A crow stands on top of a table flanked by two gallows inscribed with the words "To Botany Bay" (left) and "To Hell" (right). Cards and dice are also on the table, the front of which displays two crossed swords. Bottles of wine and a pot of gold pieces are underneath the table. The table itself sits on a dias
Description:
Title from item., Inscriptions in pencil above and below image with instructions on which colors to use. In the artist's hand?, Inscription in ink (part of image): Dedicated to the Members of White's, Boodle's, Brookes'. Let those laugh who win!. Arms of the Greeks!! 41 Pall Mall Augt. 1817., Signed in ink lower left: G. Cruikshank fecit., George Cruikshank, English graphic artist, 1792-1878., and For further information, consult library staff.
Dick the butcher and Smith the weaver seizing the Clerk of Chatham
Description:
Title from item., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark at bottom resulting in loss of imprint., Copy of a print by J. Coles, published by Thomas Macklin in 1795, after a drawing by H.W. Bunbury., Six lines of text from the play in two columns below image: Smith. The clerk of Chatham: he can write and read / and cast accompt. Cade. O monstrous! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: Shakespeare's Henry VI, Part 2, iv.2 -- Street scenes -- Trades: Butchers -- Weavers -- Clerks -- Writing implements: Ink bottle on ribbon -- Weapons: Pikes -- Executions: Public hangings., and Watermark: CMD.
The arms of two gibbets extend symmetrically, high above a bonfire; between them is an equally high post supporting a board on which the title is etched. From one (right) dangles a realistic effigy of Napoleon (scarcely caricatured) in cocked hat, uniform, and Hessian boots. From the other hangs a ruffianly fellow holding a dark lantern. They face each other in profile
Description:
Title from ink annotation, centered at the top of the sheet within the design., Unsigned; attributed to Rowlandson., and Preliminary pencil sketch of a print published by R. Ackermann on 27 November 1813. Cf. No. 12103 in the Catalogue of prints and drawings in the British Museum, v. 9.
Subject (Name):
Fawkes, Guy, 1570-1606, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806
A solicitor approaches a clergyman and doctor; over his head hovers a demonic creature holding a long legal document. The rotund clergyman, looking very displeased, is flanked by the head of an ass peering over his shoulder and a small dog urinating on his voluminous clerical robes. A smug looking doctor carrying a walking stick has one hand upturned pinching his index finger and thumb as if to gesture holding something while a young boy trails afterward holding a written prescription in his extended arm. A picture hanging on the wall depicts a crude drawing of a hanged man
Description:
Title from text inscribed above image., Date suggested by curator., and For further information, consult library staff.
A drawing of a man, James Towle, hanging from the gallows erected outside a set of prison gates
Description:
Title written in ink below image., Unsigned; artist unidentified., and James Towle, a framework-knitter from Basford near Nottingham, was tried and acquitted of a Luddite attack in 1814 but was convicted in 1816 for another attack during which a guard was shot and wounded.
Subject (Geographic):
England and Loughborough.
Subject (Topic):
Working class, Luddites, Gallows, and Hangings (Executions)
publish'd according to act of Parliamt., March 3d, 1764. and [printed 1820s?]
Call Number:
Paulson 764.03.03.02.1+
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and Restrike on wove paper, likely printed in the 1820s or later. Level of plate wear is slightly less than that seen on impressions issued in: The works of William Hogarth, from the original plates restored by James Heath. London : Printed for Baldwin and Cradock ... by G. Woodfall ..., [1835-37].
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
