"Portrait of Lady Charlotte Finch, three-quarter length, sitting resting left elbow on a grassy bank, head on her hand, holding a few flowers on her lap in right hand, wearing a low-necked gown with large, lacy sleeves, and large drop earrings."--British Museum online catalogue
Description:
Title from British Museum online catalogue, registration no.: 1902,1011.1425., Sheet trimmed to plate mark., Mounted on leaf numbered 13 in an album of 49 prints: sheet 60 x 47 cm. Ms. notes in black ink by unknown hand below image, misidentified as "Miss Fuller.", and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Sold by J. Faber at the Golden Head in Bloomsbury Square
"Portrait; half-length directed slightly to right, head tilted to left and glancing towards the viewer, in Van Dyck shepherdess dress with a crook, her hair dressed up with pearls and tresses over her shoulders; in an oval stone frame."--British Museum online catalogue
Description:
Title from published state in the British Museum., Printmaker, date of publication and publisher from the British Museum online catalogue, 2010,7081.2659., Sheet trimmed within plate mark., and With curator's pencilled note: H. Walpole's wrtiting. From Gulston collection.
Publisher:
S. Okey
Subject (Name):
Coventry, Maria Gunning Coventry, Countess of, 1733-1760,
"Using a powerful diagonal composition echoed in smaller intersecting diagonals of lights and darks, Trumbull depicts the moment when General Montgomery expires in the arms of Major Matthias Ogden. Before him on the snow-covered ground lie the bodies of his two aides-de-camp, Captains Jacob Cheeseman and John MacPherson. Lieutenants John Humphries and Samuel Cooper and Lieutenant Colonel Donald Campbell surround the two central figures in a protective semicircle, while an Oneida Indian chief, Colonel "Joseph Louis," defiantly raises his tomahawk in the direction of the shots. Three figures in the left foreground, Major Return Johnathan Meigs and Captains Samuel Ward and William Hendricks, gesture in shock at the sight of their dying general. With spontaneous, fluid brushwork and a palette of rich, glowing colors, Trumbull conveys the excitement of the battle, and the intense drama surrounding the tragic death of Montgomery."--Yale University Art Gallery eCatalogue
Description:
Title, artist, and printmaker from the British Museum online catalogue, registration no.: 1854,0812.195., Description based on imperfect impression; sheet trimmed within plate mark with loss of statement of responsibility., and Engraved after a painting now held in the Yale University Art Gallery.
Publisher:
Published London Jany. the 1st 1794 as the Act of Parliament directs by A.C. de Poggi, No. 91 New Bond Street
Portrait of Thomas Herring, Archbishop of Canterbury; three-quarter length, seated, to the left, looking to the front; gesturing towards viewer with left hand, his right hand holding a book; a curtain in background to the right; after Hogarth
Alternative Title:
Archbishop Herring
Description:
Title, artist, printmaker, and imprint from finished state., Sheet trimmed to plate mark., See Paulson, R. Hogarth's graphic works, p. 14., Ms. note in pencil in Steevens's hand to left of two impressions of this print: See Mr. Nichols's book, 3d. edit. p. 297., and On page 148 in volume 2. Removed in 2012 by LWL conservator.
In a winter landscape, a man smoking a pipe carries an axe under one arm as he walks down a path in a field, a dog walking beside him; in his belt is a large knife, and in the distance on the left is a thatched cottage beyond a fence and stone wall
Description:
Title from published state. See: British Museum online catalogue, registration no.: 1941,1011.3. and Artist, printmaker, and publication information from statement of responsibility and imprint on published state: Barker pinxt. ; F. Bartolozzi R.A. sculpt. London, Published June 1, 1792, by Thos. Macklin, Poets Gallery, Fleet Street.
"Portrait of Thomas Howard, 14th Earl of Arundel, three-quarter length, standing to right in front of a large rock, holding a baton in his right hand, the left on the shoulder of his grandson."--British Museum online catalogue, description of a later state
Description:
Title from later state of the plate., Early state without title. For a later state with title, see British Museum online catalogue, registration no.: 1853,0112.1640., Imperfect; sheet trimmed to plate mark and printmaker's signature mostly erased from sheet. Missing text inferred from that on a later state of the plate in the British Museum., Possibly engraved after the watercolor drawing by Vertue that was kept by Horace Walpole in the Gallery at Strawberry Hill., and Mounted on page 112 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
Pub. by J. Thane, Rupert Street, Hay Market
Subject (Name):
Arundel, Thomas Howard, Earl of, 1585-1646,, Howard, Philip Thomas, 1629-1694,, and Strawberry Hill (Twickenham, London, England)
Portrait of Thomas Pellett; half length, to the left, looking to front; wearing cloak with tassles decorating bands across sleeves, wig, and neck scarf; in oval; after Dahl
Description:
Title from later, lettered states., Sheet trimmed to plate mark., On page 208 in volume 3., and Ms. note in pencil in Steevens's hand above print: Proof. In pencil in Steeven's hand above row of three impressions of this portrait: Dr. Pellet. See Nichols's Book, 3d. edit., p. 407.
Publisher:
Pubd. June 1st. 1781 by I. Thane, Rupert Street, Hay Market
Title, printmaker, artist, publisher, and publication date from Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum., Date of publication from printmaker's known place of activity., and Sheet trimmed to plate mark.
Portrait of Thomas Wood, standing whole-length directed slightly to right, his right hand tucked into his coat, left hand at his side, a bunch of flowers at left lapel, in an ordered garden with windmills in the background; after Ogborne; unlettered proof before margin cleared
Description:
Title, artist and publication information from Chaloner Smith. and Engraved from a painting by David Ogborne. Cf. Chaloner Smith.
Publisher:
Publish'd March the 1st 1774, by John Thane, printseller and medalist in Gerrard Street, Soho
