys., John Bull (Symbolic character)--Caricatures and cartoons., Quakers., Toll roads., and Tolls.
Illustration at the top of the letterpress broadside. "Mrs. Siddons leans back in her chair, majestically resentful. She addresses Harris, [Grego suggests Topham, whom he does not resemble, and who was living in Yorkshire.] patentee and manager of Covent Garden, who stands before her (l.), hat in hand. Between them stands the much taller J. P. Kemble, his left hand on his sister's shoulder. Mrs. Siddons leans one elbow on a table (r.) on which are three books: 'Salary Benifi[ts]', 'The Right of Woman', 'Duty of Man', and a bust of (?) herself, looking reproachfully towards the group. On the wall (r.) is part of a print: 'Propagation of a Lye', six figures from Bunbury's well-known plate, BMSat 7230 (1787). The text is a debate (printed in full by Grego): Mrs. Siddons complains to Harris of neglect on account of 'your Blind Bargain and Infant Roscius'. Harris, 'First Monarch', answers: 'if John Bull chooses to feed on slink calf, instead of substantial roast beef, yet consents to pay for the roast it is not for me to complain. . . . you have had your day. . . .' He reminds her of her good salary. Kemble, 'Second Monarch', supports him, and ends: 'Public taste ... is now in second childishness; and when mere oblivion takes place, then you shall make a sally, and should the Town require a filip [Philip] I will be at your elbow.'"--British Museum online catalogue.
Alternative Title:
Child's play defended by theatrical monarchs
Description:
Caption title in letterpress below etching. and Printmaker and date of publication from British Museum catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Kemble, John Philip,--1757-1823--Caricatures and cartoons., Rowlandson, Thomas, 1756-1827, printmaker., Shury, Daniel Nathan, printer., and Siddons, Sarah,--1755-1831--Caricatures and cartoons.
Heideloff, Nicolaus Innocentius Wilhelm Clemens von, 1761-1837, printmaker.
Call Number:
Auchincloss Rowlandson v. 8
Image Count:
1
Abstract:
"Domestic scene based on Beresford's 'Miseries of Human Life': three tailors (or his apprentices) at work disturbed by woman carrying a tray of cucumbers on her head.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Two lines of text below title: While deep in study and lost in thought in the complicated profession of a taylor and all on a sudden disturbed by the shrieks of a woman crying cucumbers.
"Domestic scene based on Beresford's 'Miseries of Human Life' (1806), illustrating lines which follow the title: 'Getting up early in a cold gloomy morning, and on running down into the breakfast room for warmth and comfort, finding chairs, table, shovel, tongues, poker and fender huddled into the middle of the room. Carpet tossed backward. - floor newly washed, windows wide open. - bees wax brush and ru]bber in one corner - brooms, mops and pails in another - and a dingy Drab on her knees before an empty grate -'. A man arrested at the door of a room disarrayed by cleaning, wearing a dressing gown and with a gouty slippered foot, his hands held out warily in front of him, his teeth clenched together and his nose dripping; at left, kneeling in front of the grate, a stout and grotesque maid scrubbing the floor; a bust portrait of a man above the mantelpiece, looking disapprovingly down on the maid; cat and caged bird at far right."--British Museum online catalogue.
Description:
"Price one shilling cold."--Following imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered '28' in upper right corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Anger., Birdcages., Cats., Domestic life., Housework., Interiors., Sweeping & dusting., and Women domestics.
Four lines of text below title: After dinner when the ladies retire with you from a party of very pleasant men, having to entertain as you can half a score of empty or formal females then after a decent time has elapsed ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"Melville, in Highland dress (left), stoops, holding open a sack from which issues an endless procession of pigmy Scots, receding in perspective to disappear under a high Gothic doorway, inscribed 'Saint Stephens'. The little Scots march out of the bag like an army of occupation, with an eager, hungry air. Some wear plain, others feathered, bonnets; one has bagpipes under his arm, another a broad-sword. John Bull (right), a yokel in shirt and breeches, holding a cudgel, looks down at them, saying, "Dang it, what a swarm of them there be - enough to cause a famine in any christian country." Melville says: "There ye are my bonny Lads - mak the best o' your way the door is open - and leave a Scotsman alaine to stick in a place gin he once gains an entrance!" Saint Stephens, the House of Commons, is between a high crenellated wall (right) and the façade of a neo-Gothic building with crenellated roof, oriel windows above an arcade, and turrets."--British Museum online catalogue, description of alternate state.
Alternative Title:
Johnny Maccree, opening his new budget
Description:
Attributed to Rowlandson by Grego., For variant state with price and plate number, see no. 10746 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dundas, Henry,--1742-1811--Caricatures and cartoons., Harvey, Francis--Ownership., Saint Stephens (ed., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
Clothing & dress--Scotland. and John Bull (Symbolic character)--Caricatures and cartoons.