"Melville and Trotter, both in Highland dress, rush into each other's arms. Trotter waves his bonnet, that of Melville falls off. Behind Trotter (left) John Bull, an obese carbuncled 'cit', with a bludgeon under his arm, and wearing a hat, watches them in sour disapproval, saying: "I say Nothing." Trotter, his eyes turned toward John, says: "Ill trot for you - Ill gallop for you all over the globe - Oh happy day for Scotland - and see how pleas'd John Bull looks - ah Johny, Johny, this is indeed a glorious triumph!" Melville says ecstatically: "What is life without a Friend". In his exuberance he kicks over an enormous tankard inscribed with the Royal Arms and 'Whitbreads Intire Butt' ... which stood on a low table. Its contents pour to the ground: 'Impeachment', 'High Crimes', 'Misdemeanors', 'Peculation'."--British Museum online catalogue.
Alternative Title:
Up setting the porter pot and Upsetting the porter pot
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dundas, Henry,--1742-1811--Caricatures and cartoons., Dundas, Henry,--1742-1811--Impeachment., Harvey, Francis--Ownership., Rowlandson, Thomas, 1756-1827, publisher., and Whitbread, Samuel,--1764-1815--Caricatures and cartoons.
Subject (Topic):
Clothing & dress--Scotland. and John Bull (Symbolic character)--Caricatures and cartoons.
"Two sailors inside the Victory, discussing the fate of Nelson's body; one stands at left, weeping, his hat in his hand, saying, 'Do you know Jack they say as how they mean to put his Honors remains into another ship--- Now I think it d-d hard that as he kept us while he was alive - that we should not be allow'd to keep him now he is dead'. The other sailor sits at right with his arm on Nelson's coffin, which is on a bier under a window, a sailor's hat with a ribbon lettered 'Victory' on top of it; the sitting sailor holds up a cutlass and replies, 'Make yourself easy about that Ben--- here am I watch over the coffin, and depend upon it he never stirs from the Victory, till he arrives in his native country, where there will be plenty to revere, and guard his precious memory, for his monument will be erected in the heart of every Briton.' A cannon behind at left."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Nelson, Horatio Nelson,--Viscount,--1758-1805--Death and burial., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Cannons., Coffins., Sailors--British., and Trafalgar, Battle of, 1805.
"Two designs on one plate, divided by the title. [1] A hussar officer riding in front of his men mismanages his mount, so that it rears slightly, and he is about to slide off. He shouts "March, Trot, Canter, Charge, halt, halt, halt, I mean." He has dropped a trumpet from which issues a blast: "Oh what a Ninny I was to throw Myself off, they're laughing at me avarice Vanity False friendship, Ingratitude, Double dealing, absurdity, Hippocracy, Malice, Cut down Countenance." His sabre lies on the ground, and five riding-switches which have been rolled up in the cloak fastened to the saddle fall from it. On the ground is a paper: 'hints to bad horsemen'. The men (right) gallop up in perfect order holding their sabres erect. One says: "Our Young Whip is not an Old Jockey". In the background (left) is a church or cathedral (perhaps intended for Salisbury), with trees and houses. [2] The rider has just picked himself up (right); the horse, still rearing, looks over its shoulder to say: "You seem more frightened than hurt, You have been taught the Value of Whips more than the use of them." A soldier, holding the trumpet, has ridden up and halts between horse and rider; he says: "I hope your Honor is not hurt." The officer answers: "I am not hurt upon My honour." The men galloping (right) say: "Why our Captain needn't a fallen.""--British Museum online catalogue.
Description:
Jiles (or Giles) Grinagain is a pseudonym., Printmaker from British Museum catalogue., and Title etched between the two images.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Grinagain, Giles, publisher., and Harvey, Francis--Ownership.
"1812" has been added to the publisher's statement in a contemporary hand., "Del." in the statement of responsibilty has been burnished from plate in this state as has a portion of the date "802" in the publisher's statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice: 'Club Law". In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer; between his legs sits a large cat. Beside and behind him a man with a bottle in one hand sniffs at another bottle. An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., and Harvey, Francis--Ownership.
"Scene at a conjurer's. A man covered with a shaggy skin, with bull's horns, stands in a circle, impersonating the Devil. A butcher cheers on his dog who is worrying the pseudo-Devil, while the conjurer (left), wearing robes and a fur cap, stands behind, in angry alarm. A stuffed crocodile, celestial globe, &c, decorate the room. An inscription relates at length that the butcher has gone to consult the conjurer about some lost sheep, when his dog springs at the 'Devil', thinking it is a bull; he detects the cheat and refuses to call off his dog. The prose narrative ends: 'so Dog against Devil, for what sum you please!'."--British Museum online catalogue.
Alternative Title:
Dog and the devil
Description:
"Price one shilling.", Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "Z 2" in upper right corner., Printmaker from British Museum catalogue., Title etched below image., and Twelve lines of text below title: A butcher once had lost some sheep, & to discover the thief, went to a reputed conjurer ...
Publisher:
Pub. by T. Tegg, 111 Cheapside,
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Butchers., Crocodiles., Devil., Dogs., Globes., and Magicians.
"In a country wash-house an old woman (left) feeds the fire under a large round copper, from which a youth emerges, raising the loose wooden lid. A young woman (right) deluges him with water from a pump. Another young woman, astonished, leaves the pitcher of beer which she has been filling from a beer-barrel to overflow. A cat runs off with a mouse."--British Museum online catalogue.
Alternative Title:
New cure for love
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "E 3" in upper right corner., and Title etched below image.
Publisher:
Pubd. by T. Tegg, N. 111 Cheapside,
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1845, publisher.
"Two fat friars gormandize in a Gothic cloister, seated in easy chairs. A lean old friar or lay brother brings in a sucking-pig. On the ground beside them are a chest of 'Relicks', bottles of 'Tokay' and 'Lackrymy Christi', church plate, with a 'Consecrated Cup' and a paper: 'Absolu[tion] Confess[ion] of Miss Wagtail.' On the wall is pinned a large print, 'Food for the Convent' [see British Museum Satire No. 3777]: a friar walking to the convent door with a large sheaf of corn on his back, from which project the head and feet of a girl. On a window recess are a skull, hour-glass, and cross ..."--Description of an alternate state in British Museum online catalogue.
Alternative Title:
I am a friar of orders grey.
Description:
"Sir E. Bunbury" may refer to the artist H.W. Bunbury. See British Museum catalogue., For state numbered "Q. 2", see no. 10924, in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Grego identifies a companion print: Monastic fare., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Title etched below image., Two columns of verse below title: I am a friar of orders grey, And down the vallies I take my way; I pull not blackberry, haw or hip, Good store of ven'son does fill my scrip, My long bead roll I merrily chaunt, Wherever I walk no money I want; And why I'm so plump the reason I'll tell ... "Who leads a good life, is sure to live well." What baron, or squire, or knight of the shire, Lives so well as a holy friar ..., and Verses are a parody of Thomas Percy's Reliques of ancient English poetry. See British Museum catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, attributed name., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue, description of a later state.
Alternative Title:
Magistrates mistake
Description:
"Price one shilling coloud.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 236., For a reissue with date burnished from end of imprint statement and plate number changed, see no. 11971 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "33" in upper left., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Criminals., Ethnic stereotypes., Gout,--depicted, Judges. , and Spouses.
"The interior of a stable. On the right are horses with human heads ; behind, in a niche and partly cut off by the left margin, stands a mitred abbot. He is 'The Abbot of Saint Stephen' (the Speaker). In the foreground (left) stands Whitbread, a brawny and handsome Hercules, with bare legs and arms ; he flings the contents of a huge tankard of 'Whitbreads Intire' [see No. 10421] at the heels of the nearest horse. This clumsy animal has the head and wig of Melville ; he kicks, saying, 'What the Deel is the is the man a boot.' Under his forelegs is a broom inscribed 'Will force's [Wilberforce's] Broom for Suppression of Vice.' Behind Melville appear the head and four legs of Trotter, who says apprehensively : 'Attack the Gallopers I am only a poor Trotter.' Behind him is Pitt, a very lean horse, saying, 'I am afraid we shall be all drench'd in turn.' Behind him is a crown of barely differentiated ministerialists, the foremost has some resemblance to Castlereagh ; behind him is (?) Canning, who exclaimes : 'Who could have expected this.' Beside Melville, and on the extreme right, is a large chest : 'Private Chest for Stray provendor' ; on it stand money bags. Along the wall over the heads of the horses is a rack with partitions inscribed : 'Treasury Stall, Army Stall, Navy Stall'; these are heaped with money-bags. Below the title: 'Augeus a King of Elis, had a stable, which was not cleansed for thirty years-yet Hurcules cleaned it, in one day. Vid Heathen Mythology."--British Museum catalogue.
Description:
Attributed to Rowlandson by Grego. and Title etched below image.
Subject (Name):
Abbot, Charles,--Baron Colchester,--1757-1829--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Dundas, Henry,--1742-1811--Caricatures and cartoons., Harvey, Francis--Ownership., Rowlandson, Thomas, 1756-1827, publisher., Whitbread, Samuel,--1764-1815--Caricatures and cartoons., and Wilberforce, William,--1759-1833--Caricatures and cartoons.
