Hudibras and Ralpho riding on tired, emaciated horses travel on a country road. In the foreground to the left, a dog snarls at their approach while to the right, a man, holding a rake in one hand and his hat in his other hand, laughs at the sight of the rotund rider as he backs into and knocks over a table laden with baskets of produce and a tankard as he bends toward the riders. Behind him on the right, his wife grabs for the falling baskets and reaches for him to prevent further damage, a look of alarm on her face
Alternative Title:
Sir Hudibras his passing worth, the manner how he sally'd forth and Hudibras sallying forth
Description:
Title engraved below image., Title from Paulson: Hudibras sallying forth., State and date from Paulson., Verse in four columns, two on either side of the title: "When civil dudgeon first grew high, and men fell out they knew not why: when Gospel-trumpeter surrrounded with long-ear'd rout, to battel sounded, and pulpit drum ecclesiastick was beat with fist, instead of a stick, then did Sir Knight abandon dwelling and out he rose a colonelling. A squire he had, whose name was Ralph, that in th' adventure went his half. An equal stock of wit and valour he had laid in, by birth a taylor. Their armes and equipage did fit as well as vertues, parts and wit their valorus too were of a rate, and out they sally'd at the gate.", Numbered '2' in upper right corner., and On page 29 in volume 1. Sheet trimmed to: 26.9 x 34.4 cm.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Hudibras and Ralpho riding on tired, emaciated horses travel on a country road. In the foreground to the left, a dog snarls at their approach while to the right, a man, holding a rake in one hand and his hat in his other hand, laughs at the sight of the rotund rider as he backs into and knocks over a table laden with baskets of produce and a tankard as he bends toward the riders. Behind him on the right, his wife grabs for the falling baskets and reaches for him to prevent further damage, a look of alarm on her face. In this end state a house has been added behind the wife
Alternative Title:
Sir Hudibras his passing worth, the manner how he sally'd forth and Hudibras sallying forth
Description:
State, publisher, and date from Paulson., Numbered '2' in upper left corner., Verse in four columns, two on either side of the title: "When civil dudgeon first grew high, and men fell out they knew not why: when Gospel-trumpeter surrrounded with long-ear'd rout, to battel sounded, and pulpit drum ecclesiastick was beat with fist, instead of a stick, then did Sir Knight abandon dwelling and out he rose a colonelling. A squire he had, whose name was Ralph, that in th' adventure went his half. An equal stock of wit and valour he had laid in, by birth a taylor. Their armes and equipage did fit as well as vertues, parts and wit their valours too were of a rate, and out they sally'd at the gate.", Sheet trimmed within plate mark., and On page 29 in volume 1.
Copy of the first state of William Hogarth's subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and one, along with a satyr, lifting the shift of a sculpture of many-breasted Diana of Ephesus. Enscribed on either side of Diana: "Antiquam exquirite matrem. Vir."
Description:
Title etched below image., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (3rd ed.) no. 120., and On page 57 in volume 1. With note in Steeven's hand above print: Copy.
Publisher:
Publish'd April 23d, 1782 Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
The image is a copy of Hogarth's Midnight modern Conversation: A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conversation
Description:
Title engraved below image. Text etched on separate plate and mounted below., Poem in four columns: Sacred to thee, permit this, lay, Thy labour, Hogarth, to display! ..., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 128., Ms. note in pencil in Steevens's hand on separate sheet to the right of this print., and On page 65 in volume 1.
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title etched below image., Plate from: Ireland, S. Graphic illustrations of William Hogarth (London, 1794-1799), v. i, p. 15, Pencilled ms. note below image: From Mr. S. Ireland's Hogarth Illustrated, p. 25., and On page 4 in volume 1.
A reduced plate of a portrait of The Right Honourable Frances Lady Byron shown less than full length looking right and pulling on a glove. The dog at her feet is gone and the ducks in the background have been reworked
Alternative Title:
Right Honorable Frances Lady Byron
Description:
Title etched below image., Sheet trimmed to plate mark., and On page 83 in volume 1. Mounted on secondary support with ruled black ink border to: 37.8 x 27.2 cm.
Publisher:
Sold by Faber at the Golden Head in Bloomsbury Square
A portrait of The Right Honourable Frances Lady Byron shown full length looking right and pulling on a glove. A little dog at her feet jumps at some unseen object in the trees to the right. In the background left ducks swim in a pool of water, a stone banister rail beyond
Alternative Title:
Right Honorable Frances Lady Byron
Description:
Title etched below image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand, beneath print: See Nichols's book 3d edit. p.236 &c., and On page 82 in volume 1. Plate trimmed to:
Publisher:
Sold by Faber at the Golden Head in Bloomsbury Square
"Satire on Mary Toft, the "rabbit breeder" and those who were duped by her fraud. The interior of a large room, presumably intended as Lacy's bagnio in Leicester Fields, in the centre of which Toft reclines on a chair attended by a doctor, John Howard, while a gentleman identified by Stephens as Nathaniel St André, wearing a hat, has laid down a walking stick and kneels to lift a rabbit that is emerging from below her skirts. On the left, three men enter through an open door, the foremost, evidently John Maubray, holding up a specimen bottle and grasping by the shoulder another doctor, who points towards Toft; another holding a staff aplpears to be a constable. Other men (one perhaps intended as her husband) gather behind Toft's chair; Samuel Molyneux, wearing a hat and holding a walking stick turns away in disgust as a midwife holds up a "new-born" rabbit. On a table in the background lie a hat, ink stand and specimens of Toft's rabbits; the walls are hung with five paintings and a large map of Surrey."--British Museum online catalogue
Description:
Title etched below image, between two columns of verse., Artist and printmaker from later state: Geo. Vertue del. Jas. Vertue sculp., Date based on advertisement in the Daily journal, 23 December 1726., "Pr. 6d."--Price following imprint., Two columns of verse on either side of title: The Surrey Rabbet-Breeder here behold, Imposture greater than appear'd of old, ... Tis hop'd will bring forth pillory and ears., Sheet trimmed to plate mark., On page 42 in volume 1., and Ms. note in Steevens's hand above: The plate is said to have given offence to Frederick Prince of Wales who is here represented. His note below the print: Vertue was employed as the engraver.
Publisher:
Sold by Jon. Clark, engraver & printsellr. in Grays-Inn
"Satire on Gay's "Beggar's Opera". In the foreground a group of animal-headed singers portraying the principal characters are shown on an outdoor stage beneath which Apollo and a muse are lying, a lyre and guitar beside them. In front of the stage a group of musicians play simple instruments: bagpipes, a salt box, a jew's harp, a dulcimer, a bladder and string.To the left, a group of noblemen raise their arms admiring the performance; a crowd of women stand on the right, and in front of them a fat butcher and another man are seen in shadow. Behind the stage, to left, theatre boxes are crowded with an audience chiefly of ladies, and below is a wall hung with ballads against which two men urinate and defecate. In the centre background, is a street (perhaps intended as a backcloth) with an inn sign and gallows. To the right, is a conventional stage on which the Italian opera is evidently being performed and men appear to be pressing money on a woman singer. An angel carrying a ribbon lettered "Harmony" flies off at top right, and above is a ribbon lettered "et cantare pares et respndere parate". Four lines of verse beneath."--British Museum online catalogue
Description:
Title etched above image., Lettered within image, above with title, below with verses beginning, "Brittons attend - view this harmonious Stage ..."., Tentatively attributed to Hogarth by Paulson (2nd ed.) and later (3rd ed., page 34) dismissed., Sheet trimmed to plate mark., Ms. note in Steevens's hand to right: See Nichols's Biographical anecdotes, 3d edit. p. 164., and On page 49 in volume 1.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Musicians, and Opera singers
"Satire on Gay's "Beggar's Opera". In the foreground a group of animal-headed singers portraying the principal characters are shown on an outdoor stage beneath which Apollo and a muse are lying, a lyre and guitar beside them. In front of the stage a group of musicians play simple instruments: bagpipes, a salt box, a jew's harp, a dulcimer, a bladder and string.To the left, a group of noblemen raise their arms admiring the performance; a crowd of women stand on the right, and in front of them a fat butcher and another man are seen in shadow. Behind the stage, to left, theatre boxes are crowded with an audience chiefly of ladies, and below is a wall hung with ballads against which two men urinate and defecate. In the centre background, is a street (perhaps intended as a backcloth) with an inn sign and gallows. To the right, is a conventional stage on which the Italian opera is evidently being performed and men appear to be pressing money on a woman singer. An angel carrying a ribbon lettered "Harmony" flies off at top right, and above is a ribbon lettered "et cantare pares et respndere parate". Four lines of verse beneath."--British Museum online catalogue
Description:
Title etched above image., Lettered within image, above with title, below with verses beginning, "Brittons attend - view this harmonious Stage ..."; a roughened area at lower right could be a sign of the publication line (from the fifth or sixth state) having been removed., Tentatively attributed to Hogarth by Paulson (2nd ed.) and later (3rd ed., page 34) dismissed., Sheet trimmed to plate mark., and On page 49 in volume 1.
Publisher:
Sold at [the] Print Shop in [the] Strand near Catherine Street
Subject (Topic):
Animals in human situations, Musicians, and Opera singers
