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1. "Returning Justice lifts aloft her scale." Pope [graphic].
- Creator:
- Lane, Theodore, 1800-1828, printmaker
- Published / Created:
- June 1st, 1821.
- Call Number:
- 821.06.01.07
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
- Description:
- Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
- Publisher:
- Pubd. by G. Humphrey, 27 St. James's St.
- Subject (Geographic):
- Como, Lake (Italy),
- Subject (Name):
- Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
- Subject (Topic):
- Justice, Adultery, Boats, Brooms & brushes, Cages, Carriages & coaches, Judges, Ladders, and Nudes
- Found in:
- Lewis Walpole Library > "Returning Justice lifts aloft her scale." Pope [graphic].
2. "Returning Justice lifts aloft her scale." Pope [graphic].
- Creator:
- Lane, Theodore, 1800-1828, printmaker
- Published / Created:
- June 1st, 1821.
- Call Number:
- Folio 724 835G v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
- Description:
- Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 27.3 x 22.6 cm, on sheet 27.5 x 23 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 79 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Wood" identified in ink below image; date "1 June 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted beneath print.
- Publisher:
- Pubd. by G. Humphrey, 27 St. James's St.
- Subject (Geographic):
- Como, Lake (Italy),
- Subject (Name):
- Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
- Subject (Topic):
- Justice, Adultery, Boats, Brooms & brushes, Cages, Carriages & coaches, Judges, Ladders, and Nudes
- Found in:
- Lewis Walpole Library > "Returning Justice lifts aloft her scale." Pope [graphic].
3. Hudibras and the lawyer Part 3 Canto 3 l. 621. [graphic]
- Published / Created:
- [between 1768 and 1794]
- Call Number:
- Folio 75 H67 768B
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
- Description:
- Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '12' in upper left corner., Eighteen lines of verse in three columns, below image: To this brave man the Knight repairs For counsel in this law affairs; ... As heart can wish, and need not shame The proudest man alive to claim., Copy of no. 515 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 93., and From a set of twelve prints, all with two sewing holes along left edge.
- Publisher:
- Robert Sayer
- Subject (Geographic):
- England. and Great Britain
- Subject (Name):
- Butler, Samuel, 1612-1680.
- Subject (Topic):
- Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
- Found in:
- Lewis Walpole Library > Hudibras and the lawyer Part 3 Canto 3 l. 621. [graphic]
4. Ready mony the prevailing candidate, or The humours of an election [graphic].
- Published / Created:
- [1727]
- Call Number:
- 727.00.00.02
- Image Count:
- 1
- Abstract:
- Print shows on the left, a statue of Justice in a niche beneath which a candidate, doffing his hat, offers a purse of money to a voter who replies, "Twill scarce pay, make it twenty more", beside them a gentleman points to the statue saying "Regard Justice" to another carrying a bundle on his shoulder who replies, "We fell out, I lost money by her". In the centre, in front of a large crowd are two candidates, both waving their hats, slip coins into two of the many pockets of a voter's coat; one candidate says, "Sell not your Country" and the voter replies, "No Bribery but Pocketts are free". Further to the right another candidate, saying "Accept this small acknowledgment", offers a purse to a gentleman who grovels on the ground for coins that have been thrown down by the prevailing candidate, from his position on a chair supported by poles on the shoulders of four men. On the right, a statue of Folly in a niche empties bags of coins; before the statue is an altar on which a fire burns, a candidate kneels at its base imploring, "Help me Folly or my Cause is lost"; to the left of the altar, is a butcher crying "See here, see here" and to the right, a classical philosopher, saying "Let not thy right hand know what thy left does", puts his hand behind him to received a bribe from a young man. Beyond is a tavern outside the landlord, wearing horns, calls out "He kist my Wife he has my Vote"; outside the tavern hangs the sign of a bottle with a large globe attached
- Alternative Title:
- Ready money the prevailing candidate, or The humours of an election and Humours of an election
- Description:
- Title engraved above image., Satire on corrupt elections, particularly that of 1727, set in a country town with several candidates bribing voters., Three columns of verse below: The Laws, against Brib'ry Provision may make ... Contemn Gilded Baits, & Elect Men of Merit., Price following imprint: "Pr. 6 pence.", and For further information, consult library staff.
- Publisher:
- Sold at the Print Shop in Grays Inn
- Subject (Geographic):
- England
- Subject (Topic):
- Elections, Corrupt practices, Corruption, Crowds, Justice, Political elections, Signs (Notices), and Taverns (Inns)
- Found in:
- Lewis Walpole Library > Ready mony the prevailing candidate, or The humours of an election [graphic].
5. Truth, justice, and gratitude [graphic].
- Creator:
- Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
- Published / Created:
- [31 August 1839]
- Call Number:
- 839.08.31.01
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A satire on the legal case between two purveyor’s of medical ointments Felix Albinolo and Thomas Holloway in the form of a dialogue between Mr. Bull, Mr. Murphy, Mr. Sawney; with an image with a cartouche "Albinolo's, or, The St. Come et St. Damien (brothers & physicians.) Ointment, 23 Earl Street, Blackfriars, London." decorated with an eye (all-seeing?) at the top, snakes on the side, and a lion at the bottom
- Alternative Title:
- No family ought ever to be without a pot of Albinolo's ...
- Description:
- Title from text below image., Text above image: No family ought ever to be without a pot of Albinolo's, or the St. Come and St. Damien's Ointment., Attribution to C.J. Grant from his known contributions to the periodical in which this illustration appeared. See: C.J. Grant's political drama. London : University College, c1998, page 12., Illustration from: The Penny satirist. London : B.D. Cousins, v. 3, no. 124 (31 August 1839), page 4., and Wood engraving with letterpress text.
- Publisher:
- B.D. Cousins
- Subject (Geographic):
- England.
- Subject (Topic):
- Patent medicines, Justice, and Quacks
- Found in:
- Lewis Walpole Library > Truth, justice, and gratitude [graphic].
