A bust length, three-quarter profile turned to the sitter’s proper left against a plain dark background. He wears a red jacket with buttons and a lace trimmed white cravat. A powered wig is tied in dark blue at the back of his neck
Alternative Title:
Portrait of Sir Horace Mann and Portrait of Horace Mann
Description:
Title from 2005 Christie's appraisal: Portrait of Sir Horace Mann, half-length., In a contemporary gilt Italian frame as displayed at Strawberry Hill., and Signed and dated on verso: Horace Mann. Resident of Florence. By Astley. 1751.
"Portrait of Giovanni Volpato, half-length, facing front, wearing cravat and felt hat; after Kauffman; closed letter state."--British Museum online catalogue
Alternative Title:
Johannes Vulpatus caelator eximius ann. LXVII
Description:
Title engraved below image., Date from British Museum catalogue., Place of publication based on printmaker's known city of residence; Raffaello Morghen moved to Florence in 1793 (where he was appointed professor at an engraving academy), and remained. See British Museum online catalogue., and "Volpato was Morghen's teacher and father-in-law. The age given as 67 is a problem, as he was born in 1740 and died at the age of 63 in 1803. Presumably Volpato himself was unclear as to his age. The date of the print in 1800 is that of Maskell; Marini suggests 1799"--Curator's comments, British Museum online catalogue, registration no.: 1848,1125.389.
Profile portrait depicting the young traveller Henry Bunbury wearing an academic gown and mortar board. This drawing was used as the basis for Thomas Patch’s conversation piece of the interior of his Florentine studio painted in 1770 and now in the collection of the Lewis Walpole Library, Farmington
Alternative Title:
Mr. Bunbury, 1769
Description:
Title and date inscribed by the artist (?) in lower right., Unsigned; attributed to Thomas Patch., Inscribed below the title in a different hand: Drawn by Gezze at Florence., and From the same sheet as another drawing of "Valentino, Servitore di Piazza, 1769", now separated.
A bust length, three-quarter profile turned to the sitter’s proper right against a dark background. He wears a powered wig, brown jacket with white cravat
Description:
Title from 2005 Christie's appraisal., Label on frame: "Galfridus Mann 1750 (John Astley)"., In a contemporary gilt Italian frame as displayed at Strawberry Hill., and Date from Catalog of the classic contents of Strawberry Hill collected by Horace Walpole: 1752.
Portrait of Lady Sofia Farmor in the form of a medal and Mediceae veneris sublimem interroget artem, qui Sophiae charites pingere, et ora velit ...
Description:
Title devised by cataloger., Four lines of Latin text printed in letterpress below plate: Mediceae veneris sublimem interroget artem, qui Sophiae charites pingere, et ora velit. Virtutem et patriae studium meditetur; amores noverit hic Sophiae, noverit ingenium., Publication information from that of the volume in which the plate appeared., Plate from: Raccolta di varie canzoni sopra diversi leggiadri soggetti. : A sua eccellenza Mylady Sofia Farmor. In Firenze : Nella stamperia di Bernardo Paperini, 1740., Sheet trimmed within plate mark on top edge., Mounted on page 144 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., Annotation in pencil below plate and above Latin text: Lady Sopia Fermour. Privat., and For further information, consult library staff.
Laurence Sterne stands on the left facing Death who has just come in the door (right) carrying an hourglass and carrying a walking stick. On the wall behind him is a map of the fortifications of Namur and on the table by his side, a statue of Diana of the Ephesians under a glass dome (bell glass) as well as a feather pen in an ink stand. Below the table is a jackboot. Between the two columns of verse below the image in a cartouche is a butterfly fluttering over a torch, a reference to the soul
Description:
Title from British Museum catalogue., Date from manuscript note in Horace Walpole's hand., Sheet trimmed to plate mark on top and sides., Five lines from Tristam Shandy below image in English and Italian, etched below image: and when Death himself knocked at my door, ye had him come again, and in so gay a tone, of careless indifference, did ye doit, that he, doubted of his commission. There must certainly be some mistake in thy matter, quoth he ..., In lower left corner: Price half-crown., Temporary local subject terms: Literature: Aristotle's works -- Ovid -- A sentimental journey by Laurence Sterne -- Emblems: mundane egg -- Reference to plagiary -- Machine for tearing books., and Annotated by Horace Walpole below plate line: Sterne, author of Tristam Shandy, done at Florence.
Publisher:
publisher not identified
Subject (Name):
Sterne, Laurence, 1713-1768 and Sterne, Laurence, 1713-1768.
Subject (Topic):
Death, Hourglasses, Skeletons, and Staffs (Sticks)
A small audience sitting on benches on a tribune next to the equestrian statue of Cosimo I de' Medici in Piazza della Signoria, watching a military parade of the guards of the Grand Duke Pietro Leopoldo of Lorena (1765-1790), son of the Empress Maria Theresa of Habsburg and brother of Joseph II. The soldiers, forming an L-shaped cordon and led by four battalion officers, are recognizable by their tricorns and the bayonets. At the center of the square, under the grand building of Palazzo Vecchio, stands a troop of drummers. Figures in the the foreground include a group of cavalrymen bearing a banner and followed by a cart on the right; a lady and gentleman waiting for a landau carriage at center; and a figure, maybe a soldier on look-out, watching the scene in Palazzo Uguccioni's shadow on the left
Description:
Title and artist attribution from dealer's description. and Date based on artist's death date.
Subject (Geographic):
Florence (Italy)
Subject (Name):
Piazza della Signoria (Florence, Italy), and Palazzo vecchio (Florence, Italy),
Subject (Topic):
Plazas, Equestrian statues, Military parades & ceremonies, Spectators, and Carriages & coaches
