Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title etched at top of image., Date based on other work by Van der Gucht., Quotation from book I, line 203 of Virgil's Aeneid etched below image: Forsan et haec olim meminisse juvabit. Virg., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Scots opera / 171., and On page 52 in volume 1.
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., and On page 58 in volume 1. With pencilled ms. notes in Steevens hand above print: Harlot's Progress 1st Impression. Plate trimmed to: 31 x 38.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
The stage of a theatre, with halters suspended over three managers of theatres; the labels issuing from the mouths of these persons have characteristic words. Wilks dangles Punch. The Laureat Cibber dangles Harlequin and invokes the Muses. Booth letting down the image of Jack Hall basphems: "Ha this will do G-d D- me". On the table before the speakers is a pamphlet with a print of Jack Shepard. Ben Jonson's ghost, holding a lit candle, rises to the stage on the left. In Horace Walpole's catalog, this print is referred to as "Booth, Wilks and Cibber contriving a pantomime, a satire on farces."
Alternative Title:
Three heads are better than one
Description:
Title etched above image., State, publisher, and date from Paulson., "Price six pence".--Lower right corner., First state of the print with motto in banner at top of image misspelled: "Vivetur ingenio"., Caption below image: This print represents the rehearsing a new farce that will include [the] two famous entertainments Dr. Faustus & Harlequin Shepherd to wch. will be added Scaramouch Jack Hall the chimney-sweeper's escape from Newgate through [the] privy ... [Signed] Vivat Rex., Sheet trimmed within plate mark., On page 22 in volume 1., Ms. note in pen in Steevens's hand below: Booth, Wilks and Colley Cibber., and Ms. note in pencil in Steevens's hand below: See Nichols Book 3d ed p. 143.
Publisher:
Wm. Hogarth
Subject (Name):
Cibber, Colley, 1671-1757., Jonson, Ben, 1573?-1637., Thurmond, John, active 1724-1749., and Wilks, Robert, 1665?-1732.
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and On page 64 in volume 1. Plate trimmed to: 33.9 x 46.4 cm. Some damage and losses to corners.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", and On page 65 in volume 1. Plate trimmed to: 34.3 x 47 cm.
A tracing by George Steevens of a print by Willaim Hogarth: Theatre stage with two dancers; on the left a woman (La Barbarina) jumps with her legs apart and on the right a man (George Desnoyer) stands with his legs together; on either side a chorus, or audience, and statues of Comedy and Tragedy holding candles. With the text "C.C. Prickt lines shewing the rising Height" at the foot of the stage as in the first state and with a face on the sun
Alternative Title:
Charmers of the age
Description:
Title from item., Lengthy pencil note in William Windham's hand below: These two pieces viz. the one marked Qui Color albus erat and The Charmers of the age? are not prints but copies taken with a pen by Mr. Steevens, and given to me, together with many others, not copies, in return for those mentioned in his collection as given by me to him. [Signed] W.W. March 22d 1800., After Paulson, R. Paulson, R. Hogarth's graphic works (3rd ed.), no. 153., and On page 100 in volume 1.
Subject (Name):
Campanini, Barberina, 1721-1799 and Desnoyer, George, approximately 1700-1764
Subject (Topic):
Dancers, German, Italian, and Theatrical productions
"A ship, apparently bearing 'Aeneas' (George II) is tossed on a stormy sea. On the shore at right, 'Dido' (the figure of Britannia), points and smiles, above the inscription, "She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm". In the sea Neptune near the shore looks at the ship in displeasure. Above in the sky are three Winds, as three young boys, one blowing, one farting, the last kicking a hat."--British Museum online catalogue
Description:
Title engraved above image., Formerly attributed to Hogarth, now thought to be by Van der Gucht. See British Museum online catalogue., Questionable attribution in Paulson's 2nd edition., Lettered below image: Tanta haec mulier potuit suadere malorum., Latin motto below image translated: So much evil can a woman induce., Verse etched in lower right of image: She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., and On page 89 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760., Dido,, Aeneas (Legendary character),, and Neptune (Roman deity),
Subject (Topic):
Politics and government, Britannia (Symbolic character), Sailing ships, and British
A shop card with an image of a ship being loaded with goods in Florence. Mercury turns to a woman (emblem of Florence) with a sampling of the goods of the region at her feet. On the right, workers carry loads of goods onto a ship as the merchant looks on. In the distance a view of Rome. The four corners of the frame are images of Naples, Venice, Genoa, and Leghorne
Alternative Title:
Shop card for Mrs. Holt's, Italian Warehouse
Description:
Title from text below image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, v. 1, page 17., On page 3 in volume 1. Sheet 17.8 x 13.5 cm., and Ms. note in pencil above image: Copy.
A shop card with an image of a ship being loaded with goods in Florence. Mercury turns to a woman (emblem of Florence) with a sampling of the goods of the region at her feet. On the right, workers carry loads of goods onto a ship as the merchant looks on. In the distance a view of Rome. The four corners of the frame are images of Naples, Venice, Genoa, and Leghorne
Alternative Title:
Shop card for Mrs. Holt's, Italian Warehouse
Description:
Title from text below image., On page 3 in volume 1., and Mss. note in pencil above image: Original.
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title, begins: "That Beastly Rabble that came down. From all the Garretts in the Town ...", Numbered "11" above and to the right of the upper margin., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and On page 38 in volume 1. Plate trimmed to: 27.3 x 50.2 cm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
