Title etched below image., Publication date from unverified data in local card catalog record., Two lines of text following title: This silly innovation which they've borrow'd from the Turks ..., For a reversed version of this design published in Dublin, see British Museum online catalogue, registration no.: 1948,0214.872., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: 1816 -- Picture: Bazaar in Baghdad, enslaved persons., and Watermark: Basted Mill.
Publisher:
Pubd. by J. Sidebotham, 96 Strand
Subject (Topic):
Chimney sweeps, Dandies, Markets, Slave trade, Staffs (Sticks), and Umbrellas
A scene of a busy market in the West Indies with enslaved, free Africans, and white mingling amongst the vendors: The Black vendors are seated on the ground with their wares displayed around them, including produce (mellons, pineapples, bananas, etc.), livestock (goats, pigs, poultry, etc.); one man (left) is holding a lizard (iguana?); a little boy holds a bird on his finger. One woman carries her chickens and a piglet in a basket balanced on her head. Customers, both Black and mixed-race, mingle with vendors. White women with umbrellas and white men wearing hats walk among the vendors; a horse and carriage and buildings are in the background
Description:
Title from text below image., Based on a 1806 etching with the title: Negroes Sunday Market at Antigua. Engraved by Cordon, Pub. by G. Tustolini, London, 1806. See National Maritime Museum, Greenwich, UK. Accession reference: National Maritime Museum, ZBA2594., Motte started publishing in 1818 in Paris, opened a branch in London in 1830, and moved to 70 St. Martin's Lane in 1831. See British Museum online catalogue., "From an original drawing taken in 1806."--Lower left, below design., After W.E. Beastall and the engraving by Cardon. Cf. Negroes Sunday market at Antigua / engraved by Cardon. Pub. by G. Tustolini, London, 1806. Accession reference: National Maritime Museum, ZBA2594., and Imprint partially burnished and illegible.
Publisher:
Printed by Motte, 70 St. Martins Lane
Subject (Geographic):
Antigua.
Subject (Topic):
Black people, Animals, Farm produce, Markets, Poultry, and Slave trade
Title from caption below image., Printmaker description of later state in the British Museum catalogue., Early state, with publication line present and number '74' absent from upper right corner, of No. 7014A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Morals -- Surgeons instruments -- Calcutta -- India -- Slaver --Enslaved people., and Watermark: CT.
Publisher:
Pubd. May 10th, 1811, by Thos. Tegg, No. 111 Cheapside
On the deck of a slave ship a Black girl is suspended by her ankle by a British sailor as the captain prepares to whip her with a chain. In the background two other sailors wander off indifferently on the right and on the left a group of enslaved people sit cowering
Description:
Title from item., Printmaker from British Museum catalogue., Watermark: I Taylor., 'Captn Kimber's' in title erased and replaced in contemporary hand with 'the cruel.', and Mounted to 37 x 49 cm.
Publisher:
Pub April 10, 1792, by S.W. Fores, No. 3 Picca[dilly]
Subject (Name):
Kimber, John
Subject (Topic):
Slave ships, Slave trade, Punishment & torture, and Whips
