publish'd according to act of Parliament Sepbr 30th 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Francis Goodchild shares the hymn book of his master's daughter as they sing the psalm at a service in a large church (St. Martin's-in-the-Fields) filled with pews; to the left, an elderly woman, the pew-opener, sits on a pile of hassocks. The minister stands in the three-decker pulpit; the reader and clerk are at their desks. The chandelier is decorated with a crown; the organ is shown in the background. The right of the frame is decorated with a scourge, manacles, and a hangman's rope; on the left frame, are the mace of the City of London, the alderman's gold chain, and a sword of state
Alternative Title:
Industrious apprentice performing the duty of a Christian
Description:
Title engraved above image., State and publisher from Paulson., Second plate in the series of twelve: Industry and idleness., "Plate 2"--Below image., Caption in decoration in lower edge of frame: Psalm CXIX Ver. 97. O! How I love thy law it is my meditation all the day., Ms. note, and On page 132 in volume 2. Sheet trimmed within plate to: 26.5 x 34.5 cm.
Publisher:
Wm. Hogarth
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Subject (Topic):
Chandeliers, Couples, Courtship, Churches, Clergy, Rake's progress, Pews, Pulpits, Religious services, Singing, and Women
publish'd according to act of Parliament Sepbr. 30th 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 45. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Francis Goodchild shares the hymn book of his master's daughter as they sing the psalm at a service in a large church (St. Martin's-in-the-Fields) filled with pews; to the left, an elderly woman, the pew-opener, sits on a pile of hassocks. The minister stands in the three-decker pulpit; the reader and clerk are at their desks. The chandelier is decorated with a crown; the organ is shown in the background. The right of the frame is decorated with a scourge, manacles, and a hangman's rope; on the left frame, are the mace of the City of London, the alderman's gold chain, and a sword of state
Alternative Title:
Industrious apprentice performing the duty of a Christian
Description:
Title engraved above image., State and publisher from Paulson., Second plate in the series of twelve: Industry and idleness., "Plate 2"--Below image., Caption in decoration in lower edge of frame: "Psalm CXIX Ver. 97. O! How I love thy law it is my meditation all the day.", and On page 132 in volume 2. Sheet trimmed within plate mark to: 26.4 x 34.6 cm.
Publisher:
Wm. Hogarth
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Subject (Topic):
Chandeliers, Couples, Courtship, Churches, Clergy, Parables, Pews, Pulpits, Rake's progress, Religious services, Singing, and Women
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys. The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 4"--Below frame, centered., Caption in decoration centered in lower edge of frame, quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., Sheet trimmed within plate mark., and On page 134 in volume 2. Sheet trimmed within plate mark to: 26.4 x 34.6 cm.
A copy after Hogarth's The search night: a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding up a lantern, illuminating the pillory behind
Description:
Title etched below image., Publisher based on address., Design is a questionable attribution to Hogarth, but Paulson is inclined to accept as an early work by Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., 1766 date from Nichols, Genuine works, vol.2, p. 239, according to Lewis Walpole local card catalogue record., Trimmed sheet., and On page 200 in volume 2.
"An exterior scene set among ruins; to left the naked buttocks of Gulliver to whom an enema is being administered by a crowd of Lilliputians; to right their prime minister, carried in a thimble, supervises operations while beyond a rat carries off a child."--British Museum online catalogue
Alternative Title:
Punishment inflicted on Lemuel Gulliver
Description:
Printmaker, state and publisher from Paulson., Lettered below image with title followed by the quote: Nll Mrrg, Cht Nf. ndw Lps ccpc &c.&c. shd b. Prgd. See Gullivers Speech to the Honble. House of Vulgaria in Lilliput., Sheet trimmed to plate mark., Originally published in 1726 as 'The Punishment inflicted on Lemuel Gulliver', this state was reissued with a new title in 1757 by Robert Sayer, who owned the plate, for which and further comment see 1858,0417.543. This state, with the publication line removed, was included in Sayer's collection of 1768, alongside the Hudibras series., Temporary local Medical Library subject terms: Clysters., and On page 163 in volume 2.
Publisher:
Robert Sayer
Subject (Name):
Swift, Jonathan, 1667-1745.
Subject (Topic):
Enema, Ladders, Adoration, Children, Rats, Preachers, Pulpits, and Chamber pots
Plate 41. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"A rural scene with a hustings where ailing men are being brought to vote and the able-bodied are amusing themselves with a drawing of one of the candidates, an execution broadside and a gin bottle; in the middle ground a coach bearing the sign of the Union Flag has collapsed, but its female passenger (Britannia) is unable to gain the attention of her coachmen who are absorbed in a card game; beyond, a bridge across a river is crowded with a riotous procession."--British Museum online catalogue
Description:
Title engraved above image., Third state with the words 'Milicia Bill' on the coat pocket of the crippled voter in the left foreground., Third in a series Four prints of an election., Dedication engraved below image: To the Honble. Sr. Edward Walpole, Knight of the Bath. This plate is most humbly Inscrib'd by his most obedient humble servant Willm. Hogarth., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 175 in volume 2. Sheet trimmed to: 43.5 x 55.7 cm.
Publisher:
Wm. Hogarth.
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Card games, Carriages & coaches, Crowds, Political elections, and Riots
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 79. Queen Charlotte's collection of Hogarth works. Leaf 55. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "James Field" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title engraved above image., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., "Price 1s. 6d"--Left corner, below design., Ms. note, and On page 156 in volume 2. Sheet trimmed to plate mark: 37.7 x 30.6 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
Caption title in letterpress below image., The illustration is by Hogarth. Cf. Paulson, R. Hogarth's graphic works. No. 180, v. 1, p. 202-204., First line of first recitative: Twas at the gates of Calais, Hogarth tells, where sad despair and famine always dwell ..., Date based on Tringham's location at Royal Exchange. The first recorded edition of Theodosius Forrest's cantata printed below, is 1759., Three columns of verses alternating Recitative and Air., and On page 145 in volume 2.
Publisher:
Printed for W. Tringham, under the North Piazza of the Royal Exchange, in Threadneedle-Street
A pen and ink tracing of a published print, in reverse. Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at left with dishevelled clothing, he held back on the right, with his breeches undone; a censorious old woman on the right; a watchman on the left holding up a lantern, illuminating the pillory behind
Description:
Title, statement of responsibility, and publication traced from print: Mr. Hogarth invt. T. Fielding sculp. Augst. 17, 1746 publish'd according to act of Parlmet. Price 6d., Questionable attribution to Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., and On page 180 in volume 2.
