"A head of Lansdowne, looking to the right with an inscrutable expression."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "7" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., 1 print : soft-ground etching on wove paper ; plate mark 20.8 x 17.7 cm, on sheet 23.4 x 20.1 cm., and Mounted on verso of leaf 75 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 12th May 1794 by H. Humphrey
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Chauvelin, Bernard-François, marquis de, 1766-1832.
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., 1 print : etching with drypoint and stipple on wove paper ; plate mark 34.3 x 28.5 cm, on sheet 36.7 x 29.9 cm., and Mounted on leaf 26 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"Sheridan stands in profile to the left, with fallen jaw and disconcerted expression, before a hoarding across the front of Carlton House, in which is a lion's-head knocker which looks fiercely at him. Over the hoarding appear the huge hands, head, and shoulders of Big Sam, the (former) porter at Carlton House (see British Museum Satires No. 7905), wearing a round hat with a curled brim and the motto 'Ich dien'. He looks down, saying, "no Admittance Sir We are all loyal". On the hoarding (right) are two play-bills: 'Drury Lane The Second Part of King Henry the IV .... The Manager in Distress' (by George Colman, 1780, here an allusion to Sheridan's position); 'Covent Garden Venice preser[ved] or a Plot discove[red]' (Otway, 1682)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Carlton House -- Emblems: British lion -- Mottoes: Prince of Wales's motto -- Literature: Reference to William Shakespeare's Henry IV, Part II -- Reference to George Colman's The Manager in Distress -- Reference to Thomas Otway's Venice Preserved or a Plot Discovered., 1 print : etching on wove paper ; plate mark 30.3 x 23.7 cm, on sheet 32.9 x 25.8 cm., and Mounted on leaf 61 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Carlton House (London, England),, Covent Garden Theatre., and Theatre Royal, Drury Lane (London, England)
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and drypoint on laid paper ; plate mark 30.1 x 40.6 cm, on sheet 32.3 x 43.3 cm., and Mounted on leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Colonel Barré stands outside a gate in a high brick wall. Shelburne (right) stands, half within, half outside the gate, his left foot on the outside; he has a cynically complacent smile and is putting into Barré's left hand a paper inscribed "Pension 3000£ pr Ann". Barré, who wears a coat with military facings and half-boots, holds out his cockaded hat in his right hand as if asking for alms. Beneath the design is engraved: 'Rome's Veteran fought her rebel Foes, And thrice her Empire saved, Yet thro' her Streets bow'd down with Woes, An humble pittance craved. Our Soldier fought a better Fight, Political Contention, And grateful Ministers requite, His service with a Pension.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with drypoint on wove paper ; plate mark 33.8 x 23.9 cm, on sheet 36.5 x 26.3 cm, and Mounted on leaf 13 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 24th August 1782 by Charles Bretherton, New Bond Street
Subject (Name):
Barré, Isaac, 1726-1802, Belisarius, approximately 505-565., and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Beggars, Garden walls, Pensions, Military uniforms, and British
"Delpini, dressed as a woman, both arms held above his head, runs forward in profile to the left imitating a dancer."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One line of quoted text following title: "Grace was in all her steps" &c., 1 print : etching with stipple on wove paper ; plate mark 27.4 x 20.2 cm, on sheet 29.5 x 22 cm., and Mounted on verso of leaf 30 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 26th April 1785 by Jas. Bretherton
Subject (Name):
Delpini, Mr. -1828 (Carlo Antonio),
Subject (Topic):
Cross dressing, Opera singers, and Stages (Platforms)
"A head of Grafton in profile to the right."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "8" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., 1 print : soft-ground etching on wove paper ; plate mark 21.5 x 17.7 cm, on sheet 23.8 x 19.9 cm., Possibly a later impression from a worn plate; plate number is lightly printed and barely visible., and Mounted on leaf 76 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811 and Orléans, Louis Philippe Joseph, duc d', 1747-1793.
"Bishop Watson of Llandaff stands in profile to the right, his arms outstretched as if preaching. He stands under an archway formed by a retort, the furnace of which is behind him (left); the neck of the retort swells into a globe above his head, then bends downwards, its bulb resting on a table or pedestal (right). A bishop (Pretyman) sits in back view (left) facing the furnace. The retort contains (above the furnace) papers inscribed 'Treaty of Commerce between Great Britain and France', and also (in the bulb which Watson faces): 'Chemical Deductions' (impolitic prejudicial to the Manufacturers / My Vote against the Treaty.' In the central bulb above his head are small etchings of 'St Paul's' and 'Lincoln' [cathedrals]; between them is etched: 'Some fancy this Promotion odd / As not the handy-work of God / Though e'en the Bishops dissapointed / Must own it made by God's anointed. Swift [i.e. Jonathan Swift].'--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with aquatint and stipple on wove paper ; plate mark 29.2 x 22.8 cm, on sheet 31.4 x 24.8 cm., and Mounted on leaf 35 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 8th March 1787 by T. Cornell
Subject (Geographic):
France and Great Britain
Subject (Name):
Watson, Richard, 1737-1816 and Pretyman, George, 1750-1827
Subject (Topic):
Commercial treaties, Public opinion, Bishops, Cathedrals, Chemistry, and Preaching