I propose to publish by subscription, An analysis of the sun ...
Description:
Caption title., Date from British Museum online catalogue., Letterpress subscription signed W.H (William Hogarth). Originally published on the verso of the first edition of Puggs Grace., and On page 289 in volume 3.
The Virgin, seated in the clouds, feeds a naked child with irradiated head into the large hopper of a windmill; wafers, the product of the mill, fall onto a patera held up by a short figure in a white surplice; a stout priest, intended as a Roman Catholic, gives the sacrament to a kneeling figure at the left, another kneeling behind
Description:
Title etched below image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 122., Cf. Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2156., and On page 232 in volume 3. Sheet trimmed to: 22.4 x 14.3 cm.
Publisher:
R. Faulder and J. Egerton
Subject (Geographic):
Great Britain
Subject (Name):
Mary, Blessed Virgin, Saint. and Catholic Church
Subject (Topic):
Transubstantiation, Communion, Grinding machines, and Priests
Title etched below image., Figures and landmarks in this print are lettered in plate with key beneath title: A. Upnor Castle. B. The River Medway. C. Mr. Thornhill. D. Mr. Hogarth. E. Mr. Forrest. F. Mr. Tothall. G. Mr. Scott., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 211in volume 3.
Publisher:
Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Subject (Name):
Hogarth, William, 1697-1764,, Thornhill, James, Sir, 1675 or 1676-1734,, Scott, Samuel, approximately 1710-1772,, and Upnor Castle (Kent, England)
Title etched above image., Vignette from titlepage of John Ireland's Hogarth illustrated, vol. iii., Sheet trimmed to plate mark., Ms. note in ink in Steevens's hand above print: Serpentine or Dolphin Candlestick. See the title-page to Mr. John Irelandss Hogarth illustrated., and On page 231 in volume 3.
Publisher:
Published March 1798, for John Ireland, Poets Corner, Palace Yard, Westminster
Half-length portrait of William Hogarth, facing viewer, slightly turned to the right; he holds a palette in his left hand
Alternative Title:
William Hogarth
Description:
Title from caption below image., After a portrait by Hogarth., Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. ii, frontispiece., On page 207 in volume 3. Sheet trimmed to: 19.1 x 12.8 cm., and Ms. note in pencil in Steevens's hand to side of print: From S. Ireland's Graphic Illustrations &c.
"A landscape, after a painting by Hogarth; a stream running through trees on the left and forming a pool on the right, with rocky banks which rise on the right, a town in the distance and two figures in the foreground, a woman who gestures at the water while looking back at a man sitting on the rocks"--British Museum online catalogue
Description:
Title and imprint from: Dobson, A. William Hogarth. London : William Heinemann, 1907, p. 269., Dedication etched below image: "To the Right Honble. Earl of Exeter. An admirer of Hogarth & encourager of the arts this etching is inscribed by his Lordship's most obliged & obedient servt. S. Ireland.", Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Nichols's book, 3d, edit, p. 415., and On page 218 in volume 3.
Publisher:
Published March 1, 1786 by W. Dickenson, No. 158 New Bond St.
"A landscape, after a painting by Hogarth; a stream running through trees on the left and forming a pool on the right, with rocky banks which rise on the right, a town in the distance and two figures in the foreground, a woman who gestures at the water while looking back at a man sitting on the rocks"--British Museum online catalogue
Description:
Title and imprint from: Dobson, A. William Hogarth. London : William Heinemann, 1907, p. 269., Dedication etched below image: "To the Right Honble. Earl of Exeter. An admirer of Hogarth & encourager of the arts this etching is inscribed by his Lordship's most obliged & obedient servt. S. Ireland.", Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Nichols's book, 3d, edit, p. 415., and Laid in between pages 218 and 219 in volume 3. Sheet with thread margins: 23.1 x 32.2 cm.
Publisher:
Published March 1, 1786 by W. Dickenson, No. 158 New Bond St.
Churchill (right) in the form of a huge bear, wearing clerical neck-bands, as in Hogarth's "The Bruiser", turns a snarling fiercely at a small dog (Hogarth) like his Trump. The bear has one raised paw and the other rests on a piece of paper entitled "Epistle to Wm. Hogarth", beside a pen and ink well. The dog barks back at the bear, his front paws rest on an artist's palette with the words "Line of beauty" written across it. Etching in the left background, are the words "Pannel Painting."
Alternative Title:
Poet and the painter
Description:
Title and date from British Museum catalogue., Additional title from local card catalog., Sheet trimmed to plate mark., and On page 291 in volume 3.
Publisher:
publisher not identified
Subject (Name):
Churchill, Charles, 1731-1764 and Hogarth, William, 1697-1764
"A waiter and a hungry customer; an elderly man with dishevelled hair and a dog at his heels, bending forward to seize a mug from the waiter, said to be Daniel Button, who turns his head away; after a drawing formerly attributed to Hogarth."--British Museum online catalogue
Description:
Title from Catalogue of prints and drawings in the British Museum, v. 2, no. 1702., "Plate 1."--Upper right corner., See British Museum Catalogue of drawings, vol. ii, p. 321., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1702., Ms. note in pencil in Steevens's hand above print: This and the five following articles are spurious. They were published by Samuel Ireland., Ms. note in ink on separate scrap attached below print: These drawings, pretending to exhibit resemblances of Pope, Arbuthnot, &c. are all fictitious., and On page 232 in volume 3. Sheet trimmed to: 12.9 x 15.9 cm.
Title, printmaker, and publication date from British Museum catalogue., Numbered “4” at top left., Eight lines of verse in two columns below image: The vile Ephesian to obtain a name a temple fires ..., Ms. note, and On page 291 in volume 3. Sheet trimmed to: paper24.5 x 19.8 cm
