"Two sailors inside the Victory, discussing the fate of Nelson's body; one stands at left, weeping, his hat in his hand, saying, 'Do you know Jack they say as how they mean to put his Honors remains into another ship--- Now I think it d-d hard that as he kept us while he was alive - that we should not be allow'd to keep him now he is dead'. The other sailor sits at right with his arm on Nelson's coffin, which is on a bier under a window, a sailor's hat with a ribbon lettered 'Victory' on top of it; the sitting sailor holds up a cutlass and replies, 'Make yourself easy about that Ben--- here am I watch over the coffin, and depend upon it he never stirs from the Victory, till he arrives in his native country, where there will be plenty to revere, and guard his precious memory, for his monument will be erected in the heart of every Briton.' A cannon behind at left."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 16 of volume 8 of 14 volumes.
Publisher:
Pubd. Dec. 9th, 1805, by R. Ackermann, No. 101 Strand
Subject (Name):
Nelson, Horatio Nelson, Viscount, 1758-1805
Subject (Topic):
Death and burial, Trafalgar, Battle of, 1805, Coffins, Cannons, Sailors, and British
"Two designs on one plate, divided by the title. [1] A hussar officer riding in front of his men mismanages his mount, so that it rears slightly, and he is about to slide off. He shouts "March, Trot, Canter, Charge, halt, halt, halt, I mean." He has dropped a trumpet from which issues a blast: "Oh what a Ninny I was to throw Myself off, they're laughing at me avarice Vanity False friendship, Ingratitude, Double dealing, absurdity, Hippocracy, Malice, Cut down Countenance." His sabre lies on the ground, and five riding-switches which have been rolled up in the cloak fastened to the saddle fall from it. On the ground is a paper: 'hints to bad horsemen'. The men (right) gallop up in perfect order holding their sabres erect. One says: "Our Young Whip is not an Old Jockey". In the background (left) is a church or cathedral (perhaps intended for Salisbury), with trees and houses. [2] The rider has just picked himself up (right); the horse, still rearing, looks over its shoulder to say: "You seem more frightened than hurt, You have been taught the Value of Whips more than the use of them." A soldier, holding the trumpet, has ridden up and halts between horse and rider; he says: "I hope your Honor is not hurt." The officer answers: "I am not hurt upon My honour." The men galloping (right) say: "Why our Captain needn't a fallen.""--British Museum online catalogue
Description:
Title etched between the two images., Printmaker from British Museum catalogue., Jiles (or Giles) Grinagain is a pseudonym., 1 print : etching on wove paper ; plate mark 37 x 27 cm, on sheet 39.3 x 28.6 cm., and Mounted on leaf 43 of volume 8 of 14 volumes.
Publisher:
Pubd. Feby. 3, 1807, by Jiles Grinagain, No. 7 Attilery [sic] Street, London
Title etched below image., "Del." in the statement of responsibilty has been burnished from plate in this state as has a portion of the date "802" in the publisher's statement., "1812" has been added to the publisher's statement in a contemporary hand. Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 6 of volume 8 of 14 volumes.
Publisher:
Published July 18th, 1[...], by S. Howitt, Panton Street, Hay Mart
Subject (Topic):
Cats, Dogs, Dwellings, Interiors, Military officers, and British
The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice: 'Club Law". In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer; between his legs sits a large cat. Beside and behind him a man with a bottle in one hand sniffs at another bottle. An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres
Description:
Title etched below image., Sheet trimmed within plate mark with partial loss of statements of responsibilty., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 14 of volume 8 of 14 volumes.
Publisher:
Pubd. 7 April, 1803, at R. Ackermann's Repository of Arts, 101 Strand
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene at a conjurer's. A man covered with a shaggy skin, with bull's horns, stands in a circle, impersonating the Devil. A butcher cheers on his dog who is worrying the pseudo-Devil, while the conjurer (left), wearing robes and a fur cap, stands behind, in angry alarm. A stuffed crocodile, celestial globe, &c, decorate the room. An inscription relates at length that the butcher has gone to consult the conjurer about some lost sheep, when his dog springs at the 'Devil', thinking it is a bull; he detects the cheat and refuses to call off his dog. The prose narrative ends: 'so Dog against Devil, for what sum you please!'."--British Museum online catalogue
Alternative Title:
Dog and the devil
Description:
Title etched below image., Printmaker from British Museum catalogue., Twelve lines of text below title: A butcher once had lost some sheep, & to discover the thief, went to a reputed conjurer ..., Plate numbered "Z 2" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling.", 1 print : etching on wove paper, hand-colored ; plate mark 27.5 x 21.4 cm, on sheet 38.6 x 27.3 cm., and Mounted on leaf 71 of volume 8 of 14 volumes.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Topic):
Butchers, Crocodiles, Devil, Dogs, Globes, and Magicians
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In a country wash-house an old woman (left) feeds the fire under a large round copper, from which a youth emerges, raising the loose wooden lid. A young woman (right) deluges him with water from a pump. Another young woman, astonished, leaves the pitcher of beer which she has been filling from a beer-barrel to overflow. A cat runs off with a mouse."--British Museum online catalogue
Alternative Title:
New cure for love
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Plate numbered "E 3" in upper right corner., 1 print : etching with stipple on wove paper, hand-colored ; sheet 20.1 x 26.2 cm., Sheet trimmed within plate mark with loss of plate number., and Mounted on leaf 60 of volume 8 of 14 volumes.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two fat friars gormandize in a Gothic cloister, seated in easy chairs. A lean old friar or lay brother brings in a sucking-pig. On the ground beside them are a chest of 'Relicks', bottles of 'Tokay' and 'Lackrymy Christi', church plate, with a 'Consecrated Cup' and a paper: 'Absolu[tion] Confess[ion] of Miss Wagtail.' On the wall is pinned a large print, 'Food for the Convent' [see British Museum Satire No. 3777]: a friar walking to the convent door with a large sheaf of corn on his back, from which project the head and feet of a girl. On a window recess are a skull, hour-glass, and cross ..."--Description of an alternate state in British Museum online catalogue
Description:
Title etched below image., "Sir E. Bunbury" may refer to the artist H.W. Bunbury. See British Museum catalogue., Two columns of verse below title: I am a friar of orders grey, And down the vallies I take my way; I pull not blackberry, haw or hip, Good store of ven'son does fill my scrip, My long bead roll I merrily chaunt, Wherever I walk no money I want; And why I'm so plump the reason I'll tell ... "Who leads a good life, is sure to live well." What baron, or squire, or knight of the shire, Lives so well as a holy friar ..., Verses are a parody of Thomas Percy's Reliques of ancient English poetry. See British Museum catalogue., Grego identifies a companion print: Monastic fare., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., For state numbered "Q. 2", see no. 10924, in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., and Mounted on leaf 50 of volume 8 of 14 volumes.
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue, description of a later state
Alternative Title:
Magistrates mistake
Description:
Title etched below image., "Price one shilling coloud.", Sheet trimmed within plate mark., Plate numbered "33" in upper left., For a reissue with date burnished from end of imprint statement and plate number changed, see no. 11971 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 236., and Mounted on leaf 72 of volume 8 of 14 volumes.
Publisher:
Published by Thos. Tegg, 111 Cheapside
Subject (Topic):
Gout, Criminals, Ethnic stereotypes, Judges, and Spouses
"The interior of a stable. On the right are horses with human heads ; behind, in a niche and partly cut off by the left margin, stands a mitred abbot. He is 'The Abbot of Saint Stephen' (the Speaker). In the foreground (left) stands Whitbread, a brawny and handsome Hercules, with bare legs and arms ; he flings the contents of a huge tankard of 'Whitbreads Intire' [see No. 10421] at the heels of the nearest horse. This clumsy animal has the head and wig of Melville ; he kicks, saying, 'What the Deel is the is the man a boot.' Under his forelegs is a broom inscribed 'Will force's [Wilberforce's] Broom for Suppression of Vice.' Behind Melville appear the head and four legs of Trotter, who says apprehensively : 'Attack the Gallopers I am only a poor Trotter.' Behind him is Pitt, a very lean horse, saying, 'I am afraid we shall be all drench'd in turn.' Behind him is a crown of barely differentiated ministerialists, the foremost has some resemblance to Castlereagh ; behind him is (?) Canning, who exclaimes : 'Who could have expected this.' Beside Melville, and on the extreme right, is a large chest : 'Private Chest for Stray provendor' ; on it stand money bags. Along the wall over the heads of the horses is a rack with partitions inscribed : 'Treasury Stall, Army Stall, Navy Stall'; these are heaped with money-bags. Below the title: 'Augeus a King of Elis, had a stable, which was not cleansed for thirty years-yet Hurcules cleaned it, in one day. Vid Heathen Mythology."--British Museum catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Mounted on leaf 23 of volume 8 of 14 volumes.
"A young man standing turned slightly to left and with his arms held awkwardly out, wearing a tight white costume including a shirt with short sleeves, a collar worn high enough to cover the ears, a high and wide stock and a frill descending down the chest, also carrying an enormous tricorne hat in his right hand; the text beneath gives a naturalist's description of the 'new discovered animal': 'These trifling insignificant beings generally make their appearance at the theatres about half-price, their aproach is usually made known by a continued opening and shutting of the box doors and an interruption of the performance... It has long been known to the curious, that the cocked hats have been borrowed for the evening... but the high collars, monstrous craws, and clean linen, has, till lately, eluded the vigilance of the box-lobby dissectors; it has, however, recently been proved, that the shirt consist simply of a bib without sleeves, very airy and convenient for an evening's exhibition.'"--British Museum online catalogue
Alternative Title:
New discovered animal
Description:
Title from letterpress text printed on same sheet., One paragraph of letterpress printed below title: These trifling insignificant beings generally make their appearance at the theatres about half-price; ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Partial watermark: R & E., 1 print : etching on wove paper, hand-colored ; plate mark 25.3 x 20 cm, on sheet 41.2 x 23.5 cm., and Mounted on leaf 1 of volume 8 of 14 volumes.
Publisher:
Pub'd. March 1st, 1802, by R. Ackermann, No. 101 Strand and Printed by E. Spragg, No. 27, Bow-Street, Covent-Garden
