"A sequel to British Museum Satires No. 10416. The thistle grows from papers resting on an upturned tub on the extreme right. The head, with Melville's profile facing his tormentors, is erect; the stem is inscribed 'His radiis rediviva viresco'. These roots or papers are inscribed: 'First Charge Lie Ist'; '2d Charge Lie 2d'; '3d Charge Lie 3d'; '5th Charge Lie 5'; '7th Charge Lie ye 7th'. Clouds of dense smoke issue from these papers and billow to the left. across the upper part of the design, carrying with them the heads of nine of Melville's discomfited assailants whom he regards with a slight smile. By the tub falls a sheaf of bulky papers headed 'Protest'. The heads are (left to right): Erskine (close to a plume of feathers denoting the Prince of Wales), Derby, a judge's wig in back view, [For many years this denoted Lord Loughborough (Rosslyn); he died in 1805.] Fox, Stanhope, Ellenborough (scowling), Howick, Sidmouth, Moira. The thistle is irradiated with rays dispelling the dark smoke and inscribed: 'Judicium Parum', 'Not Guilty', and 'Lex Terrae'. Beside them floats a scroll: 'No Crime by ye unanimous opinion of ye eleven Judges'. On the extreme left is a cask, on low trestles, in which stands Wilberforce, with the lank hair bands, and steeple-crowned hat of a seventeenth-century sectary; his hat blows off in the drifting cloud; he turns his head in profile towards the thistle saying, "Tis the Lords doing And has spoiled our Brewing." In the foreground is a procession, leaving the platform on which stands the thistle. On the extreme left is the Speaker, partly concealed by the left margin in wig, hat, and gown, but with no body (to indicate that he is nobody, cf. British Museum Satires No. 5570, &c.) and with the gown raised to show a large foot and ankle inscribed 'Ex pede Herculem'.[Judge the whole from the part, as you guess the size of Hercules from seeing only his foot. Abbot was very small.] He carries a pole inscribed 'Casting Vote' [see British Museum Satires No. 10301] attached to a small ladder. He is followed by two men who carry, slung from a drayman's pole (as in British Museum Satires No. 10574), a cask (damaged), from which Whitbread leans out to shake his left fist at Melville. Under his right hand is a paper: 'Vote of Thanks to the Managers'. From the bung-hole issues a mass of exploding froth inscribed 'not sweet wort'. The cask-bearers are descending the shallow steps from the platform, where a bulky paper lies: 'The Tenth Report waste Paper'. The two men wear bag-wigs; the foremost gloomily gnaws his nails; from his pocket hangs a torn paper: 'I do my Best and yet it fails I hold my tongue and Bite my Nails'."--British Museum online catalogue
Alternative Title:
From such inquisitors, impeachers, tub politicians and tub-preachers ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Twelve lines of verse below image in two columns, one on either side of an empty space for the title bound by curly brackets: From such inquisitors, impeachers, tub politicians and tub-preachers, like wolves carnivorous ..., 1 print : etching on wove paper ; plate mark 29.5 x 38.6 cm, on sheet 30.6 x 39.8 cm., Contemporary pencil annotations "The triumph of the thistle" and "unfinished sketch" within blank space below image intended for title., and Mounted on leaf 85 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811, Erskine, Thomas Erskine, Baron, 1750-1823, George IV, King of Great Britain, 1762-1830., Smith-Stanley, Edward, 1752-1834, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Ellenborough, Edward Law, Baron, 1750-1818, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Wilberforce, William, 1759-1833, and Whitbread, Samuel, 1764-1815
"Pitt's 'Propositions' for freedom of commerce between England and Ireland are supported on an Irish harp which rests on a rectangular framework above a fire which is being made to blaze by North and Fox. North (left, as Boreas), on hands and knees, his cheeks inflated, blows at the flames; Fox (right), seated on a bulky roll inscribed 'Petition from the Cotton Manufacture[rs]', plies a pair of bellows. The fuel of the fire consists of papers inscribed 'Rumour', 'Evidence at the Bar' (2), 'Pamphlets', 'Pleadings at ye Bar' (2), 'Arguments'. The flames and smoke which extend above their heads are inscribed 'Distrust', 'To Scotland', 'Discontent', 'To the Chamber of Commerce', 'Objections', 'Jealousy', 'To Manchester'."--British Museum online catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 19.9 x 24.8 cm, on sheet 22 x 26.6 cm., and Mounted with one other print on leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 12th April 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Great Britain. Parliament. House of Commons, and Ireland. Parliament. House of Commons
Subject (Topic):
Resolutions, Politics and government, Bellows, Bonfires, Harps, and Musical instruments
Lord North, with an expression of anxious anticipation, applies white paint to Charles Fox's left cheek while Fox, his face inscrutable, descends the last step to the floor of the House of Commons taking North's left hand. A dog looks up at North. The inscription below the design reads, "--Qui color ater erat nunc est contrarius atro, Translated for the Country Gentlemen, "I have found him a warm Friend a fair though formidable Adversary."
Alternative Title:
Qui color ater erat nunc est contrarius atro
Description:
Title from British Museum catalogue; alternative title etched below image., Printmaker identified as James Sayers in the British Museum catalogue., 1 print : etching with drypoint and stipple on wove paper ; plate mark 27.5 x 19.7 cm, on sheet 29.9 x 22.1 cm., and Mounted on leaf 14 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 17th March 1783 by Edwd. Hedges, Cornhill
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Dogs, Clothing & dress, and Politics and government
"Francis, wearing his hat, stands in a theatrical attitude, his head turned in profile to the right, glaring fiercely (as in British Museum Satires No. 7268). His fists are clenched, the left arm across his breast. Beside him is etched: '"I hate Alonzo" Zanga'". Francis, inveterate enemy of Hastings, cf. British Museum Satires No. 7268, is represented as Zanga in Dr. Young's 'The Revenge' (1721)."--British Museum online catalogue
Alternative Title:
"I hate Alonzo" Zanga
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17.6 x 11.2 cm, on sheet 19.3 x 13.4 cm., Mounted with three other prints on leaf 10 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Mr. Francis.
Publisher:
Publd. by Jas. Bretherton
Subject (Name):
Philip, Francis, Sir, 1740-1818 and Young, Edward, 1683-1765.
"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., 1 print : etching and drypoint on wove paper ; plate mark 17.7 x 11.3 cm, on sheet 19.3 x 13.3 cm., Mounted with one other print on leaf 11 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Rev. Mr. Rosenhagen.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
Full-length portrait of Rigby facing left, his hat held in his extended right hand, his left hand gripping his sword
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching and drypoint on wove paper ; plate mark 17.7 x 11.3 cm, on sheet 19.6 x 13.2 cm., Mounted with three other prints on leaf 3 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Mr. Rigby.
Full length portrait of Sir Charles Turner of Kirkleatham, Yorkshire, in profile to the left. He bends forward, holding his hat in an extended right hand, with his left hand in a muff and a walking stick under his left arm
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Plate numbered "XX" in upper left corner., Mounted with three other prints on leaf 5 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Sir Charles Turner.
Publisher:
Published 17th June 1782 by C. Bretherton
Subject (Geographic):
England and England.
Subject (Name):
Turner, Charles, Sir, 1727?-1783
Subject (Topic):
Clothing & dress, Politicians, Public speaking, Muffs, and Staffs (Sticks)
Full length full-face portrait of Sir Francis Molyneux on the left and the much shorter Robert Quarme in profile on the right. Both were ushers in the House of Lords
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Publisher worked in London. See Maxted., Publisher's name is omitted from description in the British Museum catalogue., 1 print : etching with drypoint and roulette on wove paper ; plate mark 17.7 x 11.2 cm, on sheet 19.5 x 13.3 cm., Mounted with three other prints on leaf 7 of James Sayers's Folio album of 144 caricatures., and The figures in the print are identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their names in letterpress: Sir Francis Molineux and Mr. Quarme.
"Erskine stands in profile to the left; he bends forward, resting both hands on the table of the House of Commons, part of which is visible on the left. His half-closed eyes give him an almost imbecile expression ..."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17.5 x 11.2 cm, on sheet 19.5 x 13 cm., Mounted with three other prints on leaf 7 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Sir James Erskine.
