Title from engraved text., Not in Paulson, R. Hogarth's graphic works., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 5 in volume 1.
Publisher:
At the Grand Duke of Tuscanys Arms agst. Cecill Street in the Strand, London
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the left a group of three ladies stand behind Sancho's chair, one pointing to him. Behind the physician on the right a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper right on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food
Alternative Title:
Sancho at the magnificent feast prepared for him at his government of Barataria and Sancho's feast
Description:
Title from caption below image., Statement of responsibility in lower right, following imprint., State from Paulson., Title continues: " ... Pedro Rezzio his phisician [sic], out of great care for his health ordering every dish from the table before the governour tasts it.", Sheet trimmed within plate mark, On page 85 in volume 1. Mounted on sheet: 29.2 x 29.9 cm., and MS pencil note in Steevens hand above print: See Nichols's Book, 3d edit. p. 248.
Publisher:
Printed for H. Overton & J. Hoole at the White Horse without Newgate
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the right two ladies stand behind Sancho's chair, one pointing to him. On the left a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper left on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food. A reversed copy of the original engraving by Hogarth
Description:
Title from caption below image., "Don Quixote. No. IX."--Above image., Sheet trimmed within plate mark., and On page 88 in volume 1.
Sarah Malcolm, three-quarter length, turned to right but looking to left, her hands resting on a simple wooden table
Description:
Title etched below image., Pirated by an unknown printmaker; second state with price added above image. See Paulson., Sheet trimmed within plate mark., Etched above image: Price 6d., See note in: Paulson, R. Hogarth's graphic works (3rd edition), numbers 129., and On page 53 in volume 1. Plate mark 200 x 177 mm.
A reversed copy of a Hogarth print. Portrait of Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head
Description:
Title etched below image., Date based on publication of Hogarth's version., Sheet trimmed within plate mark., See note in: Paulson, R. Hogarth's graphic works (3rd ed.), no. 129., and On page 53 in volume 1.
Sarah Malcolm, three-quarter length, turned to right but looking to left, her hands resting on a simple wooden table
Description:
Title etched below image., Date from Paulson., Sheet trimmed within plate mark., Etched above image: Price 6d., and On page 53 in volume 1. A pencilled note in Steeven's hand below print: In 1799, this print was sold by auction for seven guineas.
A reversed copy of a Hogarth print. Portrait of Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. A bloody knife has been added, on the table
Description:
Title etched below image., Date based on publication of Hogarth's version., Lower right corner, following title: Price 6d., Sheet trimmed within plate mark., See note in: Paulson, R. Hogarth's graphic works (3rd ed.), no. 129., and On page 53 in volume 1. With a note in Steevens hand below: Of this Plate (which belonged to Mr. Richardson) only 25 impressions were taken off, the Plate itself being destroyed by an accidental fire.
Copy in reverse after Hogarth's portrait, with the addition of a clergyman behind Malcolm holding up a wedding ring, and, to left, a view of her execution in Fleet Street. Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. The unidentified printmaker has added a piece of paper and pen and ink stand on the table
Alternative Title:
Sarah Malcom and Sarah Malcolm
Description:
Title from caption below image., Date from British Museum online catalogue: March 1732/3., On page 53 in volume 1. Plate mark 170 x 121 mm., and Above image: a note in Steevens's hand: See Mr. Nichols Biographical anecdotes &c., edit. 3d, p. 172.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Malcolm, Sarah, approximately 1710-1733,
Subject (Topic):
Murderers, Clergy, Criminals, and Hangings (Executions)
"The parable of the two sons (Matthew, 21:28-32); a bearded man stands at left, commanding his son to attend to an extensive vineyard below a mountain, another boy sleeping with his elbow on a rock at foreground right."--British Museum online catalogue
Alternative Title:
Frontispiece to Horneck's Happy ascetick and Master of the vineyard
Description:
Title from text below image, Above title: "St. Matthew Ch. 21, verse 28.", Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published for Samuel Ireland by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, p. 44., Originally design for a frontispiece to Anthony Horneck's The Happy Ascetick, or, the Best Exercise ... 6th ed. (London : Printed for Samuel Chapman, 1724)., Alternative title suggested in Paulson: The master of the vineyard., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 52., Ms. notes in Steevens's hand above and below: Copy., and On page 6 in volume 1. Sheet trimmed to: 161 x 61 mm.
Publisher:
Samuel Ireland by R. Faulder
Subject (Name):
Horneck, Anthony, 1641-1697.
Subject (Topic):
Agricultural equipment, Fathers, Grapes, Parables, and Sons
"The parable of the two sons (Matthew, 21:28-32); a bearded man stands at left, commanding his son to attend to an extensive vineyard below a mountain, another boy sleeping with his elbow on a rock at foreground right."--British Museum online catalogue
Alternative Title:
Frontispiece to Horneck's Happy ascetick and Master of the vineyard
Description:
Title from text below image, Above title: St. Matthew Ch. 21. Verse 28., Frontispiece to Anthony Horneck's The Happy Ascetick, or, the Best Exercise ... 6th ed. (London : Printed for Samuel Chapman, 1724)., Alternative title suggested in Paulson: The master of the vineyard., Sheet trimmed to plate mark., Ms. note in Steevens's hand above image: Original., Ms. note in Steevens's hand below image: Master of the Vineyarde. Frontispiece to Horneck's Happy Ascetic, Ms. note below image: See Nichol's Book, 3d Edit, p. 444/ Sold for £2.2.0., and On page 6 in volume 1.
Publisher:
Samuel Chapman
Subject (Name):
Horneck, Anthony, 1641-1697.
Subject (Topic):
Agricultural equipment, Fathers, Grapes, Parables, and Sons
