"Sin interposes herself between Satan on the left and his son Death on the right to stop them attacking each other, revealing their relation to each other, with a portcullis gate in upper right, attached by a chain in the foreground; copy of a print by Charles Townley after a design by Hogarth."--British Museum online catalogue
Description:
Title etched below image., Text following title: From Milton's Paradise lost, Book the 2d. The original picture by Hogarth is in the possession of Mrs. Garrick. This from a painting in Chiaro-Scuro by R. Livesay., Sheet trimmed to plate mark., On page 203 in volume 3., and Inscribed in plate under title: From Milton's Paradise Lost, Bok the 2d. The original picture by Hogarth is in the possession of Mrs. Garrick. This from a painting in chiaro scuro by R. Livesay. Note: plate mark visible at bottom.
A satire on a Highland soldier's attempts to use a lavatory in London. A Scot in Highland dress and wearing a feathered cap is seated in a latrine, his legs thrust down two holes in the board as he urinates onto the floor. Behind and to the right on the stone wall are posted various drawings and broadsides. His sword is to his right
Description:
Title etched below image., Spurious attribution?, Sheet trimmed to plate mark on all sides but top., Ms. note in pencil in Steevens's hand above print: Spurious., Ms. note in pencil below print: A forgery by Darley., and On page 231 in volume 3.
Publisher:
publisher not identified
Subject (Topic):
Ethnic stereotypes, Caricatures, Privies, and Urination
A young woman smiling, with her head and shoulders slightly turned to right and her loose shirt open showing left breast, carries a basket of shrimps on her head
Description:
Title etched below image., Identified as the "third state" in British Museum online catalogue. See Registration number: Cc,1.186., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand above print: Mr. Nichols's Bookd 3d edit. p. 411., and On page 218 in volume 3.
Publisher:
Publish'd March 25th 1782 by Jane Hogarth & Rd. Livesay, Leicester Fields
"The princess leaning forward and to the left, resting her elbow on a casket on top of an ornate table, and her chin on her hand, weeping, pressing to her breast the heart of her lover Guiscardo, which his murderers have sent to her in a goblet."--British Museum online catalogue
Description:
Title etched below image., After the original painting by Correggio., Plate from: Ireland, S. Graphic illustrations of Hogarth, 1799., Sheet trimmed within plate mark., and On page 226 in volume 3.
Dunkarton, Robert, approximately 1744-1811, printmaker
Published / Created:
[1 February 1793]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"The princess leaning forward and to the left, resting her elbow on a casket on top of an ornate table, and her chin on her hand, weeping, pressing to her breast the heart of her lover Guiscardo, which his murderers have sent to her in a goblet."--British Museum online catalogue
Description:
Title from item., Caption below title: The original picture in oil by the late Mr. Wm. Hogarth, and the drawing from which this print is made of the same size are both in the Collection of Mr. Saml. Ireland, of Norfolk Street, who purchased them of Mrs. Hogarth in 1781. The drawing was made by Mr. Edwd. Edwards, Associate of the Royal Academy & finished in April 1764 under the inspectiom of Mr. Hogarth from whose pencil it received its last finishing touches about six months before his death. From this drawing Mr. Basire, the engraver, began a print but the death of Mr. Hogarth prevented its being finished., After the original painting by Correggio., Sheet trimmed within plate mark., and On page 225 in volume 3.
Publisher:
Published Feb. 1st 1793 by T.B. Freeman & Co., Strand, & sold by Dickenson, New Bond Street, & Walker, Cornhill
"Ghismonda weeping over the heart of Guiscardo; a young woman leaning inwards from left reting her elbows on a table, chin on left hand, weeping, a platter containing a heart in front of her; after Correggio; proof before letters."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand to left side of print: See Mr. Nichols's Book, 3d edit, p. 70 & seg., and On page 224 in volume 3.
Publisher:
Publish'd as the act directs, May 5, 1790 by Jas. Basire
A later state lettered with the name of the famous pugilist John Smith: a bald headed man in profile to left; the artist's father (?); later state with added title; third state with inscription, copy in reverse after Rembrandt
Description:
Title etched below image., Attributed to Benjamin Wilson, after the print by Rembrandt, in the British Museum catalogue., A copy in reverse after Rembrandt's etching. See White, C. Rembrandt's etchings, no. 292, copy 4., Sheet trimmed to close to plate mark on top., On page 207 in volume 3., and Ms. note in ink in Steevens's hand on separate scrap pasted below print: This is a mere copy from one of Rembrandt's small heads reversed. On taking it out of the frame in which it had been placed with much precaution, it appeared to have been recently printed off a modern French card. --Caveat emptor. In the year 1788, a gentleman picked it up (price 1s 6d) as a Broker's Shop in Goodman's Fields.
"Portrait after a drawing by Hogarth; head and shoulders of a man with a prominent forehead and hooked chin, to left looking down, wearing a wide-brimmed hat set at a tilt and cravat; with another head in profile to left wearing a plumed cocked hat, behind; before plate reduced and inscription curtailed and re-engraved."--British Museum online catalogue
Description:
Title etched below image, with line break before the word 'engravers'., Date in plate has been changed from 1786 to 1781., Sheet trimmed to plate mark., For another state published by W. Dickinson see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3099., and On page 208 in volume 3.
Title etched below image., "Plate 153."--Upper right above image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand above print: Square & Round Faces., and On page 231 in volume 3.
