Manuscript on parchment of 1) Robert of Bridlington, Catena on Romans, begins imperfectly at 1. 24; missing Romans 9.17-21 (and portions of 9.16, 22). 2) Robert of Bridlington, Catena on 1 Corinthians; missing 7.39-15.44. 3) Robert of Bridlington, Catena on 2 Corinthians; ends abruptly at 12.20.
Description:
In Latin., Script: Written in a neat gothic bookhand by three scribes. Scribe 1) ff. 1r-2v; 2) 3r-22v, 51r-71v; 3) ff. 22v-50v, 72r-96v., Large elegant initial, 26-line, in red penwork, on f. 72r; smaller similar initial, 16-line, in green with red highlights, also on f. 72r; simple decorative letters, 14- and 6-line, green and red respectively, on f. 51r. Quotations from Bible and marginal notes referring to authors cited, in red. Modern illuminated title page inserted as f. iii: "Catena Commentariorum S. S. Patrum, in Epistolis ad Romanos et Corinthios. M. S. Saeculi XIV"., and Binding: Nineteenth century. Russia leather, blind-tooled, over wooden boards; 4 metal bosses on each cover; leather thong.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Robert, of Bridlington, 1167.
Subject (Topic):
Catenae, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Manuscript on sheepskin parchment of Thomas Aquinas, O.P. (1225-1274), Commentary on the Gospel of Saint John, edited by Reginald de Piperno, O.P.; with excerpts (art. 2) from Nicolaus de Gorran, O.P. (d. c. 1295), Postillae in epistolam ad Romanos, chs. 1-9.
Description:
In Latin., Script: The main text (art. 1) is copied in a small Northern Gothica Semitextualis Libraria; and art. 2 is in a small Gothica Cursiva Antiquior Libraria (Anglicana)., and Decoration: There are alternating red and blue paragraph marks; running headlines associated with chapter numbers; alternating red and blue 2-line flourished initials, half inserted, with penwork in the contrasting colour (N.B. penwork missing on f. 74va); and on f. 1r, a 6-line littera duplex in red and blue, with delicate penwork in the two colours and a J-stave over the full height of the left margin. Art. 2 is undecorated.
Hugo, Argentinensis, approximately 1210-approximately 1270
Published / Created:
[ca. 1350]
Call Number:
Marston MS 118
Image Count:
250
Resource Type:
unspecified
Abstract:
Manuscript on parchment (poor quality) of Hugo Ripelin, Compendium theologicae veritatis. This text has been sometimes erroneously attributed to Albertus Magnus, Bonaventure or Thomas Aquinas
Description:
In Latin., Script: Written in small gothic bookhand, below top line. Marginal notes in anglicana scripts., Flourished initials, 14- to 5-line, primarily blue with red and/or parchment designs (including circles), mark beginning of each book. Many blue initials with modest red penwork designs, 5- to 2-line. Headings in red. Paragraph marks alternate red and blue. Guide letters for decorator., and Binding: Between 1800 and 1810, England. Brown, diced calf, gold-tooled. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugo, Argentinensis, approximately 1210-approximately 1270.
Manuscript on parchment, composed of two separate and incomplete segments. Part I: Isidore, De summo bono. Part II: John of Wales, Communiloquium (Summa de regimine vitae humanae).
Description:
In Latin., Script: Part I (ff. 1-40): Written in small gothic bookhand. Part II (ff. 41-168): Written in small gothic bookhand; later 15th-century hand added appropriate pars and distich numbers as running headlines; scattered marginalia throughout, some in Anglicana script., Part I: Initials, 4- to 2-line, alternate blue with red penwork designs and red with blue penwork designs. Paragraph marks alternate red and blue. Spaces left for rubrics. Part II: Decoration similar in style and scope to Part I. Part II of the manuscript was well used in the 15th century, for there are several series of numbers in the margins that appear to be chapter or indexing references, in addition to the running headlines., and Binding: Twentieth century. Bound in tan suede (?) with early, printed board pastedowns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Manuscripts, Medieval, Scholasticism, and Theology
In Latin., Script: Written in English bookscript., Four initials in red and blue with penwork; red paragraph marks., and These 2 leaves appear to have been taken from a binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Grosseteste, Robert, 1175?-1253.
Subject (Topic):
Didactic literature, Latin, Manuscripts, Medieval, and Scholasticism
Honorius, of Autun, approximately 1080-approximately 1156
Published / Created:
[between 1175 and 1200, ca. 1200]
Call Number:
Beinecke MS 315
Image Count:
10
Resource Type:
unspecified
Abstract:
Manuscript on parchment composed of three distinct parts. Part I (ff. 1-64): Honorius of Autun, Gemma animae. Part II (ff. 65-80): Pseudo-Hugh of St. Victor, Speculum de mysteriis ecclesiae. Part III (ff. 81-122): Jean Beleth, Summa
Description:
In Latin., Script: Each part written by a different scribe, all in early gothic bookhand., Part I: Initials, 12- to 2-line, red, green, blue, with exuberant designs in contrasting colors that often extend full length of folio, some trimmed. Headings in red. Part II: Decorative initials, 8- to 2-line, alternate red and blue, with designs in contrasting colors; plain initials, 1-line, some with simple ornamentation, in red or blue throughout. Heading in red. Guide-letters in inner margin. Part III: Simple initials, a few with designs. Paragraphs marks in red and/or black. Guide-letters in outer and inner margins; notes to rubricator perpendicular to written space in gutter and outer margin. Headings in red., and Binding: Nineteenth century. Vellum case with a black label, gold-tooled, and arms of Athelstan Riley on covers. Bound by John R. Hering, London, active 1817-35.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Honorius, of Autun, approximately 1080-approximately 1156.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Peter Lombard, Bishop of Paris, approximately 1100-1160
Published / Created:
[between 1250 and 1275]
Call Number:
Marston MS 222
Image Count:
2
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Peter Lombard, Sententiarum libri IV. With a Commentary on Eccles. 38.
Description:
In Latin., Script: Written in gothic bookhand, below top line; annotations added in less formal, later hands., Red and blue divided initials, 4- to 3-line, for prologue and beginning of books, with penwork designs in the same colors. For other text divisions, 3- to 2-line initials in red or blue with flourishes in opposite color. Distinctio numbers and running headlines in red and blue; rubrics in red. Initial letters of each entry in chapter lists alternate red and blue., and Binding: 1837, England. Bound by Gough in London. Dark brown goatskin, blind-tooled with a light brown gold-tooled label with title "Liber Sententiarum".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Peter Lombard, Bishop of Paris, approximately 1100-1160.
Manuscript on parchment of Raymond of Peñafort, Summa de paenitentia and Summa de matrimonio; also includes a difficultly deciphered biblical commentary and a list of Dominican Order provincial chapters in 13th century England
Description:
In Latin., Script: copied in several hands: artt. 2 (the main text) and 4 are copied by several hands in bold Northern Gothica Textualis Libraria; art. 1 is written by one hand in Gothica Cursiva Antiquior Libraria (Anglicana); and art. 3 is in a rapid Gothica Hybrida., Decoration: Headings, running headlines, heightening of majuscules and underlining in red. Alternately red and blue paragraph marks. 1-line versals alternately red and blue in the Capitula. 2-line blue flourished initials half inserted, with red penwork extending into the left margin or the intercolumnar space. The Preface and the Books open with 6- or 7-line gold initials half inserted on a red and blue square background heightened with white penwork. Artt. 1 and 3 are not decorated; art. 4 has paragraph marks, heightening of majuscules and numbering of the Chapters in red., and Binding: Contemporary, undecorated red leather over rounded wooden boards, worm-eaten. Remnants of two straps attached to the front board and closing over pins (lost) on the rear board. Marks of a chain attached to the lower edge of the front board.
