Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher
Description:
Title etched below image., State from British Museum catalogue., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend following advertisement: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., Ms. note in pencil in Steevens's hand above print: See J. Ireland's Hogarth illustrated, p. 365., and On page 190 in volume 2.
Publisher:
Published Novr. 12th, 1795 by John Ireland (Author of Hogarth illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs. Boydell, Cheapside & Shakespeare Gallery Pallmall
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
A copy based on Hogarth's Satire on flase perspective: A view of a tower, staircase, bridge over a river
Alternative Title:
Satire on false perspective
Description:
Title etched below image., Printmaker and artist statemetns inscribed in reverse on print., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 239., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, page 333., and On page 168 in volume 2.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", and On page 155 in volume 2. Sheet trimmed within plate mark to: 37.6 x 30.8 cm.
publish'd according to act of Parliament, March 8th, 1756.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
On the coast of France outside a tavern on the coast of France a group of emaciated soldiers are preparing to sail for England. On the right a soldier roasts frogs over a fire on the blade of his sword; above a flag with the words "Vengence et le Bon Bier et Bon Beuf de Angletére." In the center of the design, a monk tests the edge of an axe as he bends to over a horse-drawn sledge laden with instruments of torture, a statue of St. Antony, and a plan for a monastery at Blackfriars. In the distance on the left a line of soldiers are being forced on board a ship. Above them on the cliffs, women are seen ploughing a field. The sign above the tavern advertises Soup meagre and identifies itself as "La Sabot Royal."
Alternative Title:
Invasion. Pl. I. France
Description:
Title engraved above image. The 'N' in France has been engraved backwards., Four columns of verse below image: With lanthern jaws, and croaking gut, See how the half-starv'd Frenchmen strut, and call us English dogs! ... But should they sink in coming over Old Nick may fish 'twixt France & Dover And catch a glorious dinner., Title from Paulson: The invasion. Pl. I. France., Companion print: England. Plate 2d., Ms. note in pencil in Steevens's hand above print: A reverse., and On page 179 in volume 2.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Seven Years' War, 1756-1763, Public opinion, Eating & drinking, Clergy, Soldiers, Punishment & torture, Taverns (Inns), and War
Cave, François Morellon La, active approximately 1700-1766, printmaker
Published / Created:
[1763]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Description:
Hogarth's design for a frontispiece to a pamphlet against the Hutchinsonians; a witch sitting on top of a crescent moon, pissing a cascade onto the rocks far below, on which lies a bound copy of 'Hutchin', and drowning a group of rats, some of which are gnawing at a bound copy of 'Newton' and a telescope, Title etched below image., Date from Paulson., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand above print: Original., Ms. note in pencil in Steevens's hand below print: Given me by the Revd Dr. Gregory Sharpe, Master of the Temple., Ms. note in pencil in Steevens's hand to the right: See ibid, p. 402., and On page 199 in volume 2.
Copy after a Hogarth's design for a frontispiece to a pamphlet against the Hutchinsonians; a witch sitting on top of a crescent moon, pissing a cascade onto the rocks far below, on which lies a bound copy of 'Hutchin', and drowning a group of rats, some of which are gnawing at a bound copy of 'Newton' and a telescope, Title etched below image., Date from Paulson., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4089., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 243., Ms. note in pencil in Steevens's hand above print: Copy., and On page 199 in volume 2.
A copy of Willliam Hogarth's design and Charles Grignion's print: Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens. Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray".
Description:
Title etched below image., "Page 97"--Above image, right., Sheet trimmed within plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3808a., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 236., and On page 188 in volume 2.
A Scotch man and woman ride on an ass led by a monk walking to the left and holding its halter on which is supsended a copy of a newspaper "London evening post". The Scotch man is holding a glass in one hand and waving his cap with the other as he shouts "Huzza". She holds a sword and is also shouting. A book lettered with the word "Harrington" is tied to the ass's tail. In the distance is the skyline of London
Alternative Title:
Headpiece for The Jacobite's journal
Description:
Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2893., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 229., Ms. note in pencil in Steevens's hand at bottom of print: Livesay's copy., and On page 200 in volume 2.
Publisher:
Publish'd Novr. 27; 1781, by Rd. Livesay, at Mrs. Hogarths Leicester Fields
Subject (Geographic):
London (England)
Subject (Topic):
Cityscapes, Donkeys, Ethnic stereotypes, and Newspapers
Copy of the frontispiece to Joshua Kirby's 'Perspective of Architecture' (1761); landscape, with river, domed temple and city, in foreground the upper part of a column, its capital bearing emblems of the Prince of Wales, a cupid with a book, a paper with geometrical figures struck by a ray from the rising sun
Alternative Title:
Frontispiece to Kirby's Perspective of architecture
Description:
Paulson's title for the print on which this is based: Frontispiece to Kirby's Perspective of architecture, "Page 179"--Top right., Original drawing in the British Museum., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 235., and On page 185 in volume 2.
Study for the single figure of the farmer in Garrick's The farmer's return
Description:
Title etched below image., Plate from: Ireland, S. Graphic illustrations of Hogarth, p. 170., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand beneath image: See S. Ireland's Graphic illustrations, p. 170., and On page 189 in volume 2.
