An illustration for Chapter 6 (not Chapter 5) depicts the scene at the end of Marcella's speech
Alternative Title:
Funeral of Chrystom and Marcella vindicating herself and Don Quixote: The funeral of Chrysostom
Description:
Title etched below image., Added titles, state, publisher, and date from Paulson., "Vol. I, p. 71"--Lower left, below image., Sheet trimmed within plate mark., and On page 86 in volume 1. Plate mark 157 x 123 mm.
An illlustration for Book 3, Chapter 2 in which the old innkeeper's wife (wearing spectacles) attends to Quixote's wounds; the daugher stands to the left with medicines in her hand. The torch is being held by Maritornes. An owl sits on a rafter above the bed. Quixote's armor hangs an a hook above his head. Sancho stands on the right his left arm on his right shoulder
Alternative Title:
Innkeeper's wife and daughter taking care of the don after being beaten and bruised and Quixote being cared for by the innkeeper's wife and daughter
Description:
Title etched below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., "Book 3rd. Ch: 2nd"--Following title., "Vol. I. p. 80."--Below image, lower left., and On page 86 in volume 1. Plate trimmed to: 246 x 183 mm.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Daughters, Eyeglasses, Mothers, Nursing, Owls, and Wounds & injuries
"Satire on Italian opera singers and their female admirers, a copy in reverse of British Museum satire no. 1694. Senesino, tall and ungainly, stands a quayside, recoiling from the effusive farewells of two ladies, one holding a handkerchief to her eyes; a number of gentlemen raise their hats and one bows low; two other men stand behind, one with a walking stick and a cloak over his arm. To the right, two servants, one a black man, carry a board, labelled "Ready Mony", piled high with bulging purses; Two jeering men to the right of the original print do not appear. Printed above a song mocking ladies crying at the departure of Senesino with music 'Set for ye German flute &c.'; illustration to 'The Musical Entertainer'."--British Museum online catalogue
Alternative Title:
Ladies lamentation ye loss of Senesino
Description:
Title engraved below image., Numbered "38" in upper right., Sheet trimmed to image with loss of all text and music. Title, numbering, and printmaker from impression in the British Museum online catalogue., On page 43 in volume 1., and A ms. note in Steevens's hand above: A contemporary print of English ladies &c bidding farewell to Senesino.
Publisher:
publisher not identified
Subject (Name):
Bernardi, Francesco, 1686-1758., Bordoni, Faustina, 1697-1781., and Cuzzoni, Francesca, 1696-1778.
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., "Price one shilling.", State and date from Paulson., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", and On page 10 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. "Price one shilling" has been erased., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", and On page 10 in volume 1.
Publisher:
Printed for John Bowles, No. 13, in Cornhill
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. Price has been erased but traces remain., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Mss above in pencil: See Nichol's Biographical anecdotes &c 3rd edit. p. 124. Fourth first [scored through] impression.
Publisher:
Printed and sold by S. Sympson in Maiden-lane near Covent Garden
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson., "Price one shilling.", Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Ms. note in Steevens's hand above: 2d Impression.
Publisher:
Sold by Mrs. Chilcot in Westminster Hall and R. Caldwell printseller in Newgate Street
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed within plate mark., Ms pencil note in Steevens hand above print: See Nichols's Book, 3d edit, p. 424., and On page 98 in volume 1. Sheet 250 x 354 mm.
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and On page 98 in volume 1. Plate mark 247 x 350 mm.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
